Connected with this affair is an anecdote which we think merits a place

along with it. It is related by John Adams, who was an interested

listener. William Molyneux had a petition before the legislature which did

not succeed to his wishes, and for several evenings he had wearied the

company with his complaints of services, losses, sacrifices, etc., always

winding up with saying, "That a man who has behaved as I have should be

treated as I am is intolerable," with much more to the same effect. Otis

had said nothing, but the whole club were disgusted and out of patience,

when he rose from his seat with the remark, "Come, come, Will, quit this

subject, and let us enjoy ourselves. I also have a list of grievances;

will you hear it?" The club expected some fun, so all cried out, "Ay! ay!

let us hear your list."

"Well, then, in the first place, I resigned the office of

advocate-general, which I held from the crown, which produced me--how much

do you think?"

"A great deal, no doubt," said Molyneux.

"Shall we say two hundred sterling a year?"

"Ay, more, I believe," said Molyneux.

"Well, let it be two hundred. That, for ten years, is two thousand. In the

next place, I have been obliged to relinquish the greater part of my

business at the bar. Will you set that at two hundred pounds more?"

"Oh, I believe it much more than that!" was the answer.

"Well, let it be two hundred. This, for ten years, makes two thousand. You

allow, then, I have lost four thousand pounds sterling?"

"Ay, and more too," said Molyneux. Otis went on: "In the next place, I

have lost a hundred friends, among whom were men of the first rank,

fortune, and power in the province. At what price will you estimate them?"

"D--n them!" said Molyneux, "at nothing. You are better off without them

than with them."

A loud laugh from the company greeted this sally.

"Be it so," said Otis. "In the next place, I have made a thousand enemies,

among whom are the government of the province and the nation. What do you

think of this item?"

"That is as it may happen," said Molyneux, reflectively.

"In the next place, you know I love pleasure, but I have renounced

pleasure for ten years. What is that worth?"

"No great matter: you have made politics your amusement."

A hearty laugh.

"In the next place, I have ruined as fine health as nature ever gave to

man."

"That is melancholy indeed; there is nothing to be said on that point,"

Molyneux replied.

"Once more," continued Otis, holding down his head before Molyneux, "look

upon this head!" (there was a deep, half-closed scar, in which a man might

lay his finger)--"and, what is worse my friends think I have a monstrous

crack in my skull."

This made all the company look grave, and had the desired effect of making

Molyneux who was really a good companion, heartily ashamed of his childish

complaints.

[Illustration]

Another old inn of assured celebrity was the =Cromwell's Head=, in School

Street. This was a two-story wooden building of venerable appearance,

conspicuously displaying over the footway a grim likeness of the Lord

Protector, it is said much to the disgust of the ultra royalists, who,

rather than pass underneath it, habitually took the other side of the way.

Indeed, some of the hot-headed Tories were for serving _Cromwell's Head_

as that man of might had served their martyr king's. So, when the town

came under martial law, mine host Brackett, whose family kept the house

for half a century or more, had to take down his sign, and conceal it

until such time as the "British hirelings" should have made their

inglorious exit from the town.

[Illustration]

After Braddock's crushing defeat in the West, a young Virginian colonel,

named George Washington, was sent by Governor Dinwiddie to confer with

Governor Shirley, who was the great war governor of his day, as Andrew was

of our own, with the difference that Shirley then had the general

direction of military affairs, from the Ohio to the St. Lawrence, pretty

much in his own hands. Colonel Washington took up his quarters at

Brackett's, little imagining, perhaps, that twenty years later he would

enter Boston at the head of a victorious republican army, after having

quartered his troops in Governor Shirley's splendid mansion.

Major-General the Marquis Chastellux, of Rochambeau's auxiliary army,

also lodged at the _Cromwell's Head_ when he was in Boston in 1782. He met

there the renowned Paul Jones, whose excessive vanity led him to read to

the company in the coffee-room some verses composed in his own honor, it

is said, by Lady Craven.

From the tavern of the gentry we pass on to the tavern of the mechanics,

and of the class which Abraham Lincoln has forever distinguished by the

title of the common people.

Among such houses the =Salutation=, which stood at the junction of

Salutation with North Street, is deserving of a conspicuous place. Its

vicinity to the shipyards secured for it the custom of the sturdy North

End shipwrights, caulkers, gravers, sparmakers, and the like,--a numerous

body, who, while patriots to the backbone, were also quite clannish and

independent in their feelings and views, and consequently had to be

managed with due regard to their class prejudices, as in politics they

always went in a body. Shrewd politicians, like Samuel Adams, understood

this. Governor Phips owed his elevation to it. As a body, therefore, these

mechanics were extremely formidable, whether at the polls or in carrying

out the plans of their leaders. To their meetings the origin of the word

_caucus_ is usually referred, the word itself undoubtedly having come into

familiar use as a short way of saying caulkers' meetings.

