III

"This place, for no particular reason, is called the Hole in the Sky."

Rags looked around her. They were on a roof-garden wide open to the

April night. Overhead the true stars winked cold, and there was a lunar

sliver of ice in the dark west. But where they stood it was warm as

June, and the couples dining or dancing on the opaque glass floor were

unconcerned with the forbidding sky.

"What makes it so warm?" she whispered as they moved toward a table.

"It's some new invention that keeps the warm air from rising. I don't

know the principle of the thing, but I know that they can keep it open

like this even in the middle of winter--"

"Where's the Prince of Wales?" she demanded tensely.

John looked around.

"He hasn't arrived yet. He won't be here for about half an hour."

She sighed profoundly.

"It's the first time I've been excited in four years."

Four years--one year less than he had loved her. He wondered if when she

was sixteen, a wild lovely child, sitting up all night in restaurants

with officers who were to leave for Brest next day, losing the glamour

of life too soon in the old, sad, poignant days of the war, she had ever

been so lovely as under these amber lights and this dark sky. From her

excited eyes to her tiny slipper heels, which were striped with layers

of real silver and gold, she was like one of those amazing ships that

are carved complete in a bottle. She was finished with that delicacy,

with that care; as though the long lifetime of some worker in fragility

had been used to make her so. John Chestnut wanted to take her up in his

hands, turn her this way and that, examine the tip of a slipper or the

tip of an ear or squint closely at the fairy stuff from which her lashes

were made.

"Who's that?" She pointed suddenly to a handsome Latin at a table over

the way.

"That's Roderigo Minerlino, the movie and face-cream star. Perhaps he'll

dance after a while."

Rags became suddenly aware of the sound of violins and drums, but the

music seemed to come from far away, seemed to float over the crisp night

and on to the floor with the added remoteness of a dream.

"The orchestra's on another roof," explained John. "It's a new idea--

Look, the entertainment's beginning."

A negro girl, thin as a reed, emerged suddenly from a masked entrance

into a circle of harsh barbaric light, startled the music to a wild

minor, and commenced to sing a rhythmic, tragic song. The pipe of her

body broke abruptly and she began a slow incessant step, without

progress and without hope, like the failure of a savage insufficient

dream. She had lost Papa Jack, she cried over and over with a hysterical

monotony at once despairing and unreconciled. One by one the loud horns

tried to force her from the steady beat of madness but she listened only

to the mutter of the drums which were isolating her in some lost place

in time, among many thousand forgotten years. After the failure of the

piccolo, she made herself again into a thin brown line, wailed once with

sharp and terrible intensity, then vanished into sudden darkness.

"If you lived in New York you wouldn't need to be told who she is," said

John when the amber light flashed on. "The next fella is Sheik B. Smith,

a comedian of the fatuous, garrulous sort----"

He broke off. Just as the lights went down for the second number Rags

had given a long sigh, and leaned forward tensely in her chair. Her eyes

were rigid like the eyes of a pointer dog, and John saw that they were

fixed on a party that had come through a side entrance, and were

arranging themselves around a table in the half-darkness.

The table was shielded with palms, and Rags at first made out only three

dim forms. Then she distinguished a fourth who seemed to be placed well

behind the other three--a pale oval of a face topped with a glimmer of

dark-yellow hair.

"Hello!" ejaculated John. "There's his majesty now."

Her breath seemed to die murmurously in her throat. She was dimly aware

that the comedian was now standing in a glow of white light on the

dancing floor, that he had been talking for some moments, and that there

was a constant ripple of laughter in the air. But her eyes remained

motionless, enchanted. She saw one of the party bend and whisper to

another, and after the low glitter of a match the bright button of a

cigarette end gleamed in the background. How long it was before she

moved she did not know. Then something seemed to happen to her eyes,

something white, something terribly urgent, and she wrenched about

sharply to find herself full in the centre of a baby spot-light from

above. She became aware that words were being said to her from

somewhere, and that a quick trail of laughter was circling the roof, but

the light blinded her, and instinctively she made a half-movement from

her chair.

"Sit still!" John was whispering across the table. "He picks somebody

out for this every night."

Then she realized--it was the comedian, Sheik B. Smith. He was talking

to her, arguing with her--about something that seemed incredibly funny

to every one else, but came to her ears only as a blur of muddled sound.

Instinctively she had composed her face at the first shock of the light

and now she smiled. It was a gesture of rare self-possession. Into this

smile she insinuated a vast impersonality, as if she were unconscious of

the light, unconscious of his attempt to play upon her loveliness--but

amused at an infinitely removed _him_, whose darts might have been thrown

just as successfully at the moon. She was no longer a "lady"--a lady

would have been harsh or pitiful or absurd; Rags stripped her attitude

to a sheer consciousness of her own impervious beauty, sat there

glittering until the comedian began to feel alone as he had never felt

alone before. At a signal from him the spot-light was switched suddenly

out. The moment was over.

The moment was over, the comedian left the floor, and the far-away music

began. John leaned toward her.

"I'm sorry. There really wasn't anything to do. You were wonderful."

She dismissed the incident with a casual laugh--then she started, there

were now only two men sitting at the table across the floor.

"He's gone!" she exclaimed in quick distress.

"Don't worry--he'll be back. He's got to be awfully careful, you see, so

he's probably waiting outside with one of his aides until it gets dark

again."

"Why has he got to be careful?"

"Because he's not supposed to be in New York. He's even under one of his

second-string names."

The lights dimmed again, and almost immediately a tall man appeared out

of the darkness and approached their table.

"May I introduce myself?" he said rapidly to John in a supercilious

British voice. "Lord Charles Este, of Baron Marchbanks' party." He

glanced at John closely as if to be sure that he appreciated the

significance of the name.

John nodded.

"That is between ourselves, you understand."

"Of course."

Rags groped on the table for her untouched champagne, and tipped the

glassful down her throat.

"Baron Marchbanks requests that your companion will join his party

during this number."

Both men looked at Rags. There was a moment's pause.

"Very well," she said, and glanced back again interrogatively at John.

Again he nodded. She rose and with her heart beating wildly threaded the

tables, making the half-circuit of the room; then melted, a slim figure

in shimmering gold, into the table set in half-darkness.

All the Sad Young Men · 第 34 / 50 题