AMERICAN LITERATURE.--ITS IMPEDIMENTS.

We live in a country pre-eminently rich in mental and physical

resources. We have whatever internally or externally is requisite to

promote national greatness and prosperity. We live in the full

possession and enjoyment of a government founded on the experience of

the past, and reared by the genius and wisdom of an unrivalled

ancestry. The mind here blooms and grows under the protecting wings of

the Genius of Freedom--its native boldness and vigor unrestrained. Here

it may be aroused to all that is noble in enterprise, or excellent in

virtue. Here the aliments of its growth are as rich and as inspiriting,

as they are abundant. It enjoys the choice fruit of the loftiest minds

of departed ages; and may feast on the wisdom and learning of every

modern age. It enjoys the bland influence of the christian spirit; and

may attain a superior standard in moral greatness and power. But these

are not the only advantages which tend to the development of American

mind. In whatever direction we gaze, nature's beauties, as profuse and

lovely as the stars of the sky, meet the vision. We behold landscape

after landscape, enchanting beyond measure; the graceful undulations of

luxuriant prairies; tall forests, clothed in the magnificent robes of

summer, or cheerless with the storms of winter; noble and beautiful

rivers, over whose placid waters genius and enterprise have scattered

the wonders and researches of science; towering mountains, fairy

groves, and silver-sparkling lakes. Add to these, the wild traditions

of a people unknown to former minds: traditions, over which curiosity

loves to linger, and philosophy to speculate; traditions, which,

imbodying the terrific, the romantic, and the ennobling of the savage

state, throw over the page of fiction a charm and an interest,

enchanting and enchaining.

From this view, we might indulge the prophetic thought, that our

national mind would attain to the highest degree of intellectual

pre-eminence. Now, the mind is the prime source of literature, creating

it, and giving to it an enduring form. If all its powers are fully

developed in their varied beauty and might, that literature to which it

gives character, will be of an exalted nature. Should then our national

mind be made to appreciate its advantages, it naturally follows, that

our literature will be all that is grand and sublime--will soar to the

loftiest summit of the Olympian mount. But whatever will have a

tendency to pervert these advantages, to draw the mind into pursuits

below its real nature, will impede its growth. We behold around us such

impediments. It shall be our object to exhibit a few of them, feeling

convinced that if the obstacles which retard the transit of our

literature in its ascent to greatness, be once known and surmounted,

its destiny will be bright and glorious.

Individual character is the combined result of early impressions. The

same is true in regard to national character. Whatever most influences

the young mind, gives tone to its future action. Those circumstances,

which most excite and agitate the mind of a nation, likewise mould and

shape its future action. What has most deeply interested the American

mind? If we trace back the chain of our history to the fearless days of

our infancy, we shall find that its absorbing interests have been of a

political nature. True, there were some minds among that matchless band

of our New England ancestry, who, with the great volume of nature open

before them, wrote with a spirit of inspiration, and soared to the high

heavens of literature. They were few in number. We need not ask what

now moves and engrosses the thoughts and feelings of the American mind.

We need not now ask what form of character it is fast assuming: for it

is truly becoming a political mind. Now, what will be the effect of

such a cast of intellect in impeding the march of our literature, is

obvious to any one of common discernment. The _mind_ that would create

an exalted literature, should drink at all the fountains of knowledge;

should be clothed in forms of grace and loveliness; should have all its

powers and faculties developed; its delicate and masculine, its placid,

its stormy and religious: it should be like Phidias' Minerva, perfect

in all its proportions. Political pursuits do not produce _this mind_.

If we examine them, we shall find their elements to be the united

effects of _bad_ ambition and immature intellect. It is true, they

encourage activity of mind; but it is not that kind of activity which

develops its beauties and majesty. That mental action which they

promote, has its origin in lawless passions, in inordinate and

ungenerous emulation. The political aspirant of the day is attracted by

the false glory which beams around our political temple, and thinks no

means too low, too debased, to gain entrance there. It is true,

politics may bring into the field of competition, timid and shrinking

intellect; but they do not impart to it a masculine boldness and

nobleness. They train it to deeds of cunning and hypocrisy. We have

reference now to the general politics of the age. Party strifes, the

natural result of excess in politics, keep the mind in an unhealthy

state: at one time raising it to the highest pitch of excitement; at

another, causing the most extreme depression. That calm serenity, which

moderates and chastens its powers, passions and emotions, is a stranger

in a political contest. That mind, inured to party feelings and party

interests, can never attain its full vigor and manhood--such is the

nature of excess in political pursuits. We would ask, do they cause a

full development of the mental powers? Do they awaken the fancy? Do

they clothe human thoughts in radiant and brilliant robes? Do they

promote mental research? Do they create pure and soaring eloquence? or

tune the lyre of poesy to notes celestial? Let the genius of American

Literature, as she wings her slow flight upwards, give the answer.

