MOODS AND MODELS
Anne and Judy were almost overcome by the mystery of the Judge's
departure. Not a word could they get out of the reticent Perkins,
however, as to the reasons for the sudden flitting, and the Judge had
simply said when pressed with questions: "Important business, my dear,
which may result rather pleasantly for you. Mrs. Adams will take care
of you and Anne while I am gone, which I hope won't be long."
The day that he left it rained, and the day after, and the day after
that, and on the fourth day, when the sea was gray and the sky was gray
and the world seemed blotted out by the blinding torrents, Judy, who
had been pacing through the house like a caged wild thing, came into
the library, and found Anne curled up in the window-seat with a book.
"I came down here with all sorts of good resolutions," she said,
fiercely, as she stood by the window, looking out, "but if this rain
doesn't stop, I shall do something desperate. I hate to be shut in."
Anne did not look up. She was reading a book breathlessly, and not
until Judy had jerked it out of her hand and had flung it across the
room did she come to herself with a little cry.
"I shall do something desperate," reiterated Judy, stormily. "Do you
hear, Anne?"
Anne smiled up at her--a preoccupied smile.
"Oh, Judy," she said, still seeing the visions conjured up by her book.
"Oh, Judy, you ought to read this--"
"You know I don't like to read, Anne." Judy's tone was irritable.
"You would like this," said Anne, gently, as she drew Judy down beside
her. "It's about the sea." She opened the despised book at the place
where she had been reading when Judy plucked it out of her hand.
"Listen."
Judy did listen, but with her sullen eyes staring out of the window and
her shoulders hunched up aggressively. When Anne stopped however, she
said: "Go on," and when the chapter was finished, she asked, "Who wrote
that?"
"Robert Louis Stevenson. He was a lovely man, and he wrote lovely
books, and he died, and they buried him in Samoa on the top of a
mountain. He wrote some verses called 'Requiem.' I think you would
like them, Judy."
"What are they?"
Anne quoted softly, her sweet little voice deep with feeling, and her
blue eyes dark with emotion.
"'Under the wide and stormy sky,
Dig the grave and let me lie,
Glad did I live and gladly die,
And I laid me down with a will.
"'This be the verse you grave for me:
"Here he lies where he longed to be;
Home is the sailor--home from the sea,
And the hunter home from the hill."'"
"'Home is the sailor, home from the sea--'" echoed Judy, under her
breath. "How fine that he could say it like that, Anne. Tell me about
him."
All the discontent had gone from her face, and she lay back among the
cushions of the window-seat quietly, while Anne told her of the young
life that had ended in a land of exile. Of a singer whose song had
been stilled so soon, but who would not be forgotten as long as men
honor a brave heart and a gentle spirit.
"Let me see the book," and Judy stretched out her hand, and Anne gave
her "Kidnapped" unselfishly, glad to see the softened look in Judy's
eyes, and as the morning passed and the two girls read on and on, they
did not notice that the rain had stopped and that the parted clouds
showed a gleam of watery sun.
And when lunch was announced, Judy laid her book down with a sigh, and
after lunch, in spite of clearing weather, she read until twilight, and
having finished one book, would have started another, if Anne had not
protested.
"You will wear yourself out," she said, as the intense Judy looked up
with blurred eyes and wrinkled forehead. "Let's have a run on the
beach."
Judy never did anything by halves, and after her introduction to books
that she liked, she outread Anne. And as time went on it was her books
that soothed her in her restless moods, and because there were in her
father's library the writings of the greatest men and the best men who
have given their thoughts to the world, Judy was gradually molded into
finer girlhood, finer womanhood, than could have come to her by any
other association.
She read Stevenson through in a week, and then began on Ruskin; for her
thoughtful mind, starved so long of food that it needed, craved solid
things, and Judy, who knew much of pictures and paintings, found in
Ruskin's theories a great deal that delighted and interested her.
"You'll never get through," said Anne, with a dismayed glance at the
long rows of brown volumes high up on the shelves. "I don't like
anything but stories, and Ruskin preaches awfully."
"You ought to like him, then," said Judy, wickedly, "you good little
Anne."
"Oh, don't," protested Anne, reproachfully, "don't call me that, Judy."
