THE VANDERBILTS.

The construction of the white marble Stewart palace was the first

serious innovation made upon the rich brownstone fronts of Fifth

Avenue, the possession of which was a necessary adjunct to social

standing in New York before the Civil War. The material, quarried

generally in Connecticut, was in such extensive use that it gave a

distinctive coloring to New York, its sombreness and uniformity of

architecture making most of the residential streets corridors of

gloom. For years, as a local authority described it, "our new houses

and blocks were all turned out from the same moulds, and apparently

congealed from the same coffee-colored liquid." The builders, since

the war, have made large inroads with other materials, thus giving

more individuality to the finer buildings of later construction. To

the eastward, Fourth Avenue is tunnelled for several blocks under

Murray Hill, to carry street railways up to the Grand Central Station

at Forty-second Street, the open spaces above, giving the tunnel light

and air, being surrounded by pleasant little parks, so that the

widened street, called Park Avenue, is an attractive residential

region, the view being closed to the northward by the louvre domes of

the Vanderbilt railway station.

Continuing out Fifth Avenue, the "Old Brick Church" of the

Presbyterians, built solid and substantial, with a tall spire, stands

about on the most elevated portion of Murray Hill, the congregation

dating from 1767. A short distance beyond, at Thirty-ninth Street, is

the finest club-house in New York, the elaborate brick and brownstone

Union League Club, its spacious windows disclosing the luxurious

apartments within. Just above is the historic Vanderbilt house, where

the old Commodore lived--a wide, brownstone dwelling, having alongside

a carriage entrance into a small courtyard. The Vanderbilt fortunes,

the greatest accumulated, represent the financially expansive

facilities of modern New York as manipulated by corporation

management and the Stock Exchange. Commodore Cornelius Vanderbilt,

born on Staten Island in 1794, in 1817, at the age of twenty-three,

owned a few small vessels, and estimated his wealth at $9000. He

became a steamboat captain, and went into the transportation business

between New York and Philadelphia, afterwards broadening his

operations, and in 1848 owning most of the profitable steamboat lines

leading from New York. When the California emigration fever began, he

started ocean steamers in connection with the transit across the

Isthmus of Panama. This business grew, and at the height of his

steamship career the Commodore owned sixty-six vessels. The finest,

named the Vanderbilt, which cost him $800,000, he gave the Government

for a war vessel, to chase the rebel privateers. As American

vessel-owning became unprofitable, he determined to abandon it and

devote himself to railway management, having already bought largely of

railway stocks. When he thus changed, he estimated his fortune at

$40,000,000. He got control of various railroads leading east, north

and west from New York, buying the shares at low prices, his excellent

methods improving their earning powers, so that their value greatly

enhanced. The greatest of these corporations was the New York Central

and Hudson River Railroad. When the Commodore died his estate was

estimated at $75,000,000, left almost wholly to his son William H.

Vanderbilt. When the latter died it had reached $200,000,000,

bequeathed chiefly to his two eldest sons, Cornelius, who died in

1899, and William K. Vanderbilt. The family are now housed in a row of

palaces farther out the avenue near Central Park, and there are

fabulous estimates of their colossal fortunes, which are the greatest

in America, and probably in the world.

Upon the west side of Fifth Avenue the New York Public Library is

being erected on the site of the old Croton Reservoir, which occupied

the summit of Murray Hill, and behind it is the pretty little Bryant

Park, extending to Sixth Avenue. This Library comes from the

consolidation of the Astor and Lenox Libraries, augmented by the

Samuel J. Tilden Trust Fund, amounting to about $2,500,000. North of

this, Forty-second Street crosses the city, having the Grand Central

Station of the Vanderbilt lines opposite Fourth Avenue, the only

railway station in New York, though other roads are expecting to come

in by tunnels under the rivers. At Forty-third Street and Fifth Avenue

is the finest American synagogue, the Jewish Temple Emanu-El, a

magnificent specimen of Saracenic architecture, the interior being

rich in Oriental decoration. Creeping plants tastefully overrun the

lower portions of its two great towers. There are numerous fine

churches on this portion of the avenue, two of which are rather more

famous than the others. When the old Dutch Governor Peter Minuit

bought Manhattan Island from the Indians, he founded an orthodox Dutch

church in 1628. This church is now a costly brownstone structure in

Decorated Gothic at the corner of Forty-eighth Street, having a

crocketed spire two hundred and seventy feet high. Its inscription

tells us it is the "Collegiate Reformed Protestant Dutch Church of the

City of New York, organized under Peter Minuit, Director General of

the New Netherlands, in 1628, chartered by William, King of England,

1696." The present church was built in 1872. Occupying the entire

block at Fiftieth Street is the magnificent white marble Roman

Catholic Cathedral of St. Patrick, in Decorated Gothic, with two

spires rising three hundred and thirty-two feet. This noble church

much resembles the great Cathedral at Cologne, particularly in the

interior. Behind it, fronting on Madison Avenue, is the Archbishop's

white marble residence, and adjacent is the old building of Columbia

College, the original King's College of New York, founded in 1754 by a

fund started from the proceeds of various lotteries, which then raised

$17,215. It now has new buildings elsewhere.

In the neighborhood of these churches there must not be overlooked, in

this part of Fifth Avenue, the residence of Helen Gould, a

square-built house with an elaborate portico, at the corner of

Fifty-seventh Street. This was originally the home of one of the most

extraordinary men ever developed in New York--Jay Gould. He was an

orphan boy in Northeastern Pennsylvania, who became a clerk in a

country store, a surveyor and map-maker, and finally was employed in a

tannery, and to sell its leather first took him to New York. Finally

he removed there, and soon became a leading Wall Street stock

operator. Nobody ever made such daring ventures; he became the "great

bear" on the market, wrecking, pulling down, ruining; controlling

newspapers, courts, legislatures, and being even accused of trying to

bribe a President. Then, as he acquired wealth, he became an extensive

investor in railways and telegraphs, and died, leaving a fortune

estimated at $80,000,000. He is buried in a magnificent mausoleum, a

miniature of the Pantheon, in Woodlawn Cemetery, in the northern

suburbs, and his daughter Helen is trying, by her beneficent

charities, to make the best use she can of the share of the money she

inherited. Westward from Fifty-first Street are the famous Vanderbilt

palaces where most of the sons and daughters of William H. Vanderbilt

reside, five grand residences which cost $15,000,000 to build and

furnish. Standing among them is the Fifth Avenue Presbyterian Church,

said to be the largest and wealthiest in the world of this

denomination, where the late pastor, Dr. John Hall, is described as

preaching to $250,000,000 every Sunday. This is the most splendid

portion of Fifth Avenue, with grand residences all about, and as

Central Park is approached, there are also enormous apartment-houses

and huge hotels. The avenue reaches the Park at Fifty-ninth Street,

and for two miles its grand buildings face that attractive

pleasure-ground. At Seventieth Street is the Lenox Library, the

benefaction of James Lenox, and at Eighty-second Street the

Metropolitan Museum of Art, containing some of the finest collections

in the world, and patterned largely after the British Museum. Its

treasures of art and science, antiquities and museums, are valued at

$9,000,000, and it has an elaborate building fronting on Fifth Avenue,

within the Park.

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