CHAPTER VII

THE KINGFISHER--THE MYSTERY AND FOLK-LORE OF THE HALCYON--THE

WATER-VOLE AT HOME--IN THE WATER-MEADOWS--THE MOORHEN AND ITS

HAUNTS--THE REED-WARBLER--THE SEDGE-WARBLER--MUSIC OF THE SUMMER

NIGHTS--WAKING THE SUN.....Pp. 187-216

LIST OF ILLUSTRATIONS

_Page_

"_Among the lilacs_" 15

_The Wild Swan_ 17

_Mobbing the Great Sea Lantern_ 23

"_In days of pinching want_" 28

"_As man's familiar guests_" 36

"_Waiting for the signal to start_" 41

_Swallows and rain_ 43

_Grouse_ 47

"_One of the ploughman's companions_" 51

"_The plovers scatter o'er the heath_" 62

"_The delightful dotterel_" 65

"_Seems to act as timekeeper to the ducks_" 68

"_In the earldom of the Falcon_" 73

_Where the eagle is at home_ 77

_The Peregrine_ 81

_The old Cock Pheasant_ 85

"_Like Snow-birds that are happy without sun_" 87

_Crows at sundown_ 94

"_In some brake of fern and bramble_" 100

_House Sparrow_ 107

_The Corn-crake and its companions_ 115

_The Nuthatch at home_ 121

_Nesting-hole of Wryneck_ 126

_The Tit of Rowfant_ 129

_Long-eared Owl_ 137

_The Magpie's fortress_ 139

_Where the Kestrels build_ 141

"_Enhancing every charm by its transient brilliance_" 145

_The Eagle of the Sea_ 155

_Guillemots_ 157

_The Sea-Birds' citadel_ 159

_The Sea-Parrots at home_ 164

"_Where the sea-folk cluster_" 166

_Petrels resting_ 171

_Gulls_ 175

_Nest of Lesser Black-backed Gull_ 179

_Among the Skuas_ 182

_A Colony of Cormorants_ 183

_Black-throated Diver_ 184

_The King of the Pool_ 190

_The cave-haunting Martlet_ 194

"_When the ponds are all ice-locked_" 197

_Did I hear some one?_ 203

_The Water Hen_ 207

CHAPTER I

THE BIRDS OF THE SEASONS--SOME BIRDS OF PASSAGE--THE MIRACLE OF

MIGRATION--THE THRUSH--THE BLACKBIRD--WHAT IS THE MEANING OF

SINGING?--THE SWALLOW

CHAPTER I

"_And now the goddess bids the birds appear,_

_Raise all their music and salute the year._"

WYATT.

"_The birds sing many a lovely lay_

_Of God's high praise and of their sweet love-tune._"

SPENSER.

[Illustration: I]f we had to distribute the Seasons among the birds that

are called "British," selecting a notable fowl to represent each, we

could hardly overlook the claims of the cuckoo, the nightingale, and the

swallow to distinction. But, after all, these are not "thorough

Britons." They only come to us for our summer, and when that goes they

follow it. Though great numbers of them are British-born, they are at

best only Anglo-Continental, Anglo-Asiatic, Anglo-African, and

Inter-Oceanic. But our resourceful little islands give us native birds,

all our own, that amply serve the Seasons, and represent, with sufficing

charm, the changing Four. We have the thrush, the blackbird, the

skylark, and the robin, four of the sweetest birds that the round world

can show--

"_The Throstle with his note so true._"

SHAKESPEARE.

"_The Mavis mild and mellow._"

BURNS.

"_A few stars

Were ling'ring in the heavens, while the Thrush

Began calm-throated._"

KEATS.

The thrush is pre-eminently our bird of spring. While the snow-drops,

the "Fair Maids of February," are still in early bloom, and before the

crocus has lit its points of flame or the primrose its pale fires, and

while "the daffodils that come before the swallow dares" are scarcely in

their bud, the thrush has burst forth in full song, its burden the "news

of buds and blossoming." There is little that is green yet in copse and

hedge: few flowers worth a child's picking are to be seen. But he is too

full of his glad evangel to be able to keep from singing, and from the

tufted larch

"_Rarely pipes the mounted thrush._"

Some naturalists want us to call it a migrant, and in proof of their

argument, tell us of the multitudes that pass over Heligoland at a

certain time of the year. But against this, let every one who has a

garden where thrushes build, bear witness how, in the hardest winters,

the dead birds are picked up among the laurels, starved or frozen to

death. This alone demolishes the migrant theory. That numbers do leave

England in winter may be true enough; it is the overflow of population.

[Illustration: "_Among the lilacs_"]

Indeed, if the superfluous songsters did not go away (and the Wild

Birds' Protection Act remained in force), we should be smothered with

thrushes. I know, for instance, of a little "place" in the country, some

thirty acres all told, garden, shrubberies, orchards, spinneys, and

meadow, where birds are tempted to come by the planting of fruit bushes

and strawberry-beds in all directions, by the numbers of elder trees and

mountain ash set out, by the encouragement of blackberries and dog-roses

wherever they can be allowed to grow, and where birds are tempted to

stay in winter by liberal scatterings of grain-foods and table-scraps.

Within this little estate there were one year forty nests of thrush and

blackbird. Now supposing these birds bred only once in the year, which

is very improbable, and reared only three birds apiece, which is equally

so, and that half were killed or died during the year, there would then

be left twice as many thrushes as in the year before. Forty pairs would

become eighty; eighty, a hundred and sixty; a hundred and sixty, three

hundred and twenty, and so on till five years later there would be over

ten thousand pairs of thrushes (allowing all along for the same

excessive proportion of casualties), breeding on thirty acres, and if

each pair hatched five birds, there would be fifty thousand thrushes all

together!

So it is well that thoughtful Nature leads off vast colonies every year.

Those that happen to stop to rest on Heligoland stop there for good and

all, for the Heligolanders eat them. Those that get farther fare no

better, for everybody eats them. Belgian and Dutchman, Frenchman,

Spaniard and Portuguese, German, Swiss, Italian. And it is really a

[Illustration: THE WILD SWAN, QUITE AN ISLAND FOR THE LITTLE BIRDS]

mercy that they do. For if all the thrushes that leave us were to come

back again, the consequences would be simply disastrous. Suppose all the

human emigrants from Great Britain were to come back again! The

population of these islands would be sitting three deep on top of one

another.

No, the thrush is not a migrant in the sense that the nightingale is or

the turtle-dove. By a wise dispensation of Nature the superfluous

increment is drafted off annually. But the same number that sing in the

garden in March sing every month in the year till March comes round

again.

There is, I confess it, something very pleasing in the thought that a

particular turtle-dove, all the time that it was enjoying itself in the

palm-gardens by Cairo, or among the arbutus and olives of Athens, should

keep in its memory a particular tree in my garden in England, and in

spite of all temptations should come straight back to it every summer.

For such fidelity I am cordially grateful, and I appreciate the dainty

little bird's soft purring in the copse all the better for its pretty

compliment of remembrance.

So with the nightingale, that, out of all the whole world, prefers an

old juniper near my house to nest in, and that sits and sings gloriously

every night as if in requital of my hospitality. I am proud of the small

brown bird's preference for my garden over others, and proud of my

neighbour's envy, whose garden the nightingale--"dear angel of the

Spring," "the dearling of the somer's pryde"--never visits. And I take

care that the rites shall not be violated; that my guests shall never

have cause to regret their choice.

But they cannot stay with us. They come when our daffodils are all

abloom, and go when the roses are fading. It is a far cry from London to

Magdala, but the nightingale goes away even farther than that, and then

in the Spring it turns northward again, and, by-and-by, with myriads of

other birds, comes back to us to find the lilacs in flower, and the

home-staying thrush with young ones already in the nest.

And they come in strange company. Sometimes the wild swan, quite an

island for the little birds, flies winnowing the air beside them;

sometimes a flight of hawks, but with their minds too full of their

journey to think of harming their small fellow-voyagers; always with the

sound of a multitude about them, and the murmuring of innumerable wings.

Pitch dark the night, but somewhere or another is a leader, and they

follow, wild duck and swallow, sea-fowl and dove, broad-winged geese and

tiny gold-crest wrens, an instinct-driven mob that, in spite of all

perils of storm and of distance, keeps its course, with dogged courage,

and steers straight for the land that is to be its summer home.

Lighthouses have become our best observatories for these annual

transits, and the descriptions that are given of the mobbing of the

great sea-lanterns by the hurrying flights of strangely assorted birds,

are so curious as to be scarcely credible. What they suppose it to be,

this bright revolving light in the dark waste, we cannot of course

tell; but they have learned by experience that it means that land is

very near, and so they all swerve in their course to pass through its

rays. And those who keep the lighthouses tell us of the streams of birds

that pass, flashing white for an instant in the glare of the lamp and

then disappearing, and of still larger companies that fly overhead and

out of sight, filling the night-air with the sound of rushing wings and

the clamour of different voices, "feeling for each other in the dark,"

as Bunyan says, "with words."

"_From worlds unknown_

_The birds of passage transmigrating come;_

_Unnumbered colonies of foreign wing_

_At Nature's summons in bold voyage steer_

_O'er the wide ocean, through the pathless sky._"

MALLET.

I had been telling a child about the miracle of migration, and when I

had finished, she routed all my science by the simplest of questions,

and utterly posed me by asking: "_What do they do it for?_" Yes, indeed,

what _do_ they do it for? or what do they do it _for_? It does not

matter which word we put the emphasis on: it is the same conundrum

always from a slightly different angle; only another turn in the maze.

As the child got no reply, she helped herself to one, and

satisfactorily remarked: "_Perhaps they've got to._" She had gathered

from my description that there could be nothing agreeable to the birds

in the migration, and, logically enough, since one only does that which

is disagreeable from necessity, she inferred compulsion. But she set me

thinking, and since science attempts no explanation of this appalling

Kismet of the birds, I tried to find a reason for it for myself. And

there can only be this, that it is one of Nature's methods for reducing

numbers.

At any rate, wherever we turn our eyes in Nature, we find her bringing

forth in vast excess of her requirements, and then restoring the

equilibrium by the institution of active scourges, or terrific epidemics

of suicide. There is no need for the birds to cross seas: to travel

twice a year from the Hebrides to Abyssinia. Do they want a warmer

climate? do they want a cooler? They have only to remain where they are

and change their altitude. Do they need food? The idea is preposterous.

They leave their various countries at seasons when their food is most

abundant; they are then well fed, and are then strongest for the

terrific ordeal before them. Besides, imagine a bird in, say Egypt,

coming to England for food! No, that is the least reasonable of all

explanations. And no other is much better. So we have to fall back on

the child's reason, "Perhaps they do it because they've got to."

Twice in every year do they start off, these little

[Illustration: MOBBING THE GREAT SEA LANTERN]

pilgrims, along the broad highways of massacre, walled in, as it were,

with disaster on either side, running the gauntlet of ambush and open

warfare all along the line. The myriads that perish before they reach us

are beyond computation. But the survivors rear new broods, the gaps by

death are all filled by birth, and off they go again once more, giving

hostages to pitiless calamity, and strewing afresh in Autumn the tracks

of Spring with countless corpses. But I did not tell the child this. She

would have said the birds were "stupid," and thought, perhaps, the less

of them and the worse.

So before we had got home I told her that "perhaps" the reason why the

birds all came to England to build their nests and lay their eggs here,

was because they wanted their young ones to learn the best of manners

and to go to the best of bird-schools. "Some of these birds come from

countries where the people are called savages, because their behaviour

is shocking, and they have no schools, and so (perhaps) the birds come

here because they want the little ones to be nicely brought up."

It is not much of a reason, I confess. It will not probably satisfy

Professor Ptthmllnsprts. But it satisfied my small companion, for she

approved the conduct of the old birds. And when you can satisfy a child

on a point that you can not satisfy a grown-up person on, you have got

some way, depend upon it, towards the truth. There must be some

advantage in the migration of birds, or it would not happen with such

pitiless regularity. But it does not look as if the advantage were on

the side of the birds.

