CHAPTER XI

SHE fell asleep, her head resting upon her hand, her elbow on

the arm of the chair. She awoke with a shiver; she opened her

eyes to find him gazing at her. The eyes of both shifted

instantly. "Wouldn't you like some whiskey?" she asked.

"Thanks," replied he, and his unchanged voice reminded her

vividly of his old self, obscured by the beard and by the

dissipated look.

She took the bottle from its concealment in the locked

washstand drawer, poured him out a large drink. When she came

back where he could see the whiskey in the glass, his eyes

glistened and he raised himself first on his elbow, then to a

sitting position. His shaking hand reached out eagerly and his

expectant lips quivered. He gulped the whiskey down.

"Thank you," he said, gazing longingly at the bottle as he held

the empty glass toward her.

"More?"

"I _would_ like a little more," said he gratefully.

Again she poured him a large drink, and again he gulped it

down. "That's strong stuff," said he. "But then they sell

strong stuff in this part of town. The other kind tastes weak

to me now."

He dropped back against the pillows. She poured herself a

drink. Halfway to her lips the glass halted. "I've got to

stop that," thought she, "if I'm going to do anything for him

or for myself." And she poured the whiskey back and put the

bottle away. The whole incident took less than five seconds.

It did not occur that she was essaying and achieving the

heroic, that she had in that instant revealed her right to her

dream of a career high above the common lot.

"Don't _you_ drink?" said he.

"I've decided to cut it out," replied she carelessly. "There's

nothing in it."

"I couldn't live without it--and wouldn't."

"It _is_ a comfort when one's on the way down," said she. "But

I'm going to try the other direction--for a change."

She held a box of cigarettes toward him. He took one, then

she; she held the lighted match for him, lit her own cigarette,

let the flame of the match burn on, she absently watching it.

"Look out! You'll burn yourself!" cried he.

She started, threw the match into the slop jar. "How do you

feel?" inquired she.

"Like the devil," he answered. "But then I haven't known what

it was to feel any other way for several months except when I

couldn't feel at all." A long silence, both smoking, he

thinking, she furtively watching him. "You haven't changed so

much," he finally said. "At least, not on the outside."

"More on the outside than on the inside," said she. "The

inside doesn't change much. There I'm almost as I was that day

on the big rock. And I guess you are, too--aren't you?"

"The devil I am! I've grown hard and bitter."

"That's all outside," declared she. "That's the shell--like

the scab that stays over the sore spot till it heals."

"Sore spot? I'm nothing but sore spots. I've been treated

like a dog."

And he proceeded to talk about the only subject that interested

him--himself. He spoke in a defensive way, as if replying to

something she had said or thought. "I've not got down in the

world without damn good excuse. I wrote several plays, and

they were tried out of town. But we never could get into New

York. I think Brent was jealous of me, and his influence kept

me from a hearing. I know it sounds conceited, but I'm sure

I'm right."

"Brent?" said she, in a queer voice. "Oh, I think you must be

mistaken. He doesn't look like a man who could do petty mean

things. No, I'm sure he's not petty."

"Do you know him?" cried Spenser, in an irritated tone.

"No. But--someone pointed him out to me once--a long time

ago--one night in the Martin. And then--you'll remember--there

used to be a great deal of talk about him when we lived in

Forty-third Street. You admired him tremendously."

"Well, he's responsible," said Spenser, sullenly. "The men on

top are always trampling down those who are trying to climb up.

He had it in for me. One of my friends who thought he was a

decent chap gave him my best play to read. He returned it with

some phrases about its showing talent--one of those phrases

that don't mean a damn thing. And a few weeks ago--" Spenser

raised himself excitedly--"the thieving hound produced a play

that was a clean steal from mine. I'd be laughed at if I

protested or sued. But I _know_, curse him!"

He fell back shaking so violently that his cigarette dropped to

the sheet. Susan picked it up, handed it to him. He eyed her

with angry suspicion. "You don't believe me, do you?" he demanded.

"I don't know anything about it," replied she. "Anyhow, what

does it matter? The man I met on that show boat--the Mr.

Burlingham I've often talked about--he used to say that the dog

that stopped to lick his scratches never caught up with the prey."

He flung himself angrily in the bed. "You never did have any

heart--any sympathy. But who has? Even Drumley went back on

me--let 'em put a roast of my last play in the _Herald_--a

telegraphed roast from New Haven--said it was a dead failure.

And who wrote it? Why, some newspaper correspondent in the pay

of the _Syndicate_--and that means Brent. And of course it was

a dead failure. So--I gave up--and here I am. . . . This

your room?"

"Yes."

"Where's this nightshirt come from?"

"It belongs to the friend of the girl across the hall." He

laughed sneeringly. "The hell it does!" mocked he. "I

understand perfectly. I want my clothes."

"No one is coming," said Susan. "There's no one to come."

