The Grounds

The most attractive feature of the Hermitage grounds, aside from the

mansion house itself and the garden, is the guitar-shaped driveway

leading up to the front door from the entrance gate. All along both

sides of the drive the General planted cedar seedlings, brought in from

the near-by glades, and most of these original cedars, now grown into

stately trees, still remain. The few that have succumbed to the stress

of the years and the storms have been replaced with younger brothers,

thus preserving the General's original plan. The wood of the old trees

uprooted by storms has been carefully preserved and is used for the

manufacture of souvenirs and novelties which are sold to visitors.

Until very recently the front drive was still used as the visitors'

approach to the house; but it was feared that the continued every-day

use of the drive might shorten the life of the old cedar trees, and so

entrance and exit are now afforded by a modernly built driveway on the

western edge of the front lawn. This drive is lined with young hardwood

trees of historical significance, they having been transplanted from the

historic battlefields of New Orleans and Alabama where Jackson made

himself a world figure. There are thrifty young oaks here from Chalmette

Plain, and from The Horseshoe, Fort Jackson, and Talladega--names

indelibly associated in history with General Jackson's ever-victorious

combats with the British and with the Creek Indians. This step in the

beautification of the grounds was made possible through the liberality

of Mrs. B. F. Wilson of Nashville, when she was regent of the

association.

Just to the rear of the dining-room wing of the house is the

semi-detached brick kitchen, with its big open fireplace, where all the

family's meals were prepared during the years of the old house's

occupancy. The kitchen separate from the house served to eliminate the

noise and heat and odors of cooking, so far as the family and guests

were concerned. It multiplied the task of serving the meals, but of what

importance was that when labor was so plentiful? In the kitchen may be

seen the cooking appliances used in the early days when there were fowls

and huge roasts on the spits in front of the fire, potatoes boiling in

the big pot on the crane, and doubtless hoecakes on the griddle and hot

biscuits in the oven. Aunt Betty was the cook during the early days and

up until the time she died in 1852; and in those days the cook ruled the

kitchen with an iron hand. There were swarms of little black girls to

keep the fire going and turn the spits and sweep the ashes and bring

water from the springhouse and carry dishes to the dining room--and Aunt

Betty was their boss. Housewives of today, accustomed to the culinary

conveniences afforded by electric ranges and other modern trappings,

wonder how Aunt Betty, cooking on an open fireplace, could prepare the

food for a big family and a house generally full of guests. But those

were the days of simple fare, simply prepared; and Aunt Betty was a

master of that art.

Behind the kitchen is the big brick smokehouse--empty now, but a century

ago filled with the great supply of hams and bacon needed for the

feeding of a large household and a hundred slaves--not to mention the

numerous guests. A normal supply of meat when hogs were killed and the

hams and sides salted down and smoked was from 20,000 to 25,000 pounds.

Today only its dark, smoke-stained rafters remain to tell of all the

succulent country hams that once hung there, but there still clings

about it an elusive and entrancing aroma reminiscent of the days when it

was stocked with the plantation's supply of meat. At hog-killing

time--the first freezing weather in the early winter--a big fireplace in

the cellar of the big house was used to heat water to scald the hogs and

also for rendering the lard in the big black iron kettles.

The carriage house, to the rear of the smokehouse, is not the original

building used for this purpose. It was put there during comparatively

recent years for the purpose of conveniently displaying the old Jackson

family carriage. This old family carriage looks rusty and faded now, but

a century ago it was the vehicular equivalent of the finest

eight-cylindered limousine available today. Nothing but the best was

good enough for General Jackson, whether he was buying a broadcloth suit

or a horse or a carriage. Even before he was President he had an eye for

style and a modest display of pomp. Old residents of Nashville used to

tell of how the General would drive into town "in a carriage drawn by

four handsome iron-gray horses, attended by servants in blue livery with

brass buttons, glazed hats and silver bands." These carriage horses were

the apple of the old man's eye, and whenever he referred to "my grays"

it was with a note of real pride.

In the carriage house is also to be seen the framework, all that now

remains of the handsome phaeton presented to General Jackson by the

admiring citizens of New York. Unfortunately this vehicle was burned

while Colonel Andrew Jackson, III, was living in Cincinnati, before he

had sold all the family relics to the association. The wooden parts of

this phaeton were made from timbers taken from the historic old ship

_Constitution_, and it was very highly cherished by the General. It was

in this phaeton that he and Martin Van Buren rode to the Capitol

together for the inauguration March 4, 1837; and when he left Washington

for Nashville he took the most elaborate pains to see that it was

properly crated and shipped to him at home. It was carried across the

river to Alexandria and thence by boat to Philadelphia. There it was

shipped on a coastwise vessel to New Orleans, and thence by river boats

to the Hermitage.

