"A most offensive person, indeed," said the Vicar, "and one that brings

great discredit upon the ministry; but it can be no matter of surprise

that men sometimes a little over-estimate themselves in some of our

fashionable towns, where the people (specially the ladies) flock to

_hear_ 'dear' Mr. Somebody, and so abundantly supply him with those

articles of personal furniture which are usually the reward of a popular

preacher. It is not so very long ago that in our own church every thing

was made to give way to the sermon. You remember, Mr. Acres, when many

of the people in St. Catherine's used to sit and sleep through the

prayers[80], and just wake up for the sermon. Then the pulpit was every

thing, and little else could be seen by the people; the galleries were

built so that the people might sit and see the preacher, and the pews

were likewise built up only with a view to sitting comfortable during

the sermon. It is all different now, I am thankful to say, and the

pulpit takes once more its old and appropriate position. But we must

take care not to esteem too lightly the office of the preacher, in our

contempt for one who preaches merely to _please the people_. To 'preach

the Word' is one of the solemn duties laid upon us at our ordination;

and woe be to us if we neglect to do so earnestly and faithfully!"

_CHAPTER XVII_

THE PULPIT

"Because the preacher was wise, he still taught the people knowledge;

yea, he gave good heed, and sought out, and set in order many proverbs."

Eccles. xii. 9.

"Unskilful he to fawn, or seek for power,

By doctrines fashion'd to the varying hour;

Far other aims his heart had learn'd to prize,

More bent to raise the wretched than to rise.

* * * * *

At church, with meek and unaffected grace,

His looks adorn'd the venerable place;

Truth from his lips prevail'd with double sway,

And fools, who came to scoff, remain'd to pray."

GOLDSMITH'S _Country Parson_.

"Resort to sermons, but to prayers most:

Praying's the end of preaching."

GEORGE HERBERT.

Illustration: Church of St. Mary, Henley-on-Thames

THE PULPIT

Illustration: Stone Pulpit in North Kilworth Church

"It's curious to note," continued the Vicar, "how the

Pulpit and the Gallery have kept company in rising higher and higher. At

first the pulpit was placed at a moderate height above the congregation,

and then the church improvers (?) were usually contented with erecting a

small low gallery at the west end of the church[81]. It is true, that

was bad enough; for in order to construct it, it was nearly always

thought necessary to fill in the tower arch and to hide the western

window--often the most beautiful features in the church; and then the

organ was taken up into this gallery, and the singers followed it; and

nothing, you know, could be more inconvenient than that those who help

to _lead_ the services of the Church should be _behind_ those they

profess to lead. But when people had once tasted the luxury of sitting

in a church gallery, the demand for it rapidly increased, and my Lady

Pride, who had very comfortable crimson-cushioned seats in her box at

the theatre, could not be content without an equally comfortable and

elegant _box_ in the gallery at her church, where she could see all the

people quite as well as in her box at the theatre, and had such a good

view of the pulpit and its occupant, that, with a good opera-glass, she

could even read the manuscript from which the clergyman was preaching.

As the taste spread, of course galleries multiplied, and not only

extended in a lateral direction over all available parts of the church,

but sometimes mounted up one above another (as witness many of our

London churches) till they almost touched the very roof. Indeed, to

build a new gallery was one of the most popular things a local magnate

could do; and even Members of Parliament, who desired to make sure of

their next election, could hardly adopt better means for recommending

themselves to their constituents than by disfiguring their church with

one of these hideous structures, and recording the same on some

conspicuous part of the church[82]. But worse still; these galleries

were sometimes even still more nearly connected with the political

parties of the day. I know one church[83]--and that is not the only

instance--in which are galleries, having complete opera-boxes, furnished

with luxurious chairs, stoves, &c., and every box is a two-pound

freehold, and the boxes are, from time to time, advertised for sale,

with the inviting recommendation that each one _gives a vote for the

county_. One great piece of presumptuous vanity connected with these

galleries, is the numberless instances in which the names of

churchwardens, that otherwise would have been unknown to fame, have been

emblazoned upon them."

