CANTO XXI-XXII

SEVENTH HEAVEN

OF SATURN

THE SACRED

STAIRWAY OF

CONTEMPLATION

NOW ON THE FACE OF MY LOVED LADY WERE

MY EYES AND MIND AGAIN INTENTLY STAYED: ...

HER LOOK BORE NOT THE ACCUSTOMED SMILE DIVINE;

. . . . . . . . . . . . . . . . . . SHE SAID: ...

“FOR SINCE MY BEAUTY, HIGHER AS WE RISE

TOWARDS THE ETERNAL PALACE, GLOWS MORE BRIGHT

AT EVERY STEP, AS WITNESSED BY THINE EYES,--

WERE NOT A VEIL BEFORE ITS RADIANCE CAST,

THY MORTAL VISION, DAZZLED AT THE SIGHT,

WOULD SHRINK AS LEAVES BEFORE THE LIGHTNING BLAST.”

. . . . . . . . . . . . . . . . . . MY SOARING EYE

BEHELD A STAIR OF GOLDEN COLOURS BRIGHT ...

“O SPIRIT BLEST THAT DOST THY FORM CONCEAL

WITHIN THINE OWN DELIGHT, TO ME DISCLOSE ...

WHY THE SWEET SYMPHONY OF PARADISE

IN THIS HIGH SPHERE IS SILENT.” ...

“MORTAL THY HEARING AS THY SIGHT,” SHE SAID;

“AND THE SAME REASON NOW FORBIDS THE SONG,

THAT LATE IN BEATRICE THE SMILE FORBADE.”

]

[Illustration:

“IN ITS DEPTH I SAW THAT

WHATSOEVER IS DISPERSED

THROUGHOUT

THE UNIVERSE

IN SEPARATE LEAVES--

IS THERE INCLUDED,

BOUND WITH LOVE

IN ONE VOLUME.”

PARADISO

CANTO

XXX-XXXI

THE TENTH

HEAVEN.--THE

GREAT WHITE ROSE

“SEE THE VAST NUMBER OF THESE SNOW-WHITE DRESSES!

SEE HOW EXTENSIVE IS OUR CITY!”....

* * * * *

ARRAYED IN SEMBLANCE OF A SNOW-WHITE ROSE

THAT HOLY ARMY WAS REVEALED TO SIGHT

WHICH FOR HIS SPOUSE, IN DEATH OUR SAVIOUR CHOSE.

* * * * *

“VIEW NOW THE CIRCLES E’EN THE MOST REMOTE

UNTIL THE QUEEN UPON HER THRONE THOU SEE’ST.”

* * * * *

O SOVRAN LIGHT! WHO DOST EXALT THEE HIGH

ABOVE ALL THOUGHTS THAT MORTAL MAY CONCEIVE,

O PLENTEOUS GRACE THAT NERVED MY SOUL TO RAISE

SO FIXT A LOOK ON THE ETERNAL LIGHT.

THAT I ACHIEVED THE OBJECT OF MY GAZE....

* * * * *

THE GLORIOUS VISION HERE MY POWERS O’ERCAME:--

BUT NOW MY WILL AND WISH WERE SWAYED BY LOVE--

(AS TURNS A WHEEL ON EVERY SIDE THE SAME)

LOVE--AT WHOSE WORD THE SUN AND PLANETS MOVE.

]

THE NEW YORK NEWSBOY

BY JACOB A. RIIS

Author of “How the Other Half Lives,” etc.

WITH SKETCHES BY J. R. SHAVER

The newsboys of New York were having their Christmas dinner, and I was

bidden to the feast. I stood at the door and saw them file in, seven

hundred strong, to take their places at the long tables. Last of all

came the little shavers, brimful of mischief waiting to break out. The

superintendent pulled my sleeve when he set eyes upon them.

“Watch out now,” he said; “they’ll be up to something.”

