CHAPTER I.

E-text prepared by David Clarke, Martin Pettit, and the Project Gutenberg

Online Distributed Proofreading Team (http://www.pgdp.net)

THE HOUSE WITH THE GREEN SHUTTERS

by

GEORGE DOUGLAS

[Illustration: Publisher's logo]

Thomas Nelson and Sons, Ltd.

London, Edinburgh, and New York

THE HOUSE WITH THE GREEN SHUTTERS.

CHAPTER I.

The frowsy chambermaid of the "Red Lion" had just finished washing the

front door steps. She rose from her stooping posture and, being of

slovenly habit, flung the water from her pail straight out, without

moving from where she stood. The smooth round arch of the falling water

glistened for a moment in mid-air. John Gourlay, standing in front of

his new house at the head of the brae, could hear the swash of it when

it fell. The morning was of perfect stillness.

The hands of the clock across "the Square" were pointing to the hour of

eight. They were yellow in the sun.

Blowsalinda, of the Red Lion, picked up the big bass that usually lay

within the porch, and carrying it clumsily against her breast, moved off

round the corner of the public-house, her petticoat gaping behind.

Halfway she met the hostler, with whom she stopped in amorous dalliance.

He said something to her, and she laughed loudly and vacantly. The silly

_tee-hee_ echoed up the street.

A moment later a cloud of dust drifting round the corner, and floating

white in the still air, showed that she was pounding the bass against

the end of the house. All over the little town the women of Barbie were

equally busy with their steps and door-mats. There was scarce a man to

be seen either in the Square, at the top of which Gourlay stood, or in

the long street descending from its near corner. The men were at work;

the children had not yet appeared; the women were busy with their

household cares.

The freshness of the air, the smoke rising thin and far above the red

chimneys, the sunshine glistering on the roofs and gables, the rosy

clearness of everything beneath the dawn--above all, the quietness and

peace--made Barbie, usually so poor to see, a very pleasant place to

look down at on a summer morning. At this hour there was an unfamiliar

delicacy in the familiar scene, a freshness and purity of aspect--almost

an unearthliness--as though you viewed it through a crystal dream. But

it was not the beauty of the hour that kept Gourlay musing at his gate.

He was dead to the fairness of the scene, even while the fact of its

presence there before him wove most subtly with his mood. He smoked in

silent enjoyment because on a morning such as this everything he saw was

a delicate flattery to his pride. At the beginning of a new day, to look

down on the petty burgh in which he was the greatest man filled all his

being with a consciousness of importance. His sense of prosperity was

soothing and pervasive; he felt it all round him like the pleasant air,

as real as that and as subtle; bathing him, caressing. It was the most

secret and intimate joy of his life to go out and smoke on summer

mornings by his big gate, musing over Barbie ere he possessed it with

his merchandise.

He had growled at the quarry carters for being late in setting out this

morning (for, like most resolute dullards, he was sternly methodical),

but in his heart he was secretly pleased. The needs of his business were

so various that his men could rarely start at the same hour and in the

same direction. To-day, however, because of the delay, all his carts

would go streaming through the town together, and that brave pomp would

be a slap in the face to his enemies. "I'll show them," he thought

proudly. "Them" was the town-folk, and what he would show them was what

a big man he was. For, like most scorners of the world's opinion,

Gourlay was its slave, and showed his subjection to the popular estimate

by his anxiety to flout it. He was not great enough for the carelessness

of perfect scorn.

Through the big green gate behind him came the sound of carts being

loaded for the day. A horse, weary of standing idle between the shafts,

kicked ceaselessly and steadily against the ground with one impatient

hinder foot, clink, clink, clink upon the paved yard. "Easy, damn ye;

ye'll smash the bricks!" came a voice. Then there was the smart slap of

an open hand on a sleek neck, a quick start, and the rattle of chains as

the horse quivered to the blow.

"Run a white tarpaulin across the cheese, Jock, to keep them frae

melting in the heat," came another voice. "And canny on the top there

wi' thae big feet o' yours; d'ye think a cheese was made for _you_ to

dance on wi' your mighty brogues?" Then the voice sank to the hoarse,

warning whisper of impatience--loudish in anxiety, yet throaty from fear

of being heard. "Hurry up, man--hurry up, or he'll be down on us like

bleezes for being so late in getting off!"

Gourlay smiled grimly, and a black gleam shot from his eye as he glanced

round to the gate and caught the words. His men did not know he could

hear them.

The clock across the Square struck the hour, eight soft, slow strokes,

that melted away in the beauty of the morning. Five minutes passed.

Gourlay turned his head to listen, but no further sound came from the

yard. He walked to the green gate, his slippers making no noise.

"Are ye sleeping, my pretty men?" he said softly.... "_Eih?_"

The "_Eih_" leapt like a sword, with a slicing sharpness in its tone

that made it a sinister contrast to the first sweet question to his

"pretty men." "_Eih?_" he said again, and stared with open mouth and

fierce, dark eyes.

"Hurry up, Peter," whispered the gaffer, "hurry up, for God sake. He has

the black glower in his een."