"You remember, no doubt," said Mr. Acres, "the inscription, in large

gilt letters, that covered the front of our old gallery--'This gallery

was erected A.D. 1716, Thomas Grubb and Matthew Stokes, Churchwardens;

enlarged, and newly painted and ornamented, A.D. 1760, Peter Jenks and

Samuel Styles, Churchwardens.' I believe I have read that inscription

thousands of times, and those names used even to haunt me in my dreams.

Had those churchwardens been four of the greatest saints in the

calendar, it would have been gross impiety to emblazon their names so

conspicuously as thus to force them upon one's notice during the whole

service. If, however, tradition does not speak falsely of them, those

men were by no means too correct either in their private life or in

their parish accounts. But let them be never so good, people who go to

church for Christian worship, don't wish to have the names and exploits

of these worthy or unworthy men staring them in the face every moment

they are there. But I beg your pardon, Mr. Vicar, I interrupted you when

you were speaking of the pulpit."

"Well, you know, when the gallery had reached the ceiling, it could go

no higher; but then its upper tenants could no longer see the preacher.

So the pulpit rose too, and, to enable all to see it, sometimes took its

place just in front of the altar, so as completely to hide that from

most of the congregation; nay, I have seen it even over the altar

itself[84]. Then the prayer-desk came climbing up after the pulpit; and

then the clerk's desk came creeping up below them, till that, too,

became one of the most conspicuous and important objects of the church.

Thus the three together grew into that clumsy, unsightly mass which has

been not inaptly called the _Three Decker_!"

"Ah, I shall never forget poor old Mowforth's perplexity," said Mr.

Acres, "when he looked about for his peculiar box in our restored

church. First he looked doubtingly at your prayer-desk; then he examined

the lectern from which you read the lessons; then he looked with some

faint hope at the pulpit; at last he came to me, and said, 'Please, sir,

which of these is to be my place?' and his look of dismay was

indescribable when I told him that, as you intended that henceforth the

choir should lead the responses, he would be absorbed in the

congregation, and would in future be able to take his place with the

rest of his family. But the man is a sensible fellow, and he confessed

to me the other day that he considers the new arrangement a great

improvement, and wonders that the people could have so long endured the

duet service in which only the voices of the parson and himself could be

heard. But we have again wandered a little from our subject. Let us go

back to the pulpit; it must have a history of its own, like every other

part of the church. Will you kindly enlighten me and our friend here on

the subject? for it must be one of much interest to us both."

"Well--to begin at the beginning--I suppose we must look for the origin

of our pulpits in the 'brazen scaffold' which Solomon set 'in the midst

of the Temple[85],' and the 'pulpit of wood[86]' from which Ezra read

the Book of the Law.

"There are in this country many very beautiful examples of ancient

pulpits; these are, with but very few exceptions, constructed of

_stone_, and very generally of the same date as the church itself.

Sometimes they were erected outside the church[87], but usually in the

place where we are still accustomed to see them. Sometimes stone pulpits

were quite separate buildings, erected in some much frequented place,

usually near a cathedral or other church[88]. 'In the ancient rites of

Durham there is mention of a "fine _iron_ pulpit, with iron rails to

support the monks in going up, of whom one did preach every holiday and

Sunday at one o'clock in the afternoon." This was situated in the

Galilee, or western division of the church, which was open to the public

even when the entrance to the rest of the church was interdicted[89].'

Although the most beautiful pulpits, both ancient and modern, are of

stone--many of them being richly carved and inlaid with costly

marbles--yet the greater number of the more modern pulpits are made of

wood[90]. By an injunction of Queen Elizabeth in 1559, pulpits were

ordered to be erected in all churches[91], and by a canon of 1663 it was

ordered that pulpits should be placed in all the churches of the country

not already provided with them. The pulpits then erected were in almost

every case made of wood, and their pattern has since then been

generally, though by no means universally, followed.

"A curious appendage to the pulpit sometimes found is the horologium, or

hour-glass. Whether this was placed there for the information of the

congregation as to the progress of the hour, or to teach them its own

solemn moral, or as a guide to the preacher respecting the length of his

discourse[92], I cannot say. Another adjunct to the pulpit is the

sounding-board, or, as it should rather be called, the _lid_ or _cover_

of the pulpit; and a thing more useless, and usually more ugly, one

cannot conceive[93]. It certainly always seems to me rather to impede

the sound of my voice than to assist it; and then it has, to say the

least, a most uncomfortable appearance; and though I never heard of the

accident really happening, yet it always appears to me to be on the

point of falling and crushing the poor preacher below it. It is not,

however, difficult to trace the origin of these covers to the pulpit;

they were really necessary where the pulpits were _separate

buildings_--as at St. Paul's Cross--in order to protect the preacher

when the weather was inclement. At St. Paul's Cross, and at the Cross

Pulpit at Norwich, and probably elsewhere, not only the preacher, but

also the audience, were provided with such a shelter[94]."