"Well, bad little Anne, then," said Judy, composedly, from the top of
the step-ladder, where she was examining the titles of the books and
enjoying herself generally.
"You're such a tease," said Anne with a sigh.
"And you are so serious, little Annekins," and Judy smiled down at her.
"I like Ruskin," she announced, later. "He's a little hard to
understand sometimes, but he knows a lot about art. I am going to take
up my drawing again. He says that youth is the time to do things, and
a girl ought not to fritter away her time."
"No, indeed," said Anne, virtuously. "Only don't get too tired, Judy."
But it was Anne who was tired, before Judy's enthusiasm wore itself
out, for she was pressed into service as a model, and she served in
turn as A Blind Girl, A Dancing Girl, A Greek Maiden, Rebecca at the
Well, Marguerite, and Lorelei.
The last was an inspiration. Anne perched on a rock around which the
breakers dashed appropriately, with her hair down, and with filmy
garments fluttering in the wind, combed her golden locks in the heat of
the blazing sun.
"It's broiling hot out here, Judy," she complained as that
indefatigable artist sat on the beach with her easel before her, in a
blue work-apron, and with a dab of charcoal on her nose.
"Oh, you look just lovely, Anne," Judy assured her, with the cruel
indifference of genius. "You're just lovely. I think this is the best
I have done yet. Think what a picture you will make."
"Think how my nose will peel," mourned Anne, forlornly.
"Die schönste Jungfrau sitzet
Dort oben wunderbar,
Ihr goldnes Geschmeide blitzet,
Sie kämmt ihr gold'nes Haar."
sang Judy, whose residence abroad had made her familiar with many
folk-songs.
Sie kämmt es mit gold'nem Kamme,
Und singt ein Lied dabei;"
"--Anne, you have the loveliest hair," she interrupted her song to say.
But Anne was tired. "I don't think that the Lorelei was very nice,"
she said, "to make men drown themselves just because she wants to comb
her hair on a rock--"
"She didn't care," said Judy, sagely. "The men didn't have to let
their old boats be wrecked."
"But her voice was so wonderful they just had to follow--"
"No, they didn't," declared Judy. "You just ask your grandmother. She
says nobody has to go where they don't want to go, and I think she is
right, and if those sailors had sailed away the minute they heard the
Lorelei begin to sing they would have been safe."
"Well, maybe they would," agreed Anne, hastily, for Judy had stopped
work to talk. "Judy, I shall fall off this rock if you don't finish
pretty soon."
"All right, Annekins, just one minute," and Judy dashed in a drowning
sailor or two, fluffed the heroine's hair into entrancing curliness,
added a few extra rays to the sparkling comb, and held up the sketch.
"There," she said, triumphantly.
Anne slid from the rock, and waded in to look.
"It isn't a bit like me," she criticized, holding up her wet and
flowing draperies.
"Well, you see I couldn't put in your dimples and your chubbiness, for
although they are dear in you, Anne, they are not suitable for the
purposes of art," and Judy stood back with a grown-up air and gazed
upon her masterpiece. Then she caught Anne around the waist and danced
with her on the beach.
"Ich glaube, die Wellen verschlingen
Am Ende Schiffer und Kahn;
Und das hat mit ihrem Singen
Die Lorelei gethan."
"You wicked little Lorelei," she panted, as they sat down on the sand.
"I'm not wicked," said Anne, composedly, "and the next time you use me
for a model, Judy, I wish you would get an easier place than on that
old rock."
"You shall be Juliet in the tomb," promised Judy, "and you can go to
sleep if you want to."
But she let Anne rest for awhile, and used Perkins as a model.
Her first sketch of him was very clever--a sketch in which the stately
butler posed as "The Neptune of the Kitchen." He sat on a great
turtle, with a toasting-fork instead of a trident, with a necklace of
oyster crackers, a crown of pickles, and a smile that was truly
Perkins's own.
That sketch taught Judy her niche in the temple of art. She was not
destined to be a great artist, but she had a keen wit, and a knack of
discovering fun in everything, and in later years it was in caricature,
not unkind, but truly humorous, that Judy made her greatest successes,
and achieved some little fame.