And now to get back to my thrush. When this bird was first identified

with both throstle and "mavis" is a pretty point that some bird-lover

might care to follow out. It certainly is quite of modern date, for I

find Spenser making the mavis as one bird "reply" to the thrush as

another; in poet-laureate Skelton's poem the "threstill" is contrasted

with the mavis--"the threstill with her warblynge, the mavis with her

whistell"--and quite as explicitly in Gascoigne. Harrison, again,

clearly distinguishes the two as being different birds. So that the

thrush-throstle-mavis was not a single bird before, at any rate, the

middle of the seventeenth century. And for myself, I should not be

surprised if it were found on inquiry that the mavis was originally the

blackbird, and that it is an old English word, and not a Scotch one, any

more than "merle." At any rate, this much is certain, that Chaucer's

English was "a well of English undefiled"; and he sings both of mavis

and of merle as of birds that he knew. And in Chaucer's day, Scotland

was a fearsome region situated "in foreign parts," and inhabited by a

race of human beings who only differed from Irish in being worse. And

Chaucer did not speak Scotch. But, as I have said, the origin of our

bird-and-beast names is a very pretty subject still awaiting the

philological naturalist, and when that curious person is forthcoming he

ought to make his subject one of a very curious and lasting interest.

Meanwhile the thrush is with us, year in year out, singing whenever it

can, and persecuting snails in the intervals. For though it is fond of

worms, and dotes on the berries of the mountain-ash, it has a perfect

passion for snails. If a thrush is in a bush in a garden, and you throw

a snail on to the garden path close by it, the thrush is promptly out.

The sound of the shell on the gravel attracts it at once, for it is

familiar with it. In winter, when the snails have all cuddled up

together in some corner behind the flower-pots, or between the pear-tree

stem and the wall, the thrush finds them out, and so long as a snail

remains the thrush will stop. Nor is it a shy bird when thus engaged,

for if you come suddenly upon it, walking quietly on the snow, it will

hop off with its victim a little way and begin again tapping the poor

snail upon a stone, till the little householder is left without a wall

to protect it, and is swallowed. And if a thrush finds a secluded corner

with a convenient stone there, it always takes its snails to the same

spot, building up in its own way a little shell-midden, like those which

prehistoric man has left us, of oyster-shells and clams, to puzzle over.

When driven by stress of weather to the seashore, it treats the

hard-shelled whelks just as it treated the garden-snails, and by

persistent rapping on the rocks, arrives at its food.

By nest, and, above all, by song, this bird is probably

[Illustration: "_In days of pinching want_"]

the best known of all our birds. The blackbird is quite as familiar by

sight and by song, but many who know what the mavis' eggs and nests are

like, would perhaps be puzzled to describe the merle's. The home of the

hedge-sparrow, again, is well known, and, after a fashion, its

appearance; but how many who hear it singing know who the small musician

is? So, taken all round, the thrush is the bird we are most intimate

with. And how welcome it always is on the lawn, with its charming

plumage, and its pretty, half-timid way of coming out into public! "I

hope I am not in the way?" it seems to ask, as it hops quickly out from

under the shrubs, and as suddenly stops. "May I? Thanks." And out it

hops a little further, and again stops. But why describe so well-known a

favourite? Tennyson has put words to its song, and the better one knows

the bird's song, the more admirable the poet's words appear.

And the thrush sings alike, with constantly changing cadences but with

always equal melody, when the wind is blowing bitterly over the

tree-tops, when rain is falling, when the night is dark. In winter the

poor bird, diffident of its welcome, seldom comes to the door for alms

when others come in crowds. So if you have a wish to be kind to it in

its days of pinching want, scatter some food farther from the house, out

of sight of it, and there, if you go cautiously, you may always see the

starved thrushes gratefully accepting their little dues of crumb and

meat.

"_The Blackbird whistles down the vale,_

_How blithe the lay._"

SCOTT.

"_The Merle's note_

_Mellifluous, rich, deep toned, fills all the vale_

_And charms the ravish'd ear._"

GRAHAME.

The blackbird is the shadow of the thrush: you seldom see or hear one

without the other: nor, indeed, is either of them often mentioned alone.

Yet the blackbird is probably the more commonly seen. For one thing, it

is a very conspicuous bird; for another, it is not so diffident as the

thrush. It is the blackbirds that you see flying out of the cherry-trees

and strawberry-beds, but if you set nets for the marauders, as I did one

year to stock an aviary, you catch quite as many mavises as merles. The

former, it is said, are among the fruit "looking for worms," but I doubt

it. They are not so bold in their depredations as their black cousins,

but I fancy they are more sly. Blackbirds will fly away with a cherry in

their beaks or a strawberry without any affectation of innocence: the

thrush, when startled, goes off "empty-handed." But throw down a handful

of fruit, especially raspberries, in an aviary, go aside and watch which

bird is first at the feast--it is the thrush.

The blackbird and thrush are really two birds of very dissimilar

character: the same traps will not succeed as well with one as with the

other, nor is it so easy to rear the former as the latter. Country

people declare that the mothers poison their young ones when caged, and

a poet says:

"The timid blackbird--she, that seen,

Will bear black poisonous berries to her nest,

Lest man should cage her darlings."

Whatever foundation there may be for the belief, I found that if I caged

a nest of blackbirds (leaving the cage in the bush and the top open for

the parents to go in and out), the old birds would visit the nest,

presumably with food, with the greatest diligence, but the young birds

would be dying in two days. The thrushes kept their young ones alive.

Where do our blackbirds go to? They rear in nearly every case two broods

a year; that is to say, there are every year five times as many

blackbirds as the year before. According to this, starting with a single

pair, a garden ought to have at the end of five years fourteen hundred,

and at the end of ten years, supposing that one half died each year,

something over _two million_ blackbirds. Or, supposing they only rear

one brood, there would be over seven thousand. Suppose the cats eat six

thousand, there would still be the preposterous number of a thousand

left. Where, then, I ask, do all the blackbirds go? It is quite certain

that each pair, as a rule, hatches five birds, yet the number of

blackbirds does not increase. So that if we say there are only ten

thousand pairs of blackbirds in Great Britain, there are at least fifty

thousand killed or made away with every year. "Then, what are they

hatched _for_?" my child-friend might ask. "For cats" would be my reply.

And yet it seems absurd that a hundred thousand blackbirds should be

hatched every year just for cats to eat. All of which is a mystery to

me.

It is noteworthy of this charming bird that it is an emblem of

cultivation, as the sparrow is of civilisation. Savages only are exempt

from the sparrow: only barren land from the blackbird. As soon as a

garden is laid out, a hedge set, an orchard planted, the blackbird

comes. Except within easy flight of land that man has tended, it is not

found. Its nest, again, has a curious point in its favour, for it is so

well built--being a cup of mud strongly felted with moss and grass both

inside and out--and, as a rule, in such a sheltered spot that it lasts

through the winter, and mice are often glad, when their tenements

underground become uncomfortable, to occupy them. At other times, too,

they serve them admirably for store-rooms and larders. One blackbird's

nest that I knew of, built into some very dense ivy in an angle of a

wall, was a squirrel's garden-house; not its regular home, for that was

up in the pine-tree overhead, but a pleasure retreat for empty hours.

But a vagabond rat turned it out, and made a "doss-house" of it.

The blackbird's song everybody knows, but I have found that only the

closer observers of Nature have noticed how it differs from that of

other birds. Michael Drayton was, I think, the first:

"The woosell that hath a golden bill

As Nature him had mark't of purpose, t' let us see

That from all other birds his tune should different be;

For with their vocal sounds they sing to pleasant May,

Upon his dulcet pipe the merle doth only play."

The old English somewhat obscures the meaning, which is, that while all

other birds "sing" with their throats, the blackbird alone "plays" upon

a pipe. This "dulcet pipe" occurs in other poets, and two or three,

Wordsworth, for instance, speak of "blackbird pipers." It is almost the

only bird said to "whistle" and to "flute." The distinction is just, for

it is, I think, the only European songster whose melody so curiously

suggests artificial assistance. No voice is so completely a bird's voice

as the nightingale's, but the blackbird, when at its best, is the master

playing on some exquisite instrument. So the ear that has once

distinguished the difference can never mistake the blackbird for the

thrush. It is, too, perhaps the only bird that sings its best in

captivity. There used to be one in an inn in Epping Forest that outsang

all the wild birds within hearing.

Why do caged birds sing, if singing is the expression of happiness and

joy? That human beings should, by the exercise of reason, or the growth

of new interests, by the lapse of time, or the consolations of religion,

recover, after a severe blow, their original serenity and even

light-heartedness, is sufficiently intelligible. But what would the

world say of any bridegroom, torn away from the arms of his bride, and

shut up in a kennel; or of a young father kidnapped in the bosom of his

young family, and ignominiously imprisoned in a fowl-run, who should

straightway behave himself with the utmost gaiety, and exhibit to

passers-by every symptom of happiness? Yet this is what the blackbird,

caught in full song during the pairing season, does. He goes on singing

just as if nothing had happened. It may be, of course, that the brief

days of moping through which the poor bird passes, correspond to long

years of human sorrowing, and that then hope revives, and the blackbird,

remembering how song used to be "once upon a time" associated with all

the joys of home and home-life, thinks that if he only sings long enough

and well enough, they may all come back again. But surely there cannot

be any happiness in that happy-sounding song?

Love-notes of birds are generally unmusical and often grotesque. When

they are pretty they are monosyllabic. So the emotions that prompt

lengthened melody are, as a rule, the sterner and unamiable. Anger,

defiance, pride and possessiveness supply the motives of their songs.

When a lion is amiable, he is quiet; his loudest utterance is a yawn;

when courting, he grunts and hiccoughs; when aggressive or inclined to

assert himself, "just to let Africa know" as it were, he opens upon the

world with the artillery of his voice. Is that the lion's way of

"singing"? and is the blackbird's song its way of "roaring"?

To take a more familiar case, it is only when the animal is in the

presence of his own sex, and his intentions are the reverse of friendly,

that the human understanding arrives at the vocal compass of domestic

tom-cats. They then sing melancholy part-songs, out of all time and

tune: we call them "cats' concerts." But if you will listen to them, and

not disturb them either by laughter or missiles (as your humour may take

you), you will observe that each cat is "singing" its very best. Very

often no scrimmage results after the music is over, but each cat,

satisfied with its exhibition of its upper register, goes its way. If,

while listening, you can also see the cats while they are singing, you

can have no more doubt as to their own opinion of their performances

than when watching a blackbird. Female cats cannot sing. That fine voice

is an ornament of the male sex alone, and whenever one male meets

another--none of the other sex being present--they at once (if sudden

conflict, giving no time for a "glee," does not supervene) fall to

singing, each pitting his "g" against the other's. You may any day see

two such encounterers, having sung their songs, relapse into placid

indifference to each other's presence, just as blackbirds do, and depart

harmlessly each about his own duties.

[Illustration: "_As man's familiar guests_"]

Lions sing much as blackbirds do. Morning and evening they get on to an

eminence and lift up their voices, informing all the other lions in

their parish, and the continents adjoining, that they are going to bed

or have just got up, and that they do not intend to stand any nonsense;

that that particular eminence is their own, and no other lion in Lybia

or thereabouts will be tolerated in its vicinity. If, while one is

roaring, there should come rumbling along on the wind the voice of

another, the vocal duet is prolonged; but when the rites have been duly

performed, "matin-song and vespers eke," they go about the business of

the day or the night, as the case may be, without further ado.

So, again, in the ferocious old European fighting-days, warriors were

perpetually singing--not love songs, for these were delegated to

professionals and mercenaries, but war-chaunts. Heroes of the Berserker

and hardy Norseman type got up and sang whenever they were excited, as

naturally as blackbirds do, but their singing must have been much more

like the lion's than the bird's. Savage races at the present day,

whenever they are unamiably inclined, fall to "singing" war-songs, which

they improvise, music and words alike; and to our ears their

compositions are hideous. So, no doubt, the blackbird would think the

lion's, and the lion think the blackbird's. Birds and beasts, no doubt,

differ as much in ear as they do in voice. But reverse their sizes, and

see the result. The emu bellows and booms; there are mice that "sing"

quite prettily. If the lion were the size of a blackbird, he would,

perhaps, as Bottom said, "roar you as gently as any sucking-dove: roar

you as 'twere any nightingale."

"_Swallows obeying the South Summer's call._"

KEATS.

Voice alone does not make a bird a favourite, or what could we say for

the swallow, that has so slight a song, and yet, excepting the robin, is

"privileged above the rest

Of all the birds as man's familiar guest."

In the old days Rome loved the swallows as the spirits of dead children

revisiting their homes, and Rhodes welcomed the bird's return with

public song and canticles of thanks. And long before Rome and Rhodes,

men said that it was the swallow that brought Noah back the leaf; and

the swallow, when Adam and Eve were separated after the Flood, brought

our first parents together again, by telling Adam in Serendib that Eve

was on the Red Sea coast. In later days it is a sacred bird in all four

quarters of Europe: "the bird of consolation" in the North; "bird of the

happy beak" in the South; "the bird of the hearth" in the West; and "the

bird of God" in the East. Apart from all this, "the clime-changing

swallow," slipt from the secret hand of Providence, that comes all the

way from Southern Africa to hunt our May-flies, is one of the oracles of

Nature and the joyous evangelist of happy Summer.