I saw them eye the lay-out as they went down the line, where turkey

and mincepie stood waiting, and make quick, stealthy passes with their

hands, but nothing happened until they had taken their seats. Then up

went eight grimy fists, and eight aggrieved voices piped out:

“Mister, I ain’t got no pie!”

The superintendent chuckled.

“How is that?” he said. “No pie? There was one; I put it there myself,

at every plate. Why, what is that?” And he patted each of the little

rascals in the region of the bread-basket, where something stuck out in

a lump inside the shirt.

“Me pie,” was the unabashed reply. “I was afeard it ’u’d get stole on

me.” There was just the ghost of a wink.

“Well,” laughed the superintendent, “we’ll forget it. It is Christmas.

Go ahead, boys, with your dinner.” And they fell to.

It was great. Talk about the charge of the Six Hundred. These were

seven hundred, and they used their knives, their forks, and their

tongues all at once and for all they were worth. The noise was

deafening. You could not have heard yourself think. One alone among

them all did no shouting. He devoured his dinner like a famished little

wolf, and all the while he never took his ferret eyes from my face. It

was in the days when New York had a militant police commissioner, who

set the town by the ears every other day with his unheard-of ways of

enforcing dead-letter laws, and rattled its dry bones. All of a sudden

the boy snatched his fist from his mouth and pointed it straight at me.

“I know you,” he piped in a shrill treble that cut through the Babel

of tongues like a knife. “I seen yer picter in de papers. Ye ’r’--ye

’r’--Teddy Roosevelt!”

Instantly there was the silence of the tomb in the big hall. Where just

before one would not have known that a dray went over the pavement

outside, one could all at once have heard a pin drop. Looking down the

table where the miscreants sat who had tried to get a double allowance

of pie, I saw something stirring, and the stolen pies appeared and

were swiftly and silently deposited on the table. The dreaded name had

brought them back even on a false alarm.

That was seventeen years ago. Chance carried me past the Newsboys’

Lodging-House the other day at the dinner-hour, and I went in to have a

look at things. There were no newsboys there. The little shavers with

their gimlet wits were gone. The boys who sat about the tables did not

hail from Newspaper Row. They were older, and evidently earning their

bread in shop and factory.

“Gone,” said the superintendent to my question where the little fellows

were. “Societies got them, and they don’t run in the street. The old

times went out a dozen years ago. Before that we had them at six, even

at five, and more and more of them up to fourteen. They overflowed from

the city’s tenements in homeless hordes. They don’t any more. The boys

we now have average seventeen or eighteen; they come mostly from out

of town. The lure of the city, the _Wanderlust_, gets them. Now and

then it is a stepfather. Here we sift them, get them work if we can. A

few sell papers, but not many. There are not half a dozen newsboys in

the house to-day, and its name might as well be changed. Less than one

third belong in New York. Last year when Christmas was coming on we had

a talk here, and the speaker touched the string of mother waiting at

home for her wandering boy.”

[Illustration: HOW CAN HE HOLD SO MANY PAPERS, WITH ONLY ONE LEG AND

TWO HANDS?]

There was a tremendous demand for note-paper that week, and seventeen

runaways were returned to their homes.

“The newsboy of to-day is another kind of chap, who has a home and

folks. No, Santa Claus has not lost the way. We still have our

Christmas dinner. Come and see for yourself.”

What he said was true. The newsboy of old, who foraged for himself, who

crowded street and alley about the newspaper offices and mobbed the

pressmen, who curled up by the steam-pipes or on the manhole-covers in

the small hours of the morning for a “hot-pipe nap” till the clatter

of the great presses began below, and was rounded up there by the

“Cruelty man” in zero weather, is a rare bird nowadays.

In his place has come the commercial little chap who lives at home and

sells papers after school-hours, sometimes on his own account, but

oftener to eke out the family earnings with what may be the difference

between comparative comfort and abject poverty.

