It was now, when Buckingham was at the zenith of his career, that these

two terrible phenomena of the Restoration decided to give the world a

crowning proof of their supreme contempt of it. The nation was suddenly

staggered by the news that the chief Minister of the State, though his

wife was still living, had, without any pretence at secrecy, been

married to the Countess of Shrewsbury! As if to emphasise the scandal

the bigamous ceremony was performed according to all the rites of the

Church by the Duke's chaplain, Dr. Sprat, afterwards Bishop of

Rochester. To the pious when such things could be done with impunity it

seemed as if they were living in the days of Sodom and Gomorrah. But the

impious crew that revelled at Whitehall merely laughed, and jestingly

spoke of the lawful Duchess of Buckingham as the "Dowager Duchess." The

sun of the Restoration had reached the meridian.

Strange to say, historians have passed over this foolish and gratuitous

infamy with comparative indifference, as if the period and the

notorious characters of the bigamous couple made further comment

unnecessary. This may be a sufficient explanation for the profane

Sprat's share in the crime, but it was something more than the mere

lawless gratification of lust that forced Villiers and the Shrewsbury

into bigamy. As no reason has ever been given ours can only be a guess.

The agents of Louis XIV. did not often squander his money without a

_quid pro quo_, and perhaps it does not exceed probability to suggest

that before receiving French bribes Buckingham's mistress was called

upon to show some proof of her influence over him? The same year his

Grace went to Paris, ostensibly to represent Charles II. at the funeral

of his sister, the Duchess of Orleans, but in reality to prepare the way

for selling his King and country, as he had already sold himself, to

France. His reception at Versailles was magnificent, and he returned

laden with wealth and dignities. So favourably did he impress the French

Court that Louis remarked "he was almost the only English gentleman he

had ever seen!"

In the following year the virtuous public, which had indignantly

predicted three years before the speedy falling-out of this precious

couple, were still further scandalised to learn, in the words of

Marvell, that "the Duke of Buckingham exceeds all with Lady Shrewsbury,

by whom he believes he had a son, to whom the King stood godfather." We

may further add that this infant, to which the courtesy title of Earl of

Coventry, borne by the eldest son of the Dukes of Buckingham, had been

given, died young and was buried in the family vault at Westminster

Abbey!

And now, in such favour was the Duke at Whitehall, the mock Duchess

returned to Court and brazenly dared to show herself about the country.

Evelyn relates that at Newmarket "he found the jolly blades racing,

dancing, feasting, and revelling, more resembling a luxurious and

abandoned rout than a Christian country. The Duke of Buckingham was in

mighty favour, and had with him that impudent woman, the Countess of

Shrewsbury, and his band of fiddlers." The day of reckoning, however,

came at last. Unfortunately, it did not depend on any sudden belated

awakening of the moral sense in Charles II., or a revival of virtue in a

country prepared to sweep away the indecencies that were outraging it.

Buckingham and Lady Shrewsbury were only brought to book when his

political power was broken. The Restoration went on more deliriously

than ever till it reached the fatal climax in 1688. With the Duke's fall

the enchantment of the Shrewsbury was snapped. Called before the bar of

the House of Lords, with no Duchess of Cleveland or King to stay the arm

of the law now in his behalf, he was ordered to separate altogether from

this woman, and each of them was required "to enter into security to the

King's Majesty in the sum of ten thousand pounds apiece for this

purpose."

It may be doubted whether the scathing indictment he received from his

peers made any impression on him. But his day was over and, though he

tried to recover the license he had so shamefully abused and the

confidence of the nation he had so infamously betrayed, his star

steadily continued to set. His future career was one of baffled hopes

and pleasures, of ever deepening disgrace, humiliation, and even

poverty. He lost everything of the wonderful store of gifts that Fortune

had so bounteously bestowed on him--all, save his brilliant wit, which

in a world of wits acknowledged none superior. But even wit deserted him

at the end, and he died miserably enough. We have already, on an earlier

page, expressed our opinion of this remarkable libertine who occupies

such a prominent place in his times, and in mentioning him now for the

last we can find no more fitting words in which to dismiss him than

Pope's familiar lines. As the _oraison funèbre_ of the great Buckingham

they will be quoted as long as the phenomenal age in which he flourished

is remembered:--

"In the worst inn's worst room, with mat half hung,

The floors of plaster, and the walls of dung,

On once a flock-bed, but repair'd with straw,

With tape-tied curtains, never meant to draw;

The George and Garter dangling from that bed,

Where tawdry yellow strove with dirty red,

Great Villiers lies--alas! how chang'd from him,

That life of pleasure, and that soul of whim!