He was looking round the comfortable little room that was the

talk of the whole tenement and was stirring wives and fast

women alike to "do a little fixing up." Said he:

"A nice little nest you've made for him. You always were good

at that."

"I've made it for myself," said she. "I never bring men here."

"I want my clothes," cried he. "I haven't sunk that low, you----!"

The word he used did not greatly disturb Susan. The shell she

had formed over herself could ward off brutal contacts of

languages no less than of the other kinds. It did, however,

shock her a little to hear Rod Spenser use a word so crude.

"Give me my clothes," he ordered, waving his fists in a fierce,

feeble gesture.

"They were torn all to pieces. I threw them away. I'll get

you some more in the morning."

He dropped back again, a scowl upon his face. "I've got no

money--not a damn cent. I did half a day's work on the docks

and made enough to quiet me last night." He raised himself.

"I can work again. Give me my clothes!"

"They're gone," said Susan. "They were completely used up."

This brought back apparently anything but dim memory of what

his plight had been. "How'd I happen to get so clean?"

"Clara and I washed you off a little. You had fallen down."

He lay silent a few minutes, then said in a hesitating, ashamed

tone, "My troubles have made me a boor. I beg your pardon.

You've been tremendously kind to me."

"Oh, it wasn't much. Don't you feel sleepy?"

"Not a bit." He dragged himself from the bed. "But _you_ do.

I must go."

She laughed in the friendliest way. "You can't. You haven't

any clothes."

He passed his hand over his face and coughed violently, she

holding his head and supporting his emaciated shoulders. After

several minutes of coughing and gagging, gasping and groaning

and spitting, he was relieved by the spasm and lay down again.

When he got his breath, he said--with rest between words--"I'd

ask you to send for the ambulance, but if the doctors catch me,

they'll lock me away. I've got consumption. Oh, I'll soon be

out of it."

Susan sat silent. She did not dare look at him lest he should

see the pity and horror in her eyes.

"They'll find a cure for it," pursued he. "But not till the

day after I'm gone. That is the way my luck runs. Still, I

don't see why I should care to stay--and I don't! Have you any

more of that whiskey?"

Susan brought out the bottle again, gave him the last of the

whiskey--a large drink. He sat up, sipping it to make it last.

He noted the long row of books on the shelf fastened along the

wall beside the bed, the books and magazines on the table.

Said he:

"As fond of reading as ever, I see?"

"Fonder," said she. "It takes me out of myself."

"I suppose you read the sort of stuff you really like, now--not

the things you used to read to make old Drumley think you were

cultured and intellectual."

"No--the same sort," replied she, unruffled by his

contemptuous, unjust fling. "Trash bores me."

"Come to think of it, I guess you did have pretty good taste

in books."

But he was interested in himself, like all invalids; and, like

them, he fancied his own intense interest could not but be

shared by everyone. He talked on and on of himself, after the

manner of failures--told of his wrongs, of how friends had

betrayed him, of the jealousies and enmities his talents had

provoked. Susan was used to these hard-luck stories, was used

to analyzing them. With the aid of what she had worked out as

to his character after she left him, she had no difficulty in

seeing that he was deceiving himself, was excusing himself.

But after all she had lived through, after all she had

discovered about human frailty, especially in herself, she was

not able to criticize, much less condemn, anybody. Her doubts

merely set her to wondering whether he might not also be

self-deceived as to his disease.

"Why do you think you've got consumption?" asked she.

"I was examined at the free dispensary up in Second Avenue the

other day. I've suspected what was the matter for several

months. They told me I was right."

"But the doctors are always making mistakes. I'd not give up

if I were you."

"Do you suppose I would if I had anything to live for?"

"I was thinking about that a while ago--while you were asleep."

"Oh, I'm all in. That's a cinch."

"So am I," said she. "And as we've nothing to lose and no hope,

why, trying to do something won't make us any worse off. . . .

We've both struck the bottom. We can't go any lower." She

leaned forward and, with her earnest eyes fixed upon him,

said, "Rod--why not try--together?"

He closed his eyes.

"I'm afraid I can't be of much use to you," she went on. "But

you can help me. And helping me will make you help yourself.

I can't get up alone. I've tried. No doubt it's my fault. I

guess I'm one of those women that aren't hard enough or

self-confident enough to do what's necessary unless I've got

some man to make me do it. Perhaps I'd get the--the strength

or whatever it is, when I was much older. But by that time in

my case--I guess it'd be too late. Won't you help me, Rod?"

He turned his head away, without opening his eyes.

"You've helped me many times--beginning with the first day we met."

"Don't," he said. "I went back on you. I did sprain my ankle,

but I could have come."

"That wasn't anything," replied she. "You had already done a

thousand times more than you needed to do."

His hand wandered along the cover in her direction. She

touched it. Their hands clasped.

"I lied about where I got the money yesterday. I didn't work.

I begged. Three of us--from the saloon they call the Owl's

Chute--two Yale men--one of them had been a judge--and I.

