PART II: MELODY

I

“So that’s why I missed you in San Francisco four years ago!” Brainard

exclaimed. “Because you wanted to write a play!”

He threw back his head and laughed as if the idea was peculiarly

ironical.

“Yes!” the ex-reporter Farson replied, with an echo of Brainard’s irony.

“You see I had always meant to be a playwright and took to reporting to

make a living. When you came along and gave me that five hundred for

helping you crack the safe and get away with the contents, I chucked the

newspaper job and moved on to Broadway—been here ever since.”

“Well, how has it gone?”

Farson’s face wrinkled comically.

“I haven’t quite persuaded Broadway that I am another Sardou. In fact

the only creation of mine that ever saw the footlights is a melodrama,

founded on our adventures that evening in Frisco. And I sold that for

fifty dollars to a western syndicate. I have never heard from it since.

I need hardly say it does not satisfy my aspirations.”

“So you went back to reporting?”

“Of a kind,” the young man replied with a sudden attempt to become

important. “I am on the staff of _Bunker’s Magazine_.”

“And they sent you here to interview me!” Brainard laughed again.

“_Bunker’s_ thought that the public would be interested in your rapid

rise into the limelight, and as I had some experience in the great West

they sent me to extract from you the crude ore of a personal document

article,” Farson explained with engaging impudence, glancing

appreciatively at his subject.

The interview happened to take place in the parlor of a suite in the same

large hotel on Fifth Avenue from which almost exactly four years before

Brainard had slunk away with the manuscript of his rejected play in his

pocket, and had thence wended his way disconsolately homeward to meet the

fate that whirled him on during four years of exciting adventure.

Numerous trunks and other impedimenta cluttered the room, indicating that

the miner, who in the words of Farson “had succeeded in climbing into the

limelight” had but just arrived from Arizona and did not yet know that he

needed a man servant.

Through the open windows came the roar of the traffic on the avenue, so

long unfamiliar to the miner’s ears. He rose from the table, where over

a bottle of wine he had been telling the magazine man something about the

wonderful Melody mine, and gazed out of the window into the seething

stream of humanity below. This unexpected meeting with the reporter of

the _Despatch_ who had helped him in his first exploit with Krutzmacht’s

fortune had brought to his memory sharply the great contrast between his

last appearance in New York and the present.

His face, now adorned by a mustache and a short brown beard, which the

hotel barber had not yet had an opportunity to trim to an artistic point,

was reddened and roughened by exposure to the fierce Arizona sun. His

hands were large and coarse, as if they had handled every instrument but

the pen. His whole person had filled out solidly, and he walked with the

awkward gait of one accustomed to the saddle rather than the motor car.

But what occupied his mind at this moment was the curious consciousness

of that other self, so vastly different, so inconceivably discouraged and

weak, whom he could see down below on the pavement, dragging his thin

body through the April mist. Whole worlds separated the two! . . .

The magazine man disturbed his revery by a question.

“You went out there after copper in the first place, didn’t you?”

“Yes,” Brainard said, turning with a twinkle in his eyes, “I went after

copper and got sulfur instead! That often happens in life.”

“You went out there as a rank greenhorn,” Farson translated, “and come

back as the chief representative on this earth of his satanic

majesty,—the Sulfur King.”

“The Sulfur King!” Brainard repeated with an appreciative chuckle.

“That’s good. Are you going to write me up for _Bunker’s_ as the Sulfur

King?”

“You had rather have me do that than play you up as a successful

safe-breaker?”

Farson looked at the miner with admiration mixed with a little envy,

perhaps, as one to whom splendid chances of living had come. From the

professional point of view Brainard would make excellent material for

eulogy as type of “the man who does things,” so ardently beloved by

magazine editors.

“Do whatever you like with me,” Brainard remarked slowly. “You couldn’t

make it too wonderful,—nor explain it all. . . . Do you know that four

years ago, just at nightfall like this, I stood out there in the crowd,

wondering how I could best spend my last quarter for a meal? I never

dreamed I should be looking down from this window some day!”

He chuckled quietly to himself over the picture. The magazine man

pricked his ears for “the human interest note,” divining a life story,

and hinted broadly:

“What really put you into mining, after you left Frisco?”