This political spirit, contagious and diffusive in its nature, has

spread itself throughout the entire frame of our government. All

classes of society, from the proudest to the humblest spheres of life,

have imbibed it, feel it, and act under its influence. It composes the

chief interests, and engages the active feelings, of almost every

community. Who can be insensible to the fact, that our universal mind

has already assumed a political character? The aspect of the times

prove it beyond the shadow of a doubt. The consequences to our

literature are obvious. The majority of our gifted, shining minds,

prefer the honors of state to classic fame--rush headlong into fierce

unnatural intellectual conflicts, rather than enjoy the calm,

soul-ennobling, and sublime strifes of literary pursuit. The goddess of

learning is uncourted in her temple. Pure mental illumination shines

only on a few isolated spots. Public taste, which may be styled the

protectress of literature in every country, instead of being refined

and elevated, is corrupted and debased. In short, our literary mind,

which, under the influence of our free institutions, might, like the

eagle, soar with might and majesty, is chained down and impeded in its

action.

It cannot be expected, that such a state of society would patronize

noble, intellectual effort. Genuine literary merit, is unnoticed amid

the whirl of party. The beauteous and serene beams of the star of

science, are lost in the dazzling brightness of the political sun. How

feeble the inducement held out in our land to the poet, the historian,

or philosopher! The reading portion of our population is but a trifle,

compared with the whole. We have a few mature minds, who, soaring above

the common level, have taken their seats in the halls of literary

eminence. Are they appreciated? Their names are unknown to a majority

of the various classes of society? Who read the classic and eloquent

orations of Webster and Everett, full of deep principles and splendid

thoughts? Who, the placid, flowing and pathetic verse of Bryant, whose

thoughts, so melancholy, yet so beautiful, steal over the soul like

evening music on the still water? Who are delighted with the brilliant

imagery, and chaste conceptions of _Cooper_ and _Irving_? Their

productions, the results of long, close, and patient thought, serve for

parlor-ornaments, and parlor-reading. They are not studied; and who,

without studying, can master the real, pure meaning of a fine thought?

A work on modern philosophy is rarely seen, even among the learned

circles of society: it never reaches the great mass. How could it be

otherwise, when the general mind is agitated and convulsed by political

strifes! How could it be otherwise, when all that is beautiful in the

heart, and sunshine in the intellect, is debased and destroyed?

We may be told, that learning has flourished in other countries, under

similar inauspicious influences; that the mightiest geniuses the world

has ever seen, wrote their superior works under the frowns of

patronage. They were exceptions to all rule. There are few minds cast

in the same moulds as those of Cervantes, Petrarch, Dante, Shakspeare,

and Milton. If we mark the history of mankind, we will find, that there

are now and then, in almost every nation, some unconquerable minds that

would, in spite of circumstance, illumine the world. But the principle

is a natural one. Mankind are fond of the fame of the moment; self-love

is the predominant feature of human character. Men, in general, live

not for posthumous glory. The present is more selfish than past ages.

There is something exhilarating, spirit-stirring in the smiles and

praises of our own countrymen. Genius, or _holy ambition_, then, cannot

be aroused to vigorous action, unpatronized. Let it not be supposed,

that we would have the mind think for gold. We would have it

write,--and it would write, and that, too, with an immortal pen, in

lofty and impassioned strains,--under the favor and good-feeling of

society. But how can the literary mind be thus stimulated, when the

general feeling of society is diametrically opposite to its interests?

As well might we ascribe the splendid and magnificent architecture of

the pantheon, to the skill and workmanship of the unlettered barbarian.

We would not be misunderstood. We would not have our political

interests forgotten. We would have them engage a share, but not the

universal mind of the nation. We would have communities feel the same

degree of interest in literary as in political greatness. We would have

them combined; for their united results will increase our power, and

throw around the arch of our glory, a radiance, lovely and sublime.

What periods in the history of mankind, are most distinguished for

mental superiority? When did Grecian literature assume its brightest

charms? Who has studied the character of the Pereclean age, and not

experienced feelings of inexpressible delight, as he then beheld the

mind in its noblest form? Then, the true value of mind was appreciated,

and its efforts liberally patronized. Munificent gifts were the reward

of mental exertion. Then, all grades of society, on the return of their

Olympia, assembled with joyful hearts, to celebrate the festivities of

mind. Then, art shone in original splendor; and science, in utility and

nobleness, was unrivalled. Then, the muses were courted in their

heavenly abodes, and Grecian poetry breathed a spirit of immortality.

