CHAPTER XX

THE HEIAN EPOCH (Continued)

60th Sovereign, Daigo (Continued)

61st " Emperor Shujaku A.D. 931-946

THE ENGI ERA (A.D. 901-923)

In the year 909, Fujiwara Tokihira died and was followed to the

grave, in 913, by Minamoto Hikaru. For an interval of some years no

minister of State was nominated; the Emperor Daigo himself

administered affairs. For this interregnum in the sway of the

Fujiwara, the Engi era is memorable.

It is memorable for other things also; notably for the compilation of

documents which throw much light on the conditions then existing in

Japan. The Emperor, in 914, called upon the Court officials to submit

memorials which should supply materials for administrative reforms.

The great scholar, Miyoshi Kiyotsura, responded with ability so

conspicuous that posterity has been disposed to question the justice

of the charges against him in connexion with Michizane's fate. He set

out by stating that, in the early times, the national sentiment had

been kind and simple; the people loyal to the Throne and obedient to

parents; the taxes moderate. But, thereafter, customs had gradually

deteriorated. Laws and regulations were promulgated with bewildering

rapidity. Taxes and forced labour grew heavier day by day. Cultivated

lands were suffered to lie fallow. Buddhism established such a hold

upon men's minds that people of all classes impoverished themselves

to build places of worship and to cast images. Upon the erection of

the provincial temples (Kokubun-ji) five-tenths of the national taxes

were expended; and in connexion with the removal of the capital to

Kyoto and the building of new palaces, a further sum of three-tenths

was paid out. Again, the Emperor Nimmyo's (834-850) love of luxury

and display led to architectural extravagance entirely unprecedented,

and involved the squandering of yet another tenth of the remaining

income of the State. Thereafter, in the Jokwan era (859-876),

frequent conflagrations destroyed the Imperial edifice, and its

restoration cost a tenth of the remaining revenue, so that only

one-twentieth was ultimately available for general expenses.

As illustrating the state of the rural regions, the memorialist

instanced the case of Bitchu, a province on the Inland Sea, where he

held an official appointment in the year 893. The local records

(Fudoki) showed that a levy made there about the middle of the

seventh century had produced twenty thousand able-bodied soldiers,*

whereas a century later, there were found only nineteen hundred; yet

another century afterwards, only seventy; at the close of the ninth

century, nine, and in the year 911, not one. To such a state of

desolation had the district been reduced in the space of 250 years,

and its story might be taken as typical.

*The district was consequently named Nima, an abbreviation of ni

(two) man (ten thousand).

Passing to the question of religion, the memorialist declared that

the Shinto ceremonials to secure good harvests had lost all

sincerity. The officials behaved as though there were no such thing

as deities. They used the offerings for their own private purposes,

sold the sacred horses, and recited the rituals without the least

show of reverence. As for Buddhist priests, before asking them to

pray for the welfare of their parishioners, they must be asked to

purge themselves of their own sins. The priests who ministered at the

provincial temples had lost all sense of shame. They had wives, built

houses, cultivated lands, and engaged in trade. Was it to be supposed

that heaven would hearken to the intervention of such sinners?

Meanwhile, luxury and extravagance had reached an extreme degree. On

one suit of clothes a patrimony was expended, and sometimes a year's

income barely sufficed for a single banquet. At funeral services all

classes launched into flagrant excesses. Feasts were prepared on such

a scale that the trays of viands covered the entire floor of a

temple. Thousands of pieces of gold were paid to the officiating

priests, and a ceremony, begun in mourning, ended in revelry.

