At middle life one does not start a new career with the light heart of

youth. Hamilton came to France a disappointed man, and such hopes as he

may still have cherished must have been quickly dispelled at James's

Court at St. Germain. Here, as in all exiled Courts, poverty,

quarrelling, and despair cast their shadows, rendered all the more

sombre by the melancholy bigotry of the fallen King. The noble mother of

that handsome, unfortunate youth who lived to be known as the Old

Pretender alone faced the future with dauntless courage and dignity. How

could a Hamilton with a spark of chivalry desert such a woman in such a

crisis? It was now that the soldier turned author, like old St. Evremond

before him in a similar strait. Hamilton took to literature not as a

profession--it is uncertain if he ever earned a sou by his pen, all the

profits of the "Mémoires de Gramont" at least went into his

brother-in-law's pockets--but as a pastime. Writing was to him the only

means he had of killing the intolerable _ennui_ of exile.

But life was not without its compensations; there was the home of the de

Gramonts to brighten him. His books brought him fame and friends; his

society was courted by an illustrious Duke of Berwick and his "Belle

Nanette" and her sister; by the too brilliant Duchesse de Maine, whose

court at Sceaux was known as "the galleys of the brain," because the

clever people she gathered round her were constantly required to furnish

proof of their wit. All this fame, however, brought no financial

independence with it, and after the death of the Comtesse de Gramont

poor Hamilton had to live on the charity of a niece and to welcome death

as a late release for his proud spirit. Perhaps to none of the Jacobites

broken in the cause of the bigot James was death so welcome as to this

cold, sombre man, who could describe the _joie de vivre_ of the _ancien

régime_ with a gaiety which has never been rivalled.

The Comte de Gramont whom he immortalised predeceased him many years.

This singular man died at the age of eighty-six, frivolous to the last.

Like the celebrated Maréchal de Richelieu of the next generation, who

closely resembled him, de Gramont had scarcely ever known what it was

to be ill. He used to say that "he hated sick people and only loved them

when they recovered their health." His flippancy and irreligion as he

grew old alarmed the Comtesse de Gramont, who was very devout, for the

safety of his soul. Her attempts to convert him must, serious as they

were, have amused her, if she still retained her sense of humour. Once

Louis XIV. himself tried to assist her and sent the strict Marquis de

Dangeau to offer him religious advice.

"Comtesse," said de Gramont, turning to his wife on learning his

visitor's errand, "if you don't look out Dangeau will cheat you out of

my conversion."

Madame de Gramont, however, had the satisfaction of bringing her husband

to a deathbed repentance, and followed him herself to the grave in a

year. Her life, passed in two of the most dissolute Courts in Europe,

was from first to last stainless. Of her two daughters, one took the

veil, while the other married the Jacobite Earl of Stafford, and

inherited all her mother's beauty and virtue and her father's wit.

The great Gramont fortune, which the Chevalier inherited from his

brother the Comte de Toulongeon, passed to his nephew, a younger brother

of the notorious Comte de Guiche, who had died without a son. This man,

whose life is said to have been as scandalous as his brother's, also

inherited the fortune and dukedom of his father the Maréchal. It is from

him that the de Gramonts of the present day are descended. The tombs of

their ancestors are still to be seen amongst the picturesque ruins of

the once famous Château de Gramont "at Bidache on the Bidouze," which

was destroyed in the Terror.

[Illustration: "THE LOVELY JENNINGS."

(DUCHESS OF TYRCONNEL.)]

"THE LOVELY JENNINGS," DUCHESS OF TYRCONNEL

A SPLENDID FAILURE OF THE RESTORATION

If the fairies, as is believed in fairyland, come to christenings, we

have a fancy that five were present at Frances Jennings's, and that each

in turn addressed her thus in fairy fashion, as they clustered round her

with their gifts:--

"I bring thee Coquetry, it shall gain thee hearts."

"I bring thee Malice, it shall gain thee enemies."

"I bring thee Virtue, it shall gain thee respect."

"I bring thee Ambition, it shall gain thee power."

"And I," frowned the Wicked Fairy--it is _de rigueur_ that there should

be a wicked fairy at christenings--"I bring thee Beauty; thou shalt lose

it and all that thou gainest from the gifts of the others."

Those who care to follow the fortunes of the Lovely Jennings will learn

that everything came to pass just as the fairies predicted.

