MY DEAR THOMPSON,

I wish you would write to me ten lines to say how you are. You are, I

suppose, at Cambridge: and I am buried (with all my fine parts, what a

shame) here: so that I hear of nobody--except that Spedding and I abuse

each other about Shakespeare occasionally: a subject on which you must

know that he has lost his conscience, if ever he had any. For what did

Dr. Allen . . . say when he felt Spedding's head? Why, that all his

bumps were so tempered that there was no merit in his sobriety--then what

would have been the use of a Conscience to him? Q. E. D.

Since I saw you, I have entered into a decidedly agricultural course of

conduct: read books about composts, etc. I walk about in the fields also

where the people are at work, and the more dirt accumulates on my shoes,

the more I think I know. Is not this all funny? Gibbon might elegantly

compare my retirement from the cares and splendours of the world to that

of Diocletian. Have you read Thackeray's little book--the second Funeral

of Napoleon? If not, pray do; and buy it, and ask others to buy it: as

each copy sold puts 7.5_d._ in T.'s pocket: which is very empty just now,

I take it. I think this book is the best thing he has done. What an

account there is of the Emperor Nicholas in Kemble's last Review, {80a}

the last sentence of it (which can be by no other man in Europe but Jack

himself) has been meat and drink to me for a fortnight. The electric eel

at the Adelaide Gallery is nothing to it. Then Edgeworth fires away

about the Odes of Pindar, {80b} and Donne is very aesthetic about Mr.

Hallam's Book. {80c} What is the meaning of 'exegetical'? Till I know

that, how can I understand the Review?

Pray remember me kindly to Blakesley, Heath, and such other potentates as

I knew in the days before they 'assumed the purple.' I am reading

Gibbon, and see nothing but this d---d colour before my eyes. It changes

occasionally to bright yellow, which is (is it?) the Imperial colour in

China, and also the antithesis to purple (_vide_ Coleridge and Eastlake's

Goethe)--even as the Eastern and Western Dynasties are antithetical, and

yet, by the law of extremes, potentially the same (_vide_ Coleridge,

etc.) Is this aesthetic? is this exegetical? How glad I shall be if you

can assure me that it is. But, nonsense apart and begged-pardon-for,

pray write me a line to say how you are, directing to this pretty place.

'The soil is in general a moist and retentive clay: with a subsoil or pan

of an adhesive silicious brick formation: adapted to the growth of wheat,

beans, and clover--requiring however a summer fallow (as is generally

stipulated in the lease) every fourth year, etc.' This is not an

unpleasing style on Agricultural subjects--nor an uncommon one.

_To F. Tennyson_.

BOULGE HALL, WOODBRIDGE.

[21 March, 1841.]

Letters of Edward FitzGerald, in Two Volumes. Vol. 1 · 第 68 / 252 题