Thou of the chorded shell and golden plectrum, thou
Of the dark eyes and pale pacific brow!
Music, who by the plangent waves,
Or in the echoing night of labyrinthine caves,
Or on God's mountains, lonely as the stars,
Touchest reverberant bars
Of immemorial sorrow and amaze;--
Keeping regret and memory awake,
And all the immortal ache
Of love that leans upon the past's sweet days
In retrospection!--now, oh, now,
Interpreter and heart-physician, thou
Who gazest on the heaven and the hell
Of life, and singest each as well,
Touch with thy all-mellifluous finger-tips,
Or thy melodious lips,
This sickness named my soul,
Making it whole
As is an echo of a chord,
Or some symphonic word,
Or sweet vibrating sigh,
That deep, resurgent still doth rise and die
On thy voluminous roll;
Part of the beauty and the mystery
That axles Earth with music; as a slave,
Swinging it round and round on each sonorous pole,
'Mid spheric harmony,
And choral majesty,
And diapasoning of wind and wave;
Speeding it on its far elliptic way
'Mid vasty anthemings of night and day.--
O cosmic cry
Of two eternities, wherein we see
The phantasms, Death and Life,
At endless strife
Above the silence of a monster grave.
THE PURPLE VALLEYS
Far in the purple valleys of illusion
I see her waiting, like the soul of music,
With deep eyes, lovelier than cerulean pansies,
Shadow and fire, yet merciless as poison;
With red lips sweeter than Arabian storax,
Yet bitterer than myrrh. O tears and kisses!
O eyes and lips, that haunt my soul for ever!
Again Spring walks transcendent on the mountains:
The woods are hushed: the vales are blue with shadows:
Above the heights, steeped in a thousand splendours,
Like some vast canvas of the gods, hangs burning
The sunset's wild sciography: and slowly
The moon treads heaven's proscenium,--night's stately
White queen of love and tragedy and madness.
Again I know forgotten dreams and longings;
Ideals lost; desires dead and buried
Beside the altar sacrifice erected
Within the heart's high sanctuary. Strangely
Again I know the horror and the rapture,
The utterless awe, the joy akin to anguish,
The terror and the worship of the spirit.
Again I feel her eyes pierce through and through me;
Her deep eyes, lovelier than imperial pansies,
Velvet and flame, through which her fierce will holds me,
Powerless and tame, and draws me on and onward
To sad, unsatisfied and animal yearnings,
Wild, unrestrained--the brute within the human--
To fling me panting on her mouth and bosom.
Again I feel her lips like ice and fire,
Her red lips, odorous as Arabian storax,
Fragrance and fire, within whose kiss destruction
Lies serpent-like. Intoxicating languors
Resistlessly embrace me, soul and body;
And we go drifting, drifting--she is laughing--
Outcasts of God, into the deep's abysm.
A DREAM SHAPE
With moon-white hearts that held a gleam
I gathered wild-flowers in a dream,
And shaped a woman, whose sweet blood
Was odour of the wildwood bud.
From dew, the starlight arrowed through,
I wrought a woman's eyes of blue;
The lids that on her eyeballs lay,
Were rose-pale petals of the May.
Out of a rosebud's veins I drew
The fragrant crimson beating through
The languid lips of her, whose kiss
Was as a poppy's drowsiness.
Out of the moonlight and the air
I wrought the glory of her hair,
That o'er her eyes' blue heaven lay
Like some gold cloud o'er dawn of day.
I took the music of the breeze
And water, whispering in the trees,
And shaped the soul that breathed below
A woman's blossom breasts of snow.
A shadow's shadow in the glass
Of sleep, my spirit saw her pass:
And thinking of it now, meseems
We only live within our dreams.
For in that time she was to me
More real than our reality;
More real than Earth, more real than I--
The unreal things that pass and die.
THE OLD BARN
Low, swallow-swept and gray,
Between the orchard and the spring,
All its wide windows overflowing hay,
And crannied doors a-swing,
The old barn stands to-day.
Deep in its hay the Leghorn hides
A round white nest; and, humming soft
On roof and rafter, or its log-rude sides,
Black in the sun-shot loft,
The building hornet glides.