“How did I get to Arizona? Oh, that’s a long story. I went by way of

Mexico and Paris and New York. Help yourself to another cigar.”

After a few moments he added in a less joking tone,—“I went out there in

search of an heir to Krutzmacht’s property. I didn’t find her—instead I

found the Melody mine!”

“I’d like to hear that story,” Farson said quickly, with the keen scent

of the old newspaper man.

Brainard shook his head.

“Not to-day—perhaps sometime. . . . But not for publication—that! I’ve

given you one good newspaper scoop four years ago, and this thing for

your magazine. But the other I’ll keep for myself.”

Farson’s face expressed a momentary disappointment. But he merely

remarked:

“I’ve often wondered about you ever since I helped you aboard the ferry

with that big bag. Got it still?”

“Yes, what’s left of it.” . . .

Frank as Brainard had become under the influences of his new life and

much as he was attracted by the careless, good-humored young newspaper

man, he could not bring himself to tell him the intimate details of his

story, which in his feelings was so much more concerned with his unknown

mistress than with himself. Ever since that evening when he had stood in

the abandoned house above the Arizona desert, surrounded by the mute

evidences of the girl’s existence, he had prosecuted vigorously the

search for the elusive Melody, using every means known to him—and all in

vain. There had been no clew whatever that led beyond the railroad

tracks. Neither in San Francisco, where he had looked first, nor in New

Orleans, where he had gone in the hope of finding some trace of the

girl’s mother, nor in New York, where the old German was well known,

could he learn anything definite of Krutzmacht’s family affairs. There

were many who had known the business man, but as sometimes happens the

business man had admitted no one into his personal confidence.

After the first few months of this search, when forced finally to fall

back upon the usual devices of advertising and employing detectives,

Brainard returned to Monument,—the spot where he had found and lost his

one substantial proof of the girl’s reality,—and there he had taken up

the project he had conceived of working the abandoned mine until some

heir should be found. Into this project he had thrown himself with all

the ardor of his newly awakened temperament and found in the struggles

that ensued a relief from the aimless hunting for the lost girl. As time

passed with no results from all the agencies he had used in his search,

his mind became less occupied with the vision of his unknown mistress,

and his life concentrated itself upon this accidental undertaking,—all

the more as it proved unexpectedly difficult and failure frequently

threatened. His pride and good faith as well as his new manhood were

challenged in the struggle, which had only quite recently resulted in

abounding triumph. Now that he was free to look about him again and

direct his energy into a new channel, the thought of Melody returned to

haunt his mind. One of his purposes in coming to New York was to start

afresh the hopeless search. An idea came to him as he talked with Farson

about the mine. Perhaps publicity of his success with the Melody mine in

Arizona might attract the attention of the one most concerned. With this

thought in mind he said to the magazine man, turning away from the

window:

“I’ll tell you all you want to know about the mine—you can put it in your

story.”

He gave him a lively account of the vicissitudes of the great Melody mine

at Monument, Arizona, and his experiences with it.

“So,” Farson summed up at the end, “the copper gave out?”

Brainard laughed.

“I should say not! There are millions of tons of copper in those hills.”

“Then what was the trouble?”

“It cost too much to mine and smelt it at present prices. After pouring

a good bit of money into the thing, I found that out. The sulfur looked

promising, and we went in for that; but that, too, came near taking our

last dollar before it made good.”

He told the magazine man how he had discovered traces of sulfur in an old

crater among the hills, had made tests, and had found that the mineral

existed in great quantities and almost pure. But when they went after

it, new difficulties were encountered—quicksands. One method after

another was tried and found useless, until the experts he had summoned

were ready to give up the job. Then, almost in despair, Brainard had

experimented with a novel method of extracting the sulfur by pumping

steam through one pipe into the earth and taking the solution out by

another. It was successful.

“It’s a steady yellow stream out of the bowels of the earth—a stream of

gold!”

The young man sighed with envy.

“Better than gold,” Brainard continued. “A thousand per cent better! I

wouldn’t dare tell you how much money that yellow stream pours into my

pockets every twenty-four hours.”

