CHAPTER VI

A FAIRY TALE--AND THOUGHTS

"The name of the story," said Miss Lilly, "is 'A Fairy House,'" and then

she went on to read it.

"Once upon a time there was a fairy who had done something wrong, and

for this reason had to be punished. I do not know exactly what it was

that she had done, perhaps only something that we should scarcely think

wrong at all, such as jumping on a mushroom before it was full grown, or

drinking too much dew out of a lily-cup, and thereby leaving the poor

flower thirsty through the hot noontide. Most likely it was nothing

worse than something of this kind, but still it was a fault that had to

be corrected; so the little culprit was banished to a desert part of

fairyland, a bleak and barren spot, which you would scarcely have

thought could be found in the magic country which we always think of as

so bright and beautiful.

"There she stayed with nothing to do for some time, which is about the

worst punishment a fairy can have to endure. So she felt very pleased

when one morning there came a messenger direct from the queen, charged

to tell the little exile that she should be forgiven and released from

her banishment as soon as she should have fulfilled a task which was to

be set her. This task was to build a house, which to us may sound almost

impossible without masons and carpenters and all manner of workmen. But

fairy houses are not like ours, as you will hear.

"The messenger led the fairy to a spot on the moor where there was a

heap of stones.

"'These are what you are to build with,' he said. 'As soon as the house

is completed you may send a butterfly to tell the queen, and she will

then come to test it. If it is quite perfect, you shall return at once

with her to the court,' and so saying he fled away.

"The fairy set to work in good spirits. She had no need of mortar, or

scaffolding, or tools, or anything, indeed, but her own little hands and

the stones. Nor were the stones cut evenly and regularly, as you might

have expected. They were of all sizes and shapes, but each only

required a touch from the fairy's fingers at once to fit itself into the

place which she saw it was intended for. So for some time the work went

on merrily. It was not till the house was very nearly completed that the

fairy began to fear something was wrong. It lopped a little--a _very_

little--to one side. But there was nothing to be done that she could

see. So she finished it in hopes that the queen would not notice the

tiny imperfection, and despatched the butterfly to announce her

readiness for her royal lady's visit.

"The queen arrived promptly,--fairy queens are never unpunctual,--and at

first sight she smiled amiably.

"'You have worked hard,' she said to the poor fairy, who stood there

half hopeful and half trembling. Then her Majesty stepped out of her

chariot, patting her winged steeds as she passed them, and entered the

new building, followed by the little architect.

"All seemed right till they got to the second floor, when the queen

stopped and looked round her sharply.

"'Something is wrong here,' she said. 'The left-hand wall is out of

level. I suspected it downstairs, but waited to see.'

"The fairy builder looked very distressed.

"'Did you know there was anything wrong?' said the queen, more coldly

than she had yet spoken.

"'I--I was afraid it was a little crooked,' the little fairy replied,

'but I hoped perhaps your Majesty would not mind it.'

"'My messenger told you that the building must be _perfect_,' replied

the queen. 'You had all the stones, every one ready for its place. If

you have left one out, even the smallest, the building cannot be

perfect. Ah, well, you must try again,' and so saying she left the

house, followed by the builder. As soon as she stepped outside she waved

her wand, and in an instant the walls had fallen apart, and there was

nothing to be seen but the heap of stones as before.

"The poor little fairy sat down and cried as she saw the queen's chariot

disappear in the air.

"'I don't know what to do,' she thought. 'It would be just the same

thing if I set to work to build it up again. I am sure I used every

stone, down to some quite tiny ones; but still it is no good crying

about it,' and she started up, determined to try afresh.

"As she did so, a very slight sound caught her ears. Out of her pocket

had rolled a very small stone, a tiny, insignificant pebble, probably

smaller than any she had used in the building.

"'That's the very pebble I found in my shoe the other day,' she

exclaimed. 'I must have picked it up with my handkerchief,' and she was

just about to fling it away when a new idea struck her. Was it possible

that this little atom of a stone--or rather its absence--was what had

spoilt the whole piece of work? It might be so, for had not the queen

said that the slightest little scrap of material wanting would spoil the

perfection of the building.

"And, full of fresh hope, she carefully placed the little stone on the

top of the heap and began again. All went well. Deep down in the

foundations, unseen but far from unneeded, the tiny pebble found its own

place, and before the sun set, the magic edifice stood perfect,

gleaming white and fair in the radiance of the evening sky.

[Illustration: TOOK HER BACK TO COURT IN HER OWN CHARIOT.]

"It was without fear or misgiving this time that the fairy sent off her

butterfly messenger the next morning; and her joy was complete when the

queen not only took her back to court in her own chariot, but as a proof

of her perfect restoration to favour, transported the pretty white house

by a wave of her wand to the centre of a lovely garden near her own

palace, and gave it to the fairy as her home."

