CHAPTER XI

THE FIRE

“Again has come the Springtime, with the Crocus’s golden bloom,

With the sound of the fresh-turned earth-mould and the violet’s

perfume.”

—Samuel Longfellow.

It is the spring of Lissa’s second year in her Nebraska home. Nathan,

through with his winter duties at the post, has become farmer again, and

the prairie, yet gray with the tall wild grass of the previous year, is

black-dotted with patches of newly plowed land, while the upspringing

verdure gives the landscape a gray-green tint of great beauty.

Lissa has grown to love this Western home, and as we see her now,

tripping about the floor of her humble cabin, there is a maturer look in

her bright face and pliant figure, and though she is paler in cheek and

lip, her smile speaks the joy in her heart. Her neat calico gown is

supplemented by a white cambric apron, and as she critically glances

about her she is a picture of womanly contentment. She is obliged to

make up in swiftness now the time demanded from her work to care for the

little seraph who kicks, squirms, and even cries in her waking hours if

she is not given immediate and undivided attention. Their house has

grown with their family, and a nice little lean-to has been built,

giving an extra room, and Lissa seems to have forgotten to wish for the

spacious walls or wide balconies of her former home. She has as good as

her neighbors, and luxuries are only comparative, after all. It must be

confessed, Lissa is not a little vain of the handsome silver, few pieces

of cut-glass, and dainty napery which were among her wedding gifts, and

which she can now display on occasions to the admiration and envy of her

less fortunate neighbors. Only Alice, of all her neighborhood, can

outshine her in this, but Mark is an army officer, and quite the great

man of the place, and she cannot feel envious of one of the family.

It is nearly dinner time and baby must be put aside while Lissa prepares

the table. A motherly solicitude shines in her dark eyes as she places

the little autocrat in her crib (a large wicker clothes-basket), puts in

her clutching, uncertain grasp the rubber ring, and turns toward her

work.

“There, there, baby Lucy, lie still with your toys,

For papa is coming and does not like noise,”

she sings, in her clear treble.

“Hush, hush, there’s a deary, or mamma ’ll be weary;

There, there, but a minute, you’ll have to be in it,

Till mamma makes dinner, then baby’s the winner.”

Thus sings and rhymes the girl-mother, and the cloth is laid in a short

space of time, and few moments later the dignified, manly figure of

Nathan enters.

“How smoky it is getting outside,” Lissa says as she catches a glimpse

of the atmosphere through the open doorway.

“Yes, the fires must be making considerable headway across the river.

The smoke is much denser than it was this morning when I began plowing.”

“You think it is all across the river? No danger of its getting over

here?” Lissa questions, a note of anxiety in her voice.

“O, no; the river ’ll protect us. I should think Linkwell and Jordan,

over there, would need to start back fires, though.”

“We’ve been fortunate, this spring, not to have any started on this

side,” Lissa says.

“Yes, with as much tall, dry grass as there is about. We don’t generally

have any fear of fires at this time of year. It’s the fall when they

rage worst. The spring burning is unusual,” continues Nathan in his

measured speech. “But I suppose some one thought he’d burn off his piece

of ground before plowing, and was careless about it, as we were once

upon a time. His plowed strip may have been too narrow, or the wind too

high.”

“Oh, one cannot be too careful!” Lissa says with feeling. “I think what

a close call we had when you let me fire the ten-acre lot by the canon,

and all because the sod was not quite overturned on that rocky place at

one corner.”

“Yes, but I reckon it was a good thing to happen. You wouldn’t have

known how to fight a fire if we had not had that experience. Now if one

should start up you would know what to do.”

“Yes,” she says reflectively.

The meal ended, Nathan goes again to his work, which is now upon the

upper end of the farm, nearly two miles from the house, and Lissa, when

the dinner-work is over, sits down to rock her baby to sleep.

The smoke has become quite dense by this time, and as she looks out

across the river she sees leaping spires of orange-colored flames amidst

the lifting, rolling clouds of smoke.

“Ah, baby Lucy, we are fortunate not to be over there,” she says, and

clasps the little one more closely while she croons a lullaby.

Suddenly she is attracted by the strange actions of the family cat,

which has been stretched out upon a rug across the room. Puss darts

across the floor to the window, and placing her forepaws upon the

window-seat, looks out. Then with a look of terror she runs to Lissa,

and crouching at her feet begins to mew piteously.

“What is it, Menkin?” asks Lissa, putting down her hand to stroke the

creature’s back. The cat darts again to the window, and Lissa, following

her, sees that which blanches her face and lips to chalky whiteness.

