IV

They walked without speaking except when Carl Miller acknowledged

automatically the existence of passers-by. Rudolph's uneven breathing

alone ruffled the hot Sunday silence.

His father stopped decisively at the door of the church.

"I've decided you'd better go to confession again. Go in and tell Father

Schwartz what you did and ask God's pardon."

"You lost your temper, too!" said Rudolph quickly.

Carl Miller took a step toward his son, who moved cautiously backward.

"All right, I'll go."

"Are you going to do what I say?" cried his father in a hoarse whisper.

"All right."

Rudolph walked into the church, and for the second time in two days

entered the confessional and knelt down. The slat went up almost at

once.

"I accuse myself of missing my morning prayers."

"Is that all?"

"That's all."

A maudlin exultation filled him. Not easily ever again would he be able

to put an abstraction before the necessities of his ease and pride. An

invisible line had been crossed, and he had become aware of his

isolation--aware that it applied not only to those moments when he was

Blatchford Sarnemington but that it applied to all his inner life.

Hitherto such phenomena as "crazy" ambitions and petty shames and fears

had been but private reservations, unacknowledged before the throne of

his official soul. Now he realized unconsciously that his private

reservations were himself--and all the rest a garnished front and a

conventional flag. The pressure of his environment had driven him into

the lonely secret road of adolescence.

He knelt in the pew beside his father. Mass began. Rudolph knelt

up--when he was alone he slumped his posterior back against the

seat--and tasted the consciousness of a sharp, subtle revenge. Beside

him his father prayed that God would forgive Rudolph, and asked also

that his own outbreak of temper would be pardoned. He glanced sidewise

at this son, and was relieved to see that the strained, wild look had

gone from his face and that he had ceased sobbing. The Grace of God,

inherent in the Sacrament, would do the rest, and perhaps after Mass

everything would be better. He was proud of Rudolph in his heart, and

beginning to be truly as well as formally sorry for what he had done.

Usually, the passing of the collection box was a significant point for

Rudolph in the services. If, as was often the case, he had no money to

drop in he would be furiously ashamed and bow his head and pretend not

to see the box, lest Jeanne Brady in the pew behind should take notice

and suspect an acute family poverty. But to-day he glanced coldly into

it as it skimmed under his eyes, noting with casual interest the large

number of pennies it contained.

When the bell rang for communion, however, he quivered. There was no

reason why God should not stop his heart. During the past twelve hours

he had committed a series of mortal sins increasing in gravity, and he

was now to crown them all with a blasphemous sacrilege.

"_Domini, non sum dignus; ut interes sub tectum meum; sed tantum dic

verbo, et sanabitur anima mea...._"

There was a rustle in the pews, and the communicants worked their ways

into the aisle with downcast eyes and joined hands. Those of larger

piety pressed together their finger-tips to form steeples. Among these

latter was Carl Miller. Rudolph followed him toward the altar-rail and

knelt down, automatically taking up the napkin under his chin. The bell

rang sharply, and the priest turned from the altar with the white Host

held above the chalice:

"_Corpus Domini nostri Jesu Christi custodiat animam meam in vitam

æternam._"

A cold sweat broke out on Rudolph's forehead as the communion began.

Along the line Father Schwartz moved, and with gathering nausea Rudolph

felt his heart-valves weakening at the will of God. It seemed to him

that the church was darker and that a great quiet had fallen, broken

only by the inarticulate mumble which announced the approach of the

Creator of Heaven and Earth. He dropped his head down between his

shoulders and waited for the blow.

Then he felt a sharp nudge in his side. His father was poking him to sit

up, not to slump against the rail; the priest was only two places away.

"_Corpus Domini nostri Jesu Christi custodiat animam meam in vitam

æternam._"

Rudolph opened his mouth. He felt the sticky wax taste of the wafer on

his tongue. He remained motionless for what seemed an interminable

period of time, his head still raised, the wafer undissolved in his

mouth. Then again he started at the pressure of his father's elbow, and

saw that the people were falling away from the altar like leaves and

turning with blind downcast eyes to their pews, alone with God.

Rudolph was alone with himself, drenched with perspiration and deep in

mortal sin. As he walked back to his pew the sharp taps of his cloven

hoofs were loud upon the floor, and he knew that it was a dark poison he

carried in his heart.