We all notice the first swallow almost as soon as the first cuckoo; for

though the one bird's note catches the ear, the flight of the other

arrests the eye as certainly. And what a flight it is! Has it ever been

computed how many hundred miles it flies every day? For hours they are

on the wing, flying at the rate of a mile a minute, and always with

exquisite grace. Watch a bird crossing a hay-field, winding in and out

of the hay-cocks, rising just sufficiently to clear the hedge at the

bottom, wheeling round over the gate, and then up the lane, almost, so

it seems, skimming the ground as it goes, and yet without an effort

lifting itself up over the spinney, and so dropping back into the

hay-field. Their judgment is so accurate that they never have to turn at

an angle, but, always allowing for the curve beforehand, make their

course with a beautifully easy sweep. When there are young ones to feed

their speed is even swifter, their industry more untiring, for instead

of breaking off in their insect hunting to circle in play with their

fellows, or to race the swifts across the sky, they have only the one

idea, to fill their beaks as full as they will hold, and hurry back to

the nest.

The swallow does not go back to its young with a single fly at a time,

but with a mouth filled as full as possible, so that those who try to

calculate the usefulness of this bird by the number of the journeys that

it makes to its nest, underestimate its destruction of insects by

probably fifty per cent. Although, perhaps, few who watch the birds know

it, the swallow's wide-gaping mouth is sticky inside, so that

everything it catches it holds, and in this way is spared interminable

miles of journeying. To see them at their best is when a hawk passes,

and, for sheer mischief, the swallows chase it.

The hawk is flying, as hawks can fly, with great swiftness; but look at

the velocity of the swallows, which fly round and round the hawk as it

goes! They hover over it, loiter by the side of it, make excursions

ahead of it, and come back, mock it, in fact, as if it were an owl, or

as hares might mock and mob a tortoise. And the hawk never even pretends

to chase one of the swallows, but goes doggedly on its way, as fast as

it can go, to the cover of the wood. To see the swallow at its worst is

upon the ground: there it is a poor thing indeed, and from the shortness

of its legs and the length of its wings, has to shuffle along, rather

than walk.

But it does not often condescend to walk on the ground. When it alights,

to knead the plaster for its nest at a puddle's edge, or for any other

purpose, it springs up into the air from the spot on which it settled.

And its nest once built, it has no reason for coming to the ground at

all. It does so from choice sometimes, where it suspects insects are

congregated, or sometimes to drink, but, as a rule, it both eats and

drinks on the wing. When it rests, it is on a house-roof, a railing, or

dead branch, and often when thus seated it sings a very sweet, simple

little song, loud enough to puzzle the passer-by, who can hear but not

see the songster, and pretty enough to astonish those who imagine that

swallows only twitter.

[Illustration: "_Waiting for the signal to start_"]

While the hen-bird is brooding she is busily fed by her mate, and the

compliments that pass whenever the two birds meet are very sweet to

listen to.

Every time he comes there is a scrap of conversation, and when she has

eaten what he has brought, there is a little exchange of twittered

love-nothings. There are always two broods in the year, the first

scattering over the country and eventually straggling away in small

migratory parties across the sea, the second going with their parents in

the great annual exodus in October.

It is then that these birds congregate in vast companies, lining the

telegraph-wires for miles, till they loop with their weight, or crowding

upon every available foothold of some range of buildings. How

irresistible the discipline of these little creatures is, as you look at

them sitting there by the thousand, waiting for the signal to start on a

journey the object and end of which is a mystery to all the young ones.

You will see how impatient they are, how they keep on trying their wings

by wheeling round in the air. With what restlessness they take short

flights and resettle. And all this time, and up to the very last, the

old ones keep on busily feeding the young, as if they knew what a trial

was before them, and how urgent their need of all the strength possible.

Here and there are broods hatched too young to join in the great Hegira,

and here and there nestlings with some infirmity that unfits them for

boisterous travel. These are found lingering in our islands all through

October into November, but the great army of the swallows musters at the

rendezvous punctually to date. And there they sit in their myriads, but

the whole obedient as one, and lo! next morning, before the sun is up,

they are gone, every one of them--gone towards the sea, towards the Nile

and the Cape, gone till next Spring. For

"the year is overgrown,

Summer like a bird hath flown."

[Illustration]

CHAPTER II

THE BIRDS OF THE MONTHS--SOME RARE BIRDS AND SOME COMMON--JANUARY AND

THE FIELDFARE--FEBRUARY AND THE ROOK--MARCH, APRIL, MAY, WITH THE

THRUSH, SWALLOW AND NIGHTINGALE--THE TERRORS OF MIGRATION--JUNE AND THE

RING-DOVE--A WOOD-PIGEON PROBLEM--THE DOTTEREL--EVENING VOICES: THE

NIGHT-JARS--JULY AND THE SKYLARK--AUGUST, SEPTEMBER, WITH GROUSE AND

PARTRIDGE--THE PTARMIGAN--THE OLD COCK-PHEASANT--NOVEMBER AND THE

WOODCOCK--DECEMBER WITH ITS ROBIN AND WREN

[Illustration]

CHAPTER II

"_Kirchup! Kirchup! among the wheats_

_Partridge distant partridge greets,_

_Beckoning hints to those that roam_

_That guide the squandered cover home._"

CLARE.

It is easy, taking a score of birds, to construct a bird-calendar, a

zodiac of birds, that comes very near the actual truths, and almost

exhausts the list of more notable land-fowl. There are some, like the

heron or the bittern, the curlew, the woodpecker, or the coot, that are

not significant of any particular time and season, because they are not

sufficiently familiar.

It is only by some fortunate accident and in particular places that you

may hear the lonely cry of

"the heron as he spreads his wing,

By twilight o'er a haunted spring;"

or the bittern

"bellowing harsh,

To its dark bottom shake the shuddering marsh."

It is a very quaint and ancient myth that the "mire-dromble" or

"mere-drum" fixed its beak in a hollow reed or in the bog, and by

"snoring," "booming," or "bellowing" through it made, as Burns says,

"the quagmire reel." Several poets refer to the bittern "shaking the

solid ground," Thomson among them, in the absurd lines, "The bittern

knows his time, with bill ingulpht, to shake the surrounding marsh." But

they are all to be traced back to Michael Drayton's description of how

"The buzzing bitter sits, while through his hollow bill

A sudden bellowing sounds, which many times doth fill

The neighbouring marsh with noise, as though a bull did roar."

It is altogether a delightful bird in poetry and folk-lore, this

"bog-bumper" or "betowre," or whatever name we choose to know it by.

The curlew again, a bird of the coast and the northern uplands, is

familiar only to those who live near marsh and moor, though its weird,

wild clamour, as it passes overhead in the night, is the source of a

superstition, which, as "Gabriel's hounds," "The Seven Whistlers," "The

Wild Huntsman," is common to all Northern Europe, and is probably the

origin of that fearful wild-fowl that was the "trump of doleful drere,"

"the whistler shrill that whoso hears doth die," to which Wordsworth

alludes:

"He the seven birds hath seen that never part,

Seen the seven whistlers in their nightly rounds,

And counted them;"

and Moore:

"Oh! did you hear a voice of death?

And did you not mark a paly form,

Which rode on the silver mist of the heath,

And sang a ghostly dirge in the storm?"

All this, and ever so much more of quaint and interesting tradition, has

its source in the impressive uncanny cries with which the curlews,

flying by night, keep their company all safely together. The woodpecker

again, Tennyson's "garnet-headed yaffingale," the bird of Picus the

augur, which breaks with his crazy ringing laugh so suddenly upon the

solitude, is familiar only to those who live near woods. Marvel has some

excellent but little-known lines on the "hewel," as he calls this bird

of many aliases:

"He walks still upright from the root,

Measuring the timber with his foot,

And all the way to keep it clean

Doth from the bark the wood-moths glean.

He with his beak examines well

Which fit to stand and which to fell.

The good he numbers up and tracks,

As if he marked them with an axe;

And when he, tinkling with his beak,

Doth find the hollow out to speak,

That for his building he designs,

And through the tainted hide he mines."

The coot, too, is a bird only familiar to such as dwell near quiet

waters--a whimsical and odd-mannered amphibian, that gives a very

pleasing animation to the sequestered places it frequents, for whether

diving and ducking in the water, or moving with flicking tail about the

banks, in that "jerky, high-stepping manner" which Dudley Warner

disliked so delightfully in his neighbours' hens, it is a fowl of

pantomimic behaviour that is very diverting to watch.

Other birds, again, are too common to be significant of time or of

season, though, among them are many of the most popular of our feathered

folk--the beautiful and merry chaffinch, the roadside yellowhammer, the

linnets that are everywhere, the delightful goldfinch and bullfinch, the

sweet-song hedge-sparrow, the handsome monotonous greenfinch, the

ubiquitous sparrow--"meanest of the feathered race," as Cowper unkindly

calls it--and the dainty water-wagtails that

[Illustration: "_One of the ploughman's companions_"]

everybody likes. Some of the wagtails stay with us all the year round,

but most move southward as winter approaches, and when the weather

becomes severe, cross the Channel to seek a warmer climate. In Spring

they are one of the ploughman's companions, for often it is only in the

freshly-turned furrows that they can then find the insect food they

need, but later on they seek the neighbourhood of water where winged

things assemble, and there love to paddle in the shallows. Often, too,

they take flights inland, searching the meadows and garden-lawns for

"such small deer" as they live upon, hawking for flies among the

haycocks or amongst the cattle that are standing at ease by the pond, or

following them in quest of the insects which, as they graze, they

disturb from the herbage. I know no bird that is more "bird-like" than

the wagtail; more dainty, delicate, and elegant: in its every movement

it is airy, the embodiment of buoyant grace: whether on the ground or

a-wing it is fairy-like, volatile, and wayward: running, fluttering, and

flitting impulsively as if it were too happy to stop to think, like a

child in a meadow full of flowers: a sylph among the birds, so slim and

so sweetly-proportioned as to make its little companions look burly and

thick-set: so prettily timid in its demeanour that the rest seem almost

aggressive; in a word, a bird of birds.

But between the familiar and unfamiliar there are just enough birds,

well known to all of us, that fit the seasons and the months with a

rather special appropriateness. For the months there is the fieldfare

for January, the rook for February, the thrush for March, the swallow

for April, the nightingale for May, the dove for June, the kingfisher

for July, the grouse for August, the partridge for September, the

pheasant for October, the woodcock for November, and "the wren, the

wren, the king o' the birds," for December.

"_A Winter such as when birds die_

_In the deep forests._"

SHELLEY.

"_Now various birds in melting concert sing,_

_And hail the beauty of the opening Spring._"

SAVAGE.

The fieldfares comes to us late in the year, and in January, if the

weather be very hard, are often the most conspicuous wild birds of the

month. Most people mistake them for missel-thrushes, as they travel

about in companies over the snow-covered fields, ransacking the hedges

in such methodical fashion for the hawthorn berries, or scattering over

open patches of ground in quest of seeds or insects. This mistake,

doubtless, saves many of their lives, for those who would not shoot our

native missel-thrushes in the snow, might have no compunction in bagging

the strangers from abroad, who bring with them such a reputation for

the table as the fieldfares, and who, it might be urged, are poaching on

the scanty winter-provisions of thrush and blackbird--"the hawthorn's

berries red, with which the fieldfare, wintry guest, is fed," and which,

if it had stayed at home, would help to keep our own song-birds alive

through the pinch of the year.

In February the rooks have repossessed themselves of their old haunts:

"_His airy nursery in the neighbouring elm_

_Constructs the social rook, and makes the grove_

_That girds the crumbling edifice around,_

_And every angle of its ruined pile,_

_With the bass note of his harsh love resound._

HURDIS.

"_Lofty elms and venerable oaks_

_Invite the rook, who high amid the boughs_

_In early Spring his airy nursery builds,_

_And ceaseless caws amusive._"

THOMSON.

"_Soothed by the genial warmth, the cawing rook_

_Anticipates the Spring, selects her mate,_

_Haunts her tall nest-trees, and with sedulous care_

_Repairs her wicker eyrie tempest-torn._"

GILBERT WHITE.

