CHAPTER XII

Yes ye moss-green walls,

Ye towers defenceless, I revisit ye

Shame-stricken! Where are all your trophies now?

Your thronged courts, the revelry, the tumult,

That spoke the grandeur of my house, the homage

Of neighbouring barons?

Mysterious Mother.

Entering the castle of Ellangowan by a postern doorway which showed

symptoms of having been once secured with the most jealous care, Brown

(whom, since he has set foot upon the property of his fathers, we shall

hereafter call by his father’s name of Bertram) wandered from one ruined

apartment to another, surprised at the massive strength of some parts of

the building, the rude and impressive magnificence of others, and the

great extent of the whole. In two of these rooms, close beside each

other, he saw signs of recent habitation. In one small apartment were

empty bottles, half-gnawed bones, and dried fragments of bread. In the

vault which adjoined, and which was defended by a strong door, then left

open, he observed a considerable quantity of straw, and in both were the

relics of recent fires. How little was it possible for Bertram to

conceive that such trivial circumstances were closely connected with

incidents affecting his prosperity, his honour, perhaps his life!

After satisfying his curiosity by a hasty glance through the interior of

the castle, Bertram now advanced through the great gateway which opened

to the land, and paused to look upon the noble landscape which it

commanded. Having in vain endeavoured to guess the position of

Woodbourne, and having nearly ascertained that of Kippletringan, he

turned to take a parting look at the stately ruins which he had just

traversed. He admired the massive and picturesque effect of the huge

round towers, which, flanking the gateway, gave a double portion of depth

and majesty to the high yet gloomy arch under which it opened. The carved

stone escutcheon of the ancient family, bearing for their arms three

wolves’ heads, was hung diagonally beneath the helmet and crest, the

latter being a wolf couchant pierced with an arrow. On either side stood

as supporters, in full human size or larger, a salvage man PROPER, to use

the language of heraldry, WREATHED AND CINCTURED, and holding in his hand

an oak tree ERADICATED, that is, torn up by the roots.

‘And the powerful barons who owned this blazonry,’ thought Bertram,

pursuing the usual train of ideas which flows upon the mind at such

scenes--‘do their posterity continue to possess the lands which they had

laboured to fortify so strongly? or are they wanderers, ignorant perhaps

even of the fame or power of their fore-fathers, while their hereditary

possessions are held by a race of strangers? Why is it,’ he thought,

continuing to follow out the succession of ideas which the scene

prompted--‘why is it that some scenes awaken thoughts which belong as it

were to dreams of early and shadowy recollection, such as my old Brahmin

moonshie would have ascribed to a state of previous existence? Is it the

visions of our sleep that float confusedly in our memory, and are

recalled by the appearance of such real objects as in any respect

correspond to the phantoms they presented to our imagination? How often

do we find ourselves in society which we have never before met, and yet

feel impressed with a mysterious and ill-defined consciousness that

neither the scene, the speakers, nor the subject are entirely new; nay,

feel as if we could anticipate that part of the conversation which has

not yet taken place! It is even so with me while I gaze upon that ruin;

nor can I divest myself of the idea that these massive towers and that

dark gateway, retiring through its deep-vaulted and ribbed arches, and

dimly lighted by the courtyard beyond, are not entirely strange to me.

Can it be that they have been familiar to me in infancy, and that I am to

seek in their vicinity those friends of whom my childhood has still a

tender though faint remembrance, and whom I early exchanged for such

severe task-masters? Yet Brown, who, I think, would not have deceived me,

always told me I was brought off from the eastern coast, after a skirmish

in which my father was killed; and I do remember enough of a horrid scene

of violence to strengthen his account.’

It happened that the spot upon which young Bertram chanced to station

himself for the better viewing the castle was nearly the same on which

his father had died. It was marked by a large old oak-tree, the only one

on the esplanade, and which, having been used for executions by the

barons of Ellangowan, was called the Justice Tree. It chanced, and the

coincidence was remarkable, that Glossin was this morning engaged with a

person whom he was in the habit of consulting in such matters concerning

some projected repairs and a large addition to the house of Ellangowan,

and that, having no great pleasure in remains so intimately connected

with the grandeur of the former inhabitants, he had resolved to use the

stones of the ruinous castle in his new edifice. Accordingly he came up

the bank, followed by the land-surveyor mentioned on a former occasion,

who was also in the habit of acting as a sort of architect in case of

necessity. In drawing the plans, etc., Glossin was in the custom of

relying upon his own skill. Bertram’s back was towards them as they came

up the ascent, and he was quite shrouded by the branches of the large

tree, so that Glossin was not aware of the presence of the stranger till

he was close upon him.

