CHAPTER XVII

MORE ABOUT RUPERT

Rupert had gone through a great many changes during the last few weeks.

He had begun to grow rather captivated by Miss Chivvey and in his

efforts to polish, refine and educate her had become rather carried away

himself. But towards the end she began to show signs of rebellion; she

was bored, though impressed. He took her to a serious play and explained

it all the time, during which she openly yawned. Finally, when she

insisted on his seeing a statuette made of her by her artistic friend,

an ignorant, pretentious little creature, known as Mimsie, they

positively had a quarrel.

"Well, I don't care what you say; I think it's very pretty," when Rupert

pointed out faults that a child could easily have seen.

"So it may be, my dear child--not that I think it is. But it's

absolutely without merit; it's very very bad. It could hardly be worse.

If she went all over London I doubt if she could find a more ridiculous

thing calling itself a work of art. Can't you see it's like those little

figures they used to have on old-fashioned Twelfth Cakes, made of

sugar."

"No, I can't. Shut up! I mayn't know quite so much as you, but ever

since I was a child everybody's always said I was very artistic."

They were sitting in her mother's drawing-room in Camden Hill. Rupert

glanced round it: it was a deplorable example of misdirected aims and

mistaken ambitions; a few yards of beaded curtains which separated it

from another room gratified Moona with the satisfactory sensation that

her surroundings were Oriental. As a matter of fact, the decoration was

so commonplace and vulgar that to attempt to describe it would be

painful to the writer whilst having no sort of effect on the reader,

since it was almost indescribable. From the decorative point of view,

the room was the most unmeaning of failures, the most complete of

disasters.

Rupert had hoped, nevertheless, to cultivate her taste, and educate her

generally. He was most anxious of all to explain to her that, so far

from being artistic, she was the most pretentious of little Philistines.

Why, indeed, should she be anything else? It was the most irritating

absurdity that she should think she was, or wish to be.

Rupert was growing weary of this, and beginning to think his object was

hopeless.

A certain amount of excitement that she had created in him by her

brusque rudeness, her high spirits, even the jarring of her loud laugh,

was beginning to lose its effect; or rather the effect was changed.

Instead of attracting, it irritated him.

About another small subject they had a quarrel--she was beginning to

order him about, to regard him as her young man, her property--and was

getting accustomed to what had surprised her at first--that he didn't

make love to her. She had ordered him to take her somewhere and he had

refused on the ground that he wanted to stop at home and think!

She let herself go, and when Moona Chivvey lost her temper it was not

easily forgotten. She insulted him, called him a blighter, a silly ass,

a mass of affectation.

He accepted it with gallant irony, bowing with a chivalrous humility

that drove her nearly mad, but he never spoke to her again.

* * * * *

Perhaps nothing less than this violent scene would have shaken Rupert

into examining his own feelings, and with a tremendous rebound he saw

that he was in love with Madeline, and decided to marry her at once. How

delighted the dear child would be!

He had seen very little of her lately, and he appreciated her all the

more.

In her was genuine desire for culture; longing to learn; real refinement

and intelligence, charm and grace, if not exactly beauty. Ah, those

sweet, sincere brown eyes! Rupert would live to see her all she should

be, and there was not the slightest doubt about her happiness with him.

It never occurred to him for a single moment that anyone else could have

been trying to take his place. Far less still that she should have

thought of listening to any other man on earth but himself. When she

came and told him all that had happened, the shock was great. He had

never cared for her so much. But he declined to allow her to break her

engagement; she could not play fast and loose with this unfortunate

young man, Charlie Hillier, and although she declared, with tears, that

she should break it off in any case, and never see him again, Rupert

kept to his resolution, and started for Paris that night.

In answer to one more passionate and pathetic letter from her, he

consented to write to her as a friend in a fortnight, but he said she

must have known her own mind when she accepted Charlie.

Rupert clearly felt that he had been very badly treated; he said he

never would have thought it of her; it was practically treachery.

* * * * *

When he went away he felt very tired, and had had enough, for the

present, at any rate, of all girls and their instruction. Girls were

fools.

He looked forward to the soothing consolations of the gaieties of Paris.

He was not the first to believe that he could leave all his troubles and

tribulations this side of the Channel.

Bird of Paradise · 第 17 / 36 章