Corresponding disorder existed with regard to the land. The original

distribution into kubunden, as we saw, had been partly for purposes

of taxation. But now these allotments were illegally appropriated, so

that they neither paid imposts nor furnished labourers; and while

governors held worthless regions, wealthy magnates annexed great

tracts of fertile land. Another abuse, prevalent according to Miyoshi

Kiyotsura's testimony, was that accusations were falsely preferred by

officials against their seniors. Provincial governors were said to

have frequently indulged in this treacherous practice and to have

been themselves at times the victims of similar attacks. The Court,

on receipt of such charges, seldom scrutinized them closely, but at

once despatched officers to deal with the incriminated persons, and

in the sequel, men occupying exalted positions were obliged to plead

on an equal footing with officials of low grade or even common

people. Self-respecting persons chose to stand aside altogether from

official life rather than to encounter such risks.

This was an almost inevitable result of the exceptional facilities

given to petitioners under the Daika and Daiho systems. Miyoshi

Kiyotsura urged that all petitioning and all resulting inquiries by

specially appointed officials should be interdicted, except in

matters relating to political crime, and that all offenders should be

handed over to the duly constituted administrators of justice. As to

these latter, he spoke very plainly. The kebiishi, he wrote, who,

being appointed to the various provinces, have to preserve law and

order within their jurisdictions, should be men specially versed in

law, whereas a majority of those serving in that capacity are

ignorant and incompetent persons who have purchased their offices. To

illustrate further the want of discrimination shown in selecting

officials, he refers to the experts appointed in the maritime

provinces for manufacturing catapults, and declares that many of

these so-called "experts" had never seen a catapult.

ENGRAVING: FAMILY LIFE OF NOBLES, HEIAN EPOCH, A.D. 782-1192

It is against the Buddhist priests and the soldiers of the six guards

that he inveighs most vehemently, however. He calls them "vicious and

ferocious," Those who take the tonsure, he says, number from two to

three thousand yearly, and about one-half of that total are wicked

men--low fellows who, desiring to evade taxation and forced labour,

have shaved their heads and donned priests vestments, aggregate

two-thirds of the population. They marry, eat animal food, practise

robbery, and carry on coining operations without any fear of

punishment. If a provincial governor attempts to restrain them, they

flock together and have recourse to violence. It was by bandits under

the command of wicked priests that Fujiwara Tokiyoshi, governor of

Aki, and Tachibana Kinkado, governor of Kii, were waylaid and

plundered.

As for the soldiers of the guards, instead of taking their monthly

term of duty at the palace, they are scattered over the country, and

being strong and audacious, they treat the people violently and the

provincial governors with contumacy, sometimes even forming leagues

to rob the latter and escaping to the capital when they are hard

pressed. (These guardsmen had arms and horses of their own and called

themselves bushi, a term destined to have wide vogue in Japan.) It is

interesting to note that they make their historical debut thus

unfavourably introduced. Miyoshi Kiyotsura says that instead of being

"metropolitan tigers" to guard the palace, they were "rural wolves"

to despoil the provinces.

APPRECIATIONS OF THE MIYOSHI MEMORIAL

This celebrated document consisted of twelve articles and contained

five thousand ideographs, so that nothing was wanting in the matter

of voluminousness. The writer did not confine himself to enumerating

abuses: he also suggested remedies. Thus he urged that no man, having

become an equerry (toneri) of the six corps of guards, should be

allowed to return to his province during his term of service; that

the spurious priests should be all unfrocked and punished; that the

office of kebiishi should be restricted to men having legal

knowledge; that the upper classes should set an example of economy in

costumes and observances; that the ranks of the Buddhist priesthood

should be purged of open violators of the laws of their creed, and so

forth. Historians have justly eulogized the courage of a memorialist

who thus openly attacked wide-spread and powerful abuses. But they

have also noted that the document shows some reservations. For

generations the Fujiwara family had virtually usurped the governing

power; had dethroned Emperors and chosen Empresses; had consulted

their own will alone in the administrations of justice and in the

appointment and removal of officials. Yet of these things Miyoshi

Kiyotsura says nothing whatever. The sole hope of their redress lay

in Michizane; but instead of supporting that ill-starred statesman,

Miyoshi had contributed to his downfall. Could a reformer with such a

record be regarded as altogether sincere?