"Ready, sir; ready now!" cried Peter Riney, running out to open the

other half of the gate. Peter was a wizened little man, with a sandy

fringe of beard beneath his chin, a wart on the end of his long,

slanting-out nose, light blue eyes, and bushy eyebrows of a reddish

gray. The bearded red brows, close above the pale blueness of his eyes,

made them more vivid by contrast; they were like pools of blue light

amid the brownness of his face. Peter always ran about his work with

eager alacrity. A simple and willing old man, he affected the quick

readiness of youth to atone for his insignificance.

"Hup, horse; hup then!" cried courageous Peter, walking backwards with

curved body through the gate, and tugging at the reins of a horse the

feet of which struck sparks from the paved ground as they stressed

painfully on edge to get weigh on the great wagon behind. The cart

rolled through, then another, and another, till twelve of them had

passed. Gourlay stood aside to watch them. All the horses were brown;

"he makes a point of that," the neighbours would have told you. As each

horse passed the gate the driver left its head, and took his place by

the wheel, cracking his whip, with many a "Hup, horse; yean, horse; woa,

lad; steady!"

In a dull little country town the passing of a single cart is an event,

and a gig is followed with the eye till it disappears. Anything is

welcome that breaks the long monotony of the hours and suggests a topic

for the evening's talk. "Any news?" a body will gravely inquire. "Ou

ay," another will answer with equal gravity: "I saw Kennedy's gig going

past in the forenoon." "Ay, man; where would _he_ be off till? He's owre

often in his gig, I'm thinking." And then Kennedy and his affairs will

last them till bedtime.

Thus the appearance of Gourlay's carts woke Barbie from its morning

lethargy. The smith came out in his leather apron, shoving back, as he

gazed, the grimy cap from his white-sweating brow; bowed old men stood

in front of their doorways, leaning with one hand on short, trembling

staffs, while the slaver slid unheeded along the cutties which the left

hand held to their toothless mouths; white-mutched grannies were keeking

past the jambs; an early urchin, standing wide-legged to stare, waved

his cap and shouted, "Hooray!"--and all because John Gourlay's carts

were setting off upon their morning rounds, a brave procession for a

single town! Gourlay, standing great-shouldered in the middle of the

road, took in every detail, devoured it grimly as a homage to his pride.

"Ha, ha, ye dogs!" said the soul within him. Past the pillar of the Red

Lion door he could see a white peep of the landlord's waistcoat--though

the rest of the mountainous man was hidden deep within his porch. (On

summer mornings the vast totality of the landlord was always inferential

to the town from the tiny white peep of him revealed.) Even fat Simpson

had waddled to the door to see the carts going past. It was fat

Simpson--might the Universe blast his adipose--who had once tried to

infringe Gourlay's monopoly as the sole carrier in Barbie. There had

been a rush to him at first, but Gourlay set his teeth and drove him off

the road, carrying stuff for nothing till Simpson had nothing to carry,

so that the local wit suggested "a wee parcel in a big cart" as a new

sign for his hotel. The twelve browns prancing past would be a pill to

Simpson! There was no smile about Gourlay's mouth--a fiercer glower was

the only sign of his pride--but it put a bloom on his morning, he felt,

to see the suggestive round of Simpson's waistcoat, down yonder at the

porch. Simpson, the swine! He had made short work o' _him_!

Ere the last of the carts had issued from the yard at the House with the

Green Shutters the foremost was already near the Red Lion. Gourlay swore

beneath his breath when Miss Toddle--described in the local records as

"a spinster of independent means"--came fluttering out with a silly

little parcel to accost one of the carriers. Did the auld fool mean to

stop Andy Gow about _her_ petty affairs, and thus break the line of

carts on the only morning they had ever been able to go down the brae

together? But no. Andy tossed her parcel carelessly up among his other

packages, and left her bawling instructions from the gutter, with a

portentous shaking of her corkscrew curls. Gourlay's men took their cue

from their master, and were contemptuous of Barbie, most unchivalrous

scorners of its old maids.

Gourlay was pleased with Andy for snubbing Sandy Toddle's sister. When

he and Elshie Hogg reached the Cross they would have to break off from

the rest to complete their loads; but they had been down Main Street

over night as usual picking up their commissions, and until they reached

the Bend o' the Brae it was unlikely that any business should arrest

them now. Gourlay hoped that it might be so; and he had his desire, for,

with the exception of Miss Toddle, no customer appeared. The teams went

slowly down the steep side of the Square in an unbroken line, and slowly

down the street leading from its near corner. On the slope the horses

were unable to go fast--being forced to stell themselves back against

the heavy propulsion of the carts behind; and thus the procession

endured for a length of time worthy its surpassing greatness. When it

disappeared round the Bend o' the Brae the watching bodies disappeared

too; the event of the day had passed, and vacancy resumed her reign. The

street and the Square lay empty to the morning sun. Gourlay alone stood

idly at his gate, lapped in his own satisfaction.

It had been a big morning, he felt. It was the first time for many a

year that all his men, quarrymen and carriers, carters of cheese and

carters of grain, had led their teams down the brae together in the full

view of his rivals. "I hope they liked it!" he thought, and he nodded

several times at the town beneath his feet, with a slow up-and-down

motion of the head, like a man nodding grimly to his beaten enemy. It

was as if he said, "See what I have done to ye!"

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