THE PRODIGAL PRO TEM
[Illustration:
“I am to do the library. The servants are all busy.”
“There is nothing like giving the servants a great deal of work,” he
declared enthusiastically.
_See page 147_]
THE
PRODIGAL PRO TEM
BY
FREDERICK ORIN BARTLETT
_Author of “The Seventh Noon,” “The
Web of the Golden Spider,” etc._
ILLUSTRATED BY
HOWARD CHANDLER CHRISTY
[Illustration]
BOSTON
SMALL, MAYNARD AND COMPANY
PUBLISHERS
COPYRIGHT, 1910
By Small, Maynard & Company
(INCORPORATED)
_Entered at Stationers’ Hall_
THE UNIVERSITY PRESS, CAMBRIDGE, U. S. A.
TO
DAN
CONTENTS
PAGE
I BARNES--THE PREPOSTEROUS 13
II THE COURTESY OF THE ROAD 30
III DREAMS FOR THE OLD 39
IV QUESTIONS OF DIPLOMACY 51
V THREE-FINGERED BILL 63
VI THE MYSTERY OF A VISION 74
VII THE CALL OF THE ROAD 83
VIII AN ESTIMABLE YOUNG MAN 94
IX A LULLABY 105
X ON TROUT FISHING AND BOW-KNOTS 116
XI ON ADVENTURING 128
XII STRATEGY AND GEOGRAPHY 139
XIII A SURPRISE 151
XIV OUTSIDE THE DUTCH DOOR 163
XV PLAYING THE GAME 176
XVI JOHN GIVES HIS NOTICE 192
XVII THE ROAD COMPLICATES MATTERS 206
XVIII WHAT MAKES A PRODIGAL 219
XIX BARNES LEARNS A GREAT TRUTH 231
XX SO DOES HIS MOTHER 242
XXI AN OLD PRODIGAL COMES HOME 251
XXII THE BLIND SEE 262
XXIII A YOUNG PRODIGAL COMES HOME 276
XXIV MAN TO MAN 287
XXV THE PURPLE RIM 296
XXVI AUNT PHILOMELA GAMBLES 306
XXVII IN WHICH EVERYONE LEARNS SOMETHING 319
THE PRODIGAL PRO TEM
THE PRODIGAL PRO TEM
CHAPTER I
BARNES--THE PREPOSTEROUS
If Barnes had been asked to define the one thing lacking in the scene
before him, he would probably have answered sentimentally, “A woman--a
young and very fair woman,” not that he had any definite figure in
mind, but simply because from an artist’s view point the picture,
wonderful as it was, seemed now like a marvelous setting without its
jewel.
A light breeze from the West, heavy with summer incense, wafted through
a golden-moted silence and across a turquoise sky with cotton-blossom
clouds. Dense, yet of gossamer fineness; massive, yet light as
thistledown, they took their course placidly without disturbing the
perfect serenity of their background. In their constant changing,
they appeared at times like Spanish galleons with every full-bellied
sail straining at its ropes. But they cut no churning path; they left
no oily wake. They only cast calm shadows which in their turn swept
majestically over the green valley below them. The heavy-leaved trees,
the fat grasses, the daisies and roadside ferns found themselves first
in the stark sunlight, then in the quiet shade, then in the brazen sun
again.
If Barnes had not been in tune with it all, he would have felt out of
place here on the top of the long hill up which he had just climbed by
the saffron road. As it was, he surveyed the scene with an air of easy
content. To a passer-by he might have given the impression of being a
large proprietor. In his heavy walking-boots, his belted trousers, his
flannel shirt gathered in at the throat with a light tie, his checked
English cap, and his walking-stick, he looked as though he might be
making a walking tour of his landed estates. He had a comfortable air
of princely sovereignty. His even features, his tall erect frame, his
gray-blue eyes, and above all his thin, straight nose carried out the
illusion. He had an air more of Bavaria than New England. But his firm
lips, surmounted by a bristling blonde mustache, trimmed short and in
a straight line, together with his Saxon hair, marked him of a hardier
race. He might have been a Dane, but his cheek bones were too high for
that, and there was too much good humor written large about the mouth.
As a matter of fact he was from New York state and his ancestors had
fought under Schuyler. His great grandfather was quoted as having said,
“I’d rather be killed as a private under Schuyler than live, a captain,
under Gates.” A sentiment his father had paraphrased when he raged at
the walking delegate who tried to unionize his shops, “I’ll go broke by
myself before I’ll get rich under you.” From that day Barnes, Sr., had
moved from one apartment house to another in New York city in a steady
crescendo of advancing rentals until now he needed a secretary to look
after the tipping alone. And “The Acme Manufacturing Co.” was wrought
in iron scrolls across the oven doors of half the cook-stoves in the
United States.