ADMINISTRATION OF THE EMPEROR DAIGO

The Emperor Daigo, who ruled thirty-two years--from 898 to 930--is

brought very close to us by the statement of a contemporary historian

that he was "wise, intelligent, and kind-hearted," and that he always

wore a smiling face, his own explanation of the latter habit being

that he found it much easier to converse with men familiarly than

solemnly. A celebrated incident of his career is that one winter's

night he took off his wadded silk garment to evince sympathy with the

poor who possessed no such protection against the cold. Partly

because of his debonair manner and charitable impulses he is

popularly remembered as "the wise Emperor of the Engi era." But close

readers of the annals do not fully endorse that tribute. They note

that Daigo's treatment of his father, Uda, on the celebrated occasion

of the latter's visit to the palace to intercede for Michizane, was

markedly unfilial; that his Majesty believed and acted upon slanders

which touched the honour of his father no less than that of his

well-proved servant, and that he made no resolute effort to correct

the abuses of his time, even when they had been clearly pointed out

by Miyoshi Kiyotsura. The usurpations of the Fujiwara; the

prostitution of Buddhism to evil ends; the growth of luxurious and

dissipated habits, and the subordination of practical ability to

pedantic scholarship--these four malignant growths upon the national

life found no healing treatment at Daigo's hands.

THE CLASSICAL AGE OF LITERATURE

The Engi era and the intervals of three or four decades before and

after it may be regarded as the classical age of literature in Japan.

Prose composition of a certain class was wholly in Chinese. All works

of a historical, scientific, legal, or theological nature were in

that language, and it cannot be said that they reached a very high

level. Yet their authors had much honour. During the reigns of Uda

and Daigo (888-930), Sugawara Michizane, Miyoshi Kiyotsura, Ki no

Haseo, and Koze no Fumio, formed a quartet of famous masters of

Chinese literature. From one point of view, Michizane's overthrow by

Fujiwara Tokihira may be regarded as a collision between the

Confucian doctrines which informed the polity of the Daika epoch and

the power of aristocratic heredity. Kibi no Makibi and Sugawara no

Michizane were the only two Japanese subjects that attained to be

ministers of State solely in recognition of their learning, but

several littérateurs reached high office, as chief chamberlain,

councillor of State, minister of Education, and so forth. Miyoshi

Kiyotsura ranks next to Michizane among the scholars of that age. He

was profoundly versed in jurisprudence, mathematics (such as they

were at the time), the Chinese classics, and history. But whereas

Michizane bequeathed to posterity ten volumes of poems and two

hundred volumes of a valuable historical work, no production of

Kiyotsura's pen has survived except his celebrated memorial referred

to above. He received the post of minister of the Household in 917

and died in the following year.

It must be understood that the work of these scholars appealed to

only a very limited number of their countrymen. The ako incident (pp.

239-240) illustrates this; the rescript penned by Tachibana no Hiromi

was not clearly comprehended outside a narrow circle of scholars.

Official notices and enactments were intelligible by few men of the

trading classes and by no women. But a different record is found in

the realm of high literature. Here there is much wealth. The Nara

epoch gave to Japan the famous Manyo-shu (Myriad Leaves), and the

Engi era gave her the scarcely less celebrated Kokin-shu, an

anthology of over eleven hundred poems, ancient and modern. As

between the two books, the advantage is with the former, though not

by any means in a marked degree, but in the abundance and excellence

of its prose writings--pure Japanese writings apart from the Chinese

works referred to above--"the Heian epoch leaves the Nara far behind.

The language had now attained to its full development. With its rich

system of terminations and particles it was a pliant instrument in

the writer's hands, and the vocabulary was varied and copious to a

degree which is astonishing when we remember that it was drawn almost

exclusively from native sources. The few words of Chinese origin

which it contains seem to have found their way in through the spoken

language and are not taken straight from Chinese books, as at a later

stage when Japanese authors loaded their periods with alien

vocables."