Gallant and gay, in Clieveden's proud alcove,

The bower of wanton Shrewsbury and love;

Or, just as gay, at council, in a ring

Of mimic'd statesmen, and their merry king.

No wit, to flatter, left of all his store!

No fool to laugh at, which he valued more.

There, victor of his health, of fortune, friends,

And fame, this lord of useless thousands ends."

As for Lady Shrewsbury, she was not only compelled to separate from her

lover and provide a surety of ten thousand pounds to that effect, but

obliged to leave the country. There were thousands of honest people who

would, no doubt, have liked to see her burnt or hanged, as would

probably have been her fate had she been a woman of the people. But Lady

Shrewsbury was a peeress and the widow of a Talbot, and criminal rank in

those days was banished not executed. She had not committed the

aristocratic crime of high treason, for which alone rank could suffer

death. There was, however, a very irksome durance to which offenders of

her sex and station were subjected, and in banishing her to Dunkirk

Charles obliged her to retire to a convent. How long she remained there,

or what intrigues finally freed her from what to such a woman must have

been a rigorous imprisonment, history does not relate. As far as the

public were concerned she had ceased to exist.

[Illustration: THE DUKE OF SHREWSBURY.]

Lady Shrewsbury was, however, very much alive, and having spun her web

round the younger son of a Somerset baronet, she married him, and under

the name of Mrs. Bridges played a secret and dangerous game in the

coming years. For her passions having burnt themselves out, from their

ashes sprang a fresh lust--the lust of political intrigue. Its victim

was her eldest son, the new Earl of Shrewsbury. A boy when his father

was slain, he had resented the ignominy of having to live with his

mother under Buckingham's roof; and though the spirit which urged him to

appeal to the House of Lords that he and his brother might be removed

from the care of such a mother was nipped in the bud, nevertheless it

was sufficient to make both children distasteful to Buckingham. They

were sent to their maternal grandfather, Lord Cardigan, to whom the

young Earl owed his education. At the time his mother married Bridges he

was one of the most promising young peers in England. A worthier

representative of the proud line from which he sprung it had, perhaps,

never had. Gifted with great personal beauty (his mother's legacy) and a

shy, gentle manner, he at once attracted all who met him. The

seriousness of his character corresponded with the high hopes he raised.

Born in a profligate and indulgent age, he had, like most young men of

spirit, yearned to taste all the pleasures of the senses. With the blood

of such a mother in his veins, to resist desire was impossible. He

tasted the cup of vice. It intoxicated him, and in that moment of

delirious pleasure it seemed to him, as to many another youth before and

since, that to be the slave of lust was a fate more enviable than that

of the conqueror of the world. The reputation of being a "king of

hearts," a title satirically applied to him at this period, he never

quite lost. But this young Talbot was not one of your commonplace

striplings who sway like reeds before the wind. He had a thoughtful,

intelligent mind and a great ambition. Already, by "a very critical and

anxious inquiry into matters of controversy," assisted by the celebrated

Tillotson, the young nobleman, a Roman Catholic by birth, heredity, and

education, had publicly professed his adherence to the Anglican faith. A

youth who could of his own initiative reason himself into taking such a

step was not to be long entangled by vice. The world was to be won, and

he meant to win it; he would be the greatest of all the Talbots, the

champion of liberty, the hope of Protestant England. It was a noble

ambition, and the times were favourable.

But from the very start two influences stronger than he pulled him back

at every step he took. One of these was his temperament. The conduct of

his mother, the death of his father, and that of a dearly loved only

brother--who within five days of his twenty-first birthday was killed in

a duel by one of the Duchess of Cleveland's bastards--had combined to

deepen the morbid tendencies of a naturally hyper-sensitive nature. To

the influence of these terrible family tragedies was added that of a

perpetual and vain struggle to subdue the lust he had inherited. He

lived, as it were, under the shadow of some fatal curse which seemed to

predestine all his actions to failure. Knowing full well the value of

self-confidence, he doubted himself constantly, and, like a man from the

brink of a precipice, was ever recoiling from great crises which he had

enthusiastically helped to create. With all the _wish_ in the world, he

had not the _will_ to be brave. And life demanded bravery, spirit,

initiative from him at every turn.