We've been begging for a week. We were going out on the road

in a few days--to rob. Then--I saw you--in that old women's

dance hall--the Venusberg, they call it."

"You've come down here for me, Rod. You'll take me back?

You'll save me from the Venusberg?"

"I couldn't save anybody. Susie, at bottom I'm N. G. I

always was--and I knew it. Weak--vain. But you! If you

hadn't been a woman--and such a sweet, considerate one you'd

have never got down here."

"Such a fool," corrected Susan. "But, once I get up, I'll not

be so again. I'll fight under the rules, instead of acting in

the silly way they teach us as children."

"Don't say those hard things, Susie!"

"Aren't they true?"

"Yes, but I can't bear to hear them from a woman. . . . I

told you that you hadn't changed. But after I'd looked at you

a while I saw that you have. You've got a terrible look in

your eyes--wonderful and terrible. You had something of that

look as a child--the first time I saw you."

"The day after my marriage," said the girl, tearing her

face away.

"It was there then," he went on. "But now--it's--it's

heartbreaking, Susie when your face is in repose."

"I've gone through a fire that has burned up every bit of me

that can burn," said she. "I've been wondering if what's left

isn't strong enough to do something with. I believe so--if

you'll help me."

"Help you? I--help anybody? Don't mock me, Susie."

"I don't know about anybody else," said she sweetly and gently,

"but I do know about me."

"No use--too late. I've lost my nerve." He began to sob.

"It's because I'm unstrung," explained he.

"Don't think I'm a poor contemptible fool of a whiner. . . .

Yes, I _am_ a whiner! Susie, I ought to have been the woman

and you the man. Weak--weak--weak!"

She turned the gas low, bent over him, kissed his brow,

caressed him. "Let's do the best we can," she murmured.

He put his arm round her. "I wonder if there _is_ any hope," he

said. "No--there couldn't be."

"Let's not hope," pleaded she. "Let's just do the best we can."

"What--for instance?"

"You know the theater people. You might write a little play--a

sketch--and you and I could act it in one of the ten-cent houses."

"That's not a bad idea!" exclaimed he. "A little comedy--about

fifteen or twenty minutes." And he cast about for a plot,

found the beginnings of one the ancient but ever acceptable

commonplace of a jealous quarrel between two lovers--"I'll lay

the scene in Fifth Avenue--there's nothing low life likes so

much as high life." He sketched, she suggested. They planned

until broad day, then fell asleep, she half sitting up, his

head pillowed upon her lap.

She was awakened by a sense of a parching and suffocating heat.

She started up with the idea of fire in her drowsy mind. But

a glance at him revealed the real cause. His face was fiery

red, and from his lips came rambling sentences, muttered,

whispered, that indicated the delirium of a high fever. She

had first seen it when she and the night porter broke into

Burlingham's room in the Walnut Street House, in Cincinnati.

She had seen it many a time since; for, while she herself had

never been ill, she had been surrounded by illness all the

time, and the commonest form of it was one of these fevers,

outraged nature's frenzied rise against the ever denser swarms

of enemies from without which the slums sent to attack her.

Susan ran across the hall and roused Clara, who would watch

while she went for a doctor. "You'd better get Einstein in

Grand Street," Clara advised.

"Why not Sacci?" asked Susan.

"Our doctor doesn't know anything but the one thing--and

he doesn't like to take other kinds of cases. No, get

Einstein. . . . You know, he's like all of them--he won't

come unless you pay in advance."

"How much?" asked Susan.

"Three dollars. I'll lend you if----"

"No--I've got it." She had eleven dollars and sixty cents in

the world.

Einstein pronounced it a case of typhoid. "You must get him to

the hospital at once."

Susan and Clara looked at each other in terror. To them, as to

the masses everywhere, the hospital meant almost certain death;

for they assumed--and they had heard again and again

accusations which warranted it--that the public hospital

doctors and nurses treated their patients with neglect always,

with downright inhumanity often. Not a day passed without

their hearing some story of hospital outrage upon poverty,

without their seeing someone--usually some child--who was

paying a heavy penalty for having been in the charity wards.

Einstein understood their expression. "Nonsense!" said he

gruffly. "You girls look too sensible to believe those silly lies."

Susan looked at him steadily. His eyes shifted. "Of course, the

pay service _is_ better," said he in a strikingly different tone.

"How much would it be at a pay hospital?" asked Susan.

"Twenty-five a week including my services," said Doctor

Einstein. "But you can't afford that."

"Will he get the best treatment for that?"

"The very best. As good as if he were Rockefeller or the big

chap uptown."

"In advance, I suppose?"

"Would we ever get our money out of people if we didn't get it

in advance? We've got to live just the same as any other class."

"I understand," said the girl. "I don't blame you. I don't

blame anybody for anything." She said to Clara, "Can you lend

me twenty?"

"Sure. Come in and get it." When she and Susan were in the

hall beyond Einstein's hearing, she went on: "I've got the

twenty and you're welcome to it. But--Lorna hadn't you

better----"

"In the same sort of a case, what'd _you_ do?" interrupted Susan.