A good description of this historic vehicle is embraced in the account

of the Van Buren inauguration written for the _New York Mirror_ by

Nathaniel P. Willis. Mr. Willis, who speaks of it as "the elegant

phaeton made of the wood of the old frigate _Constitution_," describes

it in these words: "it has a seat for two, with a driver's box, covered

with a superb hammercloth, and set up rather high in front; the wheels

and body are low, and there are bars for baggage behind; altogether, for

lightness and elegance, it would be a creditable turn-out for Long Acre.

The material is excessively beautiful--a fine-grained oak, polished to a

very high degree, with its colours delicately brought out by a coat of

varnish. The wheels are very slender and light, but strong; and, with

all its finish, it looks a vehicle capable of a great deal of service. A

portrait of the _Constitution_, under full sail, is painted on the

pannels." In this article Mr. Willis refers to another vehicle presented

to the retiring President by "an eccentrick mechanick"--a sulky made

entirely of rough-cut hickory with the bark on, with some curiously

twisted and gnarled branches ingeniously turned into handles and

whip-box. It must have been a vehicular monstrosity. At any rate, Old

Hickory avoided bringing such an outlandish rig back to the Hermitage by

generously presenting it to his successor, Mr. Van Buren.

Behind the present carriage house is the brick house in which the

caretaker lives, this also being of modern construction. The stable

standing back of the caretaker's house was built a few years ago when

the log and frame stable burned. This building had replaced the original

old brick stable which was built in 1832 and which stood much nearer to

the house, about where the carriage house is now located. The old

driveway leading back to the stable may still be seen in the lawn to the

west of the mansion house. The brick house where souvenirs are now sold

is a replica of the original carriage house, being built on its old

foundations.

Just to the right of the back door of the house is a deep, rock-lined

well, with an old-fashioned cedar windlass and oak bucket. In the early

days, however, the water supply was obtained from a never-failing spring

which is reached by the long brick walk now leading from the Hermitage's

back door. This gushing spring helped fix the location of the original

log Hermitage near by, as a convenient water supply was a primary

essential in the pioneer days. One of Jackson's first acts, after

building the log house to live in when he moved from Hunter's Hill, was

to enclose the spring in a stone springhouse which Mrs. Jackson could

use for keeping her milk and butter cold. Mrs. Jackson, who took a

lively interest in the farm affairs, was especially proud of this spring

which was and is an exceptionally good one.

The brick walk down to the springhouse is now shaded by a grove of

trees; but originally this was the "colt lot," the trees having been

planted after the house was reclaimed. On the way down to the spring

there may be seen close on the other side of the fence to the left the

sole remaining relic of Hunter's Hill--a log cabin which stood there

after the old house was burned, and which was in recent years taken down

and removed to this location on the Hermitage property where it might be

preserved.

There are no slave quarters to be seen at the Hermitage, for in

Jackson's day the slaves who worked in the fields were scattered in

their cabins about the plantation and did not all live in one long row

of houses as was the prevailing custom in the South generally. There

remains, however, a two-roomed log cabin just to the north of the garden

which was the home of Uncle Alfred to the day of his death.

Uncle Alfred was born on the Hermitage plantation just about the time

Jackson moved there from Hunter's Hill and lived there all of his days.

Living a long lifetime of almost a complete century, the span of his

existence covered the years of Andrew Jackson's whole life after his

rise to distinction. He saw the building of the Hermitage, he saw it

burned and rebuilt, he witnessed its decline and its rescue and its

development into a magnet for visitors from all over the country. As a

shiny-eyed boy of twelve he stood with the other slaves, young and old,

at the big gate that never-to-be-forgotten day in 1815 when the General

returned triumphant from his great victory at New Orleans; and thirty

years later it was his strong arms that helped support the emaciated

body of the old statesman as he sat up in his bed and gasped out his

dying breath.

Born and living sixty years a slave, he was too old to change his ways

when the state of Tennessee enacted the emancipation amendment to its

Constitution in January, 1865. Freedom meant nothing to him then; he

just went on living with the Jacksons until he could get his

bearings--and then, in a few weeks, his master died and he stayed on

with his old mistress because he felt that she needed him. When the

state turned the property over to the Ladies' Hermitage Association and

the next generation of Jacksons moved out, he still went on living there

in his same old cabin. Nobody ever seemed to consider the possibility of

his moving away. Through the years he seemed to have become an integral

part of the property, just as much a fixture as the stout log cabin in

which he lived.

Alfred's mother was Betty the cook; and in his youth his duties were

those of a hostler and attendant at the stables. In the caste system of

slavery he was undeniably of a higher stratum than the field hands; but

the house servants, the real elite, always referred to him

contemptuously as being from "across the yard"--their aloof designation

of the stable area. At times Alfred rode the General's horses in some of

their important races, drove teams on the farm when needed for that

duty, and occasionally served as driver of the family carriage. In all

these duties he was noted for the way he had with horses and for his

careful manner of handling them. When little Andrew, the adopted son,

grew too old to be tied to the apron strings of his black mammy-nurse,

Aunt Hannah, he was turned over to the tender care of Alfred--six years

his senior--who served him faithfully in the complex rôle of nurse,

companion, bodyguard, mentor, valet, and chum--that indescribable

relationship known now only as a memory lingering in the recollections

of those old men whose youthful days were spent in the loving care and

companionship of slaves who were not merely servants but guardians and

tutors--and friends.