Along its corn-crib, cautiously
As thieving fingers, skulks the rat;
Or in warped stalls of fragrant timothy,
Gnaws at some loosened slat,
Or passes shadowy.
A dream of drouth made audible
Before its door, hot, smooth, and shrill
All day the locust sings.... What other spell
Shall hold it, lazier still
Than the long day's, now tell:--
Dusk and the cricket and the strain
Of tree-toad and of frog; and stars
That burn above the rich west's ribbed stain;
And dropping pasture bars,
And cow-bells up the lane.
Night and the moon and katydid,
And leaf-lisp of the wind-touched boughs;
And mazy shadows that the fireflies thrid;
And sweet breath of the cows,
And the lone owl here hid.
THE WOOD WITCH
There is a woodland witch who lies
With bloom-bright limbs and beam-bright eyes,
Among the water-flags that rank
The slow brook's heron-haunted bank.
The dragon-flies, brass-bright and blue,
Are signs she works her sorcery through;
Weird, wizard characters she weaves
Her spells by under forest leaves,--
These wait her word, like imps, upon
The gray flag-pods; their wings, of lawn
And gauze; their bodies, gleaming green.
While o'er the wet sand,--left between
The running water and the still,--
In pansy hues and daffodil,
The fancies that she doth devise
Take on the forms of butterflies,
Rich-coloured.--And 'tis she you hear,
Whose sleepy rune, hummed in the ear
Of silence, bees and beetles purr,
And the dry-droning locusts whirr;
Till, where the wood is very lone,
Vague monotone meets monotone,
And slumber is begot and born,
A faery child beneath the thorn.
There is no mortal who may scorn
The witchery she spreads around
Her din demesne, wherein is bound
The beauty of abandoned time,
As some sweet thought 'twixt rhyme and rhyme.
And through her spells you shall behold
The blue turn gray, the gray turn gold
Of hollow heaven; and the brown
Of twilight vistas twinkled down
With fireflies; and in the gloom
Feel the cool vowels of perfume
Slow-syllabled of weed and bloom.
But, in the night, at languid rest,--
When like a spirit's naked breast
The moon slips from a silver mist,--
With star-bound brow, and star-wreathed wrist,
If you should see her rise and wave
You welcome--ah! what thing could save
You then? for evermore her slave!
AT SUNSET
Into the sunset's turquoise marge
The moon dips, like a pearly barge
Enchantment sails through magic seas
To fairyland Hesperides,
Over the hills and away.
Into the fields, in ghost-gray gown,
The young-eyed Dusk comes slowly down;
Her apron filled with stars she stands,
And one or two slip from her hands
Over the hills and away.
Above the wood's black caldron bends
The witch-faced Night and, muttering, blends
The dew and heat, whose bubbles make
The mist and musk that haunt the brake
Over the hills and away.
Oh, come with me, and let us go
Beyond the sunset lying low,
Beyond the twilight and the night
Into Love's kingdom of long light
Over the hills and away.
MAY
The golden discs of the rattlesnake-weed,
That spangle the woods and dance--
No gleam of gold that the twilights hold
Is strong as their necromance:
For, under the oaks where the woodpaths lead,
The golden discs of the rattlesnake-weed
Are the May's own utterance.
The azure stars of the bluet bloom,
That sprinkle the woodland's trance--
No blink of blue that a cloud lets through
Is sweet as their countenance:
For, over the knolls that the woods perfume,
The azure stars of the bluet bloom
Are the light of the May's own glance.
With her wondering words and her looks she comes,
In a sunbeam of a gown;
She needs but think and the blossoms wink,
But look, and they shower down.
By orchard ways, where the wild bee hums,
With her wondering words and her looks she comes
Like a little maid to town.
RAIN
I
Around, the stillness deepened; then the grain
Went wild with wind; and every briery lane
Was swept with dust; and then, tempestuous black,
Hillward the tempest heaved a monster back,
That on the thunder leaned as on a cane;
And on huge shoulders bore a cloudy pack,
That gullied gold from many a lightning-crack:
One great drop splashed and wrinkled down the pane,
And then field, hill, and wood were lost in rain.