Clara laughed. "Oh--of course." And she gave Susan a roll of

much soiled bills--a five, the rest ones and twos.

"I can get the ambulance to take him free," said Einstein.

"That'll save you five for a carriage."

She accepted this offer. And when the ambulance went, with

Spenser burning and raving in the tightly wrapped blankets,

Susan followed in a street car to see with her own eyes that he

was properly installed. It was arranged that she could visit

him at any hour and stay as long as she liked.

She returned to the tenement, to find the sentiment of the

entire neighborhood changed toward her. Not loss of money, not

loss of work, not dispossession nor fire nor death is the

supreme calamity among the poor, but sickness. It is their

most frequent visitor--sickness in all its many frightful

forms--rheumatism and consumption, cancer and typhoid and the

rest of the monsters. Yet never do the poor grow accustomed or

hardened. And at the sight of the ambulance the neighborhood

had been instantly stirred. When the reason for its coming got

about, Susan became the object of universal sympathy and

respect. She was not sending her friend to be neglected and

killed at a charity hospital; she was paying twenty-five a week

that he might have a chance for life--twenty-five dollars a

week! The neighbors felt that her high purpose justified any

means she might be compelled to employ in getting the money.

Women who had scowled and spat as she walked by, spoke

friendlily to her and wiped their eyes with their filthy

skirts, and prayed in church and synagogue that she might

prosper until her man was well and the old debt paid. Clara

went from group to group, relating the whole story, and the

tears flowed at each recital. Money they had none to give; but

what they had they gave with that generosity which suddenly

transfigures rags and filth and makes foul and distorted bodies

lift in the full dignity of membership in the human family.

Everywhere in those streets were seen the ravages of

disease--rheumatism and rickets and goiter, wen and tumors and

cancer, children with only one arm or one leg, twisted spines,

sunken chests, distorted hips, scrofulous eyes and necks, all

the sad markings of poverty's supreme misery, the ferocious

penalties of ignorance, stupidity and want. But Susan's burden

of sorrow was not on this account overlooked.

Rafferty, who kept the saloon at the corner and was chief

lieutenant to O'Frayne, the District Leader, sent for her and

handed her a twenty. "That may help some," said he.

Susan hesitated--gave it back. "Thank you," said she, "and

perhaps later I'll have to get it from you. But I don't want

to get into debt. I already owe twenty."

"This ain't debt," explained Rafferty. "Take it and forget it."

"I couldn't do that," said the girl. "But maybe you'll lend it

to me, if I need it in a week or so?"

"Sure," said the puzzled saloon man--liquor store man, he

preferred to be called, or politician. "Any amount you want."

As she went away he looked after her, saying to his barkeeper:

"What do you think of that, Terry? I offered her a twenty and

she sidestepped."

Terry's brother had got drunk a few days before, had killed a

woman and was on his way to the chair. Terry scowled at the

boss and said:

"She's got a right to, ain't she? Don't she earn her money

honest, without harmin' anybody but herself? There ain't many

that can say that--not any that runs factories and stores and

holds their noses up as if they smelt their own sins, damn 'em!"

"She's a nice girl," said Rafferty, sauntering away. He was a

broad, tolerant and good-humored man; he made allowances for an

employee whose brother was in for murder.

Susan had little time to spend at the hospital. She must now

earn fifty dollars a week--nearly double the amount she had

been averaging. She must pay the twenty-five dollars for

Spenser, the ten dollars for her lodgings. Then there was the

seven dollars which must be handed to the police captain's

"wardman" in the darkness of some entry every Thursday night.

She had been paying the patrolman three dollars a week to keep

him in a good humor, and two dollars to the janitor's wife; she

might risk cutting out these items for the time, as both

janitor's wife and policeman were sympathetic. But on the

closest figuring, fifty a week would barely meet her absolute

necessities--would give her but seven a week for food and other

expenses and nothing toward repaying Clara.

Fifty dollars a week! She might have a better chance to make

it could she go back to the Broadway-Fifth Avenue district.

But however vague other impressions from the life about her

might have been, there had been branded into her a deep and

terrible fear of the police an omnipotence as cruel as destiny

itself--indeed, the visible form of that sinister god at

present. Once in the pariah class, once with a "police

record," and a man or woman would have to scale the steeps of

respectability up to a far loftier height than Susan ever

dreamed of again reaching, before that malign and relentless

power would abandon its tyranny. She did not dare risk

adventuring a part of town where she had no "pull" and where,

even should she by chance escape arrest, Freddie Palmer would

hear of her; would certainly revenge himself by having her

arrested and made an example of. In the Grand Street district

she must stay, and she must "stop the nonsense" and "play the

game"--must be business-like.