And so to March and "the throstle with his note so true"; and April,

when "the swallow knows her time, and on the vernal breezes wings her

way, o'er mountain, plain, and far-extending seas, from Afric's torrid

sands to Britain's shore, before the cuckoo"; and May, "with the darling

of the Summer's pride, fair Philomel," "the dear good angel of the

Spring, the nightingale," and

"All vital things that wake to bring

News of buds and blossoming."

With the swallow and the nightingale, many other birds "transmigrating

come, unnumbered colonies on foreign wing, at Nature's summons."

From every quarter the aliens, if birds bred on British soil by

British-born parents can be called such, converge upon our coasts, just

as if England were the centre of a circle at which all the birds who

spend the rest of the year upon its circumference congregate for the

nesting season, reaching the same point at the same time, but

travelling, each company, on a radius of its own.

I have often wondered that migration is not more often looked at through

the other end of the telescope, and Great Britain called the "home," for

instance, of the nightingale. What makes "home" for a bird? Is it not

the place where the nest is built and the young are reared? For the rest

of the year the families travel "abroad," returning "home" for all that

makes life important and domestic. Their fixed addresses are in England,

their names are in British directories as residing there. But their

doctors will not let them winter "at home," and so they have to go on to

the Continent, or to even warmer latitudes, for the colder months of

the year. I myself entertain, and often express, a grudge against the

"migrants" for staying only so long as it is fine; but as often as I do

so, my conscience reproaches me, for, after all, the nightingale shows

its affection for its birthplace by coming back to it; and, "in spite of

all temptations to belong to other nations," remains a true-born English

bird. What more could it do? It might certainly stay and freeze to

death. But why should we expect nightingales to do more than we expect

men and women to do? Which of us, if warned by doctors against the

English winter and possessing the means to go abroad, would stop at home

to die here, just to show that we are lovers of our country? So it would

be quite in keeping with the sympathetic and kindly tendency of

contemporary natural history, if we looked upon the birds when they

come, as our own birds coming home, and when they go, as going abroad

under the inexorable compulsion of health; if we welcomed them in Spring

as returning fellow-countrymen, and bade them god-speed in Autumn, as

delicate folk who would, if they could, but dare not, stop in Britain

all the year round. And who can blame the birds, apart from necessities

of life and death, for leaving our shores? Think of the climate they can

always, by a morning's flight, enjoy, year in and year out, "in foreign

countries"; what range of space, what perennial abundance of food, and

then calculate the force of inherited affection for the place of their

birth that urges them, hosts of little feeble people, to dare the

appalling journey "home," to risk the truly awful perils of return to

their native land. Had they human intelligence, and did they live by

reason, not one of them would think of coming here.

What human parents would think of wintering in, say, Cairo, if they knew

that the railway companies meant to destroy them wholesale as they

travelled down to Dover; that the coast-guard and along-shore rabble

were all on the look-out for them to take their lives; that the Channel

steamer owners were in conspiracy to kill them; that the quays at Calais

were swarming with avowed murderers of British travellers; that every

Continental line was run by bandits and brigands sworn to shed their

blood, and every hotel and resting-place an ambush of assassins? What

British pater-familias would "winter in Cairo" under such conditions of

travel? Yet these are the conditions under which the nightingales come

and go. Only they do not know it. If they did, "the instinct of

self-preservation" would surely triumph over "love of country," and we

should never see any nightingales in England, nor any turtle-doves--one

of the most beautiful of our birds. But more of turtle-doves by-and-by.

"_The Ring-dove in the embowering ivy yet_

_Keeps up her love lament._"

SHELLEY.

"_Summer hath spoken soothingly to each nested Finch._"

KEATS.

Their larger and more beautiful relative the ring-dove or wood-pigeon we

have with us always, and I think it is conspicuously the bird of June.

The young are then on the wing, and it is impossible, passing near their

haunts, not to be attracted by this ornamental bird, which, whether

flying or at rest, adds a grace to every scene. Above all, it is

beautiful when it beats its way up into the air to a height, and then,

expanding its wings, comes floating down again. This exquisite

performance may be seen at almost any time, for the ring-dove sometimes

has three broods in the year, and if, as is supposed, it is a part of

the bird's courtship, is as appropriate in October as in March. Both

birds may sometimes be seen executing this graceful "manœuvre"

together; and it is, I think, the most prettily significant of all

bird-gestures. Throughout June may be heard "the deep mellow crush of

the wood-pigeon's note, making music that sweetens the calm" of the

summer woodlands or the sudden clapping when the startled bird, "on

loud-applauding wing," quits its perch. Hardly a country walk can then

be taken without seeing, either feeding on the ground, at rest, or on

watch upon the trees or flying overhead, the handsome bird, in its

plumage of lavender-blue, that seems so wild, and yet can be tamed

sooner almost than any bird but the robin.

It is an odd fact that the civilised sparrow, the most coolly familiar

of birds, is the most difficult to make tame. The fact is, it is

naturally vulgar, and no gentle influences can ameliorate the naturally

vulgar. When at liberty, it will take all the liberties it can and

dares; when shut up, even if from the nest, it develops into a voracious

idiot; never amenable to kindness, always ferocious for food.

Yet the wood-pigeon, one of the wildest and shyest of birds, will soon

become tame, will feed from the hand, and when the miserable, suspicious

sparrow rushes into hiding, will sit in the aviary unconcerned and

confident of friendship.

But note this curious difference. The sparrow in an aviary will breed,

lay its eggs, and bring up its young ones, without any difficulty. The

ring-dove may walk about at nesting-time with twigs in its mouth, may

lay eggs, but let the aviary be never so large, it will not hatch its

eggs.

This contradiction in character is very extraordinary, and yet, if

considered, there is no irregularity in it. The sparrow builds simply

because it will build anywhere, and is accustomed to the neighbourhood

of men. But it never becomes in the least friendly: never even lays

aside a suspicion which would be unbecoming in a Central African finch.

The ring-dove, on the other hand, recognises at once a benevolent

intention, becomes quite tame, and yet, during the nesting-season,

cannot accommodate itself to conditions so outrageous to its nature. For

it loves to build its platform in the most secluded spots, not always

far from human habitation, but as far as possible out of sight.

Again, in protecting its young, this timid bird becomes very bold. I

remember taking a young cushat from a tree and trying to rear it by

hand, but it was almost full-grown, well-feathered, and too old for the

purpose. After two days' very unsuccessful experiments, I took it out on

the lawn in a basket, on the chance of its parents being about, and the

result was certainly as surprising as it was unlooked-for. The young

bird, when we had all retired, began to show signs of excitement,

stretching its neck up, and looking all round it vaguely; then it

perched on the rim of the basket, and thoroughly searched the tree-tops,

and all of a sudden it either saw or heard something that we did not,

for it brightened up, stretched its neck to the utmost, looking

excitedly in a particular direction, and then flew its first flight,

heavily, but straight, to the top of an arbour. Scarcely had its feet

touched the roof when, as if by magic, one of the old birds appeared at

its side and began at once to feed it. None of us stirred, and, as soon

as the meal was finished, the old bird hopped up to an overhanging

branch, the young one following, and so up into the tree, and from that

one to the next, and the next, till, in a few minutes, it had travelled

along the tree-tops a hundred yards away. Now, the old birds must have

been waiting about the house all the two days, for it is hardly likely

that the taking out of the young one on to the lawn could have

accidentally coincided with the coming of the old one to the same spot.

[Illustration: "_The plovers scatter o'er the heath_"]

However, it is a curious, and really baffling, commentary on the whole

incident that thereafter two old wood-pigeons and a young one, before

the household was up in the morning, and off and on during the day, used

to come down upon the lawn and examine the spot where the captive's

basket had stood, and which, after the young bird's flight, we had

shaken out on the spot, scattering all the peas and food that was in it

upon the grass. Every day a handful of crumbs or maize used to be thrown

there, and every day the family came for it. By what process of

"instinct" could wild birds be led to behave so unreasonably? Did they

separate in their "minds" the incidents of capture and of release, and

being unable to put one and one together, consider the latter as an

isolated act of benevolence apart from, and quite unconnected with, the

former, and so behave with gratitude in consequence? Did they look on us

only as the good Jack Stout who pulled Pussy out, forgetting that we

were also the naughty Tommy Green who put Pussy in? But the workings of

"instinct" are not to be followed out by "reason," or what shall we say

of all the other birds who, until we find their nests, are full of

artifice to mislead us, and apparently most anxious that their secret

should not be known, but who, once their nest is found, appear to lose

all concern about the matter, and move to and fro as if it were the most

natural thing in the world to treat us with confidence and be thoroughly

aboveboard with us?

Take the delightful dotterel, for instance. It will go through all the

deceptive performances of a lapwing, and weary out your patience with

anxious devices for leading you astray; and yet, when you at last

discover its beautiful eggs, olive, with rich dark markings, or its

downy little ones, almost the same colour as the eggs, cuddled together

in a small hollow, the old birds seem almost to congratulate you upon

your sagacity, and come close, as much as to say, "Yes, these are our

eggs; we were trying to show them to you all the time; and this is the

way we sit down on them. Like to see us catch a fly? There! That's the

way we do it. See us run." Then they droop one wing and begin to flutter

along the ground, as if hurt--just to show you how it is done; and, in

fact, before you go (and over your going they unreservedly and

unmistakably rejoice), will sometimes go through such a series of

performances as justifies their proverbial reputation for semi-idiotcy:

"The dotterell which we think a very dainty dish,

Whose taking makes such sport as man no more could wish,

For as you creep or cower, or lie or stoop, or go,

So marking you with care, the apish bird doth so,

And acting everything doth never mark the net

Till he be in the snare which men for him have set."

This was written three centuries ago; but foolish or not, the dotterel

is a very engaging little bird, and to those who live near its summer

haunts one of the prettiest details of bird-life

[Illustration: "THE DELIGHTFUL DOTTEREL"]

in June. Long after dusk, its plaintive note can be heard, now here, now

there, among the tussocked grass, as the birds reply to one another from

their sleeping-places. And the mist comes creeping up on to the moorland

from the reedy mere beyond, and in the distance may be heard the voices

of the water-birds settling down for the night among the plumy sedges,

where the grey heron, perched upon the skeleton of some water-logged

boat, seems to act as timekeeper to the ducks and widgeon that live hard

by, and are under orders to be "within doors" by nightfall.

Listening to the twilight voices of birds, the most notable by far, that

which holds the attention longest, though it may not be the first to

catch the ear, is the fern-owl, whirring to his mate as she hawks

backwards and forwards over the undergrowth, and turning in the air as

she flies with queer sweep of the wings. Where there is one pair there

are generally more, and the sound seems continuous, one bird taking it

up from the other, or more than one "churring" at the same time. No bird

of its size performs more curious antics on the wing than the "nightjar"

or "goatsucker," and it is almost incredible that the creature, flapping

and tumbling in such ungainly fashion through the air, when startled

from its sleeping-place in the day-time, is the same that one sees

sailing and sliding so gracefully after nightfall.

I know a beautiful orchard where these birds haunt,

[Illustration: "_Seems to act as timekeeper to the ducks_"]

and have often seen them lie crouched along the boughs, cowering so

close that one day, going to sling a hammock, I nearly put my hand upon

the bird. It slipped off the bough and, with a flight like a woodcock's,

sawing from right to left, it swooped under some gooseberry-bushes and

vanished from sight. In the day-time, this power of sudden

disappearance is the poor fern-owl's chief protection from its

persecutors, for, starting as if for long flight, it drops upon the

ground with a single instantaneous movement, and where it drops there it

lies quite motionless--and everybody overruns the spot. Its wonderfully

beautiful colouring fortunately assimilates both with the bark of trees

and the bare ground, and the cleverest of dogs will overshoot it without

discovery. If flushed a second time, it as often as not flies back to

the spot, or near it, where it was first startled. At night, when it is

feeding, coursing up and down above the heather and the brackens, it has

a beautiful flight, and should an owl suddenly drop over the birches and

begin to beat their ground, the evolutions of the nightjars in silent

protest are as exquisite as any sea-bird's.

To July belongs the skylark, a bird really of all the year, but most

intimately somehow the genius of the meadow. The hay has been cut, the

first brood of young are flown, and the larks are again building,

renewing the Spring with the aftermath of grass. The glorious growth of

the meadow, spangled with ox-eye daisy and corn-flower, has been laid

low, and the scented harvest has been carted, and the larks are busier

than ever in the smooth-shorn field, while the sky seems never so full

of their song as when the hay-makers are afield. The scythe and the

terrible machine, and the tramp of feet behind them, are fatal to many a

brood, but the majority escape, being on the wing, or, at any rate,

running with their parents safely out of danger, by the time that the

mowers come.