This fact, however, had less to do with Barnes to-day than the more
romantic one that his father in the days of beginnings, married his
book-keeper, a fine-souled English girl, niece of the late Lord
Dunnington. Her father, a younger son, came to America to make his
fortune, died soon after, and left the girl penniless. To-day the one
romantic spot left in Barnes, Sr., was his ambition to accumulate a
fortune so vast that it might overawe his caddish English relatives. It
was the mother in Barnes, Jr., and not the father who now stood upon
the top of the hills dreaming into the cotton-blossom clouds.
His pose was misleading. Barnes was proprietor of nothing but himself.
That was much or little as you happened to feel about it. To himself it
was enough to make him glad that he stood here to-day even with only a
trifle over ten round dollars to his name. The position was of his own
choosing. He might have been secretary to the Acme Manufacturing Co.
had he wished, instead of a painter of very good water-colors which as
yet, however, had not found so ready a market as the cook-stoves.
The father put it bluntly when he declared, “People must eat to live;
they can worry along without pictures.” Perhaps. But he couldn’t. He
could worry along better without cook-stoves, as he was proving.
But when a gay shaded patch of blue seen through the straggling
cloud-mist made him think of his mother’s wet eyes as they were when
in something of a temper he had quit the gorgeous apartment house
for good, it occurred to him that his father might have been less
irascible about the matter. The man had some grounds for temper to be
sure. In college Barnes had devoted himself to Fine Arts and similar
subjects when the elder, not recognizing the courses as expressed
in the University cipher code, had thought him working assiduously
at economics and other useful branches of manufacturing. Then, too,
instead of studying the market conditions of Europe when abroad, he
had used the opportunity for living a bit in the Latin quarter and
visiting the galleries. He reported home that so far as he could see,
people over there had to have pictures; they could worry along without
cook-stoves. But even so, he couldn’t stand being browbeaten like an
errant schoolboy, and therefore when matters came to a crisis he packed
up his sketch-book and started on a jaunt through the Catskills, where
Rip Van Winkle had found surcease before him.
Below him stretched acre after acre of farm lands made rich by three
generations of toilers. Gray stone walls told bluntly what the task
had been. They gave the scene a history such as crumbling castle walls
lend to English landscapes. The farms swept down a valley cut by a lazy
lowland stream, which looked as though it might furnish good trout
fishing. He turned to the left and saw through the birches bordering
the road what he had not before noticed--a red brick house half hidden
behind a row of elms. Just above, a wagon track led to it. He took a
position where he could see the house more in detail. He caught a
glimpse of a white-pillared porch and a Dutch door, the upper part
swung open. The brass handle shone brightly in the sunshine. To the
left there was a capacious barn with chickens scratching industriously
before the open door. From somewhere came the coppery tinkle of homing
cows. It looked like a place where for the asking one could get milk
and honey and good rye bread.
The rural free delivery carrier jogged up the hill and, stopping to
drop some mail in a letter-box out of sight behind the hedge, nodded
a cheery “Howdy” to Barnes and jogged on again. This man in his
officious Federal uniform destroyed something of the sleepy atmosphere
of the place. “Here I am,” he seemed to declare as boisterously as the
circular letters of the Acme Manufacturing Co. “Here I am, dear sir or
madame, and beg to remain most respectfully yours, the United States of
America.”
Barnes, who had opened his portfolio with an idea of sketching the
spot, closed it again, tying it in one of those hard knots which
invariably in the end he had to cut. But he was checked by a sound
from the direction of the letter-box. At first he thought it was a
distant whip-poor-will. It was low and had the same note of subdued
pathos. Then he concluded that it was a straggling brook running with
gentle sobbing among the ferns. But the peculiar sound soon became more
individualized. It took on a human note; then a feminine. Finally he
awoke to the fact that it was nothing else but the sobbing of a woman.
He strode up the grass-grown road to the hidden stretch beyond the
fringe of trees. There he found himself confronting a young woman who
was kneeling upon the grass, bowed above an open letter in her lap.
She was not over twenty, but tall and lithe. Her heavy hair, black and
silken, lay coiled about her head in heavy braids. She was dressed
in white with a collar of exquisite lace fastened at her throat with
a turquoise pendant. A great orange-colored cat arched its back in
apparent sympathy against her skirt. The soft grass had muffled his
approach so that for a moment she was unaware that she was not alone.