She went to see the "wardman," O'Ryan, who under the guise of

being a plain clothes man or detective, collected and turned in

to the captain, who took his "bit" and passed up the rest, all

the money levied upon saloons, dives, procuresses, dealers in

unlawful goods of any kind from opium and cocaine to girls for

"hock shops."

O'Ryan was a huge brute of a man, his great hard face bearing

the scars of battles against pistol, knife, bludgeon and fist.

He was a sour and savage brute, hated and feared by everyone

for his tyrannies over the helpless poor and the helpless

outcast class. He had primitive masculine notions as to

feminine virtue, intact despite the latter day general

disposition to concede toleration and even a certain

respectability to prostitutes. But by some chance which she

and the other girls did not understand he treated Susan with

the utmost consideration, made the gangs appreciate that if

they annoyed her or tried to drag her into the net of tribute

in which they had enmeshed most of the girls worth while, he

would regard it as a personal defiance to himself.

Susan waited in the back room of the saloon nearest O'Ryan's

lodgings and sent a boy to ask him to come. The boy came back

with the astonishing message that she was to come to O'Ryan's

flat. Susan was so doubtful that she paused to ask the

janitress about it.

"It's all right," said the janitress. "Since his wife died

three years ago him and his baby lives alone. There's his old

mother but she's gone out. He's always at home when he ain't

on duty. He takes care of the baby himself, though it howls

all the time something awful."

Susan ascended, found the big policeman in his shirt sleeves,

trying to soothe the most hideous monstrosity she had ever

seen--a misshapen, hairy animal looking like a monkey, like a

rat, like half a dozen repulsive animals, and not at all like

a human being. The thing was clawing and growling and grinding

its teeth. At sight of Susan it fixed malevolent eyes on her

and began to snap its teeth at her.

"Don't mind him," said O'Ryan. "He's only acting up queer."

Susan sat not daring to look at the thing lest she should show

her aversion, and not knowing how to state her business when the

thing was so clamorous, so fiendishly uproarious. After a time

O'Ryan succeeded in quieting it. He seemed to think some

explanation was necessary. He began abruptly, his gaze

tenderly on the awful creature, his child, lying quiet now in

his arms:

"My wife--she died some time ago--died when the baby here was born."

"You spend a good deal of time with it," said Susan.

"All I can spare from my job. I'm afraid to trust him to

anybody, he being kind of different. Then, too, I _like_ to

take care of him. You see, it's all I've got to remember _her_

by. I'm kind o' tryin' to do what _she'd_ want did." His lips

quivered. He looked at his monstrous child. "Yes, I _like_

settin' here, thinkin'--and takin' care of him."

This brute of a slave driver, this cruel tyrant over the poor

and the helpless--yet, thus tender and gentle--thus capable of

the enormous sacrifice of a great, pure love!

"_You've_ got a way of lookin' out of the eyes that's like her,"

he went on--and Susan had the secret of his strange forbearance

toward her. "I suppose you've come about being let off on the

assessment?"

Already he knew the whole story of Rod and the hospital.

"Yes--that's why I'm bothering you," said she.

"You needn't pay but five-fifty. I can only let you off a

dollar and a half--my bit and the captain's. We pass the rest

on up--and we don't dare let you off."

"Oh, I can make the money," Susan said hastily. "Thank you,

Mr. O'Ryan, but I don't want to get anyone into trouble."

"We've got the right to knock off one dollar and a half," said

O'Ryan. "But if we let you off the other, the word would get

up to--to wherever the graft goes--and they'd send down along

the line, to have merry hell raised with us. The whole thing's

done systematic, and they won't take no excuses, won't allow no

breaks in the system nowhere. You can see for yourself--it'd go

to smash if they did."

"Somebody must get a lot of money," said Susan.

"Oh, it's dribbled out--and as you go higher up, I don't

suppose them that gets it knows where it comes from. The whole

world's nothing but graft, anyhow. Sorry I can't let you off."

The thing in his lap had recovered strength for a fresh fit of

malevolence. It was tearing at its hairy, hideous face with

its claws and was howling and shrieking, the big father gently

trying to soothe it--for _her_ sake. Susan got away quickly.

She halted in the deserted hall and gave way to a spasm of dry

sobbing--an overflow of all the emotions that had been

accumulating within her. In this world of noxious and

repulsive weeds, what sudden startling upshooting of what

beautiful flowers! Flowers where you would expect to find the

most noisome weeds of all, and vilest weeds where you would

expect to find flowers. What a world!

However--the fifty a week must be got--and she must be

business-like.

Most of the girls who took to the streets came direct from the

tenements of New York, of the foreign cities or of the factory

towns of New England. And the world over, tenement house life

is an excellent school for the life of the streets. It

prevents modesty from developing; it familiarizes the eye, the

ear, the nerves, to all that is brutal; it takes away from a

girl every feeling that might act as a restraining influence

except fear--fear of maternity, of disease, of prison. Thus,

practically all the other girls had the advantage over Susan.

