"An's so it should, but he says the world's no plaace for softness. He'm a

terror to the evildoer; an' he'm a terror to the righteous-doer; an' to

hisself no less, I reckon; an' to God A'mighty tu, so like's not. The

friends of en be as feared of en as his foes be. An' that's awful wisht,

'cause he goes an' comes purty nigh alone. The Gosp'lers be like fry flyin'

this way an' that 'fore a school o' mackerl when Michael's among 'em. Even

minister, he do shrivel a inch or two 'longside o' Michael. I've seen en

wras'lin' wi' the Word same as Jacob wras'led wi' the angel. An' yet, why?

Theer's a man chosen for glory this five-an'-forty years, an' he knaws it

so well as I do, or any wan."

"He knaws nothin' o' the sort. The best abbun no right to say it," declared

Mary.

Then Mrs. Tregenza fired up, for she resented any criticism on this subject

other than her own.

"An' why not, Polly Chirgwin? Who's a right to doubt it? Not you, I reckon,

Ban't your plaace to judge a man as walks wi' God, like Moses done. If

Michael edn' saved, then theer's no sawl saved 'pon land or sea. You

talk--a young maiden! His sawl was bleedin' an' his hands raw a batterin'

the gate o' heaven 'fore you was born, Polly--ay, an' he'd got the

bettermost o' the devil wance for all 'fore you was conceived in the womb;

you mind that."

"Us caan't get the bettermost o' the devil wance for all," said Mary,

changing the issue, "no--not no more'n us can wash our skin clean wance for

all. But you an' me thinks differ'nt an' allus shall, Mrs. Tregenza."

"Iss, though I s'pose 'tis the same devil as takes backslidin' church or

chapel folks. Let that bide now. Wheer's Joan to? I've got to thank 'e

kindly for lookin' arter Tom t'other Sunday night. Tis things like that

makes religion uncomfortable. But you gived the bwoy some tidy belly-timber

in the small hours o' day, an' he comed home dog-tired, but none the worse.

An' thank 'e for they apples an' cream an' eggs, which I'm sorry they had

sich poor speed. A butivul basket as hurt me to the heart to paart with.

But I wasn't asked. No offense, I hope, 'bout it? Maybe uncle forgot 'twas

the Lard's day?"

"He'm the last ever to do that."

Joan entered at this point in the conversation and betrayed some slight

emotion as her stepmother kissed her. It was nearly five months since they

had met, and Mary now departed, leaving them to discuss Joan's physical

condition.

"I be doin' clever," said Joan, "never felt righter in body."

Mrs. Tregenza poured forth good advice, and after a lengthy conversation

came to a secret ambition and broached it with caution.

"I called to mind some baaby's things--shoes, clouts, frocks an' sich-like

as I've got snug in lavender to home. They was all flam-new for Tom, an' I

judged I'd have further use for 'em, but never did. Theer they be, even to

a furry-cloth, as none doan't ever use nowadays, though my mother did, and

thot well on't. So I did tu. 'Tis just a bit o' crimson red tailor's cloth

to cover the soft plaace 'pon a lil baaby's head 'fore the bones of en graw

together. An' I reckon 'tis better to have it then not. I seem you'd do

wise to take the whole kit; an' you'm that well-to-do that 'twouldn' be

worth thinkin' 'bout. 'Twould be cheaper'n a shop; an' theer's everything a

royal duke's cheel could want; an' a butivul robe wi' lacework cut 'pon it,

an' lil bits o' ribbon to tie in the armholes Sundays. They'm vitty

clothes."

Joan's eyes softened to a misty dreaminess before this aspect of the time

to come. She had thought so little about the baby and all matters

pertaining thereto, that every day now brought with it mental novelty

and a fresh view of that experience stored for her in the future.

"Iss, I do mind they things when Tom was in 'em. What be the value in

money?"

Mrs. Tregenza answered shyly and almost respectfully.

"Well, 'tis so difficult to say, not bein' a reg'lar seller o' things. They

cost wi'out the robe, as was a gift from Mrs. Blight, more'n five pound."

"Take ten pound, then. I'll tell uncle."

Thomasin's red tongue-tip crept along her lips and her bright eyes blinked,

but conscience was too strong.

"No, no--a sight too much--too much by half. I'll let 'e have the lot for a

fi'-pun' note. An' I'd like it to be a new wan, if 'tis the same to you."

Joan agreed to this, and ten minutes afterward Uncle Chirgwin was opening

his cash-box and handing Thomasin the snowy, crackling fragment she

desired.