"And the glossy finches chatter

Up and down, up and down,

And the chaffinch idly sitteth

With her mate upon the sheaves,

And the wistful robin flitteth

Over beds of yellow leaves."

"_The Moorcock springs on whirring wings_

_Among the blooming heather._"

BURNS.

August is, by sad right, the month of the grouse--a month of

catastrophe, for it is then in the best of its health, enjoying the best

of the moor and harvest, when the fateful Twelfth comes round; and after

the day is over, horrid with perpetual guns,

"at the close of eve

She gathers in, mournful, her brood dispersed

By murderous sport, and o'er the remnant spreads

Fondly her wings."

It is now, too, that the ptarmigan collect into large parties, and,

forsaking the highlands, wander lower in search of more varied food:

unwise in their generation, for in the higher altitudes they were

comparatively safe from many of the perils that beset the grouse. True,

when they were up among the clouds they were in the demesnes of the

eagle, who thinned their company as they fed upon the shoots of heather

and ling growing in tufts among the rocks or in broad patches down some

sunny slope--

"Where the grouse lead their coveys

Thro' the heather to feed."

How silently and swiftly the birds of prey come wheeling round the curve

of the cliff, and, skimming the ground, pick up and carry off one of a

covey before even its companions can collect their wits to raise an

alarm. So in India I have seen the laggar falcon take up a quail and

pass on like some shadow, without disturbing the rest, as silent,

literally, as the wind, and with an incredible speed. Yet to watch an

eagle beating round the base of a hill there seems too much

leisureliness for speed. But time its flight, and you will find that

though the beats of its wings seem at long intervals it is really going

by with great velocity. Its home, and its favourite watchtower, for

birds of prey have always some one spot to which, when they wish to be

idle, they find their way, is some lofty crag. There seated aloft, they

overlook the lowlands where they find their food, without danger of

molestation while in repose. For it is always up on the peaks, sometimes

looking seaward over the nations of the sea-fowl, but generally inland,

where, when the clouds leave it an unbroken prospect, it can sit, like

some fierce old warden of the marches, to control the tribes of the

valley. It feeds by choice upon lambs, on fawns and hares; so that,

though the ptarmigan and grouse pay tribute, they are not harried by the

eagle.

When they wander lower down the slopes the game-birds come within the

earldom of the falcon, the peregrine, a terrible bird, as fierce as it

is swift, and for ever ranging the moors in quest of food. I have known

it, in India, chase its quarry right among the tents of the camp, kill

it within a few feet of the tethered horses and their attendants, and

carry off its prey before there was sense enough among the onlookers to

snatch up a gun. When trained they are still as highly prized as of old

in England, and at Dholpur I have seen it flown, from the hand, at both

egret and duck, and marvelled, the last time as much as the first, at

the terrific velocity of its swoop. It seems, too, as if the bird struck

its prey with its beak, whereas it always strikes with its talons,

striking and clutching almost simultaneously. The fearful impact breaks

the quarry's back, and enables the falcon, if it chooses, to continue

its flight with the dead bird in its grasp, without coming to the ground

at all.

In England, owing to increased cultivation and the enclosure

[Illustration: "IN THE EARLDOM OF THE FALCON"]

of land, falconry is virtually an extinct form of sport, and the few

rich men who still keep the flame alive have mitigated the horrors which

aroused the indignation of Gifford. "Humanity," says he, "has seldom

obtained a greater triumph than in the abolition of this execrable

pursuit." ... "The blood runs cold while we peruse the calm instructions

of the brutal falconer, to impale, tie down, fasten by the beak, break

the legs and wings of living pigeons, herns and herons, for the hourly

exercise of the hawk, who was thus enabled to pull them to pieces

without resistance."

At one time, being protected, all "British" hawks were common in

England, and showed no more fear of man than they do at the present day

in India. Indeed, they seemed to display rather a preference for his

neighbourhood, following him when in the field, breeding familiarly in

buildings, and making dove-cots and poultry-yards their feeding-ground.

But now, having learned by a couple of centuries of persecution that

they have become unpopular, the hawks avoid humanity and all its ways.

Even the common species keep out of sight as much as possible, and some

have left the country altogether, or retired to the wildest portions of

the islands. The peregrine, for instance, is found at times only here

and there in Scotland--and occasionally on cliffs on the Cornish, Welsh,

or Cumbrian coasts--and its eyrie is there, as a rule, in the midst of

the most desolate scenery. Like the eagle, it has its favourite "post

of observation," and when full-fed and at its ease loves to bask there,

and from its elevated seat survey the proceedings of the dwellers at

meaner altitudes, upon whom it makes regular forays, and who, strange to

say, seem to submit to this assertion of manorial rights with the

minimum of protest and disturbance--very much like the unfortunate

villeins and vassals in "the good old feudal days" of baronial England.

_Ah, nut-brown Partridges! Ah, brilliant Pheasants!_

BYRON.

September is, of course, by long prescription, the partridge's month,

and October the pheasant's, than which there are no two birds probably

in all England that invest a country scene with a more immediate

interest and charm. In a certain field through which I used often to

pass in the evening, there used to be near a gate a large square patch

of ground upon which the farmer had once stacked manure, and the hay

never grew on it, only a wonderful crop of chickweed and plantain, with

fumitory and other weeds. And every evening, if I walked carefully, I

could surprise the partridges with their young brood busy after food on

this open plot. As the fancy took them, they would be alarmed by my

[Illustration: WHERE THE EAGLE IS AT HOME]

approach, vanishing through the surrounding wall of tall meadow-grass in

a twinkling, or they would cluck and crane their necks to look at me,

and then go on feeding--all except the cock-bird, who invariably fled,

and from his hiding-place would keep on making nervous remarks to his

wife, who kept as regularly reassuring him with little comfortable

clucks that all was right. A little scattered chicken-food brought them

very soon through the gate into the garden, and from the garden on to

the terrace, where they came at last to feed as regularly and happily as

ordinary pigeons. But when September came, and the guns were busy in the

farmers' fields that lay outside their garden-asylum, the covey

gradually dwindled away till, out of the nine, only four survived the

season. The pheasants, too, were free of the grounds, and they were

always in evidence. The carnations had all to be fenced in wherever

growing, for the pheasants would not leave them alone, and they were

very fond, too, of parading along the wall, and pecking off all the

jessamine buds and tips they could reach; but with jessamine we could

afford to be liberal, and the birds were allowed to eat all they could.

Not all that they would though. For one day, while sitting in a

greenhouse, I saw an old cock, the most absurdly vain old bird

imaginable, fall off the wall. He tried to reach a tuft of jessamine

that was exactly impossible, and after many half tumbles and recoveries

of balance with much wing-flapping, he at last made one more desperate

effort, just a little more desperate than before, and just too much for

his balance, for down he came with a kind of somersault into the garden.

And to see him on the ground, how he shook himself and looked round; how

affronted he was, and how pompous! If he walked stiffly before, he was

now positively on wires. If haughty in demeanour at all times, he was

now as superciliously superb as Tamburlane. He moved, like Shakespeare's

peacock, with "a stride and a stand," the very personification of

magnificence embarrassed. And in obedience to his call the two hens, who

had been staring from the top of the wall, astonished at the sudden

falling-off in stateliness of their dandified emperor, flew down, and he

led them off, loftily explaining as he went his reasons for his new

method of getting down from a wall, and the advantages that the

intelligent derived from such originalities of procedure.

[Illustration:

"_Firm on her perch_

_Her ancient and accustom'd seat, she sits_

_With wing-couched head._"

GRAHAME.

]

"_When first the vales the Bittern fills_

_Or the first Woodcock roams the moonlit hills._"

WORDSWORTH.

"_Beside the Redbreast's note, one other strain,_

_One summer strain, in wintry days is heard--_

_Amid the leafless thorns the merry Wren_

_Pipes her perennial lay._"

BLOOMFIELD.

"_Of various plume and chirp the shiv'ring birds_

_Alight on hedge or bush, where late concealed_

_Their nests now hang apparent to the view._"

GRAHAME.

To November we ought to give the woodcock, the aristocrat among our

winter visitors. To see one in a winter's walk makes the walk memorable;

we speak for ever so long afterwards of "the day we saw that woodcock."

An old book says: "Of woodcocks especially, it is remarkable that upon a

change of the wind to the east, about Allhallows-tide, they will seem to

have come all in a night; for though the former day none are to be

found, yet the next morning they will be in every bush." This was three

hundred years ago, and woodcocks are not now to be found "in every

bush," even though the wind (as it too often is) be east "about

Allhallows-tide," although that "they seem to have come all in a night"

is strictly true, as woodcocks migrate by night, and guns out one day

in October that have not flushed a single cock, will the next day make a

bag. At one time the bird was so common that weather forecasts were made

from its habits, as in Grahame's "sure harbinger when they so early

come, of early winter, tedious and severe," and Phillips' "the woodcocks

early visit and abode, of long continuance in our temp'rate clime,

foretell a lib'ral harvest." Earlier still, it was another name for a

fool, and in Elizabethan authors this synonym for a stupid person occurs

with other bird-nicknames with tedious frequency--gull, rook,

cormorant--and they are to be collected by the score without difficulty

from, say, Nash and Ben Jonson, showing how colloquial in Shakespeare's

day was the general familiarity with birds and their supposed

characteristics. When smoking was introduced into England, one of the

first names for the pipe was "the woodcock's head," the stem being the

beak. But why the bird should have become a synonym for a witless person

is nowadays difficult to understand, for--except that it comes and goes

as a rule on the same tracks to and from its feeding-grounds, and thus

tells the trap-setter where to place his snares with deadliest

effect--it is a singularly wary bird, and never taken off its guard.

And so we come to December, "the king of the months," and its wren, "the

king of the birds." Why king? Because it was once decided in a

parliament of the birds, that the one

[Illustration: THE OLD COCK PHEASANT]

that flew highest should be king. The wren hid itself on the eagle's

back, and when the eagle had flown its highest, the wren flew up a

little higher still. And "regulus" it remained, even in science, till

quite lately, when some ridiculous fustilarian rechristened it

"troglodytes." Imagine the wren being "troglodytes," the same,

scientifically, as the gorilla! What a poverty it betrays in

nomenclature, what a pitiful "superiority to imagination" to find that

the wren and the gorilla are undistinguishable to the eye of a

Professor. "Diabolus" would have been even better, for science has got

no devil now, so the English wren could never have been mistaken for the

great man-ape, and besides, in our folk-lore the wren is a very

necromantic and wicked little person. The Evil One, it is said, once

took possession of its body to serve his evil ends, and infamous

enchanters have done the same. So it came to pass that people said it

was a good deed and pious to kill wrens, and it is hunted to this day in

many places:

"The wren, the wren, the king of the birds,

St. Stephen's day was caught i' the furze,

Sing holly, sing ivy, sing ivy, sing holly,

Sing heigh! sing ho! to scare melancholy."

This is the wren, troglodytes, in its "demoniacal aspect," to use the

language of Gubernatis. In its benign aspect, "the tiny woodland dwarf,"

"the wren with little quill," is a bird of some sanctity:

"Malisons, malisons mair than ten

Wha harries the queen of heaven's hen."

for, as everybody knows:

"The robin and the wren

Are God Almighty's cock and hen."

And it is in its connection with that other famous bird of December, the

robin-redbreast, that the wren, "Jenny Wren," is, perhaps, most popular.

Indeed, it is almost impossible to think of one without the

[Illustration: "_Like snow-birds that are happy without sun_"]

other, for they have been sweethearts ever since English was spoken:

"'Ah! Robin,

Joly Robin!

Tell me how thy leman doeth,

And thou shalt knowe of myn.'

'My lady is unkinde, perdé.'

'Alacke why is she so?'

'She loveth another better than me,

And yet she will say no.'"

What an enchanting entanglement it is, this of the robin and the wren,

and yet we know that it was approved, for when Cock Robin died, all the

birds in the air, in sympathy for the dead and for Jenny--

"Fell a sighin' and sobbin'."

CHAPTER III

THE ROOK--THE CUCKOO--LARK AND WOODLARK--THE SPARROW--PLAGUE OF BIRDS

CHAPTER III

"_The flocking Rooks, by instinct's native rule,_

_Each peaceful scene for their asylum choose._"

SHENSTONE.

Once upon a time rooks were called crows, and as the latter had a very

evil reputation, the former suffered for it. Nor is the confusion still

extinct, for unfortunately there are obstinate people in the world who

will not understand that it makes any difference whether they use a

right name or a wrong one. It will be very long before the water-vole

ceases to be called a water-rat; but until that time comes, an innocent

animal will continue to be persecuted for a guilty one. So with the

honest rooks. There are plenty of people who insist on calling them

crows, and having given the bird a bad name proceed to hang him up as a

"scare-crow" to warn his useful relatives off the field which they would

otherwise rid of wire-worms and grubs.