The _Salutation_ became the point of fusion between leading Whig

politicians and the shipwrights. More than sixty influential mechanics

attended the first meeting, called in 1772, at which Dr. Warren drew up a

code of by-laws. Some leading mechanic, however, was always chosen to be

the moderator. The "caucus," as it began to be called, continued to meet

in this place until after the destruction of the tea, when, for greater

secrecy, it became advisable to transfer the sittings to another place,

and then the Green Dragon, in Union Street, was selected.

The _Salutation_ had a sign of the sort that is said to tickle the popular

fancy for what is quaint or humorous. It represented two citizens, with

hands extended, bowing and scraping to each other in the most approved

fashion. So the North-Enders nicknamed it "The Two Palaverers," by which

name it was most commonly known. This house, also, was a reminiscence of

the _Salutation_ in Newgate Street, London, which was the favorite haunt

of Lamb and Coleridge.

The =Green Dragon= will probably outlive all its contemporaries in the

popular estimation. In the first place a mural tablet, with a dragon

sculptured in relief, has been set in the wall of the building that now

stands upon some part of the old tavern site. It is the only one of the

old inns to be so distinguished. Its sign was the fabled dragon, in

hammered metal, projecting out above the door, and was probably the

counterpart of the _Green Dragon_ in Bishopsgate Street, London.

[Illustration: THE GREEN DRAGON TAVERN]

As a public house this one goes back to 1712, when Richard Pullen kept

it; and we also find it noticed, in 1715, as a place for entering horses

to be run for a piece of plate of the value of twenty-five pounds. In

passing, we may as well mention the fact that Revere Beach was the

favorite race-ground of that day. The house was well situated for

intercepting travel to and from the northern counties.

[Illustration: THE GREEN DRAGON.]

To resume the historical connection between the _Salutation_ and _Green

Dragon_, its worthy successor, it appears that Dr. Warren continued to be

the commanding figure after the change of location; and, if he was not

already the popular idol, he certainly came little short of it, for

everything pointed to him as the coming leader whom the exigency should

raise up. Samuel Adams was popular in a different way. He was cool,

far-sighted, and persistent, but he certainly lacked the magnetic quality.

Warren was much younger, far more impetuous and aggressive,--in short, he

possessed all the more brilliant qualities for leadership which Adams

lacked. Moreover, he was a fluent and effective speaker, of graceful

person, handsome, affable, with frank and winning manners, all of which

added no little to his popularity. Adams inspired respect, Warren

confidence. As Adams himself said, he belonged to the "cabinet," while

Warren's whole make-up as clearly marked him for the field.

In all the local events preliminary to our revolutionary struggle, this

_Green Dragon_ section or junto constituted an active and positive force.

It represented the muscle of the Revolution. Every member was sworn to

secrecy, and of them all one only proved recreant to his oath.

These were the men who gave the alarm on the eve of the battle of

Lexington, who spirited away cannon under General Gage's nose, and who in

so many instances gallantly fought in the ranks of the republican army.

Wanting a man whom he could fully trust, Warren early singled out Paul

Revere for the most important services. He found him as true as steel. A

peculiar kind of friendship seems to have sprung up between the two,

owing, perhaps, to the same daring spirit common to both. So when Warren

sent word to Revere that he must instantly ride to Lexington or all would

be lost, he knew that, if it lay in the power of man to do it, the thing

would be done.

Besides the more noted of the tavern clubs there were numerous private

coteries, some exclusively composed of politicians, others more resembling

our modern debating societies than anything else. These clubs usually met

at the houses of the members themselves, so exerting a silent influence on

the body politic. The non-importation agreement originated at a private

club in 1773. But all were not on the patriot side. The crown had equally

zealous supporters, who met and talked the situation over without any of

the secrecy which prudence counselled the other side to use in regard to

their proceedings. Some associations endeavored to hold the balance

between the factions by standing neutral. They deprecated the

encroachments of the mother-country, but favored passive obedience. Dryden

has described them:

"Not Whigs nor Tories they, nor this nor that,

Nor birds nor beasts, but just a kind of bat,--

A twilight animal, true to neither cause,

With Tory wings but Whiggish teeth and claws."