But from fancy to fact. The Duchess of York, in order to refute the

imputation cast upon her own looks by the ugliness of her maids of

honour, decided to form a new Court. And that none but beauties should

compose it, she resolved to see all the applicants herself and choose

those who pleased her, regardless of their recommendations. Frances

Jennings, then about sixteen, was one of those thus selected. Her father

was an insignificant country squire of small fortune, and her mother a

woman, as we say nowadays, "with a past." We are not told the nature of

her excursions into the realms of the unconventional or disreputable,

but are left to infer that they were such as even in that day of license

were not to be tolerated. Nevertheless, though Mrs. Jennings was not

received at Court, the fact was apparently no bar to the advancement of

her family. She managed somehow to secure royal patronage for her

daughters, Frances and Sarah, who in their turn managed to use it as a

stepping-stone by means of which they climbed to very exalted stations.

The elder of the two sisters had no sooner appeared at Court than she

attracted the attention of the Duke of York, who regarded his duchess's

maids of honour as the _sine quâ non_ of his seraglio. The lovely

odalisque, however, had already, young as she was, formed a very decided

resolution as to the line of conduct she intended to adopt. Like La

Belle Stuart, she meant to use Whitehall as a trap in which to catch a

husband. Being naturally sensible, she was aware that the freedom which

certain ladies enjoyed at Court was the exception, not the rule; and

that, while a Lady Castlemaine or a Countess of Shrewsbury might with

impunity, by reason of personality and rank, defy decency, a humble maid

of honour in attempting to copy them would very quickly be given her

_congé_. This reasoning was demonstrated by many instances, the latest

being that of Miss Price, whose conduct had obliged the Queen to dismiss

her. Moreover, to emphasise the value of a good reputation she had that

of her mother constantly before her eyes as a warning.

So the Lovely Jennings turned a deaf ear to the entreaties of the royal

tempter. But as the world is ever more ready to believe evil than good

of one--a platitude especially applicable to a maid of honour at

Whitehall--the mere consciousness of being virtuous is not enough for

the world. Of virtue the world always demands proofs. It was impossible

to believe that a mere chit of a maid of honour--with such a mother

too!--could resist a royal duke. He, however, clumsy at love-making as

at everything else he undertook, himself furnished the world with proofs

of Miss Jennings's innocence. "He thought that writing might perhaps

succeed, though ogling, speeches, and embassies had failed. Paper is

made to serve many uses, but it unfortunately happened that she had no

use for it. Every day notes, containing the tenderest expressions and

most magnificent promises, were slipped into her pockets or muff. This,

however, could not be done unperceived, and the malicious little

creature took care that those who saw them slip in should likewise see

them fall out unopened. She had only to shake her muff or pull out her

handkerchief as soon as his back was turned, and his notes rained about

her for any one to pick up who chose. The Duchess was frequently a

witness of this conduct, but could not find it in her heart to chide her

maid of honour for want of respect to the Duke. Thus the charm and

virtue of Miss Jennings were the only subject of conversation in the two

Courts; people could not understand how a young creature fresh from the

country should so soon become the ornament of the Court by her

attractions and its example by her conduct."

[Illustration: THE DUKE OF YORK,

AFTERWARDS JAMES THE SECOND.

_After Vandyke._]

This discreet behaviour soon rid the maid of honour of her troublesome

admirer, for the Duke of York, unlike his brother King Charles, very

quickly lost interest in the women who resisted him. Finding the Lovely

Jennings prove invincible, James turned his attention to one of her more

complaisant companions in attendance on his duchess, and as a

consequence had, many years later at St. Germain, the, to him, morbid

satisfaction of doing penance for, among other sins, the ruin of

Arabella, young John Churchill's sister. James's repentance in this

instance, however, was not unnaturally tempered with a just pride, for

if ever there was a royal bastard worthy of admiration and honour it was

James Fitz-James, Duke of Berwick, the son of the complaisant Miss

Churchill and the Duke of York. Without exaggeration it may be said that

there were few men of any rank in his day more knightly in the true

sense than this illustrious nephew of the Great Marlborough.

But while Frances Jennings had successfully avoided one of the most

treacherous pitfalls at Whitehall, she very nearly tumbled into another

equally dangerous. The King, whose curiosity was fired by the maid of

honour's reputation, piqued himself on succeeding where his brother had

failed.