Miss Lilly stopped reading. The children looked up, pleased but a little

puzzled.

"What a funny story," said Ferdy; "it's nice, but isn't it more what you

call a--I forget the word."

"Allegory, do you mean?" said Miss Lilly. "Well yes, perhaps. Many fairy

stories have a kind of meaning behind them, but I don't think this one

is difficult to guess."

"It means, I suppose," said Chrissie, "that everything is of use, if you

can find the right place for it."

"A little more than that," said Miss Lilly. "We might put it this

way--that _everybody_, even the smallest and weakest, has his or her own

place in the house of--" and she hesitated.

"In the house of the world?" said Ferdy.

"In the house of life," said Miss Lilly after thinking a little. "That

says it better."

Then, seeing that Ferdy was looking rather tired, she told Chrissie to

run off and get dressed for going a walk.

"I will send Flowers to sit with you," she said, as she stooped to kiss

the little invalid, "and in the afternoon Chrissie and I will come back

again for an hour or so if you are not asleep."

"I won't be asleep," said Ferdy; "I have slept quite enough to last me

all day. Miss Lilly--"

"What, dear?" for the boy's eyes looked as if he wanted to ask her

something. "Would you like us to bring you in some flowers?--not garden

ones, but wild ones. There are still primroses--and violets, of

course--in the woods."

"Yes," Ferdy replied, "I should like them _very_ much. And could you get

some moss, Miss Lilly? I would like to arrange them with moss, in that

sort of birds'-nesty-looking way."

"I know how you mean," the young lady said. "Yes, we will bring you some

moss. And, by the bye, Ferdy, if I had some wire I could show you how to

make moss baskets that last for ever so long to put flowers in. You put

a little tin or cup to hold water in the middle of the basket--the moss

quite hides it,--and then you can always freshen up the moss by sousing

it in water."

"What a nice word 'sousing' is," said Ferdy, in his quaint old-fashioned

way. "It makes you think of bathing in the sea. Miss Lilly, do you think

I'll ever be able to bathe in the sea again? I do so love it. And then

there's skating and cricket, and when I go to school there'll be

football. Papa was so good at football when he was at school. I

wonder--" he stopped short. "I wonder," he went on again, "if I'll ever

be able for any of those things. Boys who are all right, _well_ boys,

don't think of the difference being like me makes."

"No, they don't," his governess agreed. "But there is still a good long

while before you would be going to school, Ferdy dear."

"I know," he said, though he could not keep back a little sigh. "I've

only been two days in bed, but I have thought such a lot. Miss Lilly,

there was something I wanted to ask you. It's about that boy, Jesse

Piggot. I was thinking about him when I was awake in the night. If you

meet him, please thank him for asking if I was better, and do you think

mamma would let him come in one day to see me? It's partly that story,

too."

Miss Lilly did not at first understand.

"The 'nallegory," said Ferdy, "about all the stones being some good."

Miss Lilly's face cleared; she looked pleased and interested.

"Oh yes," she said.

"I haven't got it straight in my head yet," said Ferdy. "I want to think

a lot more. It's partly about me myself, and partly about Jesse and boys

like him. Oh, I do wish I could be on the sofa in the window," he added

suddenly. "I'd like to see the children going to school and coming

back."

"I hope you will be on the sofa in a very few days, dear," said Miss

Lilly. "But I must go--Chrissie will be waiting for me. I hope we shall

get some nice flowers and moss, and to-morrow I will bring some wire and

green thread that I have at home on purpose for such things."

When she had gone Flowers made her appearance. She sat down with her

work, and Ferdy lay so still, that she thought he must have fallen

asleep again. But no, Ferdy was not asleep, only thinking; and to judge

by the look on his face, his thoughts were interesting.

The moss baskets proved a great success as well as a great amusement.

Ferdy's nimble fingers seemed to have grown even more nimble and

delicate in touch now that he was forced to lie still. They twisted the

wire into all sorts of new shapes, some quaint, some graceful, that Miss

Lilly had never even thought of, and when some little old cups without

handles or tiny jelly pots or tins were found to fit in, so that the

flowers could have plenty of water to keep them fresh, you cannot think

how pretty the moss baskets looked. The children's mother was quite

delighted with one that was presented to her, and she smiled more

cheerfully than she had yet done since Ferdy's accident, to see him so

busy and happy.

