FERRERA.

We have crossed the Po, which I expected to have found more magnificent,

considering the respectable state I left it in at Cremona; but scarcely

any thing answers that expectation which fancy has long been fermenting

in one's mind.

I took a young woman once with me to the coast of Sussex, who, at

twenty-seven years old and a native of England, had never seen the sea;

nor any thing else indeed ten miles out of London:--And well, child!

said I, are not you much surprised?--"It is a fine sight, to be sure,"

replied she coldly, "but,"--but what? you are not disappointed are

you?--"No, not disappointed, but it is not quite what I expected when I

saw the ocean." Tell me then, pray good girl, and tell me quickly, what

did you expect to see? "_Why I expected_," with a hesitating accent, "_I

expected to see a great deal of water_." This answer set me _then_ into

a fit of laughter, but I have _now_ found out that I am not a whit

wiser than Peggy: for what did I figure to myself that I should find the

Po? only a great deal of water to be sure; and a very great deal of

water it certainly is, and much more, God knows, than I ever saw before,

except between the shores of Calais and Dover; yet I did feel something

like disappointment too; when my imagination wandering over all that the

poets had said about it, and finding earth too little to contain their

fables, recollected that they had thought Eridanus worthy of a place

among the constellations, I wished to see such a river as was worthy all

these praises, and even then, says I,

O'er golden sands let rich Pactolus flow.

And trees weep amber on the banks of Po.

But are we sure after all it was upon the _banks_ these trees, not now

existing, were ever to be found? they grew in the Electrides if I

remember right, and even there Lucian laughingly said, that he spread

his garments in vain to catch the valuable distillation which poetry had

taught him to expect; and Strabo (worse news still!) said that there

were no Electrides neither; so as we knew before--fiction is false: and

had I not discovered it by any other means, I might have recollected a

comical contest enough between a literary lady once, and Doctor Johnson,

to which I was myself a witness;--when she, maintaining the happiness

and purity of a country life and rural manners, with her best eloquence,

and she had a great deal; added as corroborative and almost

incontestable authority, that the _Poets_ said so: "and didst thou not

know then," replied he, my darling dear, that the _Poets lye_?

When they tell us, however, that great rivers have horns, which twisted

off become cornua copiæ, dispensing pleasure and plenty, they entertain

us it must be confessed; and never was allegory more nearly allied with

truth, than in the lines of Virgil;

Gemina auratus taurino cornua vultu,

Eridanus, quo non alius per pinguia culta,

In mare purpureuin violentior influit amnis[U];

[Footnote U:

Whence bull-fac'd, so adorn'd with gilded horns,

Than whom no river through such level meads,

Down to the sea in swifter torrents speeds.

]

so accurately translated by Doctor Warton, who would not reject the

epithet _bull-faced_, because he knew it was given in imitation of the

Thessalian river Achelous, that fought for Dejanira; and Servius, who

makes him father to the Syrens, says that many streams, in compliment to

this original one, were represented with horns, because of their winding

course. Whether Monsieur Varillas, or our immortal Addison, mention

their being so perpetuated on medals now existing, I know not; but in

this land of rarities we shall soon hear or see.

Mean time let us leave looking for these weeping Heliades, and enquire

what became of the Swan, that poor Phaeton's friend and cousin turned

into, for very grief and fear at seeing him tumble in the water. For my

part I believe that not only now he

Eligit contraria flumina flammis,

but that the whole country is grown disagreeably hot to him, and the

sight of the sun's chariot so near frightens him still; for he certainly

lives more to his taste, and sings sweeter I believe on the banks of the

Thames, than in Italy, where we have never yet seen but _one_; and that

was kept in a small marble bason of water at the Durazzo palace at

Genoa, and seemed miserably out of condition. I enquired why they gave

him no companion? and received for answer, "That it would be wholly

useless, as they were creatures who never bred _out if their own

country_." But any reply serves any common Italian, who is little

disposed to investigate matters; and if you tease him with too much

ratiocination, is apt to cry out, "_Cosa serve sosistieare cosi? ci farà

andare tutti matti_[V]." They have indeed so many external amusements in

the mere face of the country, that one is better inclined to pardon

_them_, than one would be to forgive inhabitants of less happy climates,

should they suffer _their_ intellectual powers to pine for want of

exercise, not food: for here is enough to think upon, God knows, were

they disposed so to employ their time; where one may justly affirm that,

[Footnote V: What signifies all this minuteness of inquiry?--it will

drive us mad.]

On every thorn delightful wisdom grows,

And in each rill, some sweet instruction flows;

But some untaught o'erhear the murmuring rill,

In spite of sacred leisure--blockheads still.

The road from Padua hither is not a good one; but so adorned, one cares

not much whether it is good or no: so sweetly are the mulberry-trees

planted on each side, with vines richly festooning up and down them, as

if for the decoration of a dance at the opera. One really expects the

flower-girls with baskets, or garlands, and scarcely can persuade one's

self that all is real.