V

"_Sagitta Volante in Dei_"

The beautiful little boy with eyes like blue stones, and lashes that

sprayed open from them like flower-petals had finished telling his sin

to Father Schwartz--and the square of sunshine in which he sat had moved

forward half an hour into the room. Rudolph had become less frightened

now; once eased of the story a reaction had set in. He knew that as long

as he was in the room with this priest God would not stop his heart, so

he sighed and sat quietly, waiting for the priest to speak.

Father Schwartz's cold watery eyes were fixed upon the carpet pattern on

which the sun had brought out the swastikas and the flat bloomless vines

and the pale echoes of flowers. The hall-clock ticked insistently toward

sunset, and from the ugly room and from the afternoon outside the window

arose a stiff monotony, shattered now and then by the reverberate

clapping of a far-away hammer on the dry air. The priest's nerves were

strung thin and the beads of his rosary were crawling and squirming like

snakes upon the green felt of his table top. He could not remember now

what it was he should say.

Of all the things in this lost Swede town he was most aware of this

little boy's eyes--the beautiful eyes, with lashes that left them

reluctantly and curved back as though to meet them once more.

For a moment longer the silence persisted while Rudolph waited, and the

priest struggled to remember something that was slipping farther and

farther away from him, and the clock ticked in the broken house. Then

Father Schwartz stared hard at the little boy and remarked in a peculiar

voice:

"When a lot of people get together in the best places things go

glimmering."

Rudolph started and looked quickly at Father Schwartz's face.

"I said--" began the priest, and paused, listening. "Do you hear the

hammer and the clock ticking and the bees? Well, that's no good. The

thing is to have a lot of people in the centre of the world, wherever

that happens to be. Then"--his watery eyes widened knowingly--"things go

glimmering."

"Yes, Father," agreed Rudolph, feeling a little frightened.

"What are you going to be when you grow up?"

"Well, I was going to be a baseball-player for a while," answered

Rudolph nervously, "but I don't think that's a very good ambition, so I

think I'll be an actor or a Navy officer."

Again the priest stared at him.

"I see _exactly_ what you mean," he said, with a fierce air.

Rudolph had not meant anything in particular, and at the implication

that he had, he became more uneasy.

"This man is crazy," he thought, "and I'm scared of him. He wants me to

help him out some way, and I don't want to."

"You look as if things went glimmering," cried Father Schwartz wildly.

"Did you ever go to a party?"

"Yes, Father."

"And did you notice that everybody was properly dressed? That's what I

mean. Just as you went into the party there was a moment when everybody

was properly dressed. Maybe two little girls were standing by the door

and some boys were leaning over the banisters, and there were bowls

around full of flowers."

"I've been to a lot of parties," said Rudolph, rather relieved that the

conversation had taken this turn.

"Of course," continued Father Schwartz triumphantly, "I knew you'd agree

with me. But my theory is that when a whole lot of people get together

in the best places things go glimmering all the time."

Rudolph found himself thinking of Blatchford Sarnemington.

"Please listen to me!" commanded the priest impatiently. "Stop worrying

about last Saturday. Apostasy implies an absolute damnation only on the

supposition of a previous perfect faith. Does that fix it?"

Rudolph had not the faintest idea what Father Schwartz was talking

about, but he nodded and the priest nodded back at him and returned to

his mysterious preoccupation.

"Why," he cried, "they have lights now as big as stars--do you realize

that? I heard of one light they had in Paris or somewhere that was as

big as a star. A lot of people had it--a lot of gay people. They have

all sorts of things now that you never dreamed of."

"Look here--" He came nearer to Rudolph, but the boy drew away, so

Father Schwartz went back and sat down in his chair, his eyes dried out

and hot. "Did you ever see an amusement park?"

"No, Father."

"Well, go and see an amusement park." The priest waved his hand vaguely.

"It's a thing like a fair, only much more glittering. Go to one at night

and stand a little way off from it in a dark place--under dark trees.

You'll see a big wheel made of lights turning in the air, and a long

slide shooting boats down into the water. A band playing somewhere, and

a smell of peanuts--and everything will twinkle. But it won't remind you

of anything, you see. It will all just hang out there in the night like

a colored balloon--like a big yellow lantern on a pole."

Father Schwartz frowned as he suddenly thought of something.