It should be mentioned that Gridley, the father of the Boston Bar,

undertook, in 1765, to organize a law club, with the purpose of making

head against Otis, Thatcher, and Auchmuty. John Adams and Fitch were

Gridley's best men. They met first at Ballard's, and subsequently at each

other's chambers; their "sodality," as they called it, being for

professional study and advancement. Gridley, it appears, was a little

jealous of his old pupil, Otis, who had beaten him in the famous argument

on the Writs of Assistance. Mention is also made of a club of which Daniel

Leonard (_Massachusettensis_), John Lowell, Elisha Hutchinson, Frank

Dana, and Josiah Quincy were members. Similar clubs also existed in most

of the principal towns in New England.

The =Sons of Liberty= adopted the name given by Colonel Barré to the

enemies of passive obedience in America. They met in the counting-room of

Chase and Speakman's distillery, near Liberty Tree.[3] Mackintosh, the man

who led the mob in the Stamp Act riots, is doubtless the same person who

assisted in throwing the tea overboard. We hear no more of him after this.

The "Sons" were an eminently democratic organization, as few except

mechanics were members. Among them were men like Avery, Crafts, and Edes

the printer. All attained more or less prominence. Edes continued to print

the _Boston Gazette_ long after the Revolution. During Bernard's

administration he was offered the whole of the government printing, if he

would stop his opposition to the measures of the crown. He refused the

bribe, and his paper was the only one printed in America without a stamp,

in direct violation of an Act of Parliament. The "Sons" pursued their

measures with such vigor as to create much alarm among the loyalists, on

whom the Stamp Act riots had made a lasting impression. Samuel Adams is

thought to have influenced their proceedings more than any other of the

leaders. It was by no means a league of ascetics, who had resolved to

mortify the flesh, as punch and tobacco were liberally used to stimulate

the deliberations.

[Illustration: THE LIBERTY TREE]

No important political association outlived the beginning of hostilities.

All the leaders were engaged in the military or civil service on one or

the other side. Of the circle that met at the _Merchants'_ three were

members of the Philadelphia Congress of 1774, one was president of the

Provincial Congress of Massachusetts, the career of two was closed by

death, and that of Otis by insanity.

IV.

SIGNBOARD HUMOR.

Another tavern sign, though of later date, was that of the =Good Woman=,

at the North End. This _Good Woman_ was painted without a head.

[Illustration: THE GOOD WOMAN]

Still another board had painted on it a bird, a tree, a ship, and a

foaming can, with the legend,--

"This is the bird that never flew,

This is the tree which never grew,

This is the ship which never sails,

This is the can which never fails."

The =Dog and Pot=, =Turk's Head=, =Tun and Bacchus=, were also old and

favorite emblems. Some of the houses which swung these signs were very

quaint specimens of our early architecture. So, also, the signs themselves

were not unfrequently the work of good artists. Smibert or Copley may have

painted some of them. West once offered five hundred dollars for a red

lion he had painted for a tavern sign.

[Illustration: DOG AND POT.]

Not a few boards displayed a good deal of ingenuity and mother-wit, which

was not without its effect, especially upon thirsty Jack, who could hardly

be expected to resist such an appeal as this one of the _Ship in

Distress_:

"With sorrows I am compass'd round;

Pray lend a hand, my ship's aground."

We hear of another signboard hanging out at the extreme South End of the

town, on which was depicted a globe with a man breaking through the crust,

like a chicken from its shell. The man's nakedness was supposed to

betoken extreme poverty.

So much for the sign itself. The story goes that early one morning a

continental regiment was halted in front of the tavern, after having just

made a forced march from Providence. The men were broken down with

fatigue, bespattered with mud, famishing from hunger. One of these

veterans doubtless echoed the sentiments of all the rest when he shouted

out to the man on the sign, "'List, darn ye! 'List, and you'll get through

this world fast enough!"

[Illustration: "HOW SHALL I GET THROUGH THIS WORLD?"]

In time of war the taverns were favorite recruiting rendezvous. Those at

the waterside were conveniently situated for picking up men from among the

idlers who frequented the tap-rooms. Under date of 1745, when we were at

war with France, bills were posted in the town giving notice to all

concerned that, "All gentlemen sailors and others, who are minded to go on

a cruise off of Cape Breton, on board the brigantine _Hawk_, Captain

Philip Bass commander, mounting fourteen carriage, and twenty swivel guns,

going in consort with the brigantine _Ranger_, Captain Edward Fryer

commander, of the like force, to intercept the East India, South Sea, and

other ships bound to Cape Breton, let them repair to the Widow Gray's at

the =Crown Tavern=, at the head of Clark's Wharf, to go with Captain Bass,

or to the =Vernon's Head=, Richard Smith's, in King Street, to go in the

_Ranger_." "Gentlemen sailors" is a novel sea-term that must have tickled

an old salt's fancy amazingly.