Never sure was any thing more rejoicing to the heart, than this lovely

season in this lovely country. The city of Ferrara too is a fine one;

Ferrara _la civile_, the Italians call it, but it seems rather to merit

the epithet _solenne_; so stately are its buildings, so wide and uniform

its streets. My pen was just upon the point of praising its cleanliness

too, till I reflected there was nobody to dirty it. I looked half an

hour before I could find one beggar, a bad account of poor Ferrara; but

it brought to my mind how unreasonably my daughter and myself had

laughed seven years ago, at reading in an extract from some of the

foreign gazettes, how the famous Improvisatore Talassi, who was in

England about the year 1770, and entertained with his justly-admired

talents the literati at London; had published an account of his visit to

Mr. Thrale, at a villa eight miles from Westminster-bridge, during that

time, when he had the good fortune, he said, to meet many celebrated

characters at his country-seat; and the mortification which nearly

overbalanced it, to miss seeing the immortal Garrick then confined by

illness. In all this, however, there was nothing ridiculous; but we

fancied his description of Streatham village truly so; when we read that

he called it _Luogo assai popolato ed ameno_[Footnote: A populous and

delightful place.], an expression apparently pompous, and inadequate to

the subject: but the jest disappeared when I got into _his_ town; a

place which perhaps may be said to possess every other excellence but

that of being _popolato ed ameno_; and I sincerely believe that no

Ferrara-man could have missed making the same or a like observation; as

in this finely-constructed city, the grass literally grows in the

street; nor do I hear that the state of the air and water is such as is

likely to tempt new inhabitants. How much then, and how reasonably must

he have wondered, and how easily must he have been led to express his

wonder, at seeing a village no bigger than that of Streatham, contain a

number of people equal, as I doubt not but it does, to all the dwellers

in Ferrara!

Mr. Talassi is reckoned in his own country a man of great genius; in

ours he was, as I recollect, received with much attention, as a person

able and willing to give us demonstration that improviso verses might be

made, and sung extemporaneously to some well-known tune, generally one

which admits of and requires very long lines; that so alternate rhymes

may not be improper, as they give more time to think forward, and gain a

moment for composition. Of this power, many, till they saw it done, did

not believe the existence; and many, after they had seen it done,

persisted in _saying_, perhaps in _thinking_, that it could be done only

in Italian. I cannot however believe that they possess any exclusive

privileges or supernatural gifts; though it will be hard to find one who

thinks better of them than I do: but Spaniards can sing sequedillas

under their mistresses window well enough; and our Welch people can

make the harper sit down in the church-yard after service is over, and

placing themselves round him, command the instrument to go over some old

song-tune: when having listened a while, one of the company forms a

stanza of verses, which run to it in well-adapted measure; and as he

ends, another begins: continuing the tale, or retorting the satire,

according to the style in which the first began it. All this too in a

language less perhaps than any other melodious to the ear, though Howell

found out a resemblance between their prosody and that of the Italian

writer in early days, when they held agnominations, or the inforcement

of consonant words and syllables one upon the other, to be elegant in a

more eminent degree than they do now. For example, in Welch, _Tewgris,

todykris, ty'r derrin, gwillt_, &c. in Italian, _Donne, O danno che selo

affronto affronta: in selva salvo a me_, with a thousand more. The whole

secret of improvisation, however, seems to consist in this; that

extempore verses are never written down, and one may easily conceive

that much may go off well with a good voice in singing, which no one

would read if they were once registered by the pen.

I have already asserted that the Italians are not a laughing nation:

were ridicule to step in among them, many innocent pleasures would soon

be lost; and this among the first. For who would risque the making

impromptu poems at Paris? _pour s'attirer persiflage_ in every _Coterie

comme il faut_[Footnote: To draw upon one's self the ridicule of every

polite assembly.]? Or in London, at the hazard of being _taken off, and

held up for a laughing-stock at every print-seller's window_? A man must

have good courage in England, before he ventures at diverting a little

company by such devices: while one would yawn, and one would whisper, a

third would walk gravely out of the room, and say to his friend upon the

stairs, "Why sure we had better read our old poets at home, than be

called together, like fools, to hear what comes uppermost in

such-a-one's head, about his _Daphne_! In good time! Why I have been

tired of _Daphne_ since I was fourteen years old." But the best jest of

all would be, to see an ordinary fellow, a strolling player for example,

set seriously to make or repeat verses in our streets or squares

concerning his sweetheart's _cruelty_; when he would be in more danger

from that of the mob and the magistrates; who, if the first did not

throw dirt at him, and drive him home quickly, would come themselves,

and examine into his sanity, and if they found him not _statutably mad_,

commit him for a vagrant.

Different amusements, like different sorts of food, suit different

countries; and this is among the efforts of those who have learned to

refine their _pleasures_ without so refining their _ideas_ as to be able

no longer to hit on any pleasure subtle enough to escape their own power

of ridiculing it.