"'Tis the fust bit o' money ever I kept unbeknawnst to Michael," she said,

"an', 'pon me life, Chirgwin, I be a'most 'feared on't."

"You'll soon get awver that," declared Uncle Thomas. "I'll send the trap

home with 'e, an' you can look out the frippery; an' you might send a nice

split bake back-along with it, if you've got the likes of sich a thing

gwaine beggin' to be ate."

Presently Mrs. Tregenza drove away and Joan went to her room to think.

Magic effects had risen from the spectacle of the well-remembered face,

from the sound of the sharp, high voice. A new sensation grew out of them

for Joan. Home rose like a vision, with the sighing of the sea, the crying

of the gulls, the musical rattle of blocks in the bay, the clink, clink of

picks in the quarry, the occasional thunder of a blast. Many odors were

with her: the smell of tar and twine and stores, the scent of drying fish.

She saw the low cliffs all gemmed at this season with moon-flowers--the

great white convolvulus which twinkled there. A red and purple fuchsia in

the garden, had blossomed also. She could see the bees climbing into its

drooping bells. She remembered their music, as it murmured drowsily from

dead and gone summers, and sounded sweeter than the song of the bees at

Drift. She heard the tinkle of a stream outside the cottage, where it ran

under the hedge through a shute and emptied itself into a great

half-barrel; and then, turning her thoughts to the house, her own attic,

with the view of St. Michael's Mount and the bay, rose in thought, with

every detail distinct, even to the glass scent-bottle on the mantel-piece,

and the colored print of John Wesley being rescued in his childhood from a

burning house. These and kindred memories made a live picture to Joan's

eyes. For the first time since she had left her home the girl found in her

heart a desire to return to it. She awoke next morning with the old

recollections increased and multiplied; and the sensation bred from

continued contemplation was the sensation of a loss.

BOOK THREE

CHANCE

CHAPTER ONE

OF THE CROSSES

The significance of the ancient crosses in Joan Tregenza's latest phase of

mental growth becomes much finer after learning somewhat more concerning

them than she could ever know. The ephemeral life of one unhappy woman

viewed from these granite records of Brito-Celtic pagan and Christian

faith, examined in its relation to these hoary splinters of stone, grows an

object of some pathetic interest. Such memorials of the past as are here

indicated, vary mightily in age. The Christian monuments are not older than

the fifth century, but many have been proved palimpsests and rise on pagan

foundations dating from a time far more ancient than their own. The relics

are divided into two classes by antiquarians: Pillar Stones and Sculptured

Crosses. The former occur throughout the Celtic divisions of Great Britain,

and are sometimes marked with the Chi Rho monogram, or early rude cross

form. In most cases these earlier erections indicated a grave, while the

sculptured crosses either denoted boundaries of sanctuary, or were raised

promiscuously where men and women passed or congregated, their object being

to encourage devotion and lead human thoughts heavenward. The designs on

these monuments are usually a bad imitation of Irish key patterns and

spirals; but many, in addition, show crucifixes in their midst, with

pre-Norman figures depicting the Christ in a loose tunic or shirt, his head

erect and his body alive, after the Byzantine fashion. The mediaeval mode

of carving a corpse on the cross is of much later date and may not be

observed before the twelfth century.

More than three hundred of these sculptured crosses have been discovered

within the confines of Cornwall. In churchyards and churchyard walls they

stand; they have even been discovered wrought into the fabric of the

churches themselves; the brown moor likewise knows them, for they stud its

wildernesses and rise at the crossways of many lonely roads; while

elsewhere, villages hold them in their hearts, and the emblem rises daily

before the sight of generation upon generation. In hedges they are also to

be seen, and in fields; many have been rescued from base uses; and all have

stood through the centuries as the sign and testimony of primitive Cornish

faith, even as St. Piran's white cross on a black ground, the first banner

of Cornwall, bore aloft the same symbol in days when the present emblem,

with its fifteen bezants and its motto, "One and All," was not dimly

dreamed of.

These ancient crosses now rose like gray sentinels on the gray life of Joan

Tregenza. At Drift she was happily placed among them, and many, not

necessary to separately name, lay within the limit of her daily wanderings,

and her superstitious nature, working with the new-born faith, wove

precious mystery into them. Much she loved the more remote and lonely

stones, for beside them, hidden from the world's eye, she could pray. Those

others about which circled human lives attracted her less frequently. To

her the crosses were sentient creatures above the fret of Time, eternally

watching human affairs. The dawn of art as shown in early religious

sculpture generally amuses an ignorant mind, but, to Joan, the little

shirted figures of her new Saviour, which opened blind eyes on the stones

she loved, were matter for sorrow rather than amusement. They did by no

means repel her, despite the superficial hideousness of them; indeed, with

a sort of intuition, Joan told herself that human hands had fashioned them

somewhere in the dawn of the world when yet her Lord's blood was newly

shed, at a time before men had learned skill to make beautiful things.