Farson’s eyes gleamed, and he looked covetously at the bulging pockets of

the miner’s loose coat.

“So you made good,” he said; “and of course you came up here to New York,

straight off, to spend your money.”

“That’s it,” Brainard assented with a laugh.

“It’s a good place to enjoy oneself. What are you going to do?”

Brainard looked quizzically at the ex-reporter. “Get some clothes,

first. I need ’em, don’t you think?”

Farson candidly admitted that he did.

“But,” he added, “you don’t seem the sort to blow your money the usual

way—chorus-girls, or country places, or yachts, or stock market, or—”

Brainard shook his head vigorously at each item of gratification

mentioned.

“What _are_ you going to do with that yellow stream?”

“I have my idea,” Brainard admitted.

“That’s what I want to know.”

“I’ll tell you, and you can make another article about it, if you like.”

The young man leaned forward, all eager attention. Brainard smoked

thoughtfully, then began.

“You’ve written plays—got one in your pocket this minute, probably.”

“You don’t mean you are going to write plays!” Farson said disgustedly.

“No, my boy—not now. I tried it once. But I hope to make it possible

for you and other young men to write their plays and get them put on the

stage. I’m going to build theaters, here and in other cities. I shall

found a national society of dramatic art. That’s the way I’m going to

blow in the money from the sulfur stream as long as it flows!”

“Whew!” The magazine man whistled dubiously. “Another uplift movement

for the poor drama?”

“Let me explain,” Brainard continued.

With much more eagerness than he had shown over his exploits with copper

and sulfur, he sketched the story of his great idea, which had first

taken possession of him that last night of his week’s stay in Paris,

while he wandered through the silent streets. He told of the vision that

had come to him in the snowy heights of the Arizona mountains, in the

silence of earth and sky—a vision of beautiful art that might be created

into reality by the aid of the wealth which he could give it. He had set

himself earnestly to the task of getting the necessary gold out of the

ground, and all through these years, in the vigils of his lonely nights

in the mining camp, he had nursed his vision.

He poured out his heart freely to Farson, because he was young and a

would-be dramatist, and could understand; and Farson, listening to the

story of this idea, became warmed with the enthusiasm of the other and

forgot his habitual journalistic skepticism.

“It’s big!” he murmured.

“And now it will no longer be just an idea. It’s to become fact! I have

the money—at least, it’s mine for the present.” Brainard corrected

himself. “One can do something with half a million or so a year.”

“Half a million a year!” the young man gasped.

“More or less—at present rather more, I should say,” Brainard admitted

carelessly. “Depends on the market for crude sulfur, you understand.

It’s pretty strong just now. And there’s the copper to fall back upon,

when the price of copper goes up. There’s no need to worry about the

money.”

Just here they were interrupted by a boy with a card.

“Show the gentleman up!” Brainard exclaimed, glancing a second time at

the card.

The magazine man rose reluctantly to go, saying:

“Another time, if you would be good enough to tell me more about your

plans—”

“Don’t go!” Brainard interrupted warmly. “If you are interested, stay,

and you will hear more about my great idea. This gentleman has come from

Chicago by appointment to talk it over.”

“Thanks!”

“Why don’t you drop that magazine job?” Brainard suggested abruptly. “I

shall need a secretary. I think you would be the right sort. Why not

begin _now_?”

“Done!” the journalist exclaimed boyishly, and they shook hands. This

was a millionaire after his own heart, who did things casually at the

drop of the hat with the most surprising ease.

“You’ll have a better chance to write your plays,” Brainard remarked

genially.

It pleased him to think that here, on the spot where he had experienced

his last defeat, he was able to play the part of good fortune to youth.

“Somehow,” said Farson enthusiastically, “I feel it’s going to be like a

play all the time with you!”

“The chap that’s coming up to see me,” explained Brainard, “is an actor

and a manager in a small way. He calls himself Ferris MacNaughton—an odd

genius, a Scotsman who has played all over the world. I ran across him

in a small Arizona town, doing Shakespeare to the mining camps, and doing

it well, too. He seemed interested in the idea, and so, when I got ready

to pull out, I wired him to meet me here. He hasn’t lost any time,” he

added as the door swung open.

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