"God knows," said Hamilton, "what might have been the consequence; for

he greatly excelled in wit, and besides he was King--two qualities of no

small consideration. The resolutions of the Lovely Jennings were

commendable and very judicious; but wit had great charms for her,

and--royal majesty at the feet of a young person is very persuasive.

_Miss Stuart, however, would not consent to the King's project._"

That cunning prude, to whom the royal admiration was the bait with which

she hoped to catch her ducal husband, had strong objections to others

with a similar purpose using her bait and fishing in the same stream.

Charles allowed himself to be deluded with false hopes by La Belle

Stuart, and the Lovely Jennings, though she lost the chance of becoming

a _maîtresse en titre_--a position to which her ambition may have led

her fancy--added both to her reputation and admirers by this adventure.

But of all the various kinds of fish that were angled for at Whitehall,

husbands were the most difficult to catch. The beauties who hooked

theirs out of that fishpond only succeeded in landing them after much

practice. Miss Jennings's first attempt might be described as a graceful

failure. The fish on her hook, so to speak, was the son of Lionne, Louis

XIV.'s Minister for Foreign Affairs. This statesman, rightly considering

that the Court of Charles II. was the place _par excellence_ in which a

very _gauche_ and shy youth of nineteen would have unrivalled

opportunities to "form" himself, had sent his son, the Marquis de Berni,

there under Courtin, when that diplomatist went to England for the first

time as French Ambassador. The details of the young man's progress have

been preserved in the official despatches that Courtin sent to Lionne.

"Your son," wrote the Ambassador, "begins as an honest man; he is a

little abashed, but we have given him courage, and M. d'Irval (of the

Embassy) has so well seconded him that he has at last"--after a month in

London--"made his declaration. It has been very well received by one of

the finest girls in England--Miss Jennings, of the household of the

Duchess of York. She is small, but with a fine figure, a splendid

complexion, the hair such as you remember Madame de Longueville's was,

brilliant, keen eyes, and the whitest, smoothest skin I ever saw."

The "forming" of the _gauche_, shy Berni proceeded apace. Under the

influence of the Lovely Jennings he displayed "more ease in

conversation, and greater care of his person, and less shyness in

society. He arranges to see her every day, and sends her strawberries

every evening." As to these graceful practices he added that of

following the Duchess of York wherever she went in order to catch a

glimpse of her lovely maid of honour, it was soon evident to the whole

Court that he was madly in love, and Miss Jennings began to picture

herself as a French marquise with a _tabouret_ at Versailles. Whereupon

Courtin became alarmed, for marriage was not in the Lionne programme,

especially with a paltry Miss Jennings. He tried to impress M. le

Marquis with a sense of the fitness of things, and that even an attaché

of an Embassy had certain lesser duties to perform besides the supreme

one of love-making. M. le Marquis was ordered to draft a despatch. He

began, but could never finish it. How could he with the Lovely Jennings

ever in his thoughts? Courtin then thought the time had come to send him

back to France. "We have sometimes to contend with his timidity," he

wrote the anxious father, "and sometimes with his presumption; very

often with his sloth, but above all with his vanity, which is fed by all

the honours paid to him. I think you would do well to destine him for

the Bar!"

Lionne, on receipt of this, promptly and angrily ordered his son to

return home, and M. le Marquis went off after three months in England,

faithful to the last. "He will be greatly regretted at this Court,"

wrote Courtin, trying to appease Lionne's anger, "being, as he is,

appreciated by the King and Queen and dearly loved by the prettiest

young lady in England. Thursday evening the King, in my presence, very

much teased Miss Jennings on the subject of your son; the young girl

reddened; she never appeared more beautiful. His Majesty told me that

your son had asked M. Porter to let him know how she looked on the day

he was gone; and at the same time his Majesty assured me that he had

never seen such a picture of sadness and desolation as the young gallant

offered when on board the yacht of the Queen Mother. He was right, I can

tell you, for the young lady loved him dearly." Thus ended Miss

Jennings's first romance.

Life, however, was to have others in store for her, and the Frenchman

had not long departed when all thoughts of him--the tenderness of which

we are inclined to attribute to Courtin's imagination rather than to

Miss Jennings's heart--were obliterated by the arrival of a dazzling

Irishman. "Dick" Talbot, as he was called, was about twenty years older

than the lovely Jennings, and not far off forty when he first met her.