The other influence fatal to his career was his mother. He could never

rid himself from the fear in which he stood of her. To the Countess of

Shrewsbury, become now as fierce and vindictive in political intrigue as

she had formerly been in her amours, such a son was an asset of the

highest value. Married to her second husband, middle-aged, and buried in

a remote part of the country, the once notorious Messalina had long

ceased to be remembered. But there lived not in England in that day of

plots and counterplots a more inveterate conspirator. In the obscurity

of her retired life she was steeped to the throat in intrigue. Long

before the Revolution she was a spy and pensioner of the French King,

and with the fall of the Stuarts, under whom she had fared so safely,

she became, as was natural, a rabid Jacobite. The young Earl, her son,

long separated from her, was developing on quite opposite lines. In the

endeavour to realise his ideals, the year before the Revolution he

showed his disapproval of King James's policy by resigning all his Court

appointments, and in 1688, in behalf of the cause of freedom he had

publicly professed, joined the party that deprived the stubborn, stupid

Stuart of his throne. It was natural, as Miss Strickland says, that this

young man "might be considered (when all his advantages were computed)

the mightiest power among the aristocracy of Great Britain." William of

Orange, like all great statesmen, was quick to recognise talent; he

readily offered high office to this young Earl of Shrewsbury who had

helped to make him King of England, and on whom such high popular hopes

were built. It may be said that a young career never bloomed under a

more vivifying sun.

But now his mother, who lived remote from him and had never come into

his life but to bring doom with her, like the terrible, mysterious queen

in Maeterlinck's _Mort de Tintagiles_, reappeared. What was the exact

secret of her hold, what fears she worked on, what hopes she appealed

to, cannot be said; but her effect was like the effect of blackmail. The

young Earl with the ardent ambition and the noble ideals yielded--with

what anguish the indecision of his whole future career indicates--to the

inexplicable influence of his mother. One of the first steps in that

life of brilliant promise was one of treachery. The would-be saviour of

England secretly trafficked with the Court of St. Germain. Nor was he

allowed to stand forth as an open champion of the Stuarts whom he could

not love; he was made to remain at Whitehall as William of Orange's

chief and most confidential Minister in order that his mother and the

Jacobites might know all that was going on there. That such a man as

Shrewsbury could continue to play this double game long was impossible.

His pleas to be allowed to resign the seals of office were pitiable,

and his behaviour, when his treachery was finally denounced and King

William nobly and secretly gave him the chance to clear himself by a lie

which he professed to believe, was painful. The King's attitude on this

occasion gave him a fresh chance; he took it but to betray it and his

own better nature. At last his conscience could endure the strain no

longer; he left office and the country after a veritable martyrdom of

ten years. "Had I a son," he said, "I would sooner bind him a cobbler

than a courtier, and a hangman than a statesman."

After the death of his mother, who, if not wilfully, at least

heartlessly, contributed quite as much as his own temperament to the

ruin of his career, he returned to England in Queen Anne's reign. But

now, though his country, still believing in him, "called" him and he

tried to respond, it was too late. He flung all his influence on the

side of liberty and Protestantism, but his statecraft was demoralised by

his past experiences, and his opportunity, which seldom comes to a man

more than once, had been bungled in the previous reign. Like his mother,

he too was born out of his fitting age. In the more congenial atmosphere

of our day he would have won something more worthy of his great talents

than his dukedom and garter. To his lofty ambition such prizes were of

small account beside what his soul lost in grandeur.

Of all tragedies those of one's ideals are the saddest. The lives of

statesmen who have failed are always interesting, and as English history

is full of such the book that may some day record them will be worth

both reading and writing. In such a work, of a surety, the career of the

first and only Duke of Shrewsbury, who set out not to win fame and

fortune, but to do what he believed right, and miserably failed, will be

not the least dramatic. Like Tyrconnel, he was more sinned against than

sinning; to be forgotten by posterity as they are is not so dreadful as

to have the faint memory of them revived by the fleeting mention of some

"Wanton Shrewsbury" or other. To us the marring of her son seems the

greatest of this Messalina's crimes.