This city of Ferrara has produced some curious and opposite characters

in times past, however empty it may now be thought: one painter too, and

one singer, both super-eminent in their professions, have dropped their

own names, and are best known to fame by that of _Il_ and _La

Ferrarese_. Nor can I leave it without some reflections on the

extraordinary life of Renée de France, daughter of Louis XII surnamed

the Just, and Anne de Bretagne, his first wife. This lady having married

the famous Hercules D'Este, one of the handsomest men in Europe, lived

with him here in much apparent felicity as Duchess of Ferrara; but took

such an aversion to the church and court of Rome, from the superstitions

she saw practised in Italy, that though she resolved to dissemble her

opinions during the life of her husband, whom she wished not to disgust,

at the instant of his death she quitted all her dignities; and retiring

to France, was protected by her father in the open profession of

Calvinism, living a life of privacy and purity among the Huguenots in

the southern provinces. This _Louis le Juste_ was he who gave the French

what little pretensions they have ever obtained on which to fix the

foundations of future liberty: he first established a parliament at

Rouen, another at Aix; but while thus gentle to his subjects, he was a

scourge to Italy, made his public entry into Genoa as Sovereign, and

tore the Milanese from the Sforza family, somewhat before the year 1550.

The well-known Franciscus Ferrariensis, whose name was Silvester, is a

character very opposite to that of fair Renée: he wrote the best apology

for the Romanists against Luther, and gained applause from both sides

for his controversial powers; while the strictness of his life gave

weight to his doctrine, and ornamented the sect which he delighted to

defend.

By a native of Ferrara too were first collected the books that were

earliest placed in the Ambrosian library at Milan, Barnardine Ferrarius,

whose deep erudition and simple manners gained him the favour of

Frederick Borromeo, who sent him to Spain to pick up literary rarities,

which he bestowed with pleasure on the place where he had received his

education. His treatise on the rites of sepulture used by the ancients

is in good estimation; and Sir Thomas Brown, in his _Urn Burial_, owes

him much obligation.

The custom of wearing swords here seems to proceed from some connection

they have had with the Spaniards; and Dr. Moore has given us an

admirable account of why the Highland broad-sword is still called an

_Andrew Ferrara_.

The Venetians, not often or easily intimidated by Papal power, having

taken this city in the year 1303, were obliged to restore it, for fear

of the consequences of Pope Boniface the Eighth's excommunications; his

displeasure having before then produced dreadful effects in the

conspiracy of Bajamonti Tiepulo; which was suppressed, and he killed, by

a woman, out of a flaming zeal for the honour and tranquillity of her

country: and so disinterested too was her spirit of patriotism, that the

only reward she required for a service so essential, was that a constant

memorial of it might be preserved in the dress of the Doge; who from

that moment obliged himself to wear a woman's cap under the state

diadem, and so his successors still continue to do.

But Ferrara has other distinctions.--Bonarelli here, at the academy of

gl'Intrepidi, read his able defence of that pastoral comedy so much

applauded and censured, called _Filli di Sciro_; and here the great

Ariosto lived and died.

Nothing leads however to a less gloomy train of thought, than the tomb

of a celebrated man; where virtue, wit, or valour triumph over death,

and wait the consummation of all sublunary things, before the

remembrance of such superiority shall be lost. Italy must be shaken from

her deepest foundation, and England made a scene of general ruin, when

Shakespear and Ariosto shall be forgotten, and their names confounded

among deedless nobility, and worthless wasters of treasure, long ago

passed from hand to hand, perhaps from the dwellers in one continent to

the inhabitants of another. It has been equally the fate of these two

heroes of modern literature, that they have pleased their countrymen

more than foreigners; but is that any diminution of their merit? or

should it serve as a reason for making disgraceful comparisons between

Ariosto and Virgil, whom he scorned to imitate? A dead language is like

common ground;--all have a right to pasture, and all a claim to give or

to withhold admiration. Virgil is the old original trough at the corner

of the road, where every passer-by pays, drinks, and goes on his journey

well refreshed. But the clear spring in the meadow sure, though private

property, and lately dug, deserves attention: and confers delight not

only on the actual master of the ground, but on all his visitants who

can climb the style, and lift the silver cup to their lips which hangs

by the fountain-side.

I am glad, however, to be gone from a place where they are thinking less

of all these worthies just at present, than of a circumstance which

cannot redound to their honour, as it might have happened to any other

town, and could do great good to none: no less than the happy arrival of

Joseph, and Leopold, and Maximilian of Austria, on the thirtieth of May

1775; and this wonderful event have they recorded in a pompous

inscription upon a stone set at the inn door. But princes can make

poets, and scatter felicity with little exertion on their own parts.

At Tuillemont, an English gentleman once told me he had the misfortune

to sleep one night where all the people's heads were full of the

Emperor, who had dined there the day before; and some _wise_ fellow of

the place wrote these lines under his picture:

Ingreditur magnus magno de Cæsare Cæsar,

Thenas, sub signo Cervi, sua prandia sumit.

He immediately set down this distich under them:

Our poor little town has no little to brag,

The Emperor was here, and he dined at the Stag.

The people of the inn concluding that this must be a high-strained

compliment, it produced him many thanks from all, and a better breakfast

than he would otherwise have obtained at Tuillemont.

To-morrow we go forward to Bologna.

Observations and Reflections Made in the Course of a Journey through France, Italy, and Germany, Vol. 1 (of 2) · 第 31 / 57 题