Once, beside the foot of the cross which stood in Sancreed [Footnote: This

fine sculptured cross has since these events been placed within the said

churchyard, at the desire of Mr. A. G. Langdon, the greatest living

authority on the subject of Cornish remains.] churchyard wall, between two

tree-trunks under a dome of leaves, the girl found growing a spotted

persicaria, and the force of the discovery at such a spot was great to her.

Familiar with the legend of the purple mark on every leaf of the plant,

nothing doubting that it had aforetime grown at the foot of the true cross

and there been splashed with the blood of her Master, Joan accepted the old

story that henceforth the weed was granted this proud livery and badge of

blood. And now, finding it here, the fable revived with added truth and

conviction, the legend of the persicaria was as true to her as that other

of the Lord's resurrection from death. Thus her views of Nature suffered

some approach to debasement in a new direction, but this degradation, so to

call it, brought mighty comfort to her soul, daily rounded the ragged edges

of life, woke merciful trust and belief in a promised life of bliss beyond

the grave, and embroidered thereupon a patchwork, not unbeautiful, built of

fairy folk-lore, saintly legend and venerable myth. Her credulous nature

accepted right and left; anything that harbored a promise or was lovely or

wonderful in itself found acceptance; and Joan read into the very pulses of

the summer world the truth as she now understood it. Cornwall suddenly

became a new Holy Land to the girl. Here the circumstances of life chimed

with those recorded in the New Testament, and it was an easy mental

achievement to transplant her Saviour from a historical environment into

her own. She pictured Him as walking amid Uncle Chirgwin's ripening corn;

she saw Him place His hands on the heads of the little children at cottage

doors; she imagined Him standing upon one of the stranded luggers in Newlyn

harbor with the gulls floating round His head and the fishermen listening

to his utterance.

The growing mother instincts in Joan also developed about this season. They

leaped from comparative quiescence into activity; they may indeed be

recorded as having arisen within her after a manner not less sudden than

had the new faith itself, which was exhibited to you as blossoming with an

abruptness almost violent, because it thus occurred. Now most channels of

thought led Joan to her unborn infant, and there came at length an occasion

upon which she prayed for the first time that her child might be justified

in its existence.

The petition was raised where, in the past, she had uttered one widely

different: at the altar-stone in the ruined baptistery of Saint Madron.

Thither on a day in early August, Joan traveled by short cuts over fields

which brought the chapel within reach of Drift. The scene had changed from

that of her former visit, and summer was keeping the promises of spring.

Yellow stars of biting stone-crop covered the walls of the ruin; the fruit

of the blackthorn was growing purple, of the hawthorn, red; the lesser

dodder crept, like pink lacework, over furze and heather; bright-eyed

euphrasy and sweet wild thyme were murmured over by many bees; at the

altar's foot grew brake fern and towering foxgloves; while upon the sacred

stone itself brambles laid their fruit, a few ripe blackberries shining

from clusters of red and green. Seeding grasses and docks likewise

nourished within the little chapel, and ragged robins and dandelions

brought the best beauty they had. Among which matters, hid in loneliness,

to the sound of that hymn of life which rises in a whisper from all earth

at summer noon, Joan prayed for her baby that it might not be born in vain.

CHAPTER TWO

HOME

Among the varied ambitions now manifested by Joan was one already hinted

at--one which increased to the displacement of smaller interests: she much

desired to see again her home, if but for the space of an hour. The days

and weeks of an unusually smiling summer brought autumn, and with it the

cutting of golden grain; but the bustle and custom of harvest failed to

draw Joan among her kind. Human life faded somewhat, even to the verge of

unreality with her. Silence fell upon her, and a gravity of demeanor which

was new to the beholders. Uncle Chirgwin and Mary were alike puzzled at

this sign, and, misunderstanding the nature of the change, feared that the

girl's spiritual development must be meeting unseen opposition. Whims and

moods were proper to her condition, so the farmer maintained; but the fancy

of eternally sequestering herself, the conceit of regarding as friends

those ancient stones of the moor and crossroads, was beyond his power to

appreciate. To Mary such conduct presented even greater elements of

mystery. Yet the fact faced them, and the crosses came in time to be one of

the few subjects which Joan cared to talk upon. Even then it was to her

uncle alone she opened her heart concerning them: Mary never unlocked the

inner nature of her cousin.