This Heian literature "reflects the pleasure-loving and effeminate,

but cultured and refined, character of the class of Japanese who

produced it. It has no serious masculine qualities and may be

described in one word as belles-lettres--poetry, fiction, diaries,

and essays of a desultory kind. The lower classes of the people had

no share in the literary activity of the time. Culture had not as yet

penetrated beyond a very narrow circle. Both writers and readers

belonged exclusively to the official caste. It is remarkable that a

very large and important part of the best literature which Japan has

produced was written by women. A good share of the Nara poetry is of

feminine authorship, and, in the Heian period, women took a still

more conspicuous part in maintaining the honour of the native

literature. The two greatest works which have come down from Heian

time are both by women.* This was no doubt partly due to the

absorption of the masculine intellect in Chinese studies. But there

was a still more effective cause. The position of women in ancient

Japan was very different from what it afterwards became when Chinese

ideals were in the ascendant. The Japanese of this early period did

not share the feeling common to most Eastern countries that women

should be kept in subjection and as far as possible in seclusion.

Though the morality which the Heian literature reveals is anything

but strait-laced, the language is uniformly refined and decent, in

this respect resembling the best literature of China."**

*The Genji Monogatari by Murasaki Shikibu, and the Makura Soshi by

Sei Shonagon.

**Japanese Literature, by W. G. Aston.

With the Heian epoch is connected the wide use of the phonetic script

known as kana, which may be described as a syllabary of forty-seven

symbols formed from abbreviated Chinese ideographs. There are two

varieties of the kana--the kata-kana and the hiragana* The former is

said to have been devised by Makibi, the latter by Kobo Daishi

(Kukai), but doubts have been cast on the accuracy of that record,

and nothing can be certainly affirmed except that both were known

before the close of the ninth century, though they do not seem to

have been largely used until the Heian epoch, and even then almost

entirely by women.

*Katakana means "side kana" because its symbols are fragments (sides)

of Chinese forms of whole ideographs.

ENGRAVING: MURASAKI SHIKIBU (COURT LADY AND POETESS)

"Much of the poetry of this time was the outcome of poetical

tournaments at which themes were proposed to the competitors by

judges who examined each phrase and word with the minutest critical

care before pronouncing their verdict. As might be expected, the

poetry produced in those circumstances is of a more or less

artificial type, and is wanting in the spontaneous vigour of the

earlier essays of the Japanese muse. Conceits, acrostics, and

untranslatable word-plays hold much too prominent a place, but for

perfection of form the poems of this time are unrivalled. It is no

doubt to this quality that the great popularity of the Kokin-shu is

due. Sei Shonagon, writing in the early years of the eleventh

century, sums up a young lady's education as consisting of writing,

music, and the twenty volumes of the Kokin-shu."*

*Japanese Literature, by W. G. Aston.

The first notable specimen of prose in Japanese style (wabun) was the

preface to the Kokin-shu, written by Ki no Tsurayuki, who contended,

and his own composition proved, that the introduction of Chinese

words might well be dispensed with in writing Japanese. But what may

be called the classical form of Japanese prose was fixed by the

Taketori Monogatari,* an anonymous work which appeared at the

beginning of the Engi era (901),** and was quickly followed by

others. Still, the honour in which the ideograph was held never

diminished. When Tsurayuki composed the Tosa Nikki (Tosa Diary), he

gave it out as the work of a woman, so reluctant was he to identify

himself with a book written in the kana syllabary; and the Emperor

Saga, Kobo Daishi, and Tachibana Hayanari will be remembered forever

in Japan as the "Three Calligraphists" (Sampitsu).

*The expression "monogatari" finds its nearest English equivalent in

"narrative."

**An excellent translation of this has been made by Mr. F. V. Dickins

in the "Journal of the Royal Asiatic Society," Jan., 1887.

