CHAPTER XIV.

TWO LETTERS.

Despard did not go back to the Grange for some days. About a week had

passed since the scenes narrated in the preceding chapter when one

morning, having finished his breakfast, he went into his library and sat

down at the table to write. A litter of papers lay all around. The walls

were covered with shelves, filled with books. The table was piled high

with ponderous tomes. Manuscripts were strewn around, and books were

scattered on the floor. Yet, amidst all this disorder, some order was

apparent, for many of these books lay open in certain places, and others

were arranged so as to be within reach.

Several sheets of paper, covered with writing, lay before him, headed,

“The Byzantine Poets.” The books were all in Greek. It was the library

of a hard-working student.

Very different was the Despard of the library from the Despard who had

visited the Grange. A stern and thoughtful expression was read in his

face, and his eyes had an abstraction which would have done credit to

Mr. Thornton himself.

Taking his seat at the table, he remained for a while leaning his head

on his hand in deep thought. Then he took up a pen and drew a piece of

paper before him to try it. He began to draw upon it the same figure

which he had marked with his cane on Mrs. Thornton’s carpet. He traced

this figure over and over, until at last the whole sheet was covered.

Suddenly he flung down the pen, and, taking up the paper, leaned back

in his chair with a melancholy face. “What a poor, weak thing I am!”

he muttered at last, and let the paper fall to the floor. He leaned

his head on his hand, then resumed his pen and began to make some idle

marks. At length he began to draw.

Under the fine and delicate strokes of his pen, which were as neat

and as exquisite as the most subtle touches of an engraving, a picture

gradually rose to view. It was a sea-side scene. The place was

Holby Beach. In the distance was the light-house; and on one side a

promontory, which protected the harbor. Upon the shore, looking out

toward the sea, was a beautiful girl, of about sixteen years of age,

whose features, as they grew beneath his tender touches, were those of

Mrs. Thornton. Then beside her there gradually rose another figure,

a youth of about eighteen, with smooth face and clustering locks, who

looked exactly like what the Rev. Courtenay Despard might have been some

seven or eight years before. His left arm was around her waist, her

arm was thrown up till it touched his shoulder, and his right hand held

hers. Her head leaned against him, and both of them, with a subdued

expression of perfect happiness, tinged with a certain pensive sadness,

were looking out upon the setting sun.

As soon as he finished he looked at the sketch, and then, with a sudden

impulse, tore it into a thousand small fragments. He drew the written

manuscript before him with a long and deep-drawn sigh, and began writing

with great rapidity upon the subject of the Byzantine Poets. He had just

written the following words:

“The Anacreontic hymns of John Damascenus form a marked contrast to--”

when the sentence was interrupted by a knock at the door. “Come in!” It

was the servant with letters from the post-office. Despard put down his

pen gravely, and the man laid two letters on the table. He waited

till the servant had departed, then seizing one of them, a small one,

addressed in a lady’s hand, he pressed it vehemently to his lips and

tore it open.

It was as follows:

[Illustration: “BOTH WERE LOOKING OUT UPON THE SETTING SUN.”]

“DEAR MR. DESPARD,--I suppose I may _never_ expect to see you again. Yet

I must see you, for yesterday I received a very long letter from Paolo

of so singular a character that you will have to explain it to me. I

shall expect you this afternoon, and till then, I remain,

“Yours sincerely,

“TERESA THORNTON.

“THORNTON GRANGE, Friday.”

Despard read this letter a score of times, and placed it reverently

in an inner drawer of his desk. He then opened the other, and read as

follows:

“HALIFAX, NOVA SCOTIA, January 12, 1847.

“MY DEAR COURTENAY,--I was very glad to hear of your appointment as

Rector of Holby, your old home, and hope that by this time you are fully

established in the old Rectory, where you spent so many years. I was

there often enough in poor old Carson’s days to know that it was a fine

old place.

“You will see by this that I am in Halifax, Nova Scotia. My regiment was

ordered off here last November, and I am just beginning to feel settled.

It is not so cold here as it was in Quebec. There is capital moose

hunting up the country. I don’t admire my accommodations much; but it is

not a bad little town, considering all things. The people are pleasant,

and there is some stir and gayety occasionally.

“Not long before leaving Quebec, who do you think turned up? No less a

person than Paolo Langhetti, who in the course of his wanderings came

out there. He had known some extraordinary adventures on his voyage out;

and these are the immediate cause of this letter.

“He took passage early in June last in the ship _Tecumseh_, from

Liverpool for Quebec. It was an emigrant ship, and crammed with

passengers. You have heard all about the horrors of that middle passage,

which occurred last year, when those infernal Liverpool merchants, for

the sake of patting a few additional pounds in their pockets, sent so

many thousands to destruction.

“The _Tecumseh_ was one of these. It was crammed with emigrants. You

know Langhetti’s extraordinary pluck, and his queer way of devoting

himself for others. Well, what did he do but this: as soon as the

ship-fever broke out he left the cabin and took up his abode in the

steerage with the sick emigrants. He is very quiet about this, and

merely says that he helped to nurse the sick. I know what that means.

“The mortality was terrific. Of all the ships that came to Quebec on

that fatal summer the _Tecumseh_ showed the largest record of deaths. On

reaching the quarantine station Langhetti at once insisted on continuing

his attendance on the sick. Hands were scarce, and his offer was

eagerly accepted. He staid down there ever so long till the worst of the

sickness was over.