The fire has crossed the river! The wind has carried the burning cinders

even to the nearer bank, and now, only three-quarters of a mile away,

she can see the curling smoke, and tongues of red fire lapping the dry

grass.

Frantic with alarm, her thoughts work rapidly. She drops her baby into

the basket and rushes out to the well, which, with its buckets, stands

near the house.

Heavens! How long it seems ere, working desperately, hand over hand upon

the rope, she can bring the filled bucket to the top of the curb. Then

with a pail of water and a gunny-sack she flies across the fields to

meet the oncoming fire. With supernatural strength, evolved from her

terror, with the wet sacking she beats back the ravening flames madly,

frantically, and with all the force of over-strained muscles and

fear-nerved energy she fights the merciless element, until at last,

blinded by smoke, and scorched and blackened, she turns toward the

house, and flies with all the strength left her, her only hope now to

get her baby and run with it to the only haven of safety, the black soil

of the plowed land.

Snatching her child from its pillow and folding it in her smoke-begrimed

arms she dashes again through the doorway and runs on and on over the

soft earth, until, with many yards of the moist, upturned sod about her,

she pauses and turns her eyes backward toward her humble yet beloved

home.

With fascinated gaze she watches the flames creep nearer and nearer, now

only like red snakes in the grass, then as the tall weeds catch, like

sheets of scarlet, wound and twisted in smoke-clouds.

The fire has parted at the place where her frenzied efforts have been

most effective, and one part is sweeping down the side of the road

opposite the house, the other around the barn-yard toward the stables.

She can see the horses corralled beyond the barn, and anticipating their

fate she hides her face in her child’s clothing and sobs.

She is startled by hearing the sound of galloping horses and looks out

to see a drove of frightened animals come madly down the road ahead of

the flames. Will their instincts guide them toward a place of safety? A

burning stack across the road is adding to the blinding smoke, and she

can see through smarting eyes but a short distance around her.

“O God! spare the poor creatures tied there and helpless,” she prays.

“Oh, why didn’t I think to loose them?”

She crouches down over her child and gives away to her grief. Suddenly

she hears steps near her, and glancing up, the pink nose of Puss, her

pony, is thrust into her hand.

“O you dear creature, how did you get away?” she falters. Then as she

perceives the dragging rope, yet fastened to the up-pulled stake, she

knows what Puss in her fright has been able to accomplish.

“We all have superhuman strength given us in our time of need,” she

murmurs. She strains her eyes for a glimpse of the burning house, but

the smoke is so painful she is fain to hide her face, while her faithful

horse rubs its head against her as if to assure her of sympathy.

“Lissa!” cries an anxious voice near her.

“O Nate! Oh, our poor horses and our home! What shall we do?”

“I am thankful _you_ are safe, Lissa. I feared you might not remember to

come here soon enough. Keep your eyes covered and crouch down close to

the ground. This smoke from that burning stack is overpowering.”

“And our burning house and barns! O Nate,” wails Lissa, “those poor,

poor horses!” She bows her head again, and for some moments neither

speak.

“Lissa, Lissa, look up!” cries Nathan suddenly, his voice thrilling with

a note of exultation. “Our home is safe! Do you hear? Safe!”

Lissa raises her eyes. The smoke has lifted, and to their surprise and

joy they see revealed to them the buildings standing, unharmed. The

fire, although raging across the road, has let the barrier of only a few

feet, the width of one wagon-track, turn its course, and now, passing

on, has left only a blackened, smoking trail behind it.

It has passed back of the stables, turned by the yards, and left them

and the horses untouched.

“It is a miracle, Lissa!” says Nathan devoutly, his slow speech giving

force to his words. “As soon as the turf cools we can go

home,—home—think of it!”

But Lissa is weeping hysterically.

“What, crying when the danger is over? This is not the time to cry. What

is it for, little girl?”

“O Nate, Nate—Nate! I—can’t help it! I—I’m—so happy! I—I’m so glad!” she

sobs.

“There, there, give me the baby. Your nerves are all unstrung, that is

certain, and small wonder at it. But what’s this? What’s the matter with

your hands? Why, child, they are all blistered and burned. What have you

been doing?”

“I—I fought the fire,” falters Lissa.

“My poor child!”

“I beat it back just as long as I could,” she pants.

“And divided it, and saved our home! I understand all now,” Nathan

answers in broken tones.

“No, it was the yards, I think. It was a miracle. I only beat it out up

to the road.”

“And kept it on that side. But these poor hands must be looked after.

Aren’t they paining you?”

“I—I haven’t thought of them,” replies Lissa. “How could I when these

poor animals and—and our house were in such danger.”

Tibby: A novel dealing with psychic forces and telepathy · 第 11 / 33 章