"Will you kindly tell us," said Mr. Dole, "why you discarded the large

handsome velvet cushion that was once on your pulpit, and have, instead,

adopted the embroidered piece of velvet which now hangs in front of the

pulpit?"

"Well, as a matter of taste, I think you will agree with me that the

present beautiful frontal, with its richly-embroidered cross, is an

improvement upon the old cushion. But I discarded the old big

_pillow_--for such, indeed, it was--not only because it was unsightly,

but also because it was useless, for my head is not so much more tender

than that of other persons, that I, any more than they, should require a

pillow to rest it on during my private devotions; and as I am not

accustomed to perform the part of a mountebank in the pulpit, or, as

some say, to use much _action_ when preaching, I need no such protection

in order to preserve my limbs safe and sound. But, besides this, there

is a manifest objection to these huge cushions; undoubtedly they tend to

impede the sound of the preacher's voice[95]; so I was very glad to get

rid of your handsome cushion, and adopt our more convenient and more

beautiful pulpit frontal."

"I often think," said Mr. Acres, "if the old pulpits could speak, what a

strange account they would give of the various preachers that have

occupied them. Take our own old stone pulpit, for instance. In early

times, of course, there were only sermons at long intervals, perhaps

often dependent upon the occasional visits of some old preaching friar.

At length there came the quaint old Homilies of the Church; then there

came an interruption to all true religion and order, and the old pulpit

poured forth the mad ravings of the fanatical Puritans who got

possession of it. Now and then came a noisy soldier to hold forth, and

there was--as our old registers show--the _Reverend_ Ebenezer Bradshaw,

the Presbyterian, who left his snuff and tobacco shop to enlighten our

poor benighted people; next came the _Reverend_ Obadiah Brent, late of

the 'Green Dragon,' the Independent preacher; and then the _Reverend_

Jabez Zanchy, the baker of Starchcombe, the Anabaptist preacher[96];

then there was a century of long learned essays freely interspersed with

Greek and Latin, so that, if the prayers were said in a language

'understanded of the people,' the sermon certainly was not. Following

upon this came what we may call the _muscular_ style of

preaching--usually extempore--requiring the pillows of which you have

been speaking to save the knuckles of the preacher from entire

demolition. Thank God, amid these many changes, there have always been

some good men to be found in our pulpits; but, for my part, I like the

quiet, sober, persuasive style, which--saving your presence, Mr.

Vicar--I am thankful to say, characterizes the sermons at St.

Catherine's. I think sermons cannot be too _practical_; and, whilst they

should be addressed both to the heart and the intellect, they should

most of all be designed to touch the _heart_."

_CHAPTER XVIII_

THE NAVE

"My brethren, have not the faith of our Lord Jesus Christ, the Lord of

Glory, with respect of persons."

S. James ii. 1.

"At length a generation more refined

Improved the simple plan....

And o'er the seat, with plenteous wadding stuff'd,

Induced a splendid cover, green and blue,

Yellow and red, of tapestry richly wrought,

And woven close, or needlework sublime."

COWPER.

Illustration: St. Mary's Church, Sherborne

THE NAVE

"Ah, Mr. Beeland, I'm so glad to see you!" said the Vicar, as, on

leaving the church, he met his neighbour the newly-appointed Vicar of

Droneworth. "I have been much grieved to hear of the sad opposition you

have had to encounter in restoring your fine old church; but this was

sure to be the case in a parish like yours, which has been so long

neglected; indeed it must be so, more or less, in every parish, so long

as there are people who honour themselves much more than they honour

God; and such, I suppose, there will be till the end of the world. You

may be sure, my friend, the woe of universal commendation[97] never yet

fell upon any _church restorer_."

