HIGHBURY BARN.

A writer in _Chambers's Journal_ some time since called attention to the

peculiar attractions of Highbury Barn. What are these attractions? I

confess that the place has connected it with the eating and drinking

associations of years; that here generations of cockneys have dined; that

here, Sunday after Sunday, they have come to drink bottled stout and

smoke; that it is extensively patronized by shopmen and milliners; that

the society is not of the most refined order; and that the love made in

it is not of the noblest and purest character. I cannot understand how

_Chambers_ could have been got to puff up such a place to the public. I

am sure the decent public will not thank _Chambers_ for the puff.

Highbury Barn is an admirable illustration of the way in which Acts of

Parliament are evaded. In 1852 Mr Hinton applied for and obtained a

license for music, and he stated in his petition on that occasion, that

his object was to have the license as an adjunct to dinner-parties, a

great number of which were held there; and at that time he had no idea

whatever of having dancing in the place. In 1854, however, a different

state of things arose, and, from a combination of causes, the parties and

festivals at Highbury Barn fell off, and competition was so great, that

Mr Hinton, having a large establishment, in which a great deal of capital

was invested, was compelled to do something to meet the public taste, as

he says, or, as I might say, to create it. Accordingly, on Whit Monday

of that year, he opened his establishment for musical entertainments with

the band of the Grenadier Guards. This was considered by the magistrates

as an infraction of his agreement with them, and his license was refused.

But Mr Hinton was not beaten; he had his large capital invested, and

somehow or other the public must be got into his house. An ingenious

plan was devised, by which Mr Hinton was enabled to carry on his music

and dancing without a license, and yet be secure from the penalties

incurred by the breakers of law. There is an assembly called Almack's,

frequented by the _elite_ of the land, held in Willis's Rooms. Those

rooms are not licensed according to Act of Parliament, yet all the

leaders of _bon ton_ there congregate, and they would be liable to be

taken up as rogues and vagabonds under the Act. But the dancing is

carried on there by an association, under the auspices of which tickets

are sold. Well, Mr Hinton adopted a similar plan. The Highbury Club was

formed, and the club kindly provided the youthful votaries of pleasure

with the desired amusement. If we are to believe Mr Hinton, the result

has not been very advantageous, as his receipts on the sale of alcoholic

liquors fell off 600 pounds--a statement rather difficult to reconcile

with his former one, that he found his customers had left him, and that

he must do something to call them back. Be that as it may, Mr Hinton has

now his license, though three clergymen connected with the district

concurred in stating that parties on leaving the Barn were disorderly and

riotous, and disturbed the quiet of the locality, and that the licensing

of that establishment would have a very demoralizing effect.

And now let us go to Highbury Barn. As we walk alone Highbury-place, we

pass by many a father of a family grumbling at the idea of having his

quiet invaded by parties coming home from the Barn; and yet there was a

time, probably, when he heard the chimes at midnight; and the chances

are, so wretchedly are our lads educated, that while the father is at

home reading his religious magazine, the son is being initiated into fast

life at the Barn. But on we go through a dark passage, admirably adapted

for a garotte walk, till we come to the place of rendezvous. We pay

sixpence and walk in. The first thing that strikes us is the Master of

the Ceremonies. We are amazed,--in the distant West never have we met a

more distinguished swell. His attitude is faultless; his raven hair is

parted in the middle; his dark eye is turned in a languishing manner

upward to the orchestra. In the intervals between the dances he walks up

and down the room in an abstract and poetic manner, and Melancholy marks

him for her own. You believe in the doctrine of metamorphoses as you

look at him. He is a star fallen upon evil days. Beneath that faultless

black dress-coat there lies the soul of a Beau Brummel or a Nash. Well,

then, may there be a tinge of sadness on his cheek, and a cloud upon his

brow. But let us leave him awhile and look about us. What a noble room!

we shall not see a finer one in London. At one end is a gallery; at the

other a raised platform with very comfortable seats and tables. All

round the room are illustrations of oriental scenery, and over the bar is

the orchestra. But the place is not so crowded as we might expect, and

the visitors are quieter than in the casinos of the West; the men and

women are most of them much younger,--the men, many of them, have an

exceedingly juvenile appearance, and think it fine to dance with young

ladies of uncertain occupations, and to drink brandy-and-water and smoke

cigars; but they have yet to cut their wisdom-teeth. As Thackeray says,

"Pretty page with the dimpled chin,

That never has known the barber's shear,

All your wish is woman to win;

This is the way that boys begin,--

Wait till you come to forty year."

Come here in the summer-time, and the attendance is then numerous; and of

a Sunday evening, on the lawn before the Barn, or in the bowers and

alcoves by its side, what vows have been uttered only to be broken; and

what snares have been set for youth, and beauty, and innocence; and how

many have come here with gay hearts who have left with them bruised

beyond the power of man to heal! Even in this room itself, what changes

have been wrought by the magic hand of time! Where are the Finsbury

radicals--all beery and Chartist, who here dined; the demagogues who

duped them, the hopes they cherished, the promises they made? One after

another have the bubbles burst, have the leaders palpably become shams,

have the people woke up to disappointment and despair; and yet the nation

has yet to learn that it is only by individual righteousness its

salvation can be wrought. The dancing, instead of speech-making, is a

sign of the times. Accompanied as it is by less drinking, let us hope it

is a favourable sign. Let us judge in the spirit of charity and hope.

But let us not be too sanguine,--it was during the terrors of the French

Directory, when the

"Streets ran so red with the blood of the dead,

That they blush'd like the waves of hell,"

that Paris became a city of dancers, and that the art reached a climax

unknown before or since.

The Night Side of London · 第 27 / 44 题