"I got names o' my awn for each of 'em," Joan confessed, "an' I seem they

do knaw my comin' an' my secrets an' my troubles. They teach me the force

o' keepin' my mouth shut; an' much mixin' wi' other folks arter the silence

o' the stones 'mazes me--men an' wummen do chatter so."

"An' so did you, lassie, an' weern't none the worse. Us doan't hear your

purty voice enough now."

"'Tis better thinkin' than talkin', Uncle Thomas. I abbun nort to talk

'bout, you see, but a power o' things to think of. The auld stones speaks

to me solemn, though they can't talk. They'm wise, voiceless things an'

brings God closer. An' me, an' all the world o' grass an' flowers, an' the

lil chirruping griggans [Footnote: Grasshoppers.] do seem so young beside

'em; but they'm big an' kind. They warm my heart somethin' braave; an' they

let the gray mosses cling to 'em an' the dinky blue butterflies open an'

shut their wings 'pon 'em, an' the bramble climb around theer arms. They've

tawld me a many good things; an' fust as I must be humbler in my bearin'.

Wance I said I'd forgive faither, an' I thot 'twas a fair thing to say; now

I awnly wants en to forgive me an' let me come to my time wi' no man's

anger hot agin me. If I could win just a peep o' home. I may never see it

no more arter, 'cause things might fall out bad wi' me."

"'Tis nachrul as you harp on it; an', blame me, if I sees why you shouldn'

go down-long. Us might ride in the cart an' no harm done."

"Ay, do 'e come, theer's a dear sawl. Just to look upon the plaace--"

"As for that, if us goes, us must see the matter through an' give your

faither the chance to do what's right by 'e."

"He'll not change; but still I'd have en hear me tell I'm in sorrer for the

ill I brot 'pon his name."

"Ay, facks! 'Tis a wise word an' a right. Us'll go this very arternoon. You

get a odd pound or so o' scald cream, an' I'll see to a basket o' fruit wi'

some o' they scoured necterns, as ban't no good for sellin', but eats so

well as t'others. Iss, we'll go so soon as dinner be swallowed. Wishes

doan't run in a body's head for nothin'."

Uncle Chirgwin's old market-cart, with the gray horse and the squeaking

wheel, rattled off to Newlyn some two hours later, and the ordeal, longed

for at a distance, towered tremendous and less beautiful at nearer

approach. When they started, Joan had hoped that her father might be at

home; as they neared Newlyn she felt a growing relief in the reflection

that his presence ashore was exceedingly improbable. Her anxieties were

forgotten for a few moments at sight of the well-known outlines of the

hills above the village. Now arrish-mows--little thatched stacks some eight

feet high--glimmered in the pale gilded stubbles of the fields; the

orchards gleamed with promise; the foliage of the elms was at its darkest

before the golden dawn of autumn. Well-remembered sights rose on Joan's

misty eyes with the music proper to them; then came the smell of the sea

and the jolting of the cart, going slowly over rough stones. Narrow, steep

streets and sharp corners had to be traversed not only with caution but at

a speed which easily placed Joan within the focus of many glances. Troubles

and humiliation of a sort wholly unexpected burst suddenly upon her,

bringing the girl's mind rudely back from dreams born of the familiar

scene. Newlyn women bobbed about their cottage doors with hum and stir, and

every gossip's mouth was full of news at this entry. Doors and windows

filled with curious heads and bright eyes; there was some laughter in the

air; fishermen got up with sidelong looks from the old masts or low walls

whereon, during hours of leisure, they sat in rows and smoked. Joan, all

aflame, prayed Uncle Chirgwin to hasten, which he did to the best of his

power; but their progress was of necessity slow, and local curiosity

enjoyed full scope and play. Tears came to the girl's eyes long before the

village was traversed; then, through a mist of them, she saw a hand

stretched to meet her own and heard a voice which rang kindly on her ears.

It was Sally Trevennick, who faced the spiteful laughter without flinching

and said a few loud, friendly words, though indeed her well-meant support

brought scant comfort with it for the victim.

"Lard sakes! Joan, doan't 'e take on so at them buzzin' fools! 'Tedn' the

trouble, 'tis the money make 'em clatter! Bah! Wheer's the wan of them

black-browed gals as 'alf the money wouldn' buy? You keep a bold faace, an'

doan't let 'em see as their sniggerin's aught more to 'e than dog-barking."

