111. THE MOUNDS AND THE CONSTANT FIRE: THE OLD SACRED THINGS

Some say that the mounds were built by another people. Others say

they were built by the ancestors of the old Ani'-Kitu'hwagi for

townhouse foundations, so that the townhouses would be safe when

freshets came. The townhouse was always built on the level bottom

lands by the river in order that the people might have smooth ground

for their dances and ballplays and might be able to go down to water

during the dance.

When they were ready to build the mound they began by laying a circle

of stones on the surface of the ground. Next they made a fire in

the center of the circle and put near it the body of some prominent

chief or priest who had lately died--some say seven chief men from the

different clans--together with an Ulûñsû'ti stone, an uktena scale or

horn, a feather from the right wing of an eagle or great tla'nuwa,

which lived in those days, and beads of seven colors, red, white,

black, blue, purple, yellow, and gray-blue. The priest then conjured

all these with disease, so that, if ever an enemy invaded the country,

even though he should burn and destroy the town and the townhouse,

he would never live to return home.

The mound was then built up with earth, which the women brought in

baskets, and as they piled it above the stones, the bodies of their

great men, and the sacred things, they left an open place at the fire

in the center and let down a hollow cedar trunk, with the bark on,

which fitted around the fire and protected it from the earth. This

cedar log was cut long enough to reach nearly to the surface inside the

townhouse when everything was done. The earth was piled up around it,

and the whole mound was finished off smoothly, and then the townhouse

was built upon it. One man, called the fire keeper, stayed always in

the townhouse to feed and tend the fire. When there was to be a dance

or a council he pushed long stalks of the ihyâ'ga weed, which some

call atsil'-sûñ'ti, "the fire maker" (Erigeron canadense or fleabane),

down through the opening in the cedar log to the fire at the bottom. He

left the ends of the stalks sticking out and piled lichens and punk

around, after which he prayed, and as he prayed the fire climbed up

along the stalks until it caught the punk. Then he put on wood, and by

the time the dancers were ready there was a large fire blazing in the

townhouse. After the dance he covered the hole over again with ashes,

but the fire was always smoldering below. Just before the Green-corn

dance, in the old times, every fire in the settlement was extinguished

and all the people came and got new fire from the townhouse. This was

called atsi'la galûñkw'ti'yu, "the honored or sacred fire." Sometimes

when the fire in a house went out, the woman came to the fire keeper,

who made a new fire by rubbing an ihyâ'ga stalk against the under

side of a hard dry fungus that grows upon locust trees.

Some say this everlasting fire was only in the larger mounds at

Nikwasi', Kitu'hwa, and a few other towns, and that when the new fire

was thus drawn up for the Green-corn dance it was distributed from them

to the other settlements. The fire burns yet at the bottom of these

great mounds, and when the Cherokee soldiers were camped near Kitu'hwa

during the civil war they saw smoke still rising from the mound.

The Cherokee once had a wooden box, nearly square and wrapped up

in buckskin, in which they kept the most sacred things of their old

religion. Upon every important expedition two priests carried it in

turn and watched over it in camp so that nothing could come near to

disturb it. The Delawares captured it more than a hundred years ago,

and after that the old religion was neglected and trouble came to the

Nation. They had also a great peace pipe, carved from white stone,

with seven stem-holes, so that seven men could sit around and smoke

from it at once at their peace councils. In the old town of Keowee they

had a drum of stone, cut in the shape of a turtle, which was hung up

inside the townhouse and used at all the town dances. The other towns

of the Lower Cherokee used to borrow it, too, for their own dances.

All the old things are gone now and the Indians are different.

Myths of the Cherokee Extract from the Nineteenth Annual Report of the Bureau of American Ethnology · 第 167 / 197 题