The tragedies of _Euripides_ and _Sophocles_ still illume the path of

the modern dramatist. Then, the poor of Athens listened to the

instructions of the divine _Socrates_. Then, the sacred groves and

shades resounded to the eloquence of _Plato_, as the 'soul of

philosophy' flowed from his lips. Then, Athens became the magnificent

sun of all antiquity. It was no political age. All literary eras of the

modern world, are analagous to the Pereclean of the ancient world. The

most resplendent galaxys of modern mind have shone in times of the

greatest literary feeling and patronage.

But this political influence of national feelings and interests will

not be confined to the people. It will, indeed it has, entered within

the walls of our academies and universities. Now, it is founded in

reason and experience, that in the morning bloom of a literature, there

is most need of active mental vigor. It requires untiring and

unrelenting strength, to raise the stately pyramid. Alladin's magic

lamp of Arabian story, is not an inheritance of this age. Such strength

is in youthful mental cultivation. This invigorating influence must

then come from our seats of learning. They are to our literature, what

the consecrated groves and shades of Athens were to the Grecian--the

resort of its protecting spirits. Here, the mind should be trained to

action, should commence its acquisitions in knowledge. Here, it should

be taught to think, and to feel, with depth and sublimity. Here, a

fondness for whatever is great or commanding in human thoughts, should

be created. Here, the characteristic features of such minds as

Shakspeare and Milton, Newton and Franklin, should be studied; for like

bright stars they will shed a cheering light on the obscure wanderings

of the youthful intellect. When such is the case, and it never can fail

to be, if our universities preserve their characters, the success of

American literature will rest on a steadfast foundation. But such

cannot be, when their interests and those of the people run in counter

channels. In a republic, where public opinion works such magic spells,

it is the interest of the minority to yield to its sway. Upon a

principle of human nature, the weak cling to the strong. Can, then, our

colleges maintain their high, original standing? They must conform, in

some degree, to the feelings of the mass of society. Besides, the youth

who resort to them, come from the people, and must necessarily bear

with them the malady of the people. Who will deny, that this political

spirit is now, in many instances, the great stimulus of the American

student? He seldom turns his aspiring gaze toward the celestial mount

of the muses. He looks abroad upon society, and marks its character.

His grasping mind longs for fame. He beholds but one road to

eminence--the political. He beholds the splendid career of the mighty

intellects of the land; marks a growing and powerful people doing them

reverence; hears their name trumpeted by a thousand tongues; and like

the Grecian hero, whose slumbers were troubled by the trophies of

Miltiades, he burns for action. Nor is this all. In the political

world, he sees mind battling with mind; all life, all activity, the

congenial elements of panting, fiery ambition. In the literary world,

he sees the mind pursuing a silent, unobserved, noiseless march; and

not dreaming of the unfading brightness of its matured glories, he

disdains its pursuits as unworthy of his attention. The result is

natural. The grand, animating, and powerful thoughts of the splendid

intellects of the past and the present, which, when sought, come all

eloquent from the living page, never breathe their inspiriting energies

into his mind. His course being finished, he rushes, full of sanguine

hope, on the theatre of action, unskilled and unprepared. His success

hangs on a point. An inordinate ambition urges him onward; he faces the

storms and tempests, and opposes the thousand counter currents which

run in, and keep in perpetual commotion the mountain wave of the

political sea. His career is about closing, and, as he imagines, the

diadem of glory about settling on his forehead; by some unforeseen

stroke of bad fortune, he is hurled from his high elevation, sinks, and

falls, and is heard of no more. In this way, many minds meet an

unhonored and untimely end--minds, that might have proved great and

useful to society--minds, which might have illuminated the arts and

sciences with improved splendor--minds, which might have been 'founts

of beauty' to our literature.

What preserves, in its original strength and grandeur, the rich and

massy arch of German literature? The incomparable exertions of the

German student. The German student! whose mind knows no other commune

than the thoughts of the mighty dead. The German student! who knows the

power and majesty of truth, and thinks no care, nor labor, too great to

possess it; and whose intellectual eye takes in all that is lovely and

sublime in creation. The universities of Germany are unequalled in the

world. Is it wonderful that its literature is unequalled? But they are

supported by the good feeling of society. Let then the current of

public feeling be changed in our beloved land; let the American mind

feel sensible of the importance of youthful mental cultivation; let the

youthful intellect be taught to ascribe as much value, as much

greatness, and as much immortality, to literary as to political

interests. Let this be done, and our universities will surpass even

those of Germany; will furnish to their country, instead of Schillers

and Goethes, their prototypes, Shakspeares and Miltons.