II
At last, through clouds,--as from a cavern hewn
Into night's heart,--the sun burst, angry roon;
And every cedar, with its weight of wet,
Against the sunset's fiery splendour set,
Frightened to beauty, seemed with rubies strewn:
Then in drenched gardens, like sweet phantoms met,
Dim odours rose of pink and mignonette;
And in the East a confidence, that soon
Grew to the calm assurance of the moon.
TO FALL
Sad-hearted spirit of the solitudes,
Who comest through the ruin-wedded woods!
Gray-gowned with fog, gold-girdled with the gloom
Of tawny twilights; burdened with perfume
Of rain-wet uplands, chilly with the mist;
And all the beauty of the fire-kissed
Cold forests crimsoning thy indolent way,
Odorous of death and drowsy with decay.
I think of thee as seated 'mid the showers
Of languid leaves that cover up the flowers,--
The little flower-sisterhoods, whom June
Once gave wild sweetness to, as to a tune
A singer gives her soul's wild melody,--
Watching the squirrel store his granary.
Or, 'mid old orchards I have pictured thee:
Thy hair's profusion blown about thy back;
One lovely shoulder bathed with gypsy black;
Upon thy palm one nestling cheek, and sweet
The rosy russets tumbled at thy feet.
Was it a voice lamenting for the flowers?
A heart-sick bird that sang of happier hours?
A cricket dirging days that soon must die?
Or did the ghost of Summer wander by?
SUNSET IN AUTUMN
Blood-coloured oaks, that stand against a sky of gold and brass;
Gaunt slopes, on which the bleak leaves glow of brier and sassafras,
And broom-sedge strips of smoky-pink and pearl-gray clumps of grass
In which, beneath the ragged sky, the rain pools gleam like glass.
From West to East, from wood to wood, along the forest-side,
The winds,--the sowers of the Lord,--with thunderous footsteps
stride;
Their stormy hands rain acorns down; and mad leaves, wildly dyed,
Like tatters of their rushing cloaks, stream round them far and
wide.
The frail leaf-cricket in the weeds rings a faint fairy bell;
And like a torch of phantom ray the milkweed's windy shell
Glimmers; while, wrapped in withered dreams, the wet autumnal smell
Of loam and leaf, like some sad ghost, steals over field and dell.
The oaks, against a copper sky--o'er which, like some black lake
Of Dis, bronze clouds, like surges fringed with sullen fire, break--
Loom sombre as Doom's citadel above the vales that make
A pathway to a land of mist the moon's pale feet shall take.
Now, dyed with burning carbuncle, a limbo-litten pane,
Within its walls of storm, the West opens to hill and plain,
On which the wild-geese ink themselves, a far triangled train,
And then the shuttering clouds close down--and night is here again.
THE HILLS
There is no joy of earth that thrills
My bosom like the far-off hills!
Th' unchanging hills, that, shadowy,
Beckon our mutability
To follow and to gaze upon
Foundations of the dusk and dawn.
Meseems the very heavens are massed
Upon their shoulders, vague and vast
With all the skyey burden of
The winds and clouds and stars above.
Lo, how they sit before us, seeing
The laws that give all Beauty being!
Behold! to them, when dawn is near,
The nomads of the air appear,
Unfolding crimson camps of day
In brilliant bands; then march away;
And under burning battlements
Of twilight plant their tinted tents.
The truth of olden myths, that brood
By haunted stream and haunted wood,
They see; and feel the happiness
Of old at which we only guess:
The dreams, the ancients loved and knew,
Still as their rocks and trees are true:
Not otherwise than presences
The tempest and the calm to these:
One, shouting on them all the night,
Black-limbed and veined with lambent light;
The other with the ministry
Of all soft things that company
With music--an embodied form,
Giving to solitude the charm
Of leaves and waters and the peace
Of bird-begotten melodies--
And who at night doth still confer
With the mild moon, that telleth her
Pale tale of lonely love, until
Wan images of passion fill
The heights with shapes that glimmer by
Clad on with sleep and memory.