The following notice, given at the same date in the most public manner, is

now curious reading. "To be sold, a likely negro or mulatto boy, about

eleven years of age." This was in Boston.

The Revolution wrought swift and significant change in many of the old,

favorite signboards. Though the idea remained the same, their symbolism

was now put to a different use. Down came the king's and up went the

people's arms. The crowns and sceptres, the lions and unicorns, furnished

fuel for patriotic bonfires or were painted out forever. With them

disappeared the last tokens of the monarchy. The crown was knocked into a

cocked-hat, the sceptre fell at the unsheathing of the sword. The heads of

Washington and Hancock, Putnam and Lee, Jones and Hopkins, now fired the

martial heart instead of Vernon, Hawk, or Wolfe. Allegiance to old and

cherished traditions was swept away as ruthlessly as if it were in truth

but the reflection of that loyalty which the colonists had now thrown off

forever. They had accepted the maxim, that, when a subject draws his sword

against his king, he should throw away the scabbard.

Such acts are not to be referred to the fickleness of popular favor which

Horace Walpole has moralized upon, or which the poet satirizes in the

lines,--

"Vernon, the Butcher Cumberland, Wolfe, Hawke,

Prince Ferdinand, Granby, Burgoyne, Keppell, Howe,

Evil and good have had their tithe of talk,

And filled their sign-post then like Wellesly now."

Rather should we credit it to that genuine and impassioned outburst of

patriotic feeling which, having turned royalty out of doors, indignantly

tossed its worthless trappings into the street after it.

Not a single specimen of the old-time hostelries now remains in Boston.

All is changed. The demon demolition is everywhere. Does not this very

want of permanence suggest, with much force, the need of perpetuating a

noted house or site by some appropriate memorial? It is true that a

beginning has been made in this direction, but much more remains to be

done. In this way, a great deal of curious and valuable information may be

picked up in the streets, as all who run may read. It has been noticed

that very few pass by such memorials without stopping to read the

inscriptions. Certainly, no more popular method of teaching history could

well be devised. This being done, on a liberal scale, the city would

still hold its antique flavor through the records everywhere displayed on

the walls of its buildings, and we should have a home application of the

couplet:

"Oh, but a wit can study in the streets,

And raise his mind above the mob he meets."

APPENDIX.

BOSTON TAVERNS TO THE YEAR 1800.

The =Anchor=, or =Blue Anchor=. Robert Turner, vintner, came into

possession of the estate (Richard Fairbanks's) in 1652, died in 1664, and

was succeeded in the business by his son John, who continued it till his

own death in 1681; Turner's widow married George Monck, or Monk, who kept

the _Anchor_ until his decease in 1698; his widow carried on the business

till 1703, when the estate probably ceased to be a tavern. The house was

destroyed in the great fire of 1711. The old and new Globe buildings stand

on the site. [See communication of William R. Bagnall in _Boston Daily

Globe_ of April 2, 1885.] Committees of the General Court used to meet

here. (Hutchinson Coll., 345, 347.)

=Admiral Vernon=, or =Vernon's Head=, corner of State Street and

Merchants' Row. In 1743, Peter Faneuil's warehouse was opposite. Richard

Smith kept it in 1745, Mary Bean in 1775; its sign was a portrait of the

admiral.

=American Coffee-House.= See _British Coffee-House_.

=Black Horse=, in Prince Street, formerly Black Horse Lane, so named from

the tavern as early as 1698.

=Brazen-Head.= In Old Cornhill. Though not a tavern, memorable as the

place where the Great Fire of 1760 originated.

=Bull=, lower end of Summer Street, north side; demolished 1833 to make

room "for the new street from Sea to Broad," formerly Flounder Lane, now

Atlantic Avenue. It was then a very old building. Bull's Wharf and Lane

named for it.

=British Coffee-House=, mentioned in 1762. John Ballard kept it. Cord

Cordis, in 1771.

=Bunch of Grapes.= Kept by Francis Holmes, 1712; William Coffin, 1731-33;

Edward Lutwych, 1733; Joshua Barker, 1749; William Wetherhead, 1750;

Rebecca Coffin, 1760; Joseph Ingersoll, 1764-72. [In 1768 Ingersoll also

had a wine-cellar next door.] Captain John Marston was landlord 1775-78;

William Foster, 1782; Colonel Dudley Colman, 1783; James Vila, 1789, in

which year he removed to Concert Hall; Thomas Lobdell, 1789. Trinity

Church was organized in this house. It was often described as being at the

head of Long Wharf.