Shorn of his lawless privilege of sleeping out and of imperiling his

life a hundred times a day by jumping on moving cars in his hunt for

trade, he is still a feature of metropolitan life, even holds the key

to some of its striking phases; for, as the circulation manager will

tell you, he is the one who _makes_ the sales. The dealer at the stand

merely registers the purchaser’s desire for a paper; the boy prompts

it. He has surrendered some of his picturesqueness to become a cog in

the industrial wheel, small but indispensable.

[Illustration: A YIDDISH “NEWSLADY” ON GRAND STREET, SHE SELLS NOTHING

BUT HEBREW PAPERS]

Like all business in our day, he is being concentrated, capitalized.

From an atom he has become an asset, quite without his assistance.

[Illustration: UNDER THE SYSTEM OF “RETURNS” THE WEEPING NEWSBOY HAS

DISAPPEARED]

It was neither the change from the jovial Irish to the sunny Italian,

nor from him to the sharp-witted Jew, that wrought the transformation.

It was something more potent than either or both. It was the Spanish

War, with the great boom of the sensational papers that set a new pace

in the press-rooms. Where there had been one afternoon edition, half

a dozen grew. It was clearly impossible for the boy to go down-town

every half-hour for his papers; he would be traveling all day if

he did. So he stayed where he was. The clamoring crowds about the

newspaper offices disappeared. Pony expresses and automobiles carried

the editions up-town, throwing them off at points where newsdealers and

boys were waiting. Year by year the routes were extended, and they are

growing yet. The old distribution centers under the equestrian statue

in Union Square, in Greeley Square, Times Square, Columbus Circle, and

at the Grand Central, have been multiplied many times. In this rush of

development the little fellow has been caught up as in a whirlwind, and

is being carried on with a speed that leaves him and, for that matter,

the rest of us little chance to think or ask where he is going.

[Illustration: THE YOUNG NAPOLEON OF FINANCE]

[Illustration: THE VETERAN NEWSBOY OF PARK ROW]

Thus lassoed by the big business of the time, what sort of lad has the

little pirate of the past become? And what is he, with the training

of the street, in the way to become? It depends on the angle from

which he is seen, and angles he has in plenty. Let it be said at

once that the boy who weeps in the street at night, appealing to

the tender-hearted with an armful of unsold papers, whatever he was

once, is not now the typical newsboy. He can return his papers now,

if “stuck,” or at any rate a fair share of them. Nine chances to one

the tearful one is a preposterous little fraud. If he confronts you

with a plea for a quarter, “to make the dollar and a half he needs to

go to the camp,” the tenth chance is gone. He does not have to pay a

dollar and a half to go to camp. The Newsboys’ Home Club gives him

all its privileges, including the summer camp, through the whole year

for a quarter. He is the crafty little rascal upon whom the “Cruelty

man” keeps a wary eye, for he knows that he will encounter him in the

Children’s Court some day, or, rather, that he will take him there. It

is this lad who is responsible for the showing of the reformatories,

that more than half of the prisoners “sold newspapers” in their day.

Doubtless they did, and they made short change to begin with, and

picked pockets a little later on. But they are no more representative

of their class than the get-rich-quick swindlers, to whom the

post-office authorities forbid the mails, represent the honest business

of the land.

There is evil enough abroad in the streets. Its touch, with all that

is cheap and tawdry and vulgar, from the perennial cigarette to the

vile bar-room and worse that open upon it, sharpens the lad’s wits and

too often tends to dull his morals. Seen from that angle, he gives the

philanthropist concern with cause. Despite child-labor laws, he is

on the street at too early an age and too late an hour. The law now

forbids him to cry his extra after ten o’clock if he is under fourteen.

This winter an effort will be made to shorten his hours by two and send

him to bed at eight, while raising his age to sixteen. Even then there

will be mischief enough and to spare in his path. School licenses and

badges do not banish it. The lad does not always take them seriously.

“Where is your badge?” asked a man suddenly of a little fellow who

pushed a paper at him. He was dirty and out at elbows. The rent in his

trousers was mended with a bent nail.

“Left it home on the pianner,” he grinned, and dodged a vengeful grab.