[Illustration: "MADAME."

(HENRIETTA, DUCHESS OF ORLEANS.)

_From a miniature reproduced by courtesy of Dr. G. C. Williamson._]

"MADAME"--HENRIETTA, DUCHESS OF ORLEANS

THE FRENCH COURT--THE EVIL GENIUS OF THE RESTORATION

As she was French in all but her birth, the favourite sister of Charles

II. can only be said to belong to the Court of the Restoration by

courtesy. Nevertheless, on the occasion of her two short visits to

England during her brother's reign the impression she created was so

lasting, so sympathetic, that posterity, like her own generation, has

agreed that of all the women who graced Whitehall the most fascinating

was Madame.

She was born in the thick of the Civil War at Exeter, whither her mother

had fled, and from which soon after her birth the _Reine Malheureuse_

was also obliged to flee, leaving her child to the care of the faithful

Lady Dalkeith. On the capitulation of Exeter the royal infant fell into

the hands of the Parliament, to which the charge of such a prisoner was

extremely embarrassing. It was, however, relieved from its dilemma by

Lady Dalkeith, who was a woman of courage and resource. For Cromwell,

very rightly looking upon every adherent of the Stuarts as a possible

conspirator, decided to dismiss her and confine the tiny princess at St.

James's, under his own supervision, whereupon Lady Dalkeith promptly

fled the country with her charge.

The story of their flight to Dover on foot, clad in the rags of

peasants--a disguise to which the little girl had such an objection that

she angrily announced to all they met, "that she was not a peasant boy,

but the Princess Henrietta of England"--when related at the French Court

no doubt excited a suitable thrill. But Parliament was not ridiculous

enough to pursue such fugitives, and they crossed to Calais in the

ordinary French packet. Such was Madame's _début_ on the theatre of

life. She was two years old at the time. Fifteen years later she again

appeared before the public as a star, so to speak,--a _rôle_ in which

she scored a brilliant popular success. Like most such intervals, these

intervening years were obscure, hard, discouraging.

For Queen Henrietta Maria, widowed, exiled, and impoverished to the

condition of shabby gentility, was not a cheerful mother to live with.

She was always weeping, praying, and plotting, and her _enfant de

bénédiction_ had a cheerless childhood. Rooms had been assigned to the

Queen of England at the Louvre, and the sum of forty thousand livres had

been voted her by the Parliament of Paris. But it was soon _mangé_ by

her son and his beggared followers, and there was often real misery in

that little Court at the Louvre.

The famous Cardinal de Retz, who during the Fronde was a sort of king in

Paris, describes with his mocking pity the state in which he discovered

the English royalties when one day in mid-winter affairs obliged him to

call on Henrietta Maria.

"You see," said the _Reine Malheureuse_, whom he found at the bedside of

her daughter, who as a child was thought to be consumptive, "I am

keeping Henrietta company; I dare not let the poor child rise to-day as

we have no fire."

"The truth was," adds de Retz ironically, "that no tradespeople would

trust her for anything. Posterity will hardly believe that a princess of

England, granddaughter of Henry the Great, had wanted a faggot in the

month of January to get out of bed in the Louvre, and in the eyes of the

French Court! We read in history with horror of baseness less monstrous

than this, and the little concern I have met with about it in most

people's minds has obliged me to make a thousand times this reflection:

_That examples of times past move men beyond comparison more than those

of their own times_. _We accustom ourselves to what we see, and I doubt

whether Caligula's horse being made a consul would have surprised us so

much as we imagine._"

Owing to the cynical de Retz, it no doubt consoled Henrietta Maria to be

assured that "a princess of England would not keep her bed the next day

for want of a faggot."

But his generosity seems to us to have been prompted from a far less

noble impulse than that of the chivalrous Duke of Ormond. For this

Bayard of the British peerage sold his order of the Garter for the

benefit of his Queen, and was "compelled to put himself in prison, with

other gentlemen, at a pistole a week for his diet."

