The New Romance

When eight million men and women decide to live together on the same

spot things are bound to happen.

London, in lineal descent from Thebes and Rome, is one of those queer

massings together of humanity which Civilization dumps on a small

plot of earth before handing the lease of Destiny, not knowing

whether to laugh or cry about it. Great cities are strange

inevitable phenomena. It is wrong to compare them with hives, for in

a hive the wish of the individual has been sacrificed unquestioningly

to the good of the community. Had we ascended from the bee perhaps

the greatest happiness we could achieve would be an unspectacular

death in the service of the London County Council. But in London, as

in all modern cities, it is the individual who counts. Our eight

millions split themselves up into ones and twos: little men and

little women dreaming their private dreams, pursuing their own

ambitions, crying over their own failures, and rejoicing at their own

successes.

Fear built the first cities. Men and women herded behind a wall so

that they might be safe. Then came trade; and cities grew into lucky

bags in which men dipped for profit. Essentially they remain lucky

bags to this day. London's millions pour into London and carry off

their loot every Friday; but that, thank heaven, is not the whole

story. A city develops Tradition and Pride. London has greater

tradition and pride than any other city in the world.

So when I ask myself why I love London I realize that I appreciate

that ancient memory which is London--a thing very like family

tradition for which we in our turn are responsible to posterity--and

I realize that I am every day of my life thrilled, puzzled, charmed,

and amused by that flood-tide of common humanity flowing through

London as it has surged through every great city in the history of

civilization. Here is every human emotion. Here in this splendid

theatre the comedy and the tragedy of the human heart are acted day

and night. Love and treachery, beauty and ugliness, laughter and

tears chase one another through the streets of London every minute of

the day, often meeting and mixing in the strangest fashion, because

London is just a great mass of human feeling, and Man, never clearly

labelled "Hero" or "Villain" as in melodrama, is capable of so much

moral complexity that you might almost say that good and bad exist in

him at the same moment.

Had I been born a few thousand years ago I feel sure that I could

have written much the same book about Thebes or Babylon, because the

only things that change radically in life are fashions and

inventions. The human heart was patented long ago and the Creator

has not seen fit to bring out a later model.

After dinner one night a woman fixed large eyes on me and confided

that in a previous incarnation she had been Cleopatra. She was my

tenth Cleopatra. She told me that there was no romance in modern

life, and, looking a little withdrawn as if remembering some

Alexandrian indiscretion, she said: "No surprise, no--you know what I

mean?--no real poetry."

I always think it best not to argue with queens; but I believe that

the surprise, the romance, and the poetry of a modern city are

fiercer than they were in the past. The drama of the ancient

autocracies was played with so small a cast. The rest was suffering.

People with large eyes were never in their past lives anything less

than queens or princes, and thus their naturally vivid memories of a

small and brilliant circle dim a recollection of the dumb majority

beneath their wills. In spite of the supply of desirable lamps in

Bagdad the census of owner-drivers must have been quite negligible,

so that the average inhabitant must have lived through the romance of

those days sitting in the same patch of sun, bitten by insects and

trodden on by negroes.

In London, and in the free cities of this modern world, the drama of

life widens, the characters increase and the unchanging human heart,

no happier perhaps in the long run, beats less timorously than it

did, yet leaping in sympathy to the same old loves and fears and

hates.

Every day our feelings vibrate to some stray unimportance. Life is

full of portentous triviality. Is it not strange that our minds

often refuse to recognize some sensation--a word like a worn-out

boot--while they react immediately to something so small as to be

almost foolish? You may be bored stiff by the front page of the

evening paper, but you go home remembering some common thing seen or

heard; some little humanity: the sight of a man and a girl choosing a

child's cot, two people saying good-bye at a street corner, the quiet

hatred in a man's eyes--or the love....

Let us now go out into London.

The heart of London · 第 12 / 63 题