Already his life contained, in romance and adventure, sufficient

material to equip an incipient Dumas for a literary career. He was a

sort of living serial with many a thrilling chapter yet to run before

the finish. As he was destined to be the means by which the prophecy of

the imaginary Wicked Fairy at Miss Jennings's christening was fulfilled,

an epitome of Dick Talbot's romantic past is necessary before

describing its still more romantic sequel. His family had been settled

for centuries in Ireland--since its conquest by Henry II. Time, the

great assimilator, had made them Celts to the core, and "Dick," the last

of five sons of a younger branch, was the Irishman _par excellence_. He

was a soldier from necessity and an adventurer from inclination. His

birth and poverty made him the former, and the times in which he lived

the latter. He was only a boy when Ireland rose against Cromwell, but he

enlisted and served, if not with distinction, at least with the

characteristic Irish intrepidity. During the bloody defence of Drogheda

he was wounded and left for dead on the battlefield, but was succoured

by one of Cromwell's officers, who being charged with the burial of the

dead noticed signs of returning consciousness in the corpse. On his

recovery he managed to escape from his prison disguised as a woman, and

joining a relation, under whom he had served, followed him to Spain,

whence, possibly as a volunteer in the Spanish army, he made his way to

Flanders. Here he found many Royalist fugitives, among whom was his

brother Peter, afterwards the Archbishop of Dublin, who introduced him

to the Duke of York.

One may easily picture the temper of the exiled Cavaliers. As it is

natural, if immoral, that the vanquished should hate their conquerors,

it is not at all surprising or, to our mind, shocking that the Duke of

York should have wished to have Cromwell assassinated, or that others

should have conspired to this end, or that young Dick Talbot should

have offered his services for the purpose. Much ignominy has been heaped

on Talbot for the ready willingness with which he lent himself to this

assassination scheme. But while we personally by no means advocate

assassination, we confess we are unable to understand the reasoning that

makes the thought of assassinating Cromwell so much more horrible than

that of assassinating any other tyrant. When the People, of whom so much

insincerity is talked and written, make tyranny impossible there will be

no question as to the crime or virtue of assassination.

Young Talbot was sent to England on his terrible errand, where he was

arrested, and examined by Cromwell himself at Whitehall. While detained

in the palace to await the decision as to his fate, he made the Puritan

servants drunk, and, slipping from a window into the Thames, hid on a

ship in the river. Rumour had it that, being in reality a spy in his

pay, Cromwell had aided him to escape. As Dick Talbot was an expert

duellist, and "ready to fight on the smallest provocation or none at

all," it is easy to guess how such a calumny, which he denied with

oaths, got its quietus. Among the _spadassins_ who composed the Duke of

York's regiment, of which, after the above adventure, he got the command

in spite of great opposition, Talbot's sword, so quick to fly from its

scabbard, gained him the discipline due to fear. With the Duke of York

he was always a great favourite, and at the Restoration followed him to

England as his gentleman of the bedchamber. None of the Cavaliers were

more fortunate, for he had left his country a poor, insignificant lad,

and returned at thirty possessed of royal favour which he knew well how

to turn to his advantage.

If, as has been wittily said, William of Orange is the hero of the

historical romance known as Macaulay's "History of England," the villain

is unquestionably Dick Talbot. In those false, fascinating pages he is a

consummate scoundrel, "a mere cringing courtier and a pimp." To refute

the malevolent prejudices of Macaulay is easy, and he has been exposed

over and over again. We know now that his brilliantly arresting portrait

of Talbot was no more like him than was the Great Frederick to an

equally haunting portrait by the same master. The Talbot of Macaulay's

"History" is, as Jusserand says, a caricature. Perhaps, without placing

any more confidence in Hamilton--who drew a very flattering picture of

him--than in Macaulay, a certain little-known portrait by the Duke of

Berwick comes nearest the truth. It utterly refutes the imputation that

he lent himself to the scheme to take away the character of the Duchess

of York in order that the Duke, who was tired of her, might divorce her.

Likewise the charge that he used his influence to enrich himself at the

expense of his fellow-countrymen, whose confiscated estates he got

returned to them after deducting his commission, falls to the ground.

His fellow-countrymen, whose popular representative he was at Whitehall,

willingly gave him money for the purpose. "Though he had acquired great

possessions," wrote the Duke of Berwick, "it could not be said that he

had employed improper means."