"But don't get up close," he warned Rudolph, "because if you do you'll

only feel the heat and the sweat and the life."

All this talking seemed particularly strange and awful to Rudolph,

because this man was a priest. He sat there, half terrified, his

beautiful eyes open wide and staring at Father Schwartz. But underneath

his terror he felt that his own inner convictions were confirmed. There

was something ineffably gorgeous somewhere that had nothing to do with

God. He no longer thought that God was angry at him about the original

lie, because He must have understood that Rudolph had done it to make

things finer in the confessional, brightening up the dinginess of his

admissions by saying a thing radiant and proud. At the moment when he

had affirmed immaculate honor a silver pennon had flapped out into the

breeze somewhere and there had been the crunch of leather and the shine

of silver spurs and a troop of horsemen waiting for dawn on a low green

hill. The sun had made stars of light on their breastplates like the

picture at home of the German cuirassiers at Sedan.

But now the priest was muttering inarticulate and heart-broken words,

and the boy became wildly afraid. Horror entered suddenly in at the open

window, and the atmosphere of the room changed. Father Schwartz

collapsed precipitously down on his knees, and let his body settle back

against a chair.

"Oh, my God!" he cried out, in a strange voice, and wilted to the floor.

Then a human oppression rose from the priest's worn clothes, and mingled

with the faint smell of old food in the corners. Rudolph gave a sharp

cry and ran in a panic from the house--while the collapsed man lay there

quite still, filling his room, filling it with voices and faces until it

was crowded with echolalia, and rang loud with a steady, shrill note of

laughter.

Outside the window the blue sirocco trembled over the wheat, and girls

with yellow hair walked sensuously along roads that bounded the fields,

calling innocent, exciting things to the young men who were working in

the lines between the grain. Legs were shaped under starchless gingham,

and rims of the necks of dresses were warm and damp. For five hours now

hot fertile life had burned in the afternoon. It would be night in three

hours, and all along the land there would be these blonde Northern girls

and the tall young men from the farms lying out beside the wheat, under

the moon.

RAGS MARTIN-JONES AND THE PR-NCE OF

W-LES

The _Majestic_ came gliding into New York harbor on an April morning.

She sniffed at the tugboats and turtle-gaited ferries, winked at a gaudy

young yacht, and ordered a cattle-boat out of her way with a snarling

whistle of steam. Then she parked at her private dock with all the fuss

of a stout lady sitting down, and announced complacently that she had

just come from Cherbourg and Southampton with a cargo of the very best

people in the world.

The very best people in the world stood on the deck and waved

idiotically to their poor relations who were waiting on the dock for

gloves from Paris. Before long a great toboggan had connected the

_Majestic_ with the North American continent, and the ship began to

disgorge these very best people in the world--who turned out to be

Gloria Swanson, two buyers from Lord & Taylor, the financial minister

from Graustark with a proposal for funding the debt, and an African king

who had been trying to land somewhere all winter and was feeling

violently seasick.

The photographers worked passionately as the stream of passengers flowed

on to the dock. There was a burst of cheering at the appearance of a

pair of stretchers laden with two Middle-Westerners who had drunk

themselves delirious on the last night out.

The deck gradually emptied, but when the last bottle of Benedictine had

reached shore the photographers still remained at their posts. And the

officer in charge of debarkation still stood at the foot of the gangway,

glancing first at his watch and then at the deck as if some important

part of the cargo was still on board. At last from the watchers on the

pier there arose a long-drawn "Ah-h-h!" as a final entourage began to

stream down from deck B.

First came two French maids, carrying small, purple dogs, and followed

by a squad of porters, blind and invisible under innumerable bunches and

bouquets of fresh flowers. Another maid followed, leading a sad-eyed

orphan child of a French flavor, and close upon its heels walked the

second officer pulling along three neurasthenic wolfhounds, much to

their reluctance and his own.

A pause. Then the captain, Sir Howard George Witchcraft, appeared at the

rail, with something that might have been a pile of gorgeous silver-fox

fur standing by his side.

Rags Martin-Jones, after five years in the capitals of Europe, was

returning to her native land!

Rags Martin-Jones was not a dog. She was half a girl and half a flower,

and as she shook hands with Captain Sir Howard George Witchcraft she

smiled as if some one had told her the newest, freshest joke in the

world. All the people who had not already left the pier felt that smile

trembling on the April air and turned around to see.