[Illustration: THE FRIENDLY GRATING]

Seen from the angle of his friend in the “club,” he is an honest little

fellow whose earnings out of school help make both ends meet at home.

The very independence that is arraigned as tending to defiance of

authority, to irregularity and loose habits, in his view helps make

a man of him early, “if it is in him.” He will point to the lad who

just left his desk after arranging to take his week in camp in Sunday

doses, and tell you the reason: he cannot get away from business. A

Jew has set up a stand on his corner, and it is up to him to meet the

competition, which he does by hiring another boy to waylay the customer

in the middle of the block while he forages at the crossing. That other

boy over there is going into a silk house on the first of the month,

and his younger brother will take over his route. That boy began, as

most of them do, by making six or ten cents a day. For a long while

now he has brought home five dollars a week to his father, who presses

clothes for a living, and weekly earns little more than that the year

round.

[Illustration: CHRISTMAS DINNER IN A NEWSBOY’S BOWERY LODGING-HOUSE]

[Illustration: COUNTING THE DAY’S RECEIPTS: HAS HE THE “PRICE” OF A

LODGING?]

From the point of view of the circulation manager, who, after all,

perhaps knows him best, it being to his interest, the lad is just a boy

who, if he goes crooked, goes fast and far, but who grows straight in

ninety-nine cases out of a hundred, and, whether the one or the other,

can take care of himself. The one needs no one to weep over him; the

other will “do” you while you are at it. It is the circulation manager

who has housed him in his own club, once the dignified home of the

Historical Society, at Eleventh Street and Second Avenue, sends him

to camp in summer, has culled the chaff from the wheat generally,

and given him a social footing because of the commercial one he has

conquered.

Fresh from its humanizing influence, I corralled one of the species

on the avenue and catechized him, investing at intervals in his stock

to hold his attention. He was thirteen and had no badge. “My boss

has one,” he said. The boss proved to be an older boy who “had the

corner” and bought the papers at two for three; that is, for every

two one-cent papers he paid for, he received one free. That was his

profit. My boy was hired for the hours between half-past four and seven

on all school-days at a wage of sixty cents a week. Here then was the

capitalist at the beginning of things.

“Why don’t you get a corner yourself?” I asked.

“They’re all took.”

The boy was German, and it seemed safe to ask:

“He has no more right to the corner than you have; why don’t you fight

him for it?”

“He’s my boss,” was the dogged reply.

“But suppose some stronger fellow drove him away?”

The answer was prompt:

“I’d get other boys and get it back for him.”

Does that help you to understand the following of Big Tim Sullivan and

such leaders? Big Tim was a newsboy once, and he sticks up for them

always. I tried once more.

“Did you ever hear of any one taking a boy’s corner--just taking it?”

“I heared of it, but I never knowed it. It is _his_ corner.”

I felt for the tribal instinct on another tack. The boy had been to

camp. It is on the salt water.

“Can the fellows swim?” I asked.

“Most on ’em.”

“Is there any one to save those who can’t if they get in too deep?”

[Illustration: THE BOYS: “HANG WOMAN’S RIGHTS, ANYWAY”]

“Pinochle does--Pete’s his name. He pulled some out already.”

“If he shouldn’t be there, and a boy be drowning, would any of the

others go in to help him?”

“They’d all go.” It was plain that he was not boasting; he stated a

simple fact.

[Illustration: 9.30 A. M. “THE CENTURY” OFFICE NEWSBOY]

Some kingdoms have rested on no better claim than the boss’s corner.

There was one boss who took the title with the power, but neither

lasted long. Jack Sullivan, “the King of the Newsboys,” lies in the

Tombs at this writing, mired in the infamy that bred the Rosenthal

murder. His was the choice of the gutter that is always handy to the

street, but it was not typical. Neither is that of the newsboy, now

grown to man’s size, who owns the route on which I live and counts me

among his subjects. Knowing that I have become a farmer, he lingers

whenever he finds me at home, to hear the news of potatoes and crops.