These days of adversity, however, came to an end, and after the Fronde

was subdued Henrietta Maria enjoyed all the privileges of her royal

birth. Not that she availed herself of them; on the contrary, grief had

taken most of the joy out of life for her, and though she lived in the

closest intimacy with her sister-in-law, Anne of Austria, the Regent,

and in the midst of a brilliant Court, she was scarcely ever seen out of

her own apartments. But grief did not kill Henrietta Maria's ambition.

She longed to see a crown on her daughter's head. So the young princess,

who shared her mother's rigid seclusion, was carefully educated with the

secret object of making a suitable consort for her cousin, the young

King.

In looking back on these dreary years of girlhood Henrietta could

remember but a single joy they had contained. It was a joy, however, so

great that its memory coloured this entire period. This was the real

affection that her brother Charles, alone of mortals, during an all too

fleeting visit to Paris, evinced for her. The emotional child, whose

affections were being choked by the austerity of her mother's life, paid

back her brother's kindness to her with compound interest. He began by

treating her as a plaything with which he liked to toy in an idle moment

and ended by making her his friend and confidante. To her he was like a

hero of romance. No one in that graceless, dashing crowd of exiled

Cavaliers, whom necessity had turned into adventurers, followed his

fortunes with such an eager sympathy. No one in those long years of

baffled hopes and fruitless efforts was more firmly convinced that he

would come to his own again. When his star had completely vanished in

the dazzling sunlight of Cromwell, when even the astute Mazarin believed

that the throne of England was for ever lost to the Stuarts, the

insignificant Henrietta in her dreary room at the Louvre never

despaired. It is perhaps only a girl who could, under such

circumstances, have maintained such an unshaken faith. Charles never

forgot it. Cynical and insincere with all, he remained to the last ever

frank and true to his sister. She wished no greater reward.

Owing to the simplicity of her life no one in the brilliant French Court

remarked the almost imperceptible development of those spiritual charms

that were to turn an obscure princess into a fascinating queen of

hearts. As a child she was not at all pretty, and all her physical

defects were heightened by perpetual colds, and toothaches, and sore

eyes. The complete lack of taste with which her mother dressed her, and

a certain blue-stocking air that her intellectual cramming gave her

were, moreover, little calculated to excite admiration. It was, on the

face of it, absurd to imagine that Louis, palpitating with youth and

health and pride and the joy of life, would dream of choosing such a

princess for his queen. Pride alone would have prevented him from

placing on the throne beside him one whom he considered as a poor

relation living on his charity. Besides, his boy's head at the time was

full of Mazarin's nieces; he was kissing Hortense, flirting with Olympe,

and plighting undying troth with Marie.

Henrietta Maria, however, had learnt nothing from her prolonged lessons

in defeat; she was one of those women who resist, not from obstinacy,

but from habit. Having set her heart on seeing her daughter Queen of

France she intrigued accordingly. The most important accomplice in the

making of the match was Anne of Austria, the King's mother. The

relations between the sisters-in-law were of the most cordial

description, and Anne, like an anxious mother terrified lest her

favourite son should make a _mésalliance_--an event that in Louis' case

seemed quite likely--decided that the sooner he was married the better.

Of course she had a list of marriageable princesses to choose from, but

as in her anxiety there was no time to be lost her choice was confined

to one of two on the spot. These were "La Grande Mademoiselle" and the

Princess Henrietta, both of whom were her nieces; but as no love was

lost between Anne and the former, the princess of England who had

lacked a faggot to warm herself by suddenly found herself arrived

within measurable distance of the throne of France.

To facilitate matters Anne gave a dance in honour of Henrietta, who was

then eleven and very precocious, if equally unattractive, for her age.

The young King, who by all the rules of etiquette, which he observed so

faithfully in after life, should have offered his hand to his cousin,

accorded this honour, to his mother's dismay, to the Duchesse de

Mercoeur, the eldest of the beautiful nieces of Mazarin. Anne, who

though now no longer Regent, nevertheless deluded herself with the

thought that her influence over her son was still paramount, was covered

with mortification and lost her head. She went up to her son and ordered

him to dance with his cousin. But the expression on Louis' face warned

the observant Henrietta Maria that another humiliation was imminent for

her, and she tried to avert it with a tact that was hardly to be

expected of her by at once intervening between the mother and son,

declaring that her daughter had hurt her foot and could not dance.

"Well, then," cried the exasperated Anne, "if Henrietta does not dance

neither shall Louis."

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