CONTENT
When I behold how some pursue
Fame, that is Care's embodiment
Or fortune, whose false face looks true,--
An humble home with sweet content
Is all I ask for me and you.
An humble home, where pigeons coo,
Whose path leads under breezy lines
Of frosty-berried cedars to
A gate, one mass of trumpet-vines,
Is all I ask for me and you.
A garden, which all summer through,
The roses old make redolent,
And morning-glories, gay of hue,
And tansy, with its homely scent,
Is all I ask for me and you.
An orchard, that the pippins strew,
From whose bruised gold the juices spring;
A vineyard, where the grapes hang blue,
Wine-big and ripe for vintaging,
Is all I ask for me and you.
A lane that leads to some far view
Of forest or of fallow-land,
Bloomed o'er with rose and meadow-rue,
Each with a bee in its hot hand,
Is all I ask for me and you.
At morn, a pathway deep with dew,
And birds to vary time and tune;
At eve, a sunset avenue,
And whippoorwills that haunt the moon,
Is all I ask for me and you.
Dear heart, with wants so small and few,
And faith, that's better far than gold,
A lowly friend, a child or two,
To care for us when we are old,
Is all I ask for me and you.
HEART OF MY HEART
Here where the season turns the land to gold,
Among the fields our feet have known of old,--
When we were children who would laugh and run,
Glad little playmates of the wind and sun,--
Before came toil and care and years went ill,
And one forgot and one remembered still;
Heart of my heart, among the old fields here,
Give me your hands and let me draw you near,
Heart of my heart.
Stars are not truer than your soul is true--
What need I more of heaven then than you?
Flowers are not sweeter than your face is sweet--
What need I more to make my world complete?
O woman nature, love that still endures,
What strength has ours that is not born of yours?
Heart of my heart, to you, whatever come,
To you the lead, whose love hath led me home.
Heart of my heart.
OCTOBER
Long hosts of sunlight, and the bright wind blows
A tourney-trumpet on the listed hill;
Past is the splendour of the royal rose
And duchess daffodil.
Crowned queen of beauty, in the garden's space,
Strong daughter of a bitter race and bold,
A ragged beggar with a lovely face,
Reigns the sad marigold.
And I have sought June's butterfly for days,
To find it--like a coreopsis bloom--
Amber and seal, rain-murdered 'neath the blaze
Of this sunflower's plume.
Here drones the bee; and there sky-daring wings
Voyage blue gulfs of heaven; the last song
The red-bird flings me as adieu, still rings
Upon yon pear-tree's prong.
No angry sunset brims with rubier red
The bowl of heaven than the days, indeed,
Pour in each blossom of this salvia-bed,
Where each leaf seems to bleed.
And where the wood-gnats dance, like some slight mist,
Above the efforts of the weedy stream,
The girl, October, tired of the tryst,
Dreams a diviner dream.
One foot just dipping the caressing wave,
One knee at languid angle; locks that drown
Hands nut-stained; hazel-eyed, she lies, and grave,
Watching the leaves drift down.
MYTH AND ROMANCE
I
When I go forth to greet the glad-faced Spring,
Just at the time of opening apple-buds,
When brooks are laughing, winds are whispering,
On babbling hillsides or in warbling woods,
There is an unseen presence that eludes:--
Perhaps a dryad, in whose tresses cling
The loamy odours of old solitudes,
Who, from her beechen doorway, calls, and leads
My soul to follow; now with dimpling words
Of leaves; and now with syllables of birds;
While here and there--is it her limbs that swing?
Or restless sunlight on the moss and weeds?
II
Or, haply, 'tis a Naiad now who slips,
Like some white lily, from her fountain's glass,
While from her dripping hair and breasts and hips
The moisture rains cool music on the grass.
Her have I heard and followed, yet, alas!
Have seen no more than the wet ray that dips
The shivered waters, wrinkling where I pass;
But in the liquid light where she doth hide,
I have beheld the azure of her gaze
Smiling; and, where the orbing ripple plays,
Among her minnows I have heard her lips,
Bubbling, make merry by the waterside.