Soon after they definitely abandoned respectability and

appeared in the streets frankly members of the profession, they

became bold and rapacious. They had an instinctive feeling

that their business was as reputable as any other, more

reputable than many held in high repute, that it would be most

reputable if it paid better and were less uncertain. They

respected themselves for all things, talk to the contrary in

the search for the sympathy and pity most human beings crave.

They despised the men as utterly as the men despised them.

They bargained as shamelessly as the men. Even those who did

not steal still felt that stealing was justifiable; for, in the

streets the sex impulse shows stripped of all disguise, shows

as a brutal male appetite, and the female feels that her

yielding to it entitles her to all she can compel and cozen and

crib. Susan had been unfitted for her profession--as for all

active, unsheltered life--by her early training. The point of

view given us in our childhood remains our point of view as to

all the essentials of life to the end. Reason, experience, the

influence of contact with many phases of the world, may change

us seemingly, but the under-instinct remains unchanged. Thus,

Susan had never lost, and never would lose her original

repugnance; not even drink had ever given her the courage to

approach men or to bargain with them. Her shame was a false

shame, like most of the shame in the world--a lack of courage,

not a lack of desire--and, however we may pretend, there can be

no virtue in abstinence merely through cowardice. Still, if

there be merit in shrinking, even when the cruelest necessities

were goading, that merit was hers in full measure. As a matter

of reason and sense, she admitted that the girls who respected

themselves and practiced their profession like merchants of

other kinds were right, were doing what she ought to do.

Anyhow, it was absurd to practice a profession half-heartedly.

To play your game, whatever it might be, for all there was in

it--that was the obvious first principle of success. Yet--she

remained laggard and squeamish.

What she had been unable to do for herself, to save herself

from squalor, from hunger, from cold, she was now able to do

for the sake of another--to help the man who had enabled her to

escape from that marriage, more hideous than anything she had

endured since, or ever could be called upon to endure--to save

him from certain neglect and probable death in the "charity"

hospital. Not by merely tolerating the not too impossible men

who joined her without sign from her, and not by merely

accepting what they gave, could fifty dollars a week be made.

She must dress herself in franker avowal of her profession,

must look as expensive as her limited stock of clothing,

supplemented by her own taste, would permit. She must flirt,

must bargain, must ask for presents, must make herself

agreeable, must resort to the crude female arts--which,

however, are subtle enough to convince the self-enchanted male

even in face of the discouraging fact of the mercenary

arrangement. She must crush down her repugnance, must be

active, not simply passive--must get the extra dollars by

stimulating male appetites, instead of simply permitting them

to satisfy themselves. She must seem rather the eager mistress

than the reluctant and impatient wife.

And she did abruptly change her manner. There was in her, as

her life had shown, a power of endurance, an ability to

sacrifice herself in order to do the thing that seemed

necessary, and to do it without shuffling or whining. Whatever

else her career had done for her, it undoubtedly had

strengthened this part of her nature. And now the result of

her training showed. With her superior intelligence for the

first time free to make the best of her opportunities, she

abruptly became equal to the most consummate of her sisters in

that long line of her sister-panders to male appetites which

extends from the bought wife or mistress or fiancee of the rich

grandee down all the social ranks to the wife or street girl

cozening for a tipsy day-laborer's earnings on a Saturday night

and the work girl teasing her "steady company" toward matrimony

on the park bench or in the dark entry of the tenement.

She was able to pay Clara back in less than ten days. In

Spenser's second week at the hospital she had him moved to

better quarters and better attendance at thirty dollars a week.

Although she had never got rid of her most unprofessional habit

of choosing and rejecting, there had been times when need

forced her into straits where her lot seemed to her almost as

low as that of the slave-like wives of the tenements, made her

almost think she would be nearly as well off were she the wife,

companion, butt, servant and general vent to some one dull and

distasteful provider of a poor living. But now she no longer

felt either degraded or heart sick and heart weary. And when

he passed the worst crisis her spirits began to return.

And when Roderick should be well, and the sketch written--and

an engagement got--Ah, then! Life indeed--life, at last! Was

it this hope that gave her the strength to fight down and

conquer the craving for opium? Or was it the necessity of

keeping her wits and of saving every cent? Or was it because

the opium habit, like the drink habit, like every other habit,

is a matter of a temperament far more than it is a matter of an

appetite--and that she had the appetite but not the

temperament? No doubt this had its part in the quick and

complete victory. At any rate, fight and conquer she did. The

strongest interest always wins. She had an interest stronger

than love of opium--an interest that substituted itself for opium

and for drink and supplanted them. Life indeed--life, at last!

In his third week Rod began to round toward health. Einstein

observed from the nurse's charts that Susan's visits were

having an unfavorably exciting effect. He showed her the

readings of temperature and pulse, and forbade her to stay

longer than five minutes at each of her two daily visits.

Also, she must not bring up any topic beyond the sickroom

itself. One day Spenser greeted her with, "I'll feel better,

now that I've got this off my mind." He held out to her a

letter. "Take that to George Fitzalan. He's an old friend of

mine--one I've done a lot for and never asked any favors of.