"Never, certainly. But what makes our position often so difficult and so

painful is the fact that, whilst we are fully sensible of the rectitude

of our own course, we cannot help, to some extent, sympathizing in the

feelings of those who blame us. For instance, in almost every case of

church restoration it is necessary to disturb a large number of human

bones, and yet we can but sympathize in that feeling of respect for the

departed, which sometimes expresses itself in the most strenuous

opposition to any work involving this painful necessity. Then, you see,

there is the rooting up of long-cherished associations. We have a case

in point close at hand. There's the grand old church of Rainsborough

will be left in its miserable condition so long as the present Vicar

lives, and for no other reason than this:--ten years since he lost a

favourite daughter, and she had always been accustomed to sit in one

particular corner of their large pew." Now the Vicar fears (and no doubt

justly) that should the church be altered, the old pew with its fond

associations would be swept away--and so the church will never be

improved as long as he lives[98]. We must respect the old man's tender

love for the spot sacred to the memory of his dear child, yet we plainly

see it is all wrong that for the sake of the private feelings (however

praiseworthy) of any one person, God's house should remain in a state of

neglect, and the poor should be uncared for therein. This, however, is

an oft-told tale. But most of all, we have to contend against _wounded

pride_ in its most cherished strong-hold--alas!--the Church of God; and

the enemy is all the more fierce because it is prostrate.

"My two great opponents, Sir John Adamley and Mr. Parvener, are to meet

me this evening, and I am come to ask you and Mr. Acres to walk back

with me to Droneworth, so that I may have the benefit of your support.

You see these two gentlemen had pews in the nave of our church, lined,

cushioned, and carpeted in dazzling crimson; each pew was as large as a

good-sized room, and the two occupied nearly half the nave. Mr. Parvener

was generally at church once on a Sunday, and then he sat not only in

luxurious ease, but also in solitary dignity. Sir John never came to

church, as there was some old feud respecting the right owner of his

pew; but the door was always locked, and a canvas cover was stretched

over the top. These precautions, however, failed to keep out an

occasional intruder, and at last the door was securely _nailed up_[99].

The worst of it was, that all this time there was not a seat in the

church which a poor man could occupy with any chance of either seeing or

hearing the ministering Priest. Now people talk about _proper_

distinctions in church between the high and the low, and we sometimes

hear much about old ancestral pews. Believe me, it's all nonsense, my

dear sir; the distinction is _solely between riches and poverty_. If a

man has plenty of money, he may (or rather, till lately he might)

secure the biggest pew in England; and if he has not money, though he

be entitled to quarter the royal arms on his escutcheon, he will get no

pew at all. Mr. Parvener is an exact instance of this. But a few years

since he was working for half-a-crown a day. No sooner did he become

wealthy than he obtained a large pew at our church, whilst its former

owner, whose fall had been as complete and rapid as was the rise of his

successor, was driven to a remote corner of the church allotted to

degraded poverty."

The walk to Droneworth was soon accomplished, but the Rector with his

two friends only reached the Parsonage a few moments before the arrival

of the two aggrieved parishioners. It was evident from the first

greeting that they had come in no friendly spirit. But few words passed

before Sir John came direct to the object of the interview.

"The purpose of our visit," said Sir John, "you are aware, is to protest

against the removal of our pews at church, and to declare our

determination to have them replaced if it is possible."

"But, gentlemen, you are aware that we have provided good accommodation

for you in the restored church," replied the Vicar.

"Good accommodation, sir!" exclaimed Sir John. "Why, you have given us

nothing but low wooden benches to sit upon; and, to add to the insult,

sir, there is not the semblance of a _door_; so that our devotions may

at any time be interrupted by the presence of an inferior. Why, sir, the

very labourers, who earn their half-crown a day, have seats in the

church just as good as ours!"

The last sentence made poor Mr. Parvener writhe a little; and that

indeed was its real intention, for the two neighbours had, in truth,

little love for each other. The words, however, accomplished another and

a better purpose; they broke up at once any thing like united action on

the part of the opposition.

"Let me ask you, gentlemen, a very simple question," said the Vicar.

"_Why should not_ the labourer have as good a place in God's house as

yourselves?"

"You might as well ask," said the Baronet, "why they should not have as

good houses as we have."