That rooks do some mischief is beyond doubt. When the ground is

frost-bound, and it cannot persecute the farmer's

[Illustration: CROWS AT SUNDOWN]

enemies that hide in the soil, the rook will feed on turnips. When the

potatoes are coming on, the rooks go down between the hills prodding in

the earth for the worms and larvæ that assemble to eat the young tubers,

and, it may be, eating many of them themselves. When hens' eggs are left

undefended the rook will carry them off. But how very trifling such

damage is as compared with the good that is done by this hard-working

bird. I have myself allowed an acre of potatoes to swarm day after day

with rooks, and when the crop was gathered it was a first-rate one.

After that one experience, and the absolute proof of the innocence of

those rooks when in my potato-field, I need hardly say that when any

farmer complains, or scientist asserts, that these birds do injury to

potatoes when growing, I know he is saying "the thing that is not." I

have also had eggs stolen by rooks from a nest that a vagabond fowl had

made for herself in the tall meadow-grass. But was the rook to blame?

Certainly not. What right has a hen to go and lay her eggs in a meadow,

carefully hiding them from her friends in the tall grass, but leaving

them conspicuously exposed to every bird that flies over them? As for

its depredation on turnips, what difference in the amount of sheep-food

do the rooks' pilferings make in a twenty-acre crop? Instead of

grumbling, the intelligent farmer should scatter a barrow-load or two of

mangolds conspicuously over the field for the frozen-out birds to eat at

their comfort and to keep them from pecking the crops.

Indeed, there is scarcely any other bird that has more claims upon the

agriculturist's goodwill. From sunrise to sunset rooks are always at

work, following the farmer's men wherever they are disturbing the

ground, and exterminating insects that are thus exposed. At other times

they are patrolling the meadows, going over every foot of ground with

extraordinary patience, and we may be sure that nothing that moves

escapes their keen inquisitorial eye. When the nests are filled with

young ones, the destruction of insect life must be prodigious, for

rooks are large birds, and the voracity of the nestlings is enormous.

But so long as people will call them crows, and as the immemorial infamy

of that name clings to it, so long will the unfortunate birds be

persecuted.

Yet in downright industry the farmer has few such friends, or the

insect-world such foes. Up in the morning, before the dew is off the

grass, before the lark is in the sky, the rooks are hard at work,

disposing of the "first worm" and of the winded things of sunshine,

which, clogged with moisture, are unable to rise from the ground. As

soon as the men are afield, the rooks go to them, following them up and

down with unwearying diligence, and tracking the plough, the harrow, and

the spade, with the fierce unsparing scrutiny of inquisitors. There is

no appeal from them. They hold their court upon the spot, and the

summary procedure of their penal code is the same for all malefactors

alike.

In another respect, this hard-living bird is deserving of regard, for it

prefers the vicinity of human dwellings, and likes to live as near man

as possible. Next to a heronry the existence of a rookery is always

considered to add a charm to an estate, and not without reason, for,

besides investing the place with a fine air of undisturbed ancestral

repose, there is something very pleasant and soothing in the clamour of

rooks in the peopled elms. To those who care to watch them, the burghers

of these "airy cities" are a very entertaining folk. All through the

winter, individuals, or small parties visit their nests, just as if they

came to inspect and report upon the condition of "their wicker eyries,"

and in February these visits become very frequent, the earlier birds

pilfering from other nests to add to and strengthen their own. By-and-by

the whole community begins to assemble, and the rookery is in most

amusing uproar all day, for, for some extraordinary reason, they will

not leave each other's nests alone, but for the sake of one paltry twig,

will lay themselves open to retaliations, which result in the entire

wrecking of their nests by outraged neighbours, who, though they are so

noisily indignant at the thefts of others, are themselves each in turn

soon after caught stealing and punished.

And yet somehow or another the nests, in spite of ruinous altercations,

manage to get finished, and as soon as eggs are laid, the republic is as

orderly as could be expected. But even then, no nest is left undefended.

In due course the young rooks are hatched, and the truly terrible task

of feeding five mouths is imposed upon the parents. But by constant

industry they fulfil their duties, and by the end of April, or early in

May, the nestlings scramble off their nests on to the boughs, and by

feeble flutterings from point to point, keeping close to their nest all

the time, practise and strengthen their wings. Their first flight to the

ground is a sight to watch, for the youngsters are very nervous, and

the old bird's patience is sometimes so sorely tried that, having coaxed

them to fly in vain, she pushes them off the branch at last. Once on the

ground they soon learn what to eat, and how to find it; but the instinct

to go to the parents for food is so absurdly persistent, that you may

often see a rook that looks as big as its mother, hurriedly gobbling up

its own worm, in order to go and ask its mother for hers. And the

gravity with which the old bird swallows the worm herself, and then

turns to the overgrown young one, with a "Don't you wish you may get it,

my dear?" is delightful. So tenacious are these birds of their old

haunts that they are still to be found building in the central postal

district of London, although the steady growth of the city makes the

distances they have to fly for food longer and longer every year, while

the perils they have to encounter on the way, telegraph and telephone

wires, are annually accumulating. But there they are, in spite of

growing London, and are the very first to bring the news to the city

that spring is coming in the country.

"_From the neighbouring vale_

_The Cuckoo, straggling up the hill-tops_

_Shouteth faint tidings of some gladder place._"

WORDSWORTH.

Long after the rook, the thrush, and blackbird have told us of the

change of season, "the vernal cuckoo" comes shouting "the same song to

sing." There is no parable in Nature so hard to interpret as this bird

which the ancients, themselves puzzled, placed on the sceptre of Juno

and the shoulder of Venus. The poet who hesitated to call it a bird--

"Shall I call thee bird,

Or but a wandering voice?

No bird, but an invisible thing,

A voice, a mystery,"--

was not in doubt without reason. For it is, indeed, a mystery. Without a

single "domestic" instinct, dividing its affections among all the mates

it meets, making no nest, caring for no young, leaving the country as it

came, without kith and kin, it is a bird to wonder at and to puzzle

over. How comes it that it lays so small an egg, and so coloured that it

can leave it in little birds' nests without exciting their suspicion?

and what law in Nature makes the small foster-parents so idolise

[Illustration: "_In some brake of fern and bramble_"]

the little assassin who murders their young that they abandon their own

nestlings to their fate without, apparently, any compunction, and

concentrate their affection and their pride upon the solitary monster

that is left, the destroyer of the rest? And even when the thing has

grown so big that its open mouth is almost large enough to engulf its

foster-parents, they go on feeding it and following it about as if

fascinated by the wretch. Those who wish us to find "sermons in stones,

and good in everything," must surely hesitate when they come to look

for a moral in the joyous life of the "plain-song cuckoo gray." That it

eats hairy caterpillars which no other bird dares to swallow for fear of

choking, is certainly a point in its favour, and its ever-welcome

"spring-delighting" voice is another. But neither its song, "its two old

notes," nor its consumption of "woolly bears," gives human reason a

sufficient explanation of its unique iniquity, or justifies its gay

enjoyment of a life of perpetual summer without any responsibilities.

The Psalmist, seeing "the wicked flourish," broke out into bitter song;

so might the poor hedge-sparrow and the pipit.

With the cuckoo come many birds from abroad, and all of them welcome,

for they fill our gardens and woodlands with varied song, and wage

unremitting war upon our insect pests.

There are not, probably, many people who notice either their coming or

their going, for spring and winter are supposed to be sufficient

explanation in themselves for the commencement and cessation of song.

Even those who have gardens do not always notice the little

singing-birds from abroad, for their plumage is very modest in colour,

their habits are shy and retiring, and their songs always sung from the

cover of some brake of fern or bramble, some sequestered corner where

only the vagabond butterfly catches sight of them as it goes flickering

to and fro in its quest of flowers.

Both garden-warbler and blackcap are more often heard than seen, and

their song, by those who have never heard the nightingale, is regularly

mistaken for that bird's. Indeed, when two blackcaps are singing against

each other, the alternating songs seem continuous, and the strength of

the voice and the extreme beauty of their notes arrest the ear at once,

while, being so unlike the song of either blackbird or thrush, which are

heard as a rule only from tops of trees, the music is at once called the

nightingale's. Or how many of us notice the woodlark (a bird that stays

with us all the winter through), even though its song is finer than the

skylark's?

"A woodlark, o'er the kind contending throng

Superior heard, ran thro' the sweetest length of song."

On the wing, no doubt, it is mistaken for "the lark," but when singing,

especially at night, in the shrubbery or copse, as often for the

nightingale; yet it is common enough, and if those who care to do so

will, when they hear its exquisite song, stop and look round for the

singer, they will see, sitting on a branch, a bird just like the

skylark, but will notice, if they listen, that its voice is richer and

its notes more varied than the laverock's, and that the bird shifts from

one perch to another while it is singing, sometimes even mounting to the

top of a tree, and thence, still in song, flying up into the air to

circle. If you startle a skylark it will never, you will notice, fly to

woodland for shelter, but only to another part of the meadow or into the

next, and settle there on the ground, so that whenever a bird that you

think is a "lark" flies on being startled into a tree, you may be sure

it is the "soft enamoured woodlark"--next to the nightingale the

sweetest minstrel of the copse.

"The woodlark breathes in softer strain the vow,

And love's sweet burthen floats from bough to bough."

A skylark, as every one knows, sings, as a rule, when in the air, but

it, too, will sing upon the ground; and in its cage, forgetful

apparently of its captivity, pours out its song with the same enchanting

gaiety as when it is free of all the sky.

"What objects are the fountains

Of thy happy strain?

What fields, or waves, or mountains?

What shapes of sky or plain?

What love of thine own kind? what ignorance of pain?"

As seen in Nature, there can be nothing imagined more exultant, more

heartily joyous, than the glad, eager way in which the skylark seems to

spring up from the meadow and commence its artless canticles of praise

as thanks for its happiness and freedom. Yet, perched upon a scrap of

turf, in a cage so low-roofed that it cannot attempt to rise, it sings

the same "strains of unpremeditated art" that so charmed the great poet,

and live for ever in his deathless verse. Even in winter, on a sunny

day, the lark will soar up into the air "like an embodied joy whose

race is just begun," and "shower a rain of melody." For some stay with

us all the year round, though most of their companions go, and in such

vast flocks that fifteen thousand have been caught in a single night out

of a flight passing a single spot. And, poor little birds, wherever they

rest on their journey they find nets spread for them, for every nation

alike is agreed that larks are good to eat; and so they go, to and fro,

literally "larding the earth" with their bodies. Yet in spite of these

periodical massacres, and in spite of perennial persecution for the cage

and the table, their numbers never seem to lessen, and our skies and

meadows are as full of them one year as another. And it is well that it

is so, for what should we miss more in a country walk than "the lark's

blithe carol from the clouds"?

"Sound of vernal showers

On the twinkling grass,

Rain-awakened flowers,

All that ever was

Joyous and clear and fresh, thy music doth surpass."

Yet, introduced into New Zealand, they have become a pest, ravaging the

cornfields when the blade first appears above ground, and pulling up,

grain by grain, every plant in the field. The goldfinch, also imported

into the colony, now flies about in wisps of hundreds, inflicting

serious damage on the buds of crops and fruit-trees. It is a severe

lesson this in natural history that we have learned, trying to exchange

the wild creatures of different continents. Australia is in despair over

the rabbit, and the Colonies and America alike hold the sparrow in

abomination.

"_The Sparrow, meanest of the feathered race,_

_His fit companion finds in every place._"

COWPER.

When I was travelling in the United States in 1883, I drew the

sparrow-line from personal observation at Omaha on the east and Salt

Lake City on the west. From the one side it had not then crossed the

Mississippi. But it was steadily advancing, the aggressive little fowl,

from both seaboards, and while it had pushed forward from the Atlantic

into Illinois, so from the Pacific it had then travelled as far as

Nevada. The tyranny of the sparrow is part of the price men pay for

civilisation. Only savages are exempt. In America it has developed into

a multitudinous evil, to which our own grievance against the bird is

nothing; has dispossessed the children of the soil, and thrust its Saxon

assumption of superiority upon the feathered natives of the country.