He may be able to give you something fairly good, right away."

Susan glanced penetratingly at him, saw he had been brooding

over the source of the money that was being spent upon him.

"Very well," said she, "I'll go as soon as I can."

"Go this afternoon," said he with an invalid's fretfulness.

"And when you come this evening you can tell me how you got on."

"Very well. This afternoon. But you know, Rod, there's not a

ghost of a chance."

"I tell you Fitzalan's my friend. He's got some gratitude.

He'll _do_ something."

"I don't want you to get into a mood where you'll be awfully

depressed if I should fail."

"But you'll not fail."

It was evident that Spenser, untaught by experience and

flattered into exaggerating his importance by the solicitude

and deference of doctors and nurses to a paying invalid, had

restored to favor his ancient enemy--optimism, the certain

destroyer of any man who does not shake it off. She went away,

depressed and worried. When she should come back with the only

possible news, what would be the effect upon him--and he still

in a critical stage? As the afternoon must be given to

business, she decided to go straight uptown, hoping to catch

Fitzalan before he went out to lunch. And twenty minutes after

making this decision she was sitting in the anteroom of a suite

of theatrical offices in the Empire Theater building. The girl

in attendance had, as usual, all the airs little people assume

when they are in close, if menial, relations with a person who,

being important to them, therefore fills their whole small

horizon. She deigned to take in Susan's name and the letter.

Susan seated herself at the long table and with the seeming of

calmness that always veiled her in her hours of greatest

agitation, turned over the pages of the theatrical journals and

magazines spread about in quantity.

After perhaps ten silent and uninterrupted minutes a man

hurried in from the outside hall, strode toward the frosted

glass door marked "Private." With his hand reaching for the

knob he halted, made an impatient gesture, plumped himself down

at the long table--at its distant opposite end. With a sweep of

the arm he cleared a space wherein he proceeded to spread

papers from his pocket and to scribble upon them furiously.

When Susan happened to glance at him, his head was bent so low

and his straw hat was tilted so far forward that she could not

see his face. She observed that he was dressed attractively in

an extremely light summer suit of homespun; his hands were

large and strong and ruddy--the hands of an artist, in good

health. Her glance returned to the magazine. After a few

minutes she looked up. She was startled to find that the man

was giving her a curious, searching inspection--and that he was

Brent, the playwright--the same fascinating face, keen,

cynical, amused--the same seeing eyes, that, in the Cafe Martin

long ago, had made her feel as if she were being read to her

most secret thought. She dropped her glance.

His voice made her start. "It's been a long time since I've

seen you," he was saying.

She looked up, not believing it possible he was addressing her.

But his gaze was upon her. Thus, she had not been mistaken in

thinking she had seen recognition in his eyes. "Yes," she

said, with a faint smile.

"A longer time for you than for me," said he.

"A good deal has happened to me," she admitted.

"Are you on the stage?"

"No. Not yet."

The girl entered by way of the private door. "Miss Lenox--this

way, please." She saw Brent, became instantly all smiles and

bows. "Oh--Mr. Fitzalan doesn't know you're here, Mr. Brent,"

she cried. Then, to Susan, "Wait a minute."

She was about to reënter the private office when Brent stopped

her with, "Let Miss Lenox go in first. I don't wish to see Mr.

Fitzalan yet." And he stood up, took off his hat, bowed

gravely to Susan, said, "I'm glad to have seen you again."

Susan, with some color forced into her old-ivory skin by

nervousness and amazement, went into the presence of Fitzalan.

As the now obsequious girl closed the door behind her, she

found herself facing a youngish man with a remnant of hair that

was little more than fuzz on the top of his head. His features

were sharp, aggressive, rather hard. He might have sat for the

typical successful American young man of forty--so much younger

in New York than is forty elsewhere in the United States--and so

much older. He looked at Susan with a pleasant sympathetic smile.

"So," said he, "you're taking care of poor Spenser, are you?

Tell him I'll try to run down to see him. I wish I could do

something for him--something worth while, I mean. But--his

request----

"Really, I've nothing of the kind. I couldn't possibly place

you--at least, not at present--perhaps, later on----"

"I understand," interrupted Susan. "He's very ill. It would

help him greatly if you would write him a few lines, saying

you'll give me a place at the first vacancy, but that it may

not be soon. I'll not trouble you again. I want the letter

simply to carry him over the crisis."

Fitzalan hesitated, rubbed his fuzzy crown with his jeweled

hand. "Tell him that," he said, finally. "I'm rather careful

about writing letters. . . . Yes, say to him what you

suggested, as if it was from me."

"The letter will make all the difference between his believing

and not believing," urged Susan. "He has great admiration and

liking for you--thinks you would do anything for him."