But enough of historical recriminations over this almost forgotten man.

Hero or villain, he was when Frances Jennings first beheld him one of

the tallest and handsomest men in England. Macaulay at least did justice

to his looks when he spoke of "that form which had once been the model

for statuaries." With his striking appearance and fascinating manners

were combined reckless courage, an emotional, passionate temperament,

and the Irishman's ready wit. There is an anecdote of the latter which,

as an example of thrust and parry in _double entente_, is hardly to be

matched. Once Louis XIV., struck with the handsome Irishman's likeness

to himself, on which many had remarked, asked him with a subtle

insolence if his mother had not been at the Court of the late King

(Louis' father).

"Non, Sire," was Dick Talbot's instant reply; "mais mon _père_ y était."

A man, one would say, with a wit as quick and dangerous as his sword,

for which he was noted.

His reputation had been still further increased by a _liaison_ with the

notorious Countess of Shrewsbury, and when Miss Jennings met him he had

just come back from Ireland, whither he had gone to forget La Belle

Hamilton, who had refused him. He was, in fact, very susceptible where

the fair sex was concerned, and the ambitious Miss Jennings, having

cast a shrewd glance at his two thousand a year in landed property and

the valuable royal favour he enjoyed, was not long in bringing him to

her feet. The match having been approved by the Duchess of York, Talbot

and the beauty were as good as betrothed. This engagement, however, did

not last long. Miss Jennings's intimacy with Miss Price occasioned the

chivalrous Talbot much concern. Believing his lady-love to be above

reproach, and wishing her to remain so, he talked to her with more

affection than tact as to the impropriety of making a friend of one who,

having been dismissed by the Queen for misconduct, now enjoyed the

doubtful distinction of companion to my Lady Castlemaine.

Miss Jennings, who was not the least in love with Talbot, whom she

regarded from a purely mercenary point of view as being more eligible

than any other of her admirers, objected to be lectured on her choice of

friends; and as the society of Miss Price, whatever her reputation, was

most amusing company, she haughtily bade her lover mind his own

business. This quarrel under ordinary circumstances, owing to the

impulsive and generous nature of Talbot, would not have been of long

duration. But it chanced to occur just at the time that the "invincible"

Jermyn returned to Court after a long absence in the country. Having

heard sufficient of the Lovely Jennings to excite his curiosity, he at

once paid her court with his customary dishonourable motive. The beauty,

however, without adding another to this frivolous coxcomb's many

triumphs, nevertheless encouraged his attentions with a shrewd and

mercenary eye to his twenty thousand a year. Poor Talbot, who would have

forgiven the siren that had bewitched him anything, made several

attempts to win back the heart of his fair, but the coquette only

laughed at him, and used the quarrel as a means of exchanging one suitor

for another more eligible.

The Duchess of York, whose esteem Miss Jennings had cleverly won, was

persuaded by the designing maid of honour to sound Jermyn as to his

intentions, and succeeded in drawing from him the most satisfactory

assurances. The jilting of Talbot and conquest of Jermyn were soon the

chief topics of the Court, and the artful beauty flattered herself on

the aptitude she showed for intrigue. But Jermyn though hooked was not

caught. The irony in the compliments he received on being snared by a

girl he had tried to snare cooled his infatuation. He delayed to become

a Benedict, and the steps that Miss Jennings took to hasten him

constitute one of the best-known episodes in the "Mémoires de Gramont."

One of the customs much in vogue at the time was that of going about the

streets masked. "Both the King and Queen and all the Court," says

Burnet, "went about masked, and came into houses unknown, and danced

there, with a great deal of wild frolic. In all this people were so

disguised that, without being in the secret, none could distinguish

them." The same form of amusement was popular at the French Court,

whence no doubt it had been imported into England. It was, therefore,

not surprising that a fast Miss Price or a circumspect Miss Jennings, in

the desire to pass a weary hour or two, should have found many a

precedent to excuse a frolic to which the risk of discovery gave an

additional zest. "Having well considered the matter," said Hamilton,

"the best disguise they could think of was to dress themselves like the

girls who sell oranges in the theatres and public promenades. This was

soon managed; they attired themselves alike, each taking a basket of

oranges, and having embarked in a hackney coach, they committed

themselves to fortune without any other escort than their own caprice

and indiscretion."

Court Beauties of Old Whitehall: Historiettes of the Restoration · 第 9 / 18 段