MEMORY.--AN ALLEGORY.

An evil genius visited the happy islands which repose upon the bosom of

the deep blue sea. In these smiling gardens the blest recline, remote

from the turmoil and confusion of life: there are trees loaded with

golden fruits--flowers of a thousand hues, and sweet fountains of

limpid water spread their silvery lines along the emerald lea. The

melody of singing birds, the soft murmur of running streams, and sounds

of distant music, fall upon the ravished ear. The wanton breeze steals

fragrance from the flowers as it passes on, and sweet perfumes scent

the air. Here childish innocence reposes on beds of flowers; there

groups of maturer years recline on verdant knolls, enjoying the passing

hour. Pairs wander arm in arm in pursuit of pleasures that never pall,

and gay crowds lightly dance their hours away in mirth and song. The

genius pronounces the fatal word, and each breathing figure is

transformed to mute and changeless stone. The voice of mirth is hushed,

the tones of music have fled, years roll away, and the living statues

still look in marble coldness on the changing scene. Its flowers

wither--its trees of golden fruits die one by one away--the birds flee

from their green retreats, and the creeping serpent hisses in the

tangled brake--tall rank grass covers the favorite walks, or choke the

streams, whose turbid waters force their sluggish way. At length a

passing vessel stops--a stranger wanders over the wondrous scene. On a

pillar an inscription is engraved; he pauses to read the word, and

instantly the spell is broken--the marble statues melt into silent

shadows of the human form, and flitting forth in pairs and groups, they

wander over their once loved home. They seek their familiar haunts;

they search for the objects of their love; and each shadow as it

passes, whispers, _gone_: and returning to their places, their forms

resume their marble lineaments, and stand once more cold monuments of

their former selves. Such indeed is the human mind. First comes youth's

genial season; hopes linked with loves in happy pairs, wander around

the smiling scene, which fancy decks with flowers. Here joy dancing to

the song of mirth, lightly whiles his hours away; there young

affections and gentle thoughts, like virgin sisters of a primeval race,

pursue their quiet way to the bright abode which fancy hath created so

beautiful and fair. But at length sorrow comes to breathe its spell.

How many hopes, and loves, and pure affections, and pleasant thoughts,

are changed and gone! Inurned in icy coldness, they are sepulchered in

memory's cave; and yet, perhaps, some simple word of other times is

breathed, its spell evokes departed joys and buried loves. Dim shadows

of the past arise--they fleeting come. But fancy too is changed; it no

longer forms the gay creations of its youth, but fills its gloomy

fields with pictures at which the heart doth shrink. The very thoughts

for which we sighed, are now without a home, and seek to pass away.

The southern literary messenger, Vol. I., No. 5, January, 1835 · 第 41 / 97 题