Fitzalan frowned; she saw that her insistence had roused--or,

rather, had strengthened--suspicion. "Really--you must excuse

me. What I've heard about him the past year has not----

"But, no matter, I can't do it. You'll let me know how he's

getting on? Good day." And he gave her that polite yet

positive nod of dismissal which is a necessary part of the

equipment of men of affairs, constantly beset as they are and

ever engaged in the battle to save their chief asset, time,

from being wasted.

Susan looked at him--a straight glance from gray eyes, a slight

smile hovering about her scarlet lips. He reddened, fussed

with the papers before him on the desk from which he had not

risen. She opened the door, closed it behind her. Brent was

seated with his back full to her and was busy with his

scribbling. She passed him, went on to the outer door. She

was waiting for his voice; she knew it would come.

"Miss Lenox!"

As she turned he was advancing. His figure, tall and slim and

straight, had the ease of movement which proclaims the man who

has been everywhere and so is at home anywhere. He held out a

card. "I wish to see you on business. You can come at three

this afternoon?"

"Yes," said Susan.

"Thanks," said he, bowing and returning to the table. She went

on into the hall, the card between her fingers. At the

elevator, she stood staring at the name--Robert Brent--as if it

were an inscription in a forgotten language. She was so

absorbed, so dazed that she did not ring the bell. The car

happened to stop at that floor; she entered as if it were

dark. And, in the street, she wandered many blocks down

Broadway before she realized where she was.

She left the elevated and walked eastward through Grand Street.

She was filled with a new and profound dissatisfaction. She

felt like one awakening from a hypnotic trance. The

surroundings, inanimate and animate, that had become endurable

through custom abruptly resumed their original aspect of

squalor and ugliness of repulsion and tragedy. A stranger--the

ordinary, unobservant, feebly imaginative person, going along

those streets would have seen nothing but tawdriness and

poverty. Susan, experienced, imaginative, saw _all_--saw what

another would have seen only after it was pointed out, and even

then but dimly. And that day her vision was no longer staled

and deadened by familiarity, but with vision fresh and with

nerves acute. The men--the women--and, saddest, most tragic of

all, the children! When she entered her room her reawakened

sensitiveness, the keener for its long repose, for the enormous

unconscious absorption of impressions of the life about

her--this morbid sensitiveness of the soul a-clash with its

environment reached its climax. As she threw open the door,

she shrank back before the odor--the powerful, sensual, sweet

odor of chypre so effective in covering the bad smells that

came up from other flats and from the noisome back yards. The

room itself was neat and clean and plain, with not a few

evidences of her personal taste--in the blending of colors, in

the selection of framed photographs on the walls. The one she

especially liked was the largest--a nude woman lying at full

length, her head supported by her arm, her face gazing straight

out of the picture, upon it a baffling expression--of sadness,

of cynicism, of amusement perhaps, of experience, yet of

innocence. It hung upon the wall opposite the door. When she

saw this picture in the department store, she felt at once a

sympathy between that woman and herself, felt she was for the

first time seeing another soul like her own, one that would

have understood her strange sense of innocence in the midst of

her own defiled and depraved self--a core of unsullied nature.

Everyone else in the world would have mocked at this notion of

a something within--a true self to which all that seemed to be

her own self was as external as her clothing; this woman of the

photograph would understand. So, there she hung--Susan's one

prized possession.

The question of dressing for this interview with Brent was

most important. Susan gave it much thought before she began to

dress, changed her mind again and again in the course of

dressing. Through all her vicissitudes she had never lost her

interest in the art of dress or her skill at it--and despite

the unfavorable surroundings she had steadily improved; any

woman anywhere would instantly have recognized her as one of

those few favored and envied women who know how to get together

a toilet. She finally chose the simplest of the half dozen

summer dresses she had made for herself--a plain white lawn,

with a short skirt. It gave her an appearance of extreme

youth, despite her height and the slight stoop in her

shoulders--a mere drooping that harmonized touchingly with the

young yet weary expression of her face. To go with the dress

she had a large hat of black rough straw with a very little

white trimming on it. With this large black hat bewitchingly

set upon her gracefully-done dark wavy hair, her sad, dreamy

eyes, her pallid skin, her sweet-bitter mouth with its rouged

lips seemed to her to show at their best. She felt that

nothing was quite so effective for her skin as a white dress.

In other colors--though she did not realize--the woman of bought

kisses showed more distinctly--never brazenly as in most of the

girls, but still unmistakably. In white she took on a glamour

of melancholy--and the human countenance is capable of no

expression so universally appealing as the look of melancholy

that suggests the sadness underlying all life, the pain that

pays for pleasure, the pain that pays and gets no pleasure, the

sorrow of the passing of all things, the faint foreshadow of

the doom awaiting us all. She washed the rouge from her lips,

studied the effect in the glass. "No," she said aloud,

"without it I feel like a hypocrite--and I don't look half so

well." And she put the rouge on again--the scarlet dash drawn

startlingly across her strange, pallid face.

Susan Lenox: Her Fall and Rise · 第 11 / 25 章