And time went on. It is very curious how quickly we get accustomed to

things--even to great overwhelming changes, which seem at first as if

they must utterly upset and make an end of everything. It is a great

blessing that we _do_ get used to what _is_. When I was a little girl I

remember reading a story about the old proverb which in those days was

to be found as one of the model lines in a copy-book. This one stood for

the letter "C," and it was, "Custom commonly makes things easy."

Somehow the words fixed themselves in my memory. You don't know how

often and in what very far differing circumstances I have said them over

to myself; sometimes in hopefulness, sometimes when I had to face

sorrows that made me feel as if I _could_ not face them, "Custom

commonly" seemed to be whispered into my ear, as if by a gentle little

fairy voice. And I found it came true, thank God! It is one of the ways

in which He helps us to bear our sorrows and master our difficulties,

above all, _real_ sorrows and _real_ difficulties. Fanciful ones, or

foolish ones that we make for ourselves, are often in the end the

hardest to bear and to overcome.

It was so with little Ferdy and his friends. One month after that sad

birthday that had begun so brightly, no stranger suddenly visiting the

Watch House would have guessed from the faces and voices of its inmates

how lately and how terribly the blow had fallen upon them. All seemed

bright and cheerful, and even the boy's own countenance, though pale and

thin, had a happy and peaceful expression. More than that indeed. He was

often so merry that you could hear his laugh ringing through the house

if you were only passing up or down stairs, or standing in the hall

below.

By this time things had settled themselves down into a regular plan. The

oriel room was now Ferdy's "drawing-room"--or drawing-room and

dining-room in one, as he said himself. It was his day room, and every

night and morning his father or Thomas, the footman, carried him most

carefully and gently from and to the invalid couch in his favourite

window to bed, or _from_ bed in his own little room.

This was a delightful change. Ferdy declared he felt "almost quite well

again" when the day came on which he was allowed "to go to bed

properly," and be attired nicely the next morning in a little

dressing-gown made to look as like a sailor suit as possible.

His general health was good, thanks to the excellent care that was taken

of him, and thanks too to his own cheerful character. There were times,

of course, when he _did_ find it difficult to be bright--lovely summer

afternoons when a sharp pang pierced his little heart at the sight of

the school children racing home in their careless healthfulness, or

fresh sweet mornings when he longed with a sort of thirstiness to be

able to go for a walk in the woods with Christine and Miss Lilly. But

these sad feelings did not last long, though the days went on, and still

the doctor shook his head at the idea even of his being carried down to

the lawn and laid there, as Ferdy had begun to hope might be allowed.

The oriel window was his greatest comfort. It really was a delightful

window. On one side or other there was sure to be _something_ to look

at, and Ferdy was quick to find interest in everything. He loved to see

the school children, some of whom were already known to him, some whom

he learnt to know by sight from watching them pass.

But one boyish figure he missed. All this time Jesse Piggot had never

been seen. Miss Lilly had looked out for him, as Ferdy had asked her to

do, but in vain. And it was not till within a day or two of a month

since the accident that she heard from some of the Draymoor people that

the boy had been taken off "on a job" by one of his rough cousins at the

colliery village.

"And no good will it do him neither," added the woman. "That's a lad as

needs putting up to no manner o' mischief, as my master says."

"Wasn't it a pity to take him away from Farmer Meare's?" Miss Lilly

added.

"They hadn't really room for him there," said the woman. "But Farmer

Meare is a good man. He says he'll take the poor lad back again after a

bit when there'll be more work that he can do."

Miss Lilly told this over to the children the next day. Ferdy looked up

with interest in his eyes.

"I hope he will come back again soon," he said. "You know, Miss Lilly, I

never finished talking about him to you. I was thinking of him again a

lot yesterday; it was the birds, they _were_ chattering so when I was

alone in the afternoon. I was half asleep, I think, and hearing them

reminded me in a dreamy way of birds' nests and eggs, and then, through

that, of Jesse Piggot and what the fairy story put in my head about

him."

"What was it?" asked Miss Lilly.

"It's rather difficult to explain," Ferdy replied. "I was thinking, you

see, that if I never get well and strong again I wouldn't seem any use

to anybody. It _does_ seem as if some people were no use. And Jesse

Piggot seems always in everybody's way, as if there was no place for

him, though quite different from me, of course, for everybody's so kind

to me. And then I thought of the stones, and how they all fitted in, and

I wondered what I could get to do, and I thought perhaps I might help

Jesse some way."

Miss Lilly looked at Ferdy. There was a very kind light in her eyes.

"Yes, Ferdy dear," she said. "I think I understand. When Jesse comes

back we must talk more about it, and perhaps we shall find out some way

of fitting him into his place. Stop dear, I think I had better look at

your knitting; you are getting it a little too tight on the needles."