He dreams of them, asleep and awake, and he has saved nearly enough

to buy his farm, beside raising a family of little children. When he

has it all, he will sell his route to another boy as young as he was

when he began and, let us hope, as honorably ambitious. He is not

typical because it is not often that the newsboy’s longing takes the

shape of a farm, though I know of at least one, a graduate of one of

the Children’s Aid Society’s lodging-houses, who did the same. He is

a settlement worker now when he is not farming. Another, who came out

of the same place, is superintendent of a boys’ club in a New Jersey

town. And there is one, a cripple, of whom some of the readers of this

article have doubtless bought papers, whose domain lies on the north

side of Forty-second Street and yields him a revenue of five dollars a

day, so they say in the Forty-fourth Street lodging-house in which he

used to live, and which he now supplies with papers.

[Illustration: AN OLD-TIME SCENE IN NEW YORK

Boys are no longer permitted to board the street cars.]

But the newsboy’s ambition is more apt to run to business or the

professions. There are clergymen, lawyers, and bankers in New York

who began their careers crying newspapers in the street. I know of a

distinguished physician on Madison Avenue who so paid his way through

college. At the entrance to the Brooklyn Bridge one sells newspapers

to-day who is in his last year in the medical school. Another, around

in Fulton Street, will be graduated with the next class from the dental

college, and up at the Grand Central I brush against one who is taking

his second year’s course in the law school. All these are still at

their posts, making the money that pays for their education; but I pass

them all by, when bound up-town, and buy my paper or magazine of one

who stands at the corner of Twenty-third Street and Fourth Avenue. Let

me tell you his story.

From his window across the street one of the officers of the Gerry

Society saw a boy with a crutch and an armful of papers dive into the

hurrying crowd on the crossing and snatch a customer from under the

very nose of a big, bearded man, also a news-vender, who in revenge

struck him an angry blow that sent him sprawling in the dirt. The boy

picked himself up and limped back to his corner, where the officer

found him brushing off his coat and attending to business as though

nothing had happened.

“It is all right,” was Fred’s only comment; “I wasn’t hurt, and I

guess it was his sale, anyhow.”

The boy had just passed fourteen. He had no time to waste in fighting,

for his father was sick at home and the support of the mother and three

younger brothers was upon his frail shoulders. That was fifteen years

ago, and he still sticks to the corner that is his by right now. And

this is how he met his responsibility, for the father died without ever

earning another dollar: one brother is a capable engineer connected

with one of the great electric companies, another is in the employ

of an express company; the third is a stenographer. Fred’s earnings

brought them all up and gave them their start. One of the brothers

helped him sell papers when not in school. The family have left the

tenement where the father died, and live in a nice home. Fred, as I

said, sticks to his corner. It is the key-note of the man, as it was

of the boy--to stick it out. He has seen the tide of little Italians

succeeded by a flood of Jews, big and little, but through it all has

held his own serenely. Best of all, he no longer walks with a crutch,

though he still limps. Open air _plus_ his dogged grit has triumphed

also over this obstacle and made him whole.

A good many years ago word came to the office of the “Sun” that there

had been an accident in which a newsboy was hurt. I went out and asked

the old news-woman at the bridge entrance who it was. I remember, as

though it were yesterday, her answer:

“Little Maher it was.”

“Well, where does he live? Who looks after him?”

“Oh, no one but God; and I guess He is too busy with other folks’ boys

to mind him much.”

The little Mahers of that day are happily no more. Society has

taken over the duty of looking after them, and attends to it. Their

successors follow business principles, but that they have not lost

either their wit or their spirits in the change you will discover

before you have kept their company long. Last autumn I went to New

Haven to lecture and, stepping off the train at dusk, had a paper poked

at me by one of the tribe. On the front page was my picture.

“Who is that?” I asked the boy, pointing to it. He took one look at it

and at me.

“Oh,” he said, “some old duffer. There’s lots of ’em here.”

[Illustration: “WUXTRY!”]