In short, an extraordinary love of literature and of all that

pertained to it swayed the minds of Japan throughout the Nara and the

Heian epochs. The ninth and tenth centuries produced such poets as

Ariwara no Yukihira and his younger brother, Narihira; Otomo no

Kuronushi, Ochikochi no Mitsune, Sojo Henjo, and the poetess Ono no

Komachi; gave us three anthologies (Sandai-shu), the Kokin-shu, the

Gosen-shu, and the Shui-shu, as well as five of the Six National

Histories (Roku Kokushi), the Zoku Nihonki, the Nihon Koki, the Zoku

Nihon Koki, the Montoku Jitsuroku, and the Sandai Jitsuroku; and saw

a bureau of poetry (W aka-dokoro) established in Kyoto. Fine art also

was cultivated, and it is significant that calligraphy and painting

were coupled together in the current expression (shogwa) for products

of pictorial art. Kudara no Kawanari and Koze no Kanaoka, the first

Japanese painters to achieve great renown, flourished in the ninth

and tenth centuries, as did also a famous architect, Hida no Takumi.

INTERVAL BETWEEN THE CAPITAL AND THE PROVINCES

Thus, in the capital, Kyoto, where the Fujiwara family constituted

the power behind the Throne, refinements and luxury were constantly

developed, and men as well as women amused themselves composing

Chinese and Japanese poems, playing on musical instruments, dancing,

and making picnics to view the blossoms of the four seasons. But in

the provincial districts very different conditions existed. There,

men, being virtually without any knowledge of the ideographic script,

found the literature and the laws of the capital a sealed book to

them, and as for paying periodical visits to Kyoto, what that

involved may be gathered from the fact that the poet Tsurayuki's

return to the capital from the province of Tosa, where he had served

as acting governor, occupied one hundred days, as shown in his Tosa

Nikki (Diary of a Journey from Tosa), and that thirteen days were

needed to get from the mouth of the Yodo to the city. The pageant of

metropolitan civilization and magnificence never presented itself to

provincial eyes.

ORIGIN OF THE SHOEN

Much has already been said on the subject of land tenure; but as this

problem is responsible for some cardinal phases of Japanese history,

a brief resume will be useful here. There were four chief causes for

the existence of shoen, or manors. The first was reclamation. In the

year 723, it was decreed that persons who reclaimed land should

acquire a de facto title of tenure for three generations, and, twenty

years later, the tenure of title was made perpetual, limits of area

being fixed, however--1250 acres for princes and nobles of the first

rank, and thereafter by various gradations, to twenty-five acres for

a commoner. But these limits were not enforced, and in the year 767

it became necessary to issue a decree prohibiting further

reclamation, which was followed, seventeen years later, by a rescript

forbidding provincial governors to exact forced labour for tilling

their manors.

That this did not check the evil is proved by an official record,

compiled in 797, from which it appears that princes and influential

nobles possessed manors of great extent; that they appointed

intendants to manage them; that these intendants themselves engaged

in operations of reclamation; that they abused their power by

despoiling the peasants, and that dishonest farmers made a practice

of evading taxes and tribute by settling within the bounds of a

manor. These abuses reached their acme during the reigns of Uda and

Daigo (888-930), when people living in the vicinity of a manor were

ruthlessly robbed and plundered by the intendant and his servants,

and when it became habitual to elude the payment of taxes by making

spurious assignments of lands to influential officials in the

capital. In vain was the ownership of lands by powerful nobles

interdicted, and in vain its purchase by provincial governors: the

metropolis had no power to enforce its vetoes in the provinces, and

the provincials ignored them. Thus the shoen grew in number and

extent.

The second factor which contributed to the extension of manors was

the bestowal of estates in perpetuity on persons of conspicuous

ability, and afterwards on men who enjoyed Imperial favour. Land thus

granted was called shiden and enjoyed immunity from taxation. Then

there were tracts given in recognition of public merit. These koden

were originally of limited tenure, but that condition soon ceased to

be observed, and the koden fell into the same category with manors

(shoen).