“I beg your pardon,” he apologized, hat in hand, now not at all sure
that he ought to be here.
She was upon her feet in an instant. She looked as though about to run.
The cat challenged him with a little spit.
“I didn’t know,” he hastened to explain, “but what you had met with an
accident.”
She looked whole enough. He surmised that the letter was the cause of
her agitation. If so, he certainly was intruding. Her black eyes, full,
Italian, swept by long lashes, seemed to tell him so.
“No,” she murmured, “it is nothing; just bad news. It came so
unexpectedly.”
Her lips moved rhythmically to the music of a sweetly lyrical voice.
Her teeth were as white as those of the orange-colored cat. She fitted
marvelously well into the scene above the valley. Consequently he
parried a little to prolong an interview to which he knew he had no
right.
“Luckily, bad news generally does come unexpectedly,” he said.
She flashed a look at him as though to fathom his intent. Then she
glanced swiftly towards the brick house and seemed instantly in her
grief to forget that he was there.
“It will kill him,” she exclaimed below her breath.
Still he hesitated, impressed by the weight of her sorrow.
“If I may be of any service,” he ventured, “I’m on my way to the next
village. Any letter or wire--”
She looked up.
“No! No! Such news travels only too quickly,” she answered. Her brows
contracted. She went on more to herself than to him, “If I could only
check it before it reaches him.”
“He,” mused Barnes, is at once the most personal and impersonal of
pronouns. Next to “She” it is the most pregnant with possibilities of
all human utterances.
He wondered, too, how it would be possible to paint a black that had
gold in it; an ivory that had rose in it; a pure white that had blue in
it. It was not possible. And yet there they were in her hair, her brow,
and the setting of her pupils. The tawny cat pressed close to her skirt.
“Then I fear,” he said half in apology, half in hope, as he prepared to
leave, “that I can’t help you. And yet,” he reflected aloud, “it seems
as though when ill fortune hits hard at anyone the rest of the world
ought to club in to help. There ought to be a bad news insurance.”
Her face brightened. But instantly it clouded again as she turned half
away.
“But instead of that,” he went on, “the world only raises barriers.”
She recognized his implied offer of help. If her instinct bade her
turn from it, there was something in his sturdy presence, above all
in his frank eyes, which made him seem to stand for just some such
kind-hearted insurance as he had whimsically suggested. It was
possible that he from his impersonal point of view might be able to see
more clearly than she just what in such a crisis as hers was wisest. At
any rate, she said,
“It’s about my brother. He won’t come home.”
Barnes suppressed a smile. He had been prepared for sudden death. He
shifted his eyes from her to the brick house now growing more mellow in
the softening twilight.
“That is his home?” he asked.
She nodded, watching him curiously.
“I should think a man ought to be eager to return to such a home as
that,” he said.
“He ran away,” she explained with some embarrassment at expressing the
more intimate details. “He is somewhere in Alaska.”
Barnes acknowledged her confidence with a sympathetic nod of his head.
“If he is in Alaska,” he suggested, “it will be only a matter of time.”
“That is just the trouble,” she exclaimed impulsively. “That is the
pity of it. It will be too late!”
He saw that the boy himself was a mere episode in some more poignant
grief. He waited for her to proceed. She said,
“I don’t know why I should tell you this--except that it’s a relief to
tell anyone. Father is up there waiting for him--with not long to live.
If he hears this--his heart--”
Her fingers closed convulsively over the letter.
“That _is_ tough,” he murmured. “Your father expected to see the boy
himself to-day?”
“Not to see him, but to hear him, to feel him. Father is blind.”
“That’s still worse. The boy knows of his trouble?”
She nodded.
“Then why won’t he come?”
“Because of a quarrel. He wrote this.”
She handed the letter to Barnes with a quick motion as though in sudden
hope that he might be able to gather from it something she herself had
missed. He glanced it through. It was a thoughtless letter. Its whole
tone was one of boyish bravado. Barnes flushed as he read it.
“What the boy seems to need,” he commented, “is a cowhiding.”
“I’m afraid he has fallen into bad company,” she apologized for him,
but none too heartily.
He checked his own opinion.
“Joe seems almost like a stranger to me,” she confided further. “He has
been gone five years now. And the last few years he _was_ at home, I
was away at school.”
Barnes refrained from congratulating her. He realized how really
serious an affair she had upon her hands.
