TO JOHN CHUTE, ESQ.

PARIS, _Oct._ 3, 1765.

I don't know where you are, nor when I am likely to hear of you. I write

at random, and, as I talk, the first thing that comes into my pen.

I am, as you certainly conclude, much more amused than pleased. At a

certain time of life, sights and new objects may entertain one, but new

people cannot find any place in one's affection. New faces with some

name or other belonging to them, catch my attention for a minute--I

cannot say many preserve it. Five or six of the women that I have seen

already are very sensible. The men are in general much inferior, and not

even agreeable. They sent us their best, I believe, at first, the Duc de

Nivernois. Their authors, who by the way are everywhere, are worse than

their own writings, which I don't mean as a compliment to either. In

general, the style of conversation is solemn, pedantic, and seldom

animated, but by a dispute. I was expressing my aversion to disputes:

Mr. Hume, who very gratefully admires the tone of Paris, having never

known any other tone, said with great surprise, "Why, what do you like,

if you hate both disputes and whisk?"

What strikes me the most upon the whole is, the total difference of

manners between them and us, from the greatest object to the least.

There is not the smallest similitude in the twenty-four hours. It is

obvious in every trifle. Servants carry their lady's train, and put her

into her coach with their hat on. They walk about the streets in the

rain with umbrellas to avoid putting on their hats; driving themselves

in open chaises in the country without hats, in the rain too, and yet

often wear them in a chariot in Paris when it does not rain. The very

footmen are powdered from the break of day, and yet wait behind their

master, as I saw the Duc of Praslin's do, with a red pocket-handkerchief

about their necks. Versailles, like everything else, is a mixture of

parade and poverty, and in every instance exhibits something most

dissonant from our manners. In the colonnades, upon the staircases, nay

in the antechambers of the royal family, there are people selling all

sorts of wares. While we were waiting in the Dauphin's sumptuous

bedchamber, till his dressing-room door should be opened, two fellows

were sweeping it, and dancing about in sabots to rub the floor.

You perceive that I have been presented. The Queen took great notice of

me; none of the rest said a syllable. You are let into the King's

bedchamber just as he has put on his shirt; he dresses and talks

good-humouredly to a few, glares at strangers, goes to mass, to dinner,

and a-hunting. The good old Queen, who is like Lady Primrose in the

face, and Queen Caroline in the immensity of her cap, is at her

dressing-table, attended by two or three old ladies, who are languishing

to be in Abraham's bosom, as the only man's bosom to whom they can hope

for admittance. Thence you go to the Dauphin, for all is done in an

hour. He scarce stays a minute; indeed, poor creature, he is a ghost,

and cannot possibly last three months. The Dauphiness is in her

bedchamber, but dressed and standing; looks cross, is not civil, and has

the true Westphalian grace and accents. The four Mesdames, who are

clumsy plump old wenches, with a bad likeness to their father, stand in

a bedchamber in a row, with black cloaks and knotting-bags, looking

good-humoured, not knowing what to say, and wriggling as if they wanted

to make water. This ceremony too is very short; then you are carried to

the Dauphin's three boys, who you may be sure only bow and stare. The

Duke of Berry[1] looks weak and weak-eyed: the Count de Provence is a

fine boy; the Count d'Artois well enough. The whole concludes with

seeing the Dauphin's little girl dine, who is as round and as fat as a

pudding.

[Footnote 1: The Duc de Berri was afterwards Louis XVI.; the Comte de

Provence became Louis XVIII.; and the Comte d'Artois, Charles X.]

In the Queen's antechamber we foreigners and the foreign ministers were

shown the famous beast of the Gevaudan, just arrived, and covered with a

cloth, which two chasseurs lifted up. It is an absolute wolf, but

uncommonly large, and the expression of agony and fierceness remains

strongly imprinted on its dead jaws.

I dined at the Duc of Praslin's with four-and-twenty ambassadors and

envoys, who never go but on Tuesdays to Court. He does the honours

sadly, and I believe nothing else well, looking important and empty. The

Duc de Choiseul's face, which is quite the reverse of gravity, does not

promise much more. His wife is gentle, pretty, and very agreeable. The

Duchess of Praslin, jolly, red-faced, looking very vulgar, and being

very attentive and civil. I saw the Duc de Richelieu in waiting, who is

pale, except his nose, which is red, much wrinkled, and exactly a

remnant of that age which produced General Churchill, Wilks the player,

the Duke of Argyll, &c. Adieu!

_SUPPER PARTIES AT PARIS--WALPOLE WRITES A LETTER FROM LE ROI DE PRUSSE

À MONSIEUR ROUSSEAU._

Letters of Horace Walpole — Volume II · 第 48 / 134 题