"The cases are in no way similar. You live in better houses than the

poor, simply because your worldly means enable you to do so; but I have

yet to be taught that in the Church wealth is to be exalted and poverty

degraded. No, Sir John, be sure this distinction is out of place

_there_. We go to church to _worship_ and to _learn_, and if favour is

shown to any class, no doubt it should be to the ignorant and the poor;

but this is a matter on which we are not left to our own judgment. There

are not many instructions in our Bibles as to the manner of arranging

our churches, but here the direction is plain and unmistakable."

"Indeed, sir! I had no idea that any thing about church seats was to be

found in the Bible."

"Oh, but indeed there is. The passage to which I refer is in St. James'

Epistle; and it is this: '_My brethren, have not the faith of our Lord

Jesus Christ, the Lord of Glory, with respect of persons. For if there

come unto your assembly a man with a gold ring, in goodly apparel, and

there come in also a poor man in vile raiment; and ye have respect to

him that weareth the gay clothing, and say unto him, Sit thou here in a

good place; and say to the poor, Stand thou there, or sit here under my

footstool: are ye not then partial in yourselves, and are become judges

of evil thoughts[100]?_'"

"If those words are in the Bible, I must confess the Bible is against

me; but I had no idea that they were there."

"I assure you they are the exact words of Holy Scripture."

"It's clear enough to me," interposed Mr. Parvener, "that the labourer

ought to have as good a place at church as the lord. I don't think the

church is the place to show off aristocratic pride. Why, for that

matter, there's many a man that doesn't know who was his grandfather

doing more for the glory of God and the good of his fellow-creatures

than your grandest aristocrats." This was intended as a counter-thrust,

and it created a wider breach in the enemy's camp. "But," continued he,

"I don't see why, if all have good places in the church, we should not

make our own seats as comfortable as we can."

"Ah, but there comes in just what St. James tells us we ought to keep

out: the distinction between _riches and poverty_, distinctions which

among our fellow-men have their advantages, but not before God in His

house. Just hear what St. James says again: 'Hearken, my beloved

brethren, Hath not God chosen the poor of this world rich in faith, and

heirs of the kingdom which He hath promised to them that love Him? But

ye have despised the poor[101].' I was much struck with a sermon I heard

the other day on this subject. The preacher said, 'If our Lord Jesus

Christ were to enter some of our churches just as He went to the temple

at Jerusalem, do you think He would take His seat in the luxuriously

furnished pew of the rich, or in the open bench of the poor[102]?' Now,

let me ask you too, Mr. Parvener (for this is, after all, the sum and

substance of the matter), do you think that He 'who was rich, yet for

our sakes became poor[103],' and whose life was a perfect pattern of

_humility_, would sanction the distinctions which either pride of

station, or pride of riches, would create in the House of Prayer?"

"Well, sir, I must say that's a solemn question, and it sets one

a-thinking more than I have thought before about this."

"But, Mr. Beeland," said Sir John, interrupting, for he saw the ground

of his arguments was slipping from under him, "you will acknowledge that

these open benches in church are a _novelty_, and you often talk to us

about keeping to the _old paths_. Now, here you are teaching us to

strike out a new way altogether. I wish I knew something more than I do

about the history of these pews."

"I anticipated some such remark from you, and knowing that my friend Mr.

Ambrose is more learned than I am in all these subjects, I induced him

to join us this evening, and if he will kindly give us the benefit of

his information, he will, I am sure, convince you that _pews, and not

benches, are the modern innovation_."

"If you can have patience to listen to me," said the Vicar of St.

Catherine's, "I will gladly give you the history of pews, as far I know

it."

_CHAPTER XIX_

THE NAVE

"Take theses things hence; make not My Father's house a house of

merchandise."

John ii. 16.

"Not raised in nice proportions was the pile,

But large and massy; for duration built;

With pillars crowded, and the roof upheld

By naked rafters intricately cross'd,

Like leafless underboughs, 'mid some thick grove,

All wither'd by the depth of shade above,

... The floor

Of nave and aisle, in unpretending guise,

Was occupied by oaken benches ranged

In seemly rows."

WORDSWORTH.

Illustration: All Saints' Church, Bradford

THE NAVE

Stones of the Temple; Or, Lessons from the Fabric and Furniture of the Church · 第 7 / 14 段