She came slowly down the gangway. Her hat, an expensive, inscrutable

experiment, was crushed under her arm, so that her scant boy's hair,

convict's hair, tried unsuccessfully to toss and flop a little in the

harbor wind. Her face was like seven o'clock on a wedding morning save

where she had slipped a preposterous monocle into an eye of clear

childish blue. At every few steps her long lashes would tilt out the

monocle, and she would laugh, a bored, happy laugh, and replace the

supercilious spectacle in the other eye.

Tap! Her one hundred and five pounds reached the pier and it seemed to

sway and bend from the shock of her beauty. A few porters fainted. A

large, sentimental shark which had followed the ship across made a

despairing leap to see her once more, and then dove, broken-hearted,

back into the deep sea. Rags Martin-Jones had come home.

There was no member of her family there to meet her, for the simple

reason that she was the only member of her family left alive. In 1913

her parents had gone down on the _Titanic_ together rather than be

separated in this world, and so the Martin-Jones fortune of seventy-five

millions had been inherited by a very little girl on her tenth birthday.

It was what the consumer always refers to as a "shame."

Rags Martin-Jones (everybody had forgotten her real name long ago) was

now photographed from all sides. The monocle persistently fell out, and

she kept laughing and yawning and replacing it, so no very clear picture

of her was taken--except by the motion-picture camera. All the

photographs, however, included a flustered, handsome young man, with an

almost ferocious love-light burning in his eyes, who had met her on

the dock. His name was John M. Chestnut, he had already written the

story of his success for the _American Magazine_, and he had been

hopelessly in love with Rags ever since the time when she, like the

tides, had come under the influence of the summer moon.

When Rags became really aware of his presence they were walking down the

pier, and she looked at him blankly as though she had never seen him

before in this world.

"Rags," he began, "Rags----"

"John M. Chestnut?" she inquired, inspecting him with great interest.

"Of course!" he exclaimed angrily. "Are you trying to pretend you don't

know me? That you didn't write me to meet you here?"

She laughed. A chauffeur appeared at her elbow, and she twisted out of

her coat, revealing a dress made in great splashy checks of sea-blue and

gray. She shook herself like a wet bird.

"I've got a lot of junk to declare," she remarked absently.

"So have I," said Chestnut anxiously, "and the first thing I want to

declare is that I've loved you, Rags, every minute since you've been

away."

She stopped him with a groan.

"Please! There were some young Americans on the boat. The subject has

become a bore."

"My God!" cried Chestnut, "do you mean to say that you class _my_ love

with what was said to you on a _boat_?"

His voice had risen, and several people in the vicinity turned to hear.

"Sh!" she warned him, "I'm not giving a circus. If you want me to even

see you while I'm here, you'll have to be less violent."

But John M. Chestnut seemed unable to control his voice.

"Do you mean to say"--it trembled to a carrying pitch--"that you've

forgotten what you said on this very pier five years ago last Thursday?"

Half the passengers from the ship were now watching the scene on the

dock, and another little eddy drifted out of the customs-house to see.

"John"--her displeasure was increasing--"if you raise your voice again

I'll arrange it so you'll have plenty of chance to cool off. I'm going

to the Ritz. Come and see me there this afternoon."

"But, Rags!" he protested hoarsely. "Listen to me. Five years ago----"

Then the watchers on the dock were treated to a curious sight. A

beautiful lady in a checkered dress of sea-blue and gray took a brisk

step forward so that her hands came into contact with an excited young

man by her side. The young man retreating instinctively reached back

with his foot, but, finding nothing, relapsed gently off the thirty-foot

dock and plopped, after a not ungraceful revolution, into the Hudson

River.

A shout of alarm went up, and there was a rush to the edge just as his

head appeared above water. He was swimming easily, and, perceiving this,

the young lady who had apparently been the cause of the accident leaned

over the pier and made a megaphone of her hands.

"I'll be in at half past four," she cried.

And with a cheerful wave of her hand, which the engulfed gentleman was

unable to return, she adjusted her monocle, threw one haughty glance at

the gathered crowd, and walked leisurely from the scene.

All the Sad Young Men · 第 32 / 50 题