PART TWO

I

Almost all his life long Kuzma had dreamed of writing, of obtaining an

education. Verses did not count. He had dallied with verses as a mere

child. He longed to narrate how he had come to naught; to depict, with

unprecedented ruthlessness, his poverty and that dreadful factor in his

commonplace life which had crippled him, made of him a barren fig-tree.

When he reviewed his life in his own mind he both condemned and

acquitted himself. Yes, he was an indigent petty townsman who, almost

up to the age of fifteen, had been able to read only by spelling

out every word. But his history was the history of all self-taught

Russians. He had been born in a country which had more than a hundred

million illiterate inhabitants. He had grown up in the Black Suburb,

where down to the present day men fight to the death with their fists.

In his childhood he had seen dirt and drunkenness, laziness and

boredom. His childhood had furnished only one poetical impression:

there had been the dark cemetery grove, and the pasture on the hill

behind the Suburb, and beyond that--space, the hot mirage of the

steppe, a white cottage beneath a poplar-tree in the far distance. But

he had been taught to look upon even this cottage with scorn: Little

Russians dwelt there, and, of course, they were so stupid that in reply

to the question, “Little Russians, where are your kettles?”[14] they

said: “Do you need to be told that they are under the wagons?” He and

Tikhon had been taught the alphabet and figures by a neighbour named

Byelkin, whose trade was to make rubber overshoes in moulds; but he had

taught them because he never had any work--for what demand was there in

the Suburb for overshoes?--and because it was always agreeable to pull

some one’s hair, and because a man cannot sit for ever on the earth

wall alongside his hut absolutely idle, with his frowsy head bent and

exposed to the sun, doing nothing but spit in the dust between his bare

feet.

In Matorin’s shop the brothers had speedily attained to writing and

reading, and Kuzma had begun to be attracted by the little books which

the accordeon-player, old Balashkin, the eccentric free-thinker of the

bazaar, gave him. But what chance for reading was there in the shop?

Matorin very often shouted: “I’ll box your ears for those books of

yours, you abominable little devil!”

That was an old story; but Kuzma wished to recall, also, the morals of

the bazaar. In the bazaar he had picked up much that was opprobrious.

There he and his brother had been taught to sneer at the poverty of

their mother, at her having taken to drink, abandoned as she was by her

adolescent sons. There they once played the following prank: Every day,

on his way from the library, the son of the tailor Vitebsky passed the

door of the shop--a Jew aged sixteen, with a pallid greyish face; a

terribly lean, big-eared fellow who wore spectacles and industriously

read as he walked, his book held close up to his eyes. So they threw

some bricks and rubbish on the sidewalk--and the Jew (“that learned

man!”) stumbled so successfully that he bruised his knees, elbows, and

teeth to the point of bleeding. Then Kuzma started to write. He began a

story about a merchant who, driving by night in a fearful thunderstorm

through the Murom forests, came upon an encampment of bandits and got

his throat cut. Kuzma fervently set forth his remarks and thoughts on

the brink of death, his grief over his iniquitous life, “so prematurely

cut short.” But the bazaar mercilessly threw cold water on it.

“Well, you are a queer one, Lord forgive us!” it pronounced, merrily

and insolently, through Tikhon’s mouth. “‘Prematurely’! That

pot-bellied devil ought to have been done for long before! Well, and

how did you know what he was thinking about? They cut his throat,

didn’t they?”

Then Kuzma wrote, in the style of Koltzoff, a ballad about an extremely

ancient knight who bequeathed to his son a faithful steed. “He carried

me in my youth!” exclaimed the hero in the ballad. But Tikhon merely

shook his head over that.

“Really!” said he, “how old was that horse? Akh, Kuzma! Kuzma! You’d

better compose something practical--well, about the war, for example.”

And Kuzma, catering to the taste of the market-place, began with great

zeal to write about what the bazaar was discussing at the moment--the

Russo-Turkish war: about how--

“In the year of seventy-seven

The Turk set out to fight;

He advanced with his hordes

And tried to capture Russia”

and how those hordes

In uncouth nightcaps

Crept stealthily to the Tsar-Cannon.[15]

Later on it pained him to realize how much stupidity and ignorance

this doggerel contained, the servile quality of its language, and

its Russian scorn for foreign headgear. With pain he recalled much

else. For example, Zadonsk. One day there he was overcome by a

passionate longing for repentance, a terror lest his mother, who had

died, practically, of starvation, had bitterly reported in heaven

her sorrowful life; and he set forth on foot to the abode of a holy

man. Once there, he did nothing whatever except to read to assembled

admirers, with malicious joy, a “sheet” which had made a special

impression on him: how a certain village scribe had taken it into his

head to reject the authorities and the Church, and God had waxed so

wroth that “this aristocrat was laid low on his bed of death,” his

malady such that “he devoured more than a pig, and shrieked that that

was not enough, and withered away until he was unrecognizable.” And

Kuzma’s entire youth was spent in just such affairs! He thought and

professed one thing--and said and did something entirely different.

Aspiring to write and reckoning up the sum-total of his life, Kuzma

shook his head mournfully: “A genuine Russian trait, sir! The sowing

was half peas, half thistles.”

It seemed as if he had been merry in his youth, kind, tender, quick to

understand, eager to learn. But was it really so? He was not Tikhon, of

course. But why had he, equally with Tikhon, assimilated so promptly

the savagery of those who surrounded him? Why had he, kind and tender

as he was, so mercilessly neglected his mother? Why had the bazaar so

long reigned supreme over his heart, which was toiling so ardently over

books? Why, why was he--a barren fig-tree?

Tikhon had been in the habit of keeping most of his earnings in

one common money-box: they had decided to set up in business for

themselves. Kuzma surrendered his money with a full, hearty confidence

which Tikhon never possessed. But his mother, his mother! He groaned

as he recalled how, poverty-stricken as she was, she had bestowed her

blessing on him, had given him her sole treasure, a relic of her better

days, which had been preserved at the bottom of her chest--a small

silver-mounted holy picture. And the fact that he had groaned was good,

also; but all the same his money had gone to Tikhon.

The Village · 第 31 / 54 题