"Us'll be theer in a minute," added Mr. Chirgwin, "an' I'll drive back agin

by Mouzle; then you'll 'scape they she-cats. I never thot as you'd a got to

stand that dressin' down in a plaace what's knawed you an' yours these many

years."

Joan asked Sally Trevennick whether she could say if Gray Michael was on

the water, and she felt very genuine thankfulness on learning that Sally

believed so. Two minutes later the spring-cart reached level ground above

the sea, then, whipping up his horse, Uncle Chirgwin increased the pace,

and very quickly Joan found herself at the door of home.

Thomasin was within, and, hearing the sound of wheels cease before the

cottage, came forth to learn who had arrived. Her surprise was only equaled

by her alarm at sight of Joan and Mr. Chirgwin. So frightened indeed did

she appear that both the newcomers supposed Mr. Tregenza must be within.

Such, however, was not the case, and Joan's stepmother explained the nature

of her fears.

"He'm to sea, but the whole world do knaw you be come, I'll lay; an' he'll

knaw tu. Sure's death some long-tongued female will babble it to en 'fore

he's off the quay. Then what?"

"'Tedn' your fault anyways," declared Uncle Thomas. "Joan's wisht an' sad

to see home agin, as was right an' proper; an' in her present way she've

got to be humored. So I've brot her, an' what blame comes o't my shoulders

is more'n broad enough to carry. I wish, for my paart, as Michael was home,

so's I might faace en when Joan says what her've comed to say. I be gwaine

to Penzance now, 'pon a matter o' business, an' I'll come back here in an

hour or so an' drink a dish o' tea along with you 'fore we staarts."

He drove away immediately, and for a while Joan was left with Mrs.

Tregenza. The latter's curiosity presently soothed her fears, and almost

the first thing she began to talk about was that "will and testament" which

she had long since urged upon her stepdaughter. But the girl, moving about

in the well-known orchard, had no attention for anything but the sights,

sounds and scents around her. Silently and not unhappily she basked in old

sensations renewed; and they filled her heart. Meanwhile Thomasin kept up a

buzz of conversation concerning Joan's money and Joan's future.

"Touchin' that bit o' writin'! Do 'e see to it, soas; 'tis awnly wisdom.

Theer's allus a fear wi' the fust, specially in the case o' a pin-tail

built lass like you be. An' if you was took, which God forbid, theer'd be

that mort o' money to come to Michael, him bein' your faither--that is,

s'pose the cheel was took tu, which God forbid likewise. An' he'd burn

it--every note--I mean Michael. Now if you was to name Tom--just in case o'

accidents--? He'm of your awn blood by's faither."

"But my baaby must be fust."

"In coorse er must. 'Tis lawful an' right. Love childern do come as sweet

an' innercent on to the airth as them born o' wedlock--purty sawls. 'Tis

the fashion to apprentice 'em to theer faithers mostly, an' they be a sort

o' poor cousins o' the rightful fam'ly; but your lil wan--well--theer edn'

gwaine to be any 'poor cousin' talk 'bout en--if en do live. But I was

talkin' o' the will."

"I've writ it out all fair in ink 'cordin' as Uncle Chirgwin advised," said

Joan. "Fust comes my cheel, then Tom. Uncle sez theer ban't no call to name

others. I wanted hisself to take a half on it, but he said theer weren't no

need an' he wouldn't nohow."

"Quite right," declared Thomasin. "Iss fay! He be a plain dealer an' a good

righteous man."

Joan's thoughts meanwhile were mainly concerned with her surroundings, and

when she had walked thrice about the garden, visited the pigs, peeped into

the tool-house to smell the paint and twine, noted the ripening plums and a

promising little crop of beets coming on in the field beyond, she went

indoors. There a pair of Michael's tall sea-boots stood in the chimney

corner, with a small pair of Tom's beside them; the old, well-remembered

crockery shone from the dresser; geraniums and begonias filled the window;

on a basket at the right of the fireside stood a small blue plate with gold

lettering upon it and a picture of Saltash Bridge in the middle. The legend

ran--_A present for a good girl_. It was a gift from her father to

Joan, on her tenth birthday. She picked it up, polished it, and asked for a

piece of paper to wrap it in, designing to carry the trifle away with her.

Every old nook and corner had been visited by the time that Uncle Chirgwin

returned. Then all sat down to eat and drink, and the taste of the tea went

still further to quicken Joan's memory.

Mrs. Tregenza gave them such information as suggested itself to her during

the progress of the meal. She was chiefly concerned about her son.

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