When Andrew reached young manhood and was old enough to travel about the

country, Alfred sometimes was called upon to go with him as his body

servant; and the members of the family for years enjoyed telling of how

Alfred saw to it that the young master had the best of the available

accommodations whenever they went together.

On the occasion of Alfred's first service in the unfamiliar rôle of

valet, young Andrew was setting out on a steamboat trip to New Orleans.

His body servant was taken sick just on the eve of their departure, so

Alfred was called in from the fields to take his place--not, however,

without some misgiving on the master's part. Alfred was given some

superficial coaching in his new duties and off they started. The next

morning young Jackson was aroused from his slumbers by the noise of a

disturbance on deck, and emerged from his stateroom to find Alfred in

bellicose possession of the washbasin, soap, and towels, defying the

early-rising passengers who desired to make use of the steamboat's

primitive toilet facilities. "Can't nobody wash hisself till Massa

Andrew's used these things," he was declaring stoutly. "Reckon I knows

my business better'n dat."

When Andrew, junior, married in 1831 and brought his bride to the White

House, President Jackson presented to his new daughter-in-law a young

slave woman named Gracey to act as her personal maid. When the young

couple came on to the Hermitage in the spring of 1832 Gracey came with

them, and the young maid from Virginia soon attracted Alfred's favorable

attention. The master and mistress looked with favor on the match, and

so they were married in the fall of 1837. Mrs. Jackson made a gala

affair of the wedding, having the ceremony performed in the large

central hall of the Hermitage and giving the couple a handsome wedding

supper.

The story of the fidelity of Alfred and Gracey to their white folk is

the familiar idyl of the Old South--the faithful slaves' devotion to

their former masters in the time of the latter's adversities. Gracey and

Alfred had been with the Jacksons when they were in the White House, the

first family of the land, they had enjoyed the flush days of the old

General's successes and popularity. And when the evil days came--when

Alfred's young master, now no longer young, cast off the burden of life

and was laid to rest in the corner of the garden, and Gracey's mistress

faced life lonely and impoverished, with no farm left to work and no

slaves left to work it--then Alfred and Gracey did not go off to set up

homes of their own, in their new-found freedom, as did all of the other

Hermitage black folks, but stayed there in their cabin to serve the

mistress they loved as long as she lived.

Gracey died in 1887, shortly before the death of Mrs. Sarah York

Jackson; but Alfred lived until 1901, and played no small part in making

the Hermitage a place of interest to visitors. As long as he was

physically able he served as a guide, and those who came from afar to

visit the Jackson shrine deemed it a rare privilege--as indeed it

was--to be shown through the house and garden by one who had been there

when the spark of his old master's vibrant personality made the

Hermitage a place alive with his presence.

Alfred was fully conscious of the fact that he was a living connecting

link between the departed great man and his living admirers, and he

never tired of telling visitors stories illustrative of the greatness of

the old General. To Uncle Alfred there was no flaw or blemish in his old

master's character or fame. His idolatrous veneration was well

illustrated by his often quoted reply to a visitor who asked him if he

thought General Jackson went to Heaven. "Co'se he went to Heaven," Uncle

Alfred answered with vigor, "if he want to. If he want to go dere, who

gwine stop him?"

After he grew too feeble to act as a guide he kept to his cabin, and

though the ills of his accumulating years bore heavily on him he always

enjoyed chatting with visitors who stopped to talk with him as he sat on

his doorstep in the summer or by the blazing logs in his big fireplace

in the winter. Although never bedridden, his strength slowly faded away

and at last he died quietly on September 4, 1901.

Not only was he given the boon of being buried in the garden, near the

tomb of his deeply venerated old master, but the added honor was given

him of having his funeral held in the hall of the Hermitage, his casket

resting on the same spot where he and Gracey had stood to be married

more than sixty years before. His funeral was attended by large numbers

of his friends, both black and white, and ministers of both races

participated in the burial services. Both Alfred and Gracey had

originally been members of the little Hermitage church, but after

Gracey's death, Alfred transferred his membership to a near-by church of

his own people.

In typically weird cadences Uncle Alfred's black-skinned friends raised

their quavering voices to sing his old favorite:

On Jordan's stormy banks I stand and cast a wistful eye;

On Canaan's bright and happy shore where my possessions lie.

And so he was borne through the broad front door of the Hermitage and

laid to rest in his long home in the garden. "Faithful servant of Andrew

Jackson" it says on his modest tombstone; and all those who read the

Scripture know of the reward in Heaven promised to the good and faithful

servant.

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