But apart from these impediments to American literature, there is

another. It glares in the face of every one. It lies in the periodical

press. The benefits and glories of the press are familiar to every

mind. Disseminating knowledge with unexampled rapidity, its influence

is spread over and reaches the extreme borders of society. Being a

universal mental aliment, it moulds, and fashions, and directs the

thoughts and feelings of the man. Thousands on thousands of minds are

developed by its effects, never enjoying any other. To the growing,

varied classes of our society, it is the only light of information. How

important that its action be pure, healthy, and vigorous! How important

that it be the vehicle of virtuous and elevated thought! How important

that it send forth on its hundred rapid wings and eloquence, which,

like the written eloquence of the lamented Grimke, more enduring than

marble or brass, should beautify the affections, and arouse to glorious

action the intellect of this and coming ages! Thus mighty in its

influence, and thus important in its character, it cannot maintain too

high, too noble a standard. It should imbody whatever is great and

excellent in human thought. It should teach the people how to apply the

principles of science to the arts; and, therefore, should ever

preserve, with vestal care, the temple of learning. In short, it should

be the tribunal of public taste--an ordeal of criticism--severe, but

highminded. Such being its characteristics, the periodical press will

be the strongest pillar that shall support the towering fabric of our

literature. It cannot fail to be, because through its instrumentality,

public feeling is formed and swayed; and we have seen, that the right

direction of this feeling will ever insure permanent, liberal, literary

patronage. But what is the general character of this branch of the

press? Is it a fountain from which flows the pure streams of knowledge?

Is it a messenger of eloquent and exalted thoughts? Is it a friend to

literature, or the efforts of original and powerful mind? Facts speak

to the contrary. The majority of our periodicals, bear upon their very

face, a political stamp. They contain in their broad folds, no more

than the creations of rankling and disappointed passion, of unripened

and undeveloped intellect. Do such minds as Johnson and Addison, spread

beauty and interest through their columns? How paltry, how much to be

lamented the spirit of their criticisms!--They breathe the essence of

fanaticism. True, we have a few quarterlys and monthlys, that rise

above the ordinary grade, and will compare, in all the excellencies of

thought, with any productions of the kind, in any country or clime. The

North American Review, is a fair and splendid specimen of what should

characterize that department of our literature. Who ever closed its

pages, beaming with a sun-like brilliancy, without having, in some

degree, his knowledge enriched, his taste refined, his thoughts

enlarged, and his intellect expanded? But shining only on the high

peaks of society, its glorious beams never find their way to the mass:

its influence, amid the universal debasement of the press, is unseen,

unfelt. We have, likewise, a few literary papers; but in the delicate

idea and beautiful expression of one of the contributors of the

Magazine, they are the mere "sprays of the intellectual wave." We

repeat it, the periodical press is, in the strongest sense of the word,

political. Now, it is plain to every observing mind, that being the

most influential, it should be the purest and noblest portion of our

literature. How far it falls short of such a standard, our national

mind has fatally experienced. Our country's glory and pride, our own

genius, our own talent, call loudly and decidedly for a reformation.

We have now set forth a faint view of some of the impediments to the

growth of American literature. We have seen, that political pursuits do

not tend to the full development and vigor of the mind, and that

without such a cast of mind, there cannot be eloquent and sublime

mental action. We have seen, that our nation's mind is absorbed in

political interests; in short, that the age is too political. We would

ask, if there is no necessity of a change? He who feels the heavenly

glow of patriotic devotion, and hopes to see his country the brightest

star in the firmament of modern glory, will return an affirmative

response.

Our literature has not, as yet, assumed any permanent form. Its

features are just beginning to develope. What character it will take,

we cannot judge with any degree of certainty. Now, it is a familiar

principle, that in the formation of the mind, there is need of the most

unceasing care and attention, to shape and direct its budding energies

to virtue and excellence. Let the American mind have this attention,

and we have a literature purer, nobler, and richer, than has ever

illumined mankind. Do we desire a glorious immortality? And is not

literary immortality--the mind set forth in visible, enchanting, and

enduring forms--far more desirable, than political? How has the

greatness and grandeur of all antiquity, been perpetuated? Who will

compare the Pereclean age of Greece--an age, as we have seen, when

literature shone purely, brightly--with those that followed, when

political feuds rent every state? Who will compare the fame of Homer,

the mirror-mind of the ancient world, with the most distinguished

politician of antiquity? of Milton, with that of Cromwell? of

Shakspeare, with that of the profoundest statesman of the Elizabethan

age. Political glory, is as the short-lived plant--literary, as the

majestic oak. Political glory, is as the flashing meteor--literary, as

the splendor of the noon-day sun.

The southern literary messenger, Vol. I., No. 5, January, 1835 · 第 47 / 97 题