HOW CERVANTES LOOKED

THE NEWLY DISCOVERED AND ONLY AUTHENTIC PORTRAIT OF THE AUTHOR OF “DON

QUIXOTE”

[Illustration]

The circumstances of the finding of the portrait, reproduced on

the opposite page (from the monograph by D. Alejandro Pidal y Mon,

published in Madrid, 1912, for the Spanish Royal Academy), are there

given as follows:

A Spanish silversmith in Seville of the name of Albiol, a great

collector of old things, had, in his shop, a painted board, which, from

age and dirt, showed only the bright parts of a face. On cleaning it he

found it to be a portrait of Cervantes, painted by Juan de Jauriguí. At

the top of the picture is the inscription: “Don Miguel de Cervantes

Saavedra,” at the bottom: “Juan de Jauriguí Pinx. 1600.” Señor Albiol

did not know that Cervantes in his preface, of his Novels, published in

1613, refers to “my portrait by the famous D. Juan de Jaureguí.”

This portrait has been sought for all over the world for three

centuries by admirers of Cervantes. The ones at the beginning of the

innumerable editions, in every known language, have been made up from

his description of himself:

This whom you see here, with aquiline face, chestnut hair, smooth

and open forehead, with gay eyes and curved nose, although well

proportioned, the beard silvery which less than twenty years was

golden, with large mustaches, small mouth, the teeth neither small

nor numerous, because he has only six, and those so ill matched

that they do not correspond one with another, the body between two

extremes, neither large nor small, a bright color, rather fair than

brunette, a little stooping of shoulders and not very quick of feet,

this, I say, is the appearance of the author of “D. Quijote of La

Mancha.”

[Illustration]

Of course every artist has conceived the appearance of Cervantes in

accordance to his fancy, no two alike. The importance of a genuine

portrait of the author of “Don Quixote” can hardly be overestimated.

Señor Albiol, not being a scholar, consulted the librarian of his city,

the archæologist D. Narciso de Sentenach, an expert on Cervantes,

who as soon as he heard the name “Jauriguí” became greatly excited

and elated. He inspected the portrait and believed it to be that of

Cervantes by Jaureguí, and immediately communicated the matter to his

friend the Cervantist D. Francisco Rodriguez Marin, who agreed that it

was genuine and communicated the find to the Royal Academy at Madrid.

Some of the principal members of that illustrious body who were present

at the time Marin called resolved that, without summoning the members,

they would try to obtain the portrait, at whatever trouble or expense.

They delegated D. Alejandro Pidal y Mon to enter into negotiations with

Señor Albiol, who was induced to take it to Madrid. Señor Pidal frankly

told Señor Albiol that, in his opinion, the painting was genuine and

the only portrait of the great author, and, as such, of great value;

that it would be a national calamity if such a treasure should go

abroad, and that the Academy would make any possible sacrifice to buy

it.

This proved unnecessary, for Señor Albiol gave it to the Royal Academy

without compensation, though he was offered a large sum of money.

Considering that Señor Albiol is a simple artisan and that the money

would have made him independent for life, I have no doubt that some

more thrifty persons will say that there are Don Quixotes yet in Spain.

[The Editor is indebted to Mr. E. J. Molera of San Francisco for

calling his attention to this portrait and for the material for the

above note, based on the monograph above referred to.]

[Illustration: THE RECENTLY DISCOVERED PORTRAIT OF CERVANTES]

[Illustration: Drawn by Frank Wiles. Half-tone plate engraved by C. W.

Chadwick

“HE CLAPPED HIS HAND ON HEROLD’S SHOULDER AND SHOOK IT WITH ROUGH

AFFECTION” (SEE PAGE 269)]

STELLA MARIS

BY WILLIAM J. LOCKE.

Author of “The Beloved Vagabond,” “The Morals of Marcus Ordeyne,”

“Septimus,” “The Glory of Clementina,” etc.

The Century Illustrated Monthly Magazine (December 1912) Vol. LXXXV: New Series Vol. LXIII, November 1912 to April 1913 · 第 2 / 5 章