Sparrows do not respect Congress, and take no notice of legislative

enactments for their extirpation. Imported as an insect-eating treasure,

they have turned out grain-devouring impostors, and presuming upon the

affectionate sentiments of exiled Englishmen have become a veritable

calamity, and practically are officially branded as "vermin." In New

York and other cities, the townsfolk began by putting up nesting-boxes

for the birds to build in, in the public gardens and on corners of

buildings. But now, if they could, they would introduce a pestilence

among them and exterminate the race. It is the same in Australia, and

the man who "invented" the sparrow stands in the monument of public

infamy only one niche lower than "the man who invented the rabbit." And

"pity 'tis 'tis so." For the sparrow is not an unamiable fowl. The poet

who blesses it "twittering forth its morning song, a brief but sweet

domestic melody," went perhaps too far, for if there is one thing for

which "the nightingale of our roofs" deserves persecution, it is the

exasperating monotony of its soulless chirp, and thus it is that one

feels inclined to echo all Prior's abuse of it:

"Begone! with flagging wings sit down

On some old penthouse near the town;

In brewers' stables peck thy grain,

Then wash it down with puddled rain;

And hear thy dirty offspring squall

From bottles on a suburb wall."

But in spite of its monstrous impudence, or partly, perhaps, because of

it, the sparrow is really a popular favourite. Of course, no one takes

it very seriously. When the cat is seen on the lawn with a bird in its

mouth, there is at first a thrill of indignation and horror, but when

some one says, "It's only a sparrow," the indignation is greatly

modified and the horror subsides. For though the cat may not catch a

chaffinch without reprobation, she may fatten on sparrows without

reproach.

[Illustration: HOUSE SPARROW]

Trying once to breed poultry, I found that ten sparrows to every fowl

meant double expense in feeding, and as the sparrows were not starving,

but only too lazy to go and find food in the fields, I had no

compunction in "harrying" them, though I would not allow any one on the

place to touch the nest of any other bird whatsoever. Not that sparrows

care for persecution when it takes the form of pulling down their nests,

for they seem to rejoice at the opportunity of beginning housekeeping

all over again, and, as I have proved by experiment, will have started a

new family in a new nest three days after the old nursery has been

destroyed. What they detest is wire-netting of too fine a mesh for them

to get through and the spectacle of grain scattered inside which they

cannot reach. It is then that poor feeble man triumphs over the

obstreperous sparrow and can exult over the birds as they hop, chirping

round and round the impossible feast.

In London there is always enough food for the small creatures, and even

in the hardest winter, when blackbirds and thrushes and all kinds of

other birds, unsuspected residents many of them, are picked up dead in

the parks and gardens, the sparrow is not pinched. So that in the

popularity of the sparrow there is no tenderness involved. Londoners

like him because he is one of themselves, because he is plucky and

self-reliant, taking things much as they come; because he stands upon

his rights, or what he has come to call his rights; is robust, and never

"down at the mouth." He is a dirty little ragamuffin, but not in the

least ashamed of himself, for he takes his small smoky dusty person into

the presence of Royalty with as much assurance as into a mews, and

chirps as complacently all through service in Westminster Abbey as in a

rain-spout in Shoreditch. The metropolitan cat seldom arrives at a

sparrow, just as the small gamins of the streets never get run over by

cabs. Their whole lives are spent in evasion, and they develop an

extraordinary agility in escaping from accidents. I find it very hard to

defend the familiar little fowl and almost as hard to accuse him. That

he behaves with levity in places of public worship, that he is

disrespectful to bye-laws and perpetually trespassing, is true enough;

but how can you bring such misdemeanours home to a bird who hops up a

water-pipe in reply to your charges? In private life, too, he is

disreputable. As a frivolous parent given to rolling the eggs out of the

nest, and even also his infant progeny; as an unworthy spouse,

transferring his affections lightly, and often assaulting the partner of

his joys and sorrows (and in return as often assaulted by her); as a bad

neighbour, scuffling with his kind whenever he meets them--in each of

these respects he presents himself to the severely moral mind as

undeserving of respect. Yet with something of the eccentricity of

judgment which commends to public regard the truly infamous Punch, who

hangs the hangman, kills his wife, and throws the baby out of the

window, we persist in looking upon the sparrow, with all his notorious

faults, as a popular favourite and resent any serious exposure of his

obliquities.

"Touch not the little sparrow, who doth build

His home so near us. He doth follow us

From spot to spot amidst the turbulent town

And ne'er desert us. To all other birds

The woods suffice, the rivers, the sweet fields,

But he doth herd with man."

In one aspect he is altogether admirable--as the comrade of Britain's

soldiers and sailors in times of war. Wherever our ships go the sparrow

goes, and as the troops march he accompanies the army as a

camp-follower, but finding his own rations. He is established in

Afghanistan, where he went with Roberts and Stewart, and in Zululand

where Evelyn Wood and Buller showed him the way. Like the Roman eagles,

he is the ensign of victorious advance, and should I ever chance to go

there, I expect to find him at home, by right of arms and the men, at

Buluwayo. As they crossed the Cabul river and the Buffalo and the Nile

with our forces, claiming at once from the natives privileges of

conquest which our generals hesitated to assert, so no doubt they have

crossed the Shangani, and among the rock-kranzes and kraals of the

Matabele now rear the young which, under other conditions, might have

lived in Covent Garden and died within sound of Bow-bells.

CHAPTER IV

BIRD-VOICES--THE CORN-CRAKE--THE BLACK-TAP--THE

TURTLE-DOVE--CARPENTER-BIRDS--THE NUTHATCH--THE WRYNECK--THE GREAT

TIT--THE LETTER-BOX TIT OF ROWFANT

CHAPTER IV

"_Clam'ring Craiks at close of day_

_'Mang fields o' flowering clover gay._"

BURNS.

Which bird-voice in Nature is the most expressive? Is it the ringdove's

happy crooning in the green depths of the woodland? or the nightingale's

solitary lamenting under the cold moon? Some might say the fierce,

ringing cry of the Highlanders' eagle among the clouds; others the

soothing, homely clamour of the social rooks in the old Hampshire elms.

Or is it some other? For myself, I think I would pass them all by,

significant utterances though they are, like the cuckoo's tell-tale

note, the sparrow's familiar chirp, the glad carol of the skylark, the

placid vespers of the blackbird, and the joyous matins of the thrush;

pass all these by, and many others, and choose--the cry of the

corn-crake. Have you ever noticed that while you listen to the cuckoo

calling, other birds seem to be silent? The cuckoo, for the time, is the

only voice in the sky. So it is with the corn-crake. When you hear it,

it is all alone. A short while ago the whitethroat was pouring out its

little heart in an evening-song, and from the copse came the chuckle of

the roosting pheasant. A night-jar had been purring over the golden

furze that grows up from among the purple heather, and on the other side

of the spinney an owl, on soft white lazy wing, had gone by crying to

its mate. Queer little noises, "flung out of their holes" by rabbits,

and others just as queer, but more inexplicable, from hedgerow and

ditch, had told you that animal-life was on foot and a-wing, and as you

sate on the stile, in the break of the high hedge, and saw the steam

rising out of the clover, and the white moths, "ermine" and "ghost,"

flash or flutter among the sweet bloom, it seemed as if everything was

abroad, the day-things not yet asleep, the night-things already astir.

And all of a sudden the solitary corn-crake cries from the wheat. At

once the whole air seems to hush: the very evening to listen.

_Crake-crake_ comes the cry, and there gathers over the scene an

indescribable atmosphere of completest tranquillity. _Crake-crake._ Far

away, somewhere in the dip beyond the rise, sounds a sheep-bell, and the

chiding voice of the shepherd's dog. But there is not a sound besides.

_Crake-crake._ And the mist creeps up the corn-stalks, and covers the

campions, and the air grows damp with dew. It is going to be another hot

day to-morrow, just as it has been to-day. _Crake-crake_, cries the

creeping rail, and

[Illustration: THE CORN-CRAKE AND ITS COMPANIONS]

never a voice replies. And so homewards, up through the meadow,

hummocked with hay-cocks, and rough to the feet with short

grass-stubble, from which the sleepy skylarks spring at every step: up

to the elms that shade the garden, and on to the lawn. The bats wheel

overhead, their soft wings crumpling as they turn their somersaults, but

never a voice in the air, save sharp needle-points of sound, as

flittermouse calls to flittermouse. Only from among the wheat, now here,

now there, comes up the cry of the rail, _Crake-crake_.

It is a charming bird, sufficiently rare to make the seeing of it an

event to remember all the summer; the finding of its nest a triumph. And

then to see the young ones!--little black imps that run like spiders.

Once only in my life could I have shot one. I was out with my gun,

"strolling round" for the unconsidering evening rabbit, when all of a

sudden from under my feet, in the furrow that separated the turnips from

a patch of lucerne, up got a bird, and its slow, clumsy flight told me

that it was a corn-crake, and for the sake of its little black imps I

lowered my gun and let the poor mother go.

But the corn-crake has done crying, or has wandered away into another

field beyond hearing, and here in the garden the voices of Nature soon

reassert themselves, and, resonant above the rest, the blackcap is

singing

"musical and loud,

Buried among the twinkling leaves."

Whence comes this little musician? It may be from Persia or Abyssinia,

or perhaps it has only stepped across, so to speak, from Norway. But

here it is with its nest among the ivy and periwinkles on the bank, and

its beautiful eggs, delicious little mottled ovals of jasper, complete

in number in their cobweb cup. It is odd how few people, even those who

are "fond of birds," and have large gardens and grounds, know this

little visitor by sight, or even by song. And yet it needs only a few

minutes' patience when once the blackcap is seen to watch it to its

nest, and that once done it can be examined, as I have examined it, with

a magnifying-glass at the end of a walking-stick, while it sits upon its

eggs. Few birds are really more trustful in the places they may choose

for their nests, or more courageous in remaining upon them when

approached, than this pretty bird with the lovely voice.

"_Deep mourns the Turtle in sequestered bower._"

BEATTIE.

"_The Ringdove in the embowering ivy, yet_

_Keeps up her love lament._"

SHELLEY.

Another bird seldom seen, or when seen recognised, is the turtle-dove.

Its purring in the thicket is mistaken for the wood-pigeon's by ears

that are not on their guard for differences of note, and yet, if once

recognised apart, the two can no more be confused than the rook's and

jackdaw's. Of all birds I think it one of the stealthiest. Though

building its nest where discovery seems almost certain for so large a

fowl, it does its work with such secrecy that I doubt if any one in

England ever saw a turtle-dove with a twig in its beak, or tracked it to

its nest by its flight. I have found dozens of turtle-doves' nests, but

never one betrayed by the old birds. Yet the grasshopper warbler,

supposed by most people to be one of the most subtle of nest-builders,

and by its tiny size, its mouse-like habits, and its concealing colour,

so carefully equipped by Nature for security, can be watched home to its

nest, as I know from my own schoolboy days, with unerring certainty. It

betrays itself in every action. You have only to "locate" the small

ventriloquist's cricket-voice and then lie down among the herbage and

wait. From impatience the little birds are sure to show themselves, and

if they are building they hop up and down, twist in and out of the

lowest plants, with material for their nest in their beaks, and you have

only to lie still and watch.

But "watching" all day long will do no good with turtle-doves. Whether

building or not, they never tell you, and when they catch sight of you

they fly off at once, as if they did not care where they flew to, or

whether they ever came back there again. Let them go, but come back

yourself later on to the same spot, approaching it, however, from the

opposite direction. And if you flush them again, you may be sure that

their nest will be, or is, thereabouts: midway, probably, between the

two points of your approach. In a few days go back to find the nest, and

if you walk backwards and forwards in the undergrowth, keeping your eyes

upwards, so as to look through the bushes from underneath, you will find

it, if it is there. For the hen-bird sits very close, and goes off her

nest with a flap of the wings that is unmistakeable. Apart from this, if

the bird is not at home, you may often find the nest by seeing the white

eggs in it from underneath, the yolks of them showing against the sky a

delicious pinky yellow. For the nest is a mere ghost of a nest--a

skeleton--and can easily be imitated by taking a handful of thin birch

and hazel twigs and sprinkling them at all angles in a heap. Such a nest

a pair of birds may easily build in half an hour, and this, perhaps, is

one reason why they are never seen at work. Why they should be content

with such a skeleton of a nest or how so frail a network bears two bulky

nestlings and their mother, is a mystery. But as Prior sings:

"Each according to her kind

Proper material for her nest can find,

And build a frame which deepest thought in man

Would or amend or imitate in vain."

When they are on the wing, turtle-doves seem to like to keep below the

level of the tree tops, and seldom, therefore,

[Illustration: THE NUTHATCH AT HOME]

come into sight conspicuously. But I have sate in an orchard and watched

them, several together, flying about among the apple-trees, and feeding

on the ground, when they were unconscious of my presence. Their flight

is singularly beautiful and interesting, for the obstructions they meet

with compel them to make the most graceful and sudden evolutions to

avoid collision.