Finally we have the jiden, or temple lands. These, too, were at the

outset granted for fixed terms, but when Buddhism became powerful the

limitation ceased to be operative, and moreover, in defiance of the

law, private persons presented tracts, large or small, to the temples

where the mortuary tablets of their families were preserved, and the

temples, oh their own account, acquired estates by purchase or by

reclamation. The jiden, like the other three kinds of land enumerated

above, were exempt from taxation. Owned by powerful nobles or

influential families, the shoen were largely cultivated by forced

labour, and as in many cases it paid the farmers better to rent such

land; and thus escape all fiscal obligations, than to till their own

fields, the latter were deserted pan passu with the development of

the manor system, and thus the State revenues suffered dual

reduction.

During the last quarter of the tenth century peremptory edicts were

issued to check this state of affairs, but the power of the Court to

exact obedience had then dwindled almost to cipher. History records

that during the Ho-en era (1135-1140), the regent Fujiwara

Tadamichi's manor of Shimazu comprised one-fourth of the province of

Osumi. On these great manors, alike of nobles and of temples, armed

forces soon began to be maintained for purposes nominally of police

protection but ultimately of military aggression. This was especially

the case on the shoen of the puissant families of Taira and Minamoto.

Thus, Minamoto Yoshitomo came to own fifteen of the eastern

provinces, and in the tumult of the Heiji era (1159-1160), he lost

all these to Taira no Kiyomori, who, supplementing them with his own

already large manors and with the shoen of many other nobles and

temples, became owner of five hundred districts comprising about

one-half of the empire. Subsequently, when the Minamoto crushed the

Taira (1185), the whole of the latter's estates were distributed by

the former among the nobles who had fought under the Minamoto

standard.

In that age the holders of manors were variously called ryoshu,

ryoke, shoya, or honjo, and the intendants were termed shocho, shoji,

kengyo, betto, or yoryudo, a diversity of nomenclature that is often

very perplexing. In many cases reclaimed lands went by the name of

the person who had reclaimed them. Such manors were spoken of as

myoden (name-land), and those owning large tracts were designated

daimyo (great name), while smaller holders were termed shomyo. Yet

another term for the intendants of these lands was nanushi-shoku.

It will be readily seen that in the presence of such a system the

lands paying taxes to the Central Government became steadily less and

less. Thus, in the reign of the Emperor Toba (1108-1123), the State

domains administered by the provincial governors are recorded to have

been only one per cent, of the area of the provinces. In these

circumstances, the governors deemed it unnecessary to proceed

themselves to their posts; they remained in Kyoto and despatched

deputies to the provinces, a course which conspired to reduce the

authority of the Crown.

For the sake of intelligent sequence of ideas, the above synopsis

makes some departure from the chronological order of these pages.

Returning to the early part of the tenth century, the historian may

affirm that the salient features of the era were virtual abrogation

of the Daiho laws imposing restrictions upon the area and period of

land-ownership; rapid growth of tax-free manors and consequent

impoverishment of the Court in Kyoto; the appearance of provincial

magnates who yielded scant obedience to the Crown, and the

organization of military classes which acknowledged the authority of

their own leaders only.

REVOLT OF TAIRA NO MASAKADO

The above state of affairs soon bore practical fruit. In the year

930, the Emperor Daigo died and was succeeded by his son Shujaku, a

child of eight, whose mother was a daughter of Fujiwara Mototsune. In

accordance with the system now fully established, Fujiwara Tadahira

became regent. History depicts this Tadahira as an effeminate

dilettante, one of whose foibles was to have a cuckoo painted on his

fan and to imitate the cry of the bird whenever he opened it. But as

representative of the chief aristocratic family in an age when to be

a Fujiwara was to possess a title superior to that conferred by

ability in any form and however conspicuous, his right to administer

the government in the capacity of regent obtained universal

recognition.