“And you--you must tell your father this yourself?” he asked.
“Yes,” she answered, “and it’s like being ordered to kill him.”
She drew in a deep breath that was half a gasp.
Barnes thought a moment.
“The first thing I should do,” he advised, “would be to tear up the
letter.”
“You mean--?”
“I should never let him see that.”
She hesitated a moment and then still half dazed tore it into little
bits. She tossed the fragments to the ground. They were harried about
the greensward by a light sunset breeze. The yellow cat began to play
with them.
“Now,” he advised, “I shouldn’t tell your father anything.”
“But he expected Joe to-day! That would leave him to wait.”
“Isn’t that better?” he asked.
“Ah,” she exclaimed, “the blind wait so hard. There is nothing else for
them.”
“But they suffer hard, too. While waiting he could at least--hope.”
She shook her head quickly.
“He would guess.”
“A guess is never a certainty,” he persisted.
“It would be certainty enough to break down his poor heart. Dr.
Merriweather said that Joe alone could keep him with us another week.”
Barnes glanced again at the brick house. It scarcely seemed possible
that so grim a crisis as this could center there. The situation struck
home. In some way he felt the responsibility of this unknown young
man’s action resting upon his own shoulders. He, too, in a fit of anger
had left a father behind him.
At that moment Barnes was inspired by an idea--a preposterous idea to
be sure, but the present situation was preposterous and so was Barnes
himself if his father was to be believed. Furthermore most inspired
ideas _are_ preposterous. It depends a good deal on how they turn out
whether or not that adjective clings to them forever. But this one made
even Barnes catch his breath. He had to look again at the blue sky, at
the gold in her hair, at her eyes now misted like Loch Lomond at dawn.
“There is just one other course for us,” he announced deliberately. “We
might deceive him.”
She started back.
“I don’t understand.”
“How many up there must know of this?” he inquired.
“There is only Aunt Philomela,” she managed to answer.
“The servants?”
“They have heard of Joe but never seen him.”
“The neighborhood?”
“We moved here after Joe left.”
She answered his questions mechanically with no suspicion as to what he
was leading.
“The boy was young? You say this was five years ago?”
“Yes. Yes.”
“A lad changes a good deal in that time. Do I resemble him--even
remotely?”
“You?”
She studied him again as though for the first time she had seen him.
“Joe,” she faltered, “must be now--about your height.”
“That’s enough. A grown man may change in every way except in height.”
“But--”
“There is only a week or so. I am free. Why couldn’t I play the son?
Why,” he smiled at the odd whirligig, “why couldn’t I play the
prodigal?”
She started back, her hands clasped to her breast, her eyes grown big.
“How impossible!” she exclaimed.
“And humane,” he suggested.
The word caught her attention.
“It would be almost that,” she admitted reluctantly.
He waited. He did not care to press the point by argument. It was
merely a suggestion born of the moment--born of the acute necessity of
doing something at once. But she must decide for herself. He had done
his best, and however it turned this picture was worth remembering.
At first it did not seem to her even a possibility, but once she
recovered a little from the shock of her surprise, once she had
stripped it of its novelty, and, gazing into his honest eyes,
considered it merely as an heroic measure for easing the sick, blind
man to his end, she found herself forgetting everything else but the
peace it might bring. She, better than he, knew that it _was_ possible.
“But,” she exclaimed, “it is such a bit of trickery.”
“Nothing else,” he assured her, “or diplomacy if you wish to dignify
it.”
“If--if we succeeded it would make his last days very pleasant.”
“I would do my best.”
“But it is such an obligation--”
“Let me represent the world at its finest. Let me found the bad news
insurance company.”
“Surely you can’t afford to sacrifice so much time.”
“I’ll paint a picture or two. I shall be more than repaid.”
“You’re an artist!” she exclaimed as though that might account for many
hitherto inexplicable matters.
“I’m striving to deserve that title,” he admitted.
Her head was awhirl with the quick sequence of unexpected events. But
in the midst of it she still grasped at this hope.
“Would you,” she gasped, “be good enough to meet my aunt?”
“It will be a pleasure.”
“She is very quick-tempered,” she explained, “so you needn’t pay much
attention to her.”
“That is the distinct advantage of quick-tempered relatives,” he
affirmed.
“You will come now?”
“Yes,” he agreed readily. “And--it may be helpful--my name is Barnes.”
She shot a swift half-frightened smile at him. “And I am Miss Van
Patten.”
He bowed.
She led the way to the house, the yellow cat by her side.