=Castle Tavern=, afterward the =George Tavern=. Northeast by Wing's Lane

(Elm Street), front or southeast by Dock Square. For an account of

Hudson's marital troubles, see Winthrop's _New England_, II. 249. Another

house of the same name is mentioned in 1675 and 1693. A still earlier name

was the "Blew Bell," 1673. It was in Mackerel Lane (Kilby Street), corner

of Liberty Square.

=Cole's Inn.= See the referred-to deed in _Proc. Am. Ant. Soc._, VII. p.

51. For the episode of Lord Leigh consult _Old Landmarks of Boston_, p.

109.

=Cromwell's Head=, by Anthony Brackett, 1760; by his widow, 1764-68; later

by Joshua Brackett. A two-story wooden house advertised to be sold, 1802.

=Crown Coffee-House.= First house on Long Wharf. Thomas Selby kept it

1718-24; Widow Anna Swords, 1749; then the property of Governor Belcher;

Belcher sold to Richard Smith, innholder, who in 1751 sold to Robert

Sherlock.

=Crown Tavern.= Widow Day's, head of Clark's Wharf; rendezvous for

privateersmen in 1745.

[Illustration: THE CROWN COFFEE HOUSE (Site of Fidelity Trust Building)]

=Cross Tavern=, corner of Cross and Ann Streets, 1732; Samuel Mattocks

advertises, 1729, two young bears "very tame" for sale at the _Sign of the

Cross_. Cross Street takes its name from the tavern. Perhaps the same as

the =Red Cross=, in Ann Street, mentioned in 1746, and then kept by John

Osborn. Men who had enlisted for the Canada expedition were ordered to

report there.

=Dog and Pot=, at the head of Bartlett's Wharf in Ann (North) Street, or,

as then described, Fish Street. Bartlett's Wharf was in 1722 next

northeast of Lee's shipyard.

=Concert Hall= was not at first a public house, but was built for, and

mostly used as, a place for giving musical entertainments, balls, parties,

etc., though refreshments were probably served in it by the lessee. A

"concert of musick" was advertised to be given there as early as 1755.

(See _Landmarks of Boston_.) Thomas Turner had a dancing and fencing

academy there in 1776. As has been mentioned, James Vila took charge of

Concert Hall in 1789. The old hall, which formed the second story, was

high enough to be divided into two stories when the building was altered

by later owners. It was of brick, and had two ornamental scrolls on the

front, which were removed when the alterations were made.

=Great Britain Coffee-House=, Ann Street, 1715. The house of Mr. Daniel

Stevens, Ann Street, near the drawbridge. There was another house of the

same name in Queen (Court) Street, near the Exchange, in 1713, where

"superfine bohea, and green tea, chocolate, coffee-powder, etc.," were

advertised.

=George=, or =St. George, Tavern=, on the Neck, near Roxbury line. (See

_Landmarks of Boston_.) Noted as early as 1721. Simon Rogers kept it

1730-34. In 1769 Edward Bardin took it and changed the name to the =King's

Arms=. Thomas Brackett was landlord in 1770. Samuel Mears, later. During

the siege of 1775 the tavern was burnt by the British, as it covered our

advanced line. It was known at that time by its old name of the _George_.

=Golden Ball.= Loring's Tavern, Merchants' Row, corner of Corn Court,

1777. Kept by Mrs. Loring in 1789.

=General Wolfe=, Town Dock, north side of Faneuil Hall, 1768. Elizabeth

Coleman offers for sale utensils of Brew-House, etc., 1773.

=Green Dragon=, also _Freemason's Arms_. By Richard Pullin, 1712; by Mr.

Pattoun, 1715; Joseph Kilder, 1734, who came from the =Three Cranes=,

Charlestown. John Cary was licensed to keep it in 1769; Benjamin Burdick,

1771, when it became the place of meeting of the Revolutionary Club. St.

Andrews Lodge of Freemasons bought the building before the Revolution, and

continued to own it for more than a century. See p. 46.

=Hancock House=, Corn Court; sign has Governor Hancock's portrait,--a

wretched daub; said to have been the house in which Louis Philippe lodged

during his short stay in Boston.

=Hat and Helmet=, by Daniel Jones; less than a quarter of a mile south of

the Town-House.

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