It had become the custom at that time for the provincial magnates to

send their sons to Kyoto, where they served in the corps of guards,

became acquainted with refined life, and established relations of

friendship with the Taira and the Minamoto, the former descended from

the Emperor Kwammu, the latter from the Emperor Seiwa. Thus, at the

time of Daigo's death, a scion of the Taira, by name Masakado, was

serving under Tadahira in the capital. Believing himself endowed with

high military capacity, Masakado aspired to be appointed kebiishi of

his native province, Shimosa. But his archery, his horsemanship, and

his fencing elicited no applause in Kyoto, whereas a relative,

Sadabumi, attracted admiration by a licentious life.

Masakado finally retired to Shimosa in an angry mood. At first,

however, the idea of revolt does not seem to have occurred to him. On

the contrary, the evidence is against such a hypothesis. For his

military career began with family feuds, and after he had killed one

of his uncles on account of a dispute about the boundaries of a

manor, and sacked the residence of another in consequence of a

trouble about a woman, he did not hesitate to obey a summons to Kyoto

to answer for his acts of violence. Such quarrels were indeed of not

uncommon occurrence in the provinces, as is shown by the memorial of

Miyoshi Kiyotsura, and the capital appears to have left them severely

alone, so far as practical interference was concerned, though the

pretence of jurisdiction might be preserved. Thus, Masakado was

acquitted after the formality of investigation had been satisfied.

Naturally this judgment did not prove a deterrent; on the contrary,

it amounted to a mandate.

On his return to Kwanto, Masakado was soon found once more in the

arena. The details of his campaign have little interest except as

indicating that the provincial officials followed the example of

Kyoto in suffering local disturbances to settle themselves, and that

the abuses catalogued in the Miyoshi memorial were true to fact. A

raid that Masakado made into Musashi province is memorable as the

occasion of the first collision between the Taira and the Minamoto,*

which great families were destined ultimately to convert all Japan

into a battlefield. Finally, Masakado carried his raids so far that

he allowed himself to be persuaded of the hopelessness of pardon. It

was then that he resolved to revolt. Overrunning the whole eight

provinces of the Kwanto, he appointed his own partisans to all posts

of importance and set up a court after the Kyoto model. A letter

written by him at this time to the regent Tadahira affords an

interesting guide to the ethics of the era:

"The genealogy of my house shows that I am the fifth in descent from

the Emperor Kwammu. Therefore, though I hold one-half of a province,

that cannot be attributed to mere good fortune. In the history of

ancient times there are occasions where a whole country was

appropriated by force of arms. Nature has endowed me with military

talent. None, I presume, excels me in that respect. You, however, had

no praise to bestow on me. Rather was I frequently reprimanded when I

served in the capital, so that my shame was unendurable, whereas your

sympathy would have delighted me. While Masakado was still a youth he

served Tadahira, the prime minister, for tens of years, and when

Tadahira became regent, Masakado never entertained his present

project. I have no words to express my regret. Though I have

conspired to revolt, I will not forget my old master, and I hope that

he will make allowances for the circumstances in which I am placed."

*The vice-governor of Musashi, Minamoto Tsunemoto, was at feud with

the governor, Prince Okiyo, and Masakado espoused the latter's cause.

Had it rested with Kyoto to subdue this revolt, Masakado might have

attained his goal. But chance and the curious spirit of the time

fought for the Court. A trifling breach of etiquette on the part of

Masakado--not pausing to bind up his hair before receiving a

visitor--forfeited the co-operation of a great soldier, Fujiwara

Hidesato, (afterwards known as Tawara Toda), and the latter, joining

forces with Taira Sadamori, whose father Masakado had killed,

attacked the rebels in a moment of elated carelessness, shattered

them completely, and sent Masakado's head to the capital. The whole

affair teaches that the Fujiwara aristocrats, ruling in Kyoto, had

neither power nor inclination to meddle with provincial

administration, and that the districts distant from the metropolis

wore practically under the sway of military magnates in whose eyes

might constituted right. This was especially notable in the case of

the Kwanto, that is to say the eight provinces surrounding the

present Tokyo Bay, extending north to the Nikko Mountains. Musashi,

indeed, was so infested with law-breakers that, from the days of the

Emperor Seiwa (859-876), it became customary to appoint one kebiishi

in each of its districts, whereas elsewhere the establishment was one

to each province. The kebiishi represented the really puissant arm of

the law, the provincial governors, originally so powerful, having now

degenerated into weaklings.