“Among the passengers on the _Tecumseh_ were three who belonged to the

superior class. Their names were Brandon. He took a deep interest in

them. They suffered very much from sickness both during the voyage and

at quarantine. The name at once attracted him, being one well known both

to him and to us. At last they all died, or were supposed to have died,

at the quarantine station. Langhetti, however, found that one of them

was only in a ‘trance state,’ and his efforts for resuscitation were

successful. This one was a young girl of not more than sixteen years of

age. After her restoration he left the quarantine bringing her with him,

and came up to the city. Here he lived for a month or so, until at last

he heard of me and came to see me.

“Of course I was delighted to see him, for I always thought him the

noblest fellow that ever breathed, though most undoubtedly cranky if

not crazy. I told him we were going to Halifax, and as he had no settled

plan I made him come here with me.

“The girl remained for a long time in a state of mental torpor, as

though her brain had been affected by disease, but the journey here

had a beneficial effect on her, and during her stay she has steadily

improved. About a week ago Langhetti ventured to ask her all about

herself.

“What will you say when I tell you that she is the daughter of poor

Ralph Brandon, of Brandon Hall, your father’s friend, whose wretched

fate has made us all so miserable. You know nothing of this, of course;

but where was Thornton? Why did not he do something to prevent this

horror, this unutterable calamity? Good God! what suffering there is in

this world!

“Now, Courtenay, I come to the point. This poor Edith Brandon, still

half-dead from her grief, has been able to tell us that she has still a

relative living. Her eldest brother Louis went to Australia many years

ago. A few weeks before her father’s death he wrote to his son telling

him everything, and imploring him to come home. She thinks that her

brother must be in England by this time.

“I want you to hunt up Louis Brandon. Spare no trouble. In the name of

God, and by the memory of your father, whose most intimate friend was

this poor old Brandon, I entreat you to search after Louis Brandon till

you find him, and let him know the fate of his friends. I think if

she could see him the joy of meeting one relative would restore her to

health.

“My boy, I know I have said enough. Your own heart will impel you to do

all that can be done for the sake of this poor young girl. You can find

out the best ways of learning information. You had better go up at once

to London and make arrangements for finding Brandon. Write me soon, and

let me know.

“Your affectionate uncle,

“HENRY DESPARD.”

Despard read this letter over and over. Then he put it in his pocket,

and walked up and down the room in deep thought. Then he took out Mrs.

Thornton’s note and studied it for a long time. So the hours passed

away, until at length two o’clock came and he set out for Thornton

Grange.

On entering the drawing-room, Mrs. Thornton was there.

“So you have come at last,” said she, as they shook hands.

“As if I would not come ten times a day if I could,” was the answer, in

an impetuous voice.

“Still there is no reason why you should persistently avoid the Grange.”

“What would you say if I followed my own impulse, and came here every

day?”

“I would say, Good-morning, Sir. Still, now that you are here, you must

stay.”

“I will stay, whether I must or not.”

“Have you recovered from the effect of my prayer-book yet?”

“No, nor ever will I. You brought the same one last Sunday.”

“That was in order to weaken the effect. Familiarity breeds contempt,

you know.”

“Then all I can say is, that contempt has very extraordinary

manifestations. Among other strange things, it makes me cover my paper

with that pattern when I ought to be writing on the Mosaic Economy.”

“Cosmogony, you mean.”

“Well, then, Cosmogony.”

“Cosmogony is such a delicious word! It has been the hope of my life to

be able to introduce it in a conversation. There is only one other word

that compares with it.”

“What is it?”

“I am afraid to pronounce it.”

“Try, at any rate.”

“Idiosyncrasy,” said Mrs. Thornton. “For five or six years I have been

on the look-out for an opportunity to use that word, and thus far I have

been unsuccessful. I fear that if the opportunity did occur I would call

it ‘idiocracy.’ In fact, I know I would.”

“And what would be the difference? Your motive would be right, and it is

to motives that we must look, not acts.”

After some further badinage, Mrs. Thornton drew a letter from her

pocket.

“Here,” said she, gravely, “is Paolo’s letter. Read it, and tell me what

you think of it.”

Despard took the letter and began to read, while Mrs. Thornton, sitting

opposite to him, watched his face.

The letter was in Italian, and was accompanied by a large and

closely-written manuscript of many pages.

“HALIFAX, NOVA SCOTIA, January 2, 1847.

“MY SWEETEST LITTLE SISTER,--I send you my diary, as I promised you, my

Teresella, and you will see all my adventures. Take care of yourself,

be happy, and let us hope that we may see one another soon. I am well,

through the mercy of the good God, and hope to continue so. There is no

such thing as music in this place, but I have found an organ where I

can play. My Cremona is uninjured, though it has passed through hard

times--it sends a note of love to my Teresina. Remember your Paolo to

the just and upright Thornton, whom you love. May God bless my little

sister’s husband, and fill his heart with love for the sweetest of

children!

“Read this manuscript carefully, Teresuola mia dolcissima, and pray for

the souls of those unhappy ones who perished by the pestilence.”

Cord and Creese · 第 14 / 60 章