‘Yes, sir, as I have often said before to you, the Old Place is a perfect

quarry of hewn stone, and it would be better for the estate if it were

all down, since it is only a den for smugglers.’ At this instant Bertram

turned short round upon Glossin at the distance of two yards only, and

said--‘Would you destroy this fine old castle, sir?’

His face, person, and voice were so exactly those of his father in his

best days, that Glossin, hearing his exclamation, and seeing such a

sudden apparition in the shape of his patron, and on nearly the very spot

where he had expired, almost thought the grave had given up its dead! He

staggered back two or three paces, as if he had received a sudden and

deadly wound. He instantly recovered, however, his presence of mind,

stimulated by the thrilling reflection that it was no inhabitant of the

other world which stood before him, but an injured man whom the slightest

want of dexterity on his part might lead to acquaintance with his rights,

and the means of asserting them to his utter destruction. Yet his ideas

were so much confused by the shock he had received that his first

question partook of the alarm.

‘In the name of God, how came you here?’ said Glossin.

‘How came I here?’ repeated Bertram, surprised at the solemnity of the

address; ‘I landed a quarter of an hour since in the little harbour

beneath the castle, and was employing a moment’s leisure in viewing these

fine ruins. I trust there is no intrusion?’

‘Intrusion, sir? No, sir,’ said Glossin, in some degree recovering his

breath, and then whispered a few words into his companion’s ear, who

immediately left him and descended towards the house. ‘Intrusion, sir?

no, sir; you or any gentleman are welcome to satisfy your curiosity.’

‘I thank you, sir,’ said Bertram. ‘They call this the Old Place, I am

informed?’

‘Yes, sir; in distinction to the New Place, my house there below.’

Glossin, it must be remarked, was, during the following dialogue, on the

one hand eager to learn what local recollections young Bertram had

retained of the scenes of his infancy, and on the other compelled to be

extremely cautious in his replies, lest he should awaken or assist, by

some name, phrase, or anecdote, the slumbering train of association. He

suffered, indeed, during the whole scene the agonies which he so richly

deserved; yet his pride and interest, like the fortitude of a North

American Indian, manned him to sustain the tortures inflicted at once by

the contending stings of a guilty conscience, of hatred, of fear, and of

suspicion.

‘I wish to ask the name, sir,’ said Bertram, ‘of the family to whom this

stately ruin belongs.’

‘It is my property, sir; my name is Glossin.’

‘Glossin--Glossin?’ repeated Bertram, as if the answer were somewhat

different from what he expected. ‘I beg your pardon, Mr. Glossin; I am

apt to be very absent. May I ask if the castle has been long in your

family?’

‘It was built, I believe, long ago by a family called Mac-Dingawaie,’

answered Glossin, suppressing for obvious reasons the more familiar sound

of Bertram, which might have awakened the recollections which he was

anxious to lull to rest, and slurring with an evasive answer the question

concerning the endurance of his own possession.

‘And how do you read the half-defaced motto, sir,’ said Bertram, ‘which

is upon that scroll above the entablature with the arms?’

‘I--I--I really do not exactly know,’ replied Glossin.

‘I should be apt to make it out, OUR RIGHT MAKES OUR MIGHT.’

‘I believe it is something of that kind,’ said Glossin.

‘May I ask, sir,’ said the stranger, ‘if it is your family motto?’

‘N--n--no--no--not ours. That is, I believe, the motto of the former

people; mine is--mine is--in fact, I have had some correspondence with

Mr. Cumming of the Lyon Office in Edinburgh about mine. He writes me the

Glossins anciently bore for a motto, “He who takes it, makes it.”’

‘If there be any uncertainty, sir, and the case were mine,’ said Bertram,

‘I would assume the old motto, which seems to me the better of the two.’

Glossin, whose tongue by this time clove to the roof of his mouth, only

answered by a nod.

‘It is odd enough,’ said Bertram, fixing his eye upon the arms and

gateway, and partly addressing Glossin, partly as it were thinking

aloud--‘it is odd the tricks which our memory plays us. The remnants of

an old prophecy, or song, or rhyme of some kind or other, return to my

recollection on hearing that motto; stay--it is a strange jingle of

sounds:--

The dark shall be light, And the wrong made right, When Bertram’s right

and Bertram’s might Shall meet on---

I cannot remember the last line--on some particular height; HEIGHT is the

rhyme, I am sure; but I cannot hit upon the preceding word.’

‘Confound your memory,’ muttered Glossin, ‘you remember by far too much

of it!’

‘There are other rhymes connected with these early recollections,’

continued the young man. ‘Pray, sir, is there any song current in this

part of the world respecting a daughter of the King of the Isle of Man

eloping with a Scottish knight?’

‘I am the worst person in the world to consult upon legendary

antiquities,’ answered Glossin.