And I remember very well, how, as I sate there, looking up from my work

every now and again at the wing-clapping and testily-cooing strangers,

sporting and squabbling by turns, I heard, what I had never heard in

that garden before--the tapping of a nuthatch.

"_Nuthatch piercing with strong bill._"

SOUTHEY.

"_Rap-rap, rap-rap, I hear thy knocking bill._"

MONTGOMERY.

Tracing up the small smith, I found it busy on the trunk of an old

Scotch fir, where it found, if not ants, a colony of some other small

insects, for it was picking them off right and left as they fled along

the bark. This bird has discovered that if it raps upon a bough, the

insects in the crevices are startled from their hiding-places by the

jarring, and rush out, like human beings after an earthquake shock,

into the open air, where the nuthatch soon disposes of them; and, unless

I am mistaken, it is the only British bird that arrives at its food by a

deliberate guile. All others, I think, catch their food by chancing to

find it abroad, but the nuthatch accomplishes the effect by a reasonable

cause, and frightens out of their chinks the creatures that it wishes to

capture. Sometimes the insects only scuttle from one refuge into

another, but the nuthatch rips the bark off in flakes and pursues the

poor wretches from covert to covert.

It takes its name from another peculiarity, its fondness for nuts,

beech-mast and acorns, which it fixes tight into some little crevice in

the bark and hammers open. Looking at the shells of hazel-nuts that it

has cracked, I believe that it first pecks a hole, and then getting its

beak into it crosswise to the natural cleavage of the shell, splits the

nut with a sharp rap on the bark. Its beak enters like a wedge and,

while the two half-shells drop to the ground, one on either side,

pierces and holds the kernel. It must take it out of its vice to split

it, for while tightly gripped the bird could only pierce a hole in the

nut and not cleave it, and this is evident if we put the two halves

together, for we then see that though a hole was made, the shell did not

split. The bird had to take it out of the cleft on its beak and knock it

on the tree.

When nesting, it is not content with a hole that just suits it in size,

but must needs choose a large hole and then plaster it up with mud till

it becomes small enough. With the rest of the animal world the rule is

to select what fits them at first, and failing this to enlarge the house

to their needs. But the nuthatch has sense on its side, for it is easier

to reduce than to increase, and which of us, if the sizes of houses made

no difference in their rents, would not occupy by preference tenements

with what auctioneers call "commanding approaches," and "noble entrance

halls," even if we only used the back-door to come in and go out at? So

the nuthatch picks out a big hole and then reduces it to its own

dimensions, and the little nuthatches no doubt, when the tree-creepers

happen to come by, speak boastfully of "the woodpecker's house" that

they live in, but never say that they keep the great front-doors shut

and get in and out by the scullery-window.

Another little hole-nesting bird, an alien not often seen, is "the

cuckoo's mate," the wryneck, a bird of very pretty plumage, mottled and

barred, and yet curiously inconspicuous when clinging to a tree-trunk.

Should you chance upon its nest it will twist its neck about in an

extraordinary snake-like way and hiss, a procedure which in other

countries may sometimes, perhaps, protect the small creature from

capture, but in England, where tree-snakes are not common objects of the

country, can hardly do the wryneck any good. At other times, too, it

will pretend to be dead when you take it up, as the corn-crake will, but

as soon as it sees a chance of escape it is off.

[Illustration: NESTING-HOLE OF WRYNECK]

But when a bird is heard tapping in garden or orchard, it must not be

taken for granted that the workman is either a nuthatch or a wryneck,

for the "great tit," the "oxeye" of many country places, has the same

habit of fixing nuts or seeds in crevices and hammering at them with its

bill till they split, and it will also search the bark of trees with its

beak in quest of insects. But above all the birds of our English

gardens, not excepting the sparrow (which, though an insolent is not a

fearless bird) and the robin, the great tit confides in man and in all

his doings.

I wrote once in a magazine an account of how I had caught the same great

tit nine times in one afternoon, had nine times put it into an aviary,

and nine times had found, on going to look for it, that it was gone. And

a newspaper critic of my article suggested that I had been mistaken or

something worse.

But a year later I found that I had Dr. Günther with me; for in an

article written by him, now before me, he says that he has caught the

same great tit over and over again, and that at last the bird,

discovering that nothing disagreeable resulted, coolly went on eating

while the trap snapped over him. My own experience was in the hard

winter of 1892. I had put out a long row of traps, and visitors were

very numerous. Among them came a great tit which was caught and put into

the aviary, and to cut the story short, nine times a great tit was

caught and nine times put into the aviary. But when in the afternoon we

went to look at the captives, there was not a great tit among them all.

Then the thought flashed upon me that we had been catching the same bird

over and over again. Then we caught another great tit, and this time,

before letting it go, we marked its tail, and sure enough the next great

tit we caught had its tail marked. So instead of putting it into the

aviary we fixed the trap open to let it eat its fill of chopped fat and

hemp-seed without molestation.

How did it manage to get out? The mesh of the netting over the aviary

was small enough to keep siskins inside, but the great tit, as we

afterwards found, was not to be kept within the wires. It turns its body

sideways, puts a wing through first and then its head and then squeezes

the body out--exactly the same procedure, that is, reading arm instead

of wing, as the professional child-burglar's in India. If the great tit

cannot get out of its prison, it commits suicide. For it thrusts itself

so far through the wires or netting that it cannot move one way or the

other, and is strangled.

Dr. Günther elsewhere gives an instance of fearlessness which is no

doubt paralleled in animal history, but certainly never excelled, and

for once I must break my rule and make a quotation in honour of the bird

of Rowfant. So many vaguely authenticated stories are current that one,

on such authority, is very valuable. "In the year 1888 a pair of great

tits began to build in a post-box which stood in the road in the village

of Rowfant, Sussex, and into which letters, etc. were posted and taken

out of the door daily. One of the birds was killed by a boy, and the

nest was not finished. However in the succeeding year, it appears, the

survivor found another mate, and the pair completed the nest, filling

nearly one half the box with moss and other nesting materials. Seven

eggs were laid and incubated, but one day when an unusual number of

post-cards were dropped into and nearly filled the box, the birds

deserted the nest, which was afterwards removed with the eggs and

preserved. In 1890 the pair built a new nest of about the same size as

the previous one, laid again seven eggs, and reared a brood of five

young, although the letters posted were often found lying on the back of

the sitting bird, which never left the nest when the door was opened to

take out the letters. The birds went in and out by the slit for the

letters on the side of the box."

[Illustration: THE TIT OF ROWFANT]

Could anything be more charming, more touching, than this? and does any

bird that breathes English air deserve more respect for its delightful

confidence in man, more assistance in its times of stress and want, than

the great tit? But it is not a bird that many people think of when they

try to remember the lovable creatures that haunt their garden. For one

thing, it is so restless that it seldom remains in sight more than an

instant, and, as often as not, its crisp bright call is the only sign

that we have of its presence as it flits to and fro after insects among

the tree-tops, dropping suddenly on to the ground after a falling

caterpillar, and as suddenly skipping up branch by branch to the height

it had left. Whenever heard, even in the depth of winter, it is cheery,

crying out with just as brisk and hearty a voice as when the summer sun

was shining.

CHAPTER V

THE OWL--THE MAGPIE--THE KESTREL OR WINDHOVER--HAUNTS OF THE

HERON--BIRD-DESTROYERS, THE GAMEKEEPER AND "NATURALIST"

CHAPTER V

"_Sad Aziola![A] many an eventide_

_Thy music I had heard_

_By wood and stream, meadow and mountain side,_

_And fields and marshes wide,--_

_Such as nor voice, nor lute, nor wind, nor bird_

_The soul ever stirred:_

_Unlike and far sweeter than them all._

_Sad Aziola from that moment I_

_Loved thee and thy sad cry._"

SHELLEY.

[A] "'Tis nothing but a little downy owl."--SHELLEY.

Another bird that visits country-houses with unbounded confidence in

man, if man would only recognise it, is the owl. How many people know

that if they will put little barrels up in trees, or among ivy, that the

barn-owls will accept the invitation and make the barrels their home,

bringing to it many a hundred mice in the course of the year, and

scaring away thousands more? Yet such is the case. And those who keep

pigeons need not be alarmed. The owl will not touch them, and the

owners, if they will take the trouble to watch, may see the owls making

the dove-cot their perch and their starting-point on their sallies,

their tower of observation, and the pigeons showing no uneasiness

whatever at the coming and going of the cat on wings. When will the time

come that gamekeepers, under pain of immediate dismissal, will be

forbidden by their masters to shoot owls? As it is, this bird, which

ought to be as common as the rook, is actually rare; and when it goes

out to kill the mice and rats, which are the farmer's worst enemies, it

has to sneak to and fro as if it was a criminal, doing something that it

should not--

"a furtive owl on stealthy wing."

Owls, as a matter of fact, should be tempted in every way to live

amongst us, and a reward should be given to every farm-hand who brought

first news of a nest upon the grounds. That they do no mischief is

absolutely beyond all doubt; that they do an enormous amount of good is

as absolutely on proof. Yet farmers' gamekeepers, many of whom are

simply poachers promoted to private employment, grossly ignorant and

brutal men, are allowed to shoot these valuable birds as if they were a

pest. Poor owls! They had a bad name given them in the beginning, and,

such is the persistence of popular prejudice and superstition, their bad

name still clings to them among the class of rustic from which the

farmers' gamekeepers are too often selected, the men who commit the

very offences of egg-and-game stealing, of which they falsely accuse the

owl.

The literary history of this admirably useful and beautiful bird is a

chronicle of calumny and ill-treatment. There is no epithet too bad for

it in poetry; it is deadly, dreadful, wicked, hateful, fearful, fatal,

dire, accursed, curst, unhallowed, obscene, and is called every kind of

name, "bird of hate," "of the grave," "of death," "of gloom," "messenger

of death," "herald of disaster," "foul bird of omen." "The screech-owle

betokeneth always some heavy news, and is most execrable and accursed in

the presages of public affairs. He keepeth ever in the deserts, and

loveth not only such unpeopled places, but also that are horribly hard

of access. In short, he is the very monster of the night, neither crying

nor singing out clear, but uttering a certain heavy groan of doleful

moaning. And, therefore, if he be seen within cities, or otherwise in

any place, it is not for good, but prognosticates some fearful

misfortunes." These are Pliny's words, and sum up therefore the

collective opinion of antiquity. Nor has this opinion ever changed, for

poets in our own century sing of--

"Birds of omen, dark and foul,

Night crow, raven, bat, and owl."

Little by little, no doubt, the superstition will die out; but they die

so hard, these prejudices of the ignorant, that the owl runs a risk of

becoming extinct before it is properly appreciated.

"_An impudent presuming Pic,_

_Malicious, ignorant, and sly._"

CUNNINGHAM.

"_So have I seen, in black and white_

_A prating thing, a Magpie hight_

_Majestically stalk;_

_A stately, worthless animal_

_That plies the tongue and wags the tail,_

_All flutter, pride and talk._"

POPE.

Another handsome bird on "the tables of proscription," is the magpie;

but it deserves all the persecution it receives, for though it certainly

eats a certain number of snails and insects, it is far more partial to

eggs and young birds; and its audacity is so extraordinary, that only

its death puts an end to its marauding, while its cunning is such that

shooting a magpie is a matter of the greatest difficulty. The numbers

that are destroyed annually must be very large; but the magpie is a

prolific bird, and withal so astute in its nest-building that it is

still in the greater part of the country a common object. Its nest,

indeed, is a fortress, proof against all natural enemies, and offering

even considerable chances of

[Illustration: LONG-EARED OWL]

immunity from man, for it barricades it with thorns, domes it over, and

very skilfully conceals the entrance. Moreover, it has the sagacity to

build, as a rule, in tall hawthorns, than which no tree offers more

difficulties to even the hardiest and most weasel-bodied bird's-nester.

Failing trees, as happened in a certain barrens pot in the north of

Scotland, magpies will build in a gooseberry-bush, but finding this

position exceptionally exposed to enemies, they not only built their

nest of the usual strength, but fortified the bush itself with a

_chevaux-de-frise_ of dead gooseberry-twigs, a foot in thickness, and

impenetrable even by a mouse. To this stronghold they returned year

after year; but the cottagers, who gave the birds protection for the

sake of their society, were compelled to confess that the only return

the pies made for their clemency was to try to rob the hens and kill the

chickens.

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