THE REVOLT OF FUJIWARA SUMITOMO

Another event, characteristic of the time, occurred in Nankai-do (the

four provinces of the island of Shikoku) contemporaneously with the

revolt of Masakado. During the Shohei era (931-937) the ravages of

pirates became so frequent in those waters that Fujiwara no Sumitomo

was specially despatched from Kyoto to restrain them. This he

effected without difficulty. But instead of returning to the capital,

he collected a number of armed men together with a squadron of

vessels, and conducted a campaign of spoliation and outrage in the

waters of the Inland Sea as well as the channels of Kii and Bungo.

Masakado's death, in 939, relieved the Court from the pressure in the

east, and an expedition was despatched against Sumitomo under the

command of Ono no Yoshifuru, general of the guards.

Yoshifuru mustered only two hundred ships whereas Sumitomo had

fifteen hundred. The issue might have been foretold had not the

pirate chief's lieutenant gone over to the Imperial forces. Sumitomo,

after an obstinate resistance and after one signal success, was

finally routed and killed. Some historians* have contended that

Masakado and Sumitomo, when they were together in Kyoto, conspired a

simultaneous revolt in the east and the south; but such a conclusion

is inconsistent with the established fact that Masakado's treason was

not premeditated.

*Notably the authors of the Okagami and the Nihon Gwaishi.

That the two events synchronized is attributable wholly to the

conditions of the time. We have seen what was the state of affairs in

Kwanto, and that of Kyushu and Shikoku is clearly set forth in a

memorial presented (946) by Ono Yoshifuru on his return from the

Sumitomo campaign. In that document he says: "My information is that

those who pursue irregular courses are not necessarily sons of

provincial governors alone. Many others make lawless use of power and

authority; form confederacies; engage daily in military exercises;

collect and maintain men and horses under pretext of hunting game;

menace the district governors; plunder the common people; violate

their wives and daughters, and steal their beasts of burden and

employ them for their own purposes, thus interrupting agricultural

operations. Yesterday, they were outcasts, with barely sufficient

clothes to cover their nakedness; to-day, they ride on horseback and

don rich raiment. Meanwhile the country falls into a state of decay,

and the homesteads are desolate. My appeal is that, with the

exception of provincial governors' envoys, any who enter a province

at the head of parties carrying bows and arrows, intimidate the

inhabitants, and rob them of their property, shall be recognized as

common bandits and thrown into prison on apprehension."

In a word, the aristocratic officialdom in Kyoto, headed by the

Fujiwara, though holding all the high administrative posts, wielded

no real power outside the capital, nor were they competent to

preserve order even within its precincts, for the palace itself was

not secure against incendiarism and depredation. When the heads of

the Minamoto and the Taira families were appointed provincial

governors in the Kwanto, they trained their servants in the use of

arms, calling them iye-no-ko (house-boys) or rodo (retainers), and

other local magnates purchased freedom from molestation by doing

homage and obeying their behests. Taira Masakado, Minamoto Tsunemoto,

Fujiwara Hidesato, and Taira Sadamori, who figure in the above

narrative, were all alike provincial chiefs, possessing private

estates and keeping armed retinues which they used for protection or

for plunder. The Imperial Court, when confronted with any crisis, was

constrained to borrow the aid of these magnates, and thus there came

into existence the buke, or military houses, as distinguished from

the kuge, or Court houses.

ENGRAVING: UMBRELLAS

ENGRAVING: KINKAKU-JI, AT KYOTO

A history of the Japanese people · 第 21 / 51 章