Ferdy handed it to her with a little sigh. He did not care very much for

knitting, and he had also a feeling that it was girls' work. But it had

been very difficult to find any occupation for him, as he could not go

on making moss baskets always, and knitting seemed the best thing for

the moment. He was now making a sofa blanket for his mother, in stripes

of different colours, and Miss Lilly and Christine were helping him with

it, as it would otherwise have been too long a piece of work.

"I'm rather tired of knitting," he said, "now that I know how to do it.

I liked it better at first, but there's no planning about it now."

"We must think of a change of work for you before long," said Miss

Lilly, as she quickly finished a row so as to get the stitches rather

looser again. "Don't do any more this morning, Ferdy. Lie still and

talk. Tell me about the birds chattering."

"They are so sweet and funny," said Ferdy. "Sometimes I fancy I'm

getting to know their different voices. And there's one that stands just

at the corner of the window-sill outside, that I really think I could

draw. I know the look of him so well. Or I'll tell you what," he went

on. "I could _figure_ him, I'm sure I could, better than draw him."

"_Figure_ him! what do you mean?" said Chrissie. "What funny words you

say, Ferdy."

"Do you mean modelling it?" asked Miss Lilly. "Have you ever seen any

modelling?"

"No," said Ferdy, "I don't understand."

"I mean using some soft stuff, like clay or wax, and shaping it, partly

with your fingers and partly with tools," replied Miss Lilly. "I don't

know much about it, but I remember one of my brothers doing something of

the kind."

Ferdy reflected.

"It does sound rather fun," he said, "but I didn't mean that. I meant

cutting--with a nice sharp knife and soft wood. I am sure I could figure

things that way. I know what made me think of it. It was a story about

the village boys in Switzerland, who cut out things in the winter

evenings."

"You mean carving," said Christine; "you shouldn't call it cutting. Yes,

I've always thought it must be lovely work, but you would need to be

awfully clever to do it."

"I'd like to try," said the boy. "When my sofa's put up a little higher

at the back, the way Mr. Stern lets it be now, I can use my hands quite

well. You needn't be afraid I'd cut myself. Oh, it _would_ be jolly to

cut out birds, and stags' heads, and things like that!"

"Stags' heads would be awfully difficult," said Christine, "because of

the sticking-out horns--they're just like branches with lots of twigs on

them. What is it you call them, Miss Lilly?"

"Antlers, isn't that what you mean?" Miss Lilly replied. "Yes, they

would be very difficult. You would have to begin with something much

simpler, Ferdy."

"I suppose I thought of stags because the Swiss boys in the story cut

out stags' heads," said Ferdy. "I think I'd try a swallow's head. When I

shut my eyes I can see one quite plain. Miss Lilly, don't you think I

might try to _draw_ one? If I had a piece of paper and a nice pencil--"

Just then the door opened and his mother came in. Her face brightened up

as soon as she caught sight of Ferdy's cheerful expression and heard his

eager tone--it was always so now. Since the accident Mrs. Ross seemed a

kind of mirror of her boy; if he was happy and comfortable her anxious

face grew smooth and peaceful; if he had had a bad night, or was tired,

or in pain, she looked ten years older.

And Miss Lilly, who, though still quite young herself, was very

thoughtful and sensible, saw this with anxiety.

"It will never do for things to go on like this," she said to herself,

"the strain will break down poor Mrs. Ross. And if Ferdy is never to be

quite well again, or even if it takes a long time for him to recover, it

will get worse and worse. We must try to find something for him to do

that will take him out of himself, as people say,--something that will

make him feel himself of use, poor dear, as he would like to be. I

wonder if my grandfather could speak to Mrs. Ross and make her see that

she should try not to be always so terribly anxious."

For old Dr. Lilly was a very wise man. In his long life he had acquired

a great deal of knowledge besides "book-learning"; he had learnt to read

human beings too.

But just now Miss Lilly's thoughtful face brightened up also as Ferdy's

mother came in.

"We are talking about wood-carving," she said. "I am going to ask my

grandfather about it. And Ferdy would like to prepare for it by drawing

a little again--he was getting on nicely just before he was ill."

"I'd like a slate," said Ferdy, "because I could rub out so easily; only

drawings on a slate never look pretty--white on black isn't right."

"_I_ know what," exclaimed Christine. "Mamma, do let us get Ferdy one of

those beautiful white china slates--a big one, the same as your little

one that lies on the hall table for messages."

Ferdy's eyes sparkled with pleasure.

"That would do lovelily," he said.

So it was arranged that Christine should drive with her mother that

afternoon to the nearest town--not Whittingham, but a smaller town in

another direction, called Freston, in quest of a good-sized white china

slate.

The Oriel Window · 第 6 / 12 章