‘I could sing such a ballad,’ said Bertram, ‘from one end to another when

I was a boy. You must know I left Scotland, which is my native country,

very young, and those who brought me up discouraged all my attempts to

preserve recollection of my native land, on account, I believe, of a

boyish wish which I had to escape from their charge.’

‘Very natural,’ said Glossin, but speaking as if his utmost efforts were

unable to unseal his lips beyond the width of a quarter of an inch, so

that his whole utterance was a kind of compressed muttering, very

different from the round, bold, bullying voice with which he usually

spoke. Indeed, his appearance and demeanour during all this conversation

seemed to diminish even his strength and stature; so that he appeared to

wither into the shadow of himself, now advancing one foot, now the other,

now stooping and wriggling his shoulders, now fumbling with the buttons

of his waistcoat, now clasping his hands together; in short, he was the

picture of a mean-spirited, shuffling rascal in the very agonies of

detection. To these appearances Bertram was totally inattentive, being

dragged on as it were by the current of his own associations. Indeed,

although he addressed Glossin, he was not so much thinking of him as

arguing upon the embarrassing state of his own feelings and recollection.

‘Yes,’ he said, ‘I preserved my language among the sailors, most of whom

spoke English, and when I could get into a corner by myself I used to

sing all that song over from beginning to end; I have forgot it all now,

but I remember the tune well, though I cannot guess what should at

present so strongly recall it to my memory.’

He took his flageolet from his pocket and played a simple melody.

Apparently the tune awoke the corresponding associations of a damsel who,

close beside a fine spring about halfway down the descent, and which had

once supplied the castle with water, was engaged in bleaching linen. She

immediately took up the song:--

‘Are these the Links of Forth, she said,

Or are they the crooks of Dee,

Or the bonnie woods of Warroch Head

That I so fain would see?’

‘By heaven,’ said Bertram, ‘it is the very ballad! I must learn these

words from the girl.’

‘Confusion!’ thought Glossin; ‘if I cannot put a stop to this all will be

out. O the devil take all ballads and ballad-makers and ballad-singers!

and that d--d jade too, to set up her pipe!’--‘You will have time enough

for this on some other occasion,’ he said aloud; ‘at present’ (for now he

saw his emissary with two or three men coming up the bank)--‘at present

we must have some more serious conversation together.’

‘How do you mean, sir?’ said Bertram, turning short upon him, and not

liking the tone which he made use of.

‘Why, sir, as to that--I believe your name is Brown?’ said Glossin. ‘And

what of that, sir?’

Glossin looked over his shoulder to see how near his party had

approached; they were coming fast on. ‘Vanbeest Brown? if I mistake not.’

‘And what of that, sir?’ said Bertram, with increasing astonishment and

displeasure.

‘Why, in that case,’ said Glossin, observing his friends had now got upon

the level space close beside them--‘in that case you are my prisoner in

the king’s name!’ At the same time he stretched his hand towards

Bertram’s collar, while two of the men who had come up seized upon his

arms; he shook himself, however, free of their grasp by a violent effort,

in which he pitched the most pertinacious down the bank, and, drawing his

cutlass, stood on the defensive, while those who had felt his strength

recoiled from his presence and gazed at a safe distance. ‘Observe,’ he

called out at the same time, ‘that I have no purpose to resist legal

authority; satisfy me that you have a magistrate’s warrant, and are

authorised to make this arrest, and I will obey it quietly; but let no

man who loves his life venture to approach me till I am satisfied for

what crime, and by whose authority, I am apprehended.’

Glossin then caused one of the officers show a warrant for the

apprehension of Vanbeest Brown, accused of the crime of wilfully and

maliciously shooting at Charles Hazlewood, younger of Hazlewood, with an

intent to kill, and also of other crimes and misdemeanours, and which

appointed him, having been so apprehended, to be brought before the next

magistrate for examination. The warrant being formal, and the fact such

as he could not deny, Bertram threw down his weapon and submitted himself

to the officers, who, flying on him with eagerness corresponding to their

former pusillanimity, were about to load him with irons, alleging the

strength and activity which he had displayed as a justification of this

severity. But Glossin was ashamed or afraid to permit this unnecessary

insult, and directed the prisoner to be treated with all the decency, and

even respect, that was consistent with safety. Afraid, however, to

introduce him into his own house, where still further subjects of

recollection might have been suggested, and anxious at the same time to

cover his own proceedings by the sanction of another’s authority, he

ordered his carriage (for he had lately set up a carriage) to be got

ready, and in the meantime directed refreshments to be given to the

prisoner and the officers, who were consigned to one of the rooms in the

old castle, until the means of conveyance for examination before a

magistrate should be provided.

Guy Mannering; or, The Astrologer — Complete · 第 12 / 29 章