III
Or now it is an Oread--whose eyes
Are constellated dusk--who stands confessed,
As naked as a flow'r; her heart's surprise,
Like morning's rose, mantling her brow and breast:
She, shrinking from my presence, all distressed
Stands for a startled moment ere she flies,
Her deep hair blowing, up the mountain crest,
Wild as a mist that trails along the dawn.
And is't her footfalls lure me? or the sound
Of airs that stir the crisp leaf on the ground?
And is't her body glimmers on yon rise?
Or dogwood blossoms snowing on the lawn?
IV
Now 'tis a satyr piping serenades
On a slim reed. Now Pan and Faun advance
Beneath green-hollowed roofs of forest glades,
Their feet gone mad with music: now, perchance,
Sylvanus sleeping, on whose leafy trance
The nymphs stand gazing in dim ambuscades
Of sun-embodied perfume.--Myth, Romance,
Where'er I turn, reach out bewildering arms,
Compelling me to follow. Day and night
I hear their voices and behold the light
Of their divinity that still evades,
And still allures me in a thousand forms.
GENIUS LOCI
I
What wood-god, on this water's mossy curb,
Lost in reflections of earth's loveliness,
Did I, just now, unconsciously disturb?
I who haphazard, wandering at a guess,
Came on this spot, wherein with gold and flame
Of buds and blooms the season writes its name.--
Ah me! could I have seen him ere alarm
Of my approach aroused him from his calm!
As he, part Hamadryad and, mayhap,
Part Faun, lay here; who left the shadow warm
As a wood-rose, and filled the air with balm
Of his wild breath as with ethereal sap.
II
Does not the moss retain some slight impress,
Green-dented down, of where he lay or trod?
Do not the flow'rs, so reticent, confess
With conscious looks the contact of a god?
Does not the very water garrulously
Boast the indulgence of a deity?
And, hark! in burly beech and sycamore
How all the birds proclaim it! and the leaves
Rejoice with clappings of their myriad hands!
And shall not I believe, too, and adore,
With such wide proof?--Yea, though my soul perceives
No evident presence, still it understands.
III
And for a while it moves me to lie down
Here on the spot his god-head sanctified:
Mayhap some dream he dreamed may linger, brown
And young as joy, around the forest side;
Some dream within whose heart lives no disdain
For such as I whose love is sweet and sane;
That may repeat, so none but I may hear--
As one might tell a pearl-strung rosary--
Some epic that the leaves have learned to croon,
Some lyric whispered in the wild-flow'r's ear,
Whose murmurous lines are sung by bird and bee,
And all the insects of the night and noon.
IV
For, all around me, upon field and hill,
Enchantment lies as of mysterious flutes;
As if the music of a god's goodwill
Had taken on material attributes
In blooms, like chords; and in the water-gleam,
That runs its silvery scales on every stream;
In sunbeam bars, up which the butterfly,
A golden note, vibrates then flutters on--
Inaudible tunes, blown on the pipes of Pan,
That have assumed a visible entity,
And drugged the air with beauty so, a Faun,
Behold, I seem, and am no more a man.
DISCOVERY
What is it now that I shall seek
Where woods dip downward, in the hills;
A mossy nook, a ferny creek,
And May among the daffodils.
Or in the valley's vistaed glow,
Past rocks of terraced trumpet-vines,
Shall I behold her coming slow,
Sweet May, among the columbines?
With red-bud cheeks and bluet eyes,
Big eyes, the homes of happiness,
To meet me with the old surprise,
Her hoiden hair all bonnetless.
Who waits for me, where, note for note,
The birds make glad the forest trees?
A dogwood blossom at her throat,
My May among th' anemones.
As sweetheart breezes kiss the blooms,
And dewdrops drink the moonlight's gleam,
My soul shall kiss her lips' perfumes,
And drink the magic of her dreams.
THE OLD SPRING
I
Under rocks whereon the rose
Like a strip of morning glows;
Where the azure-throated newt
Drowses on the twisted root;
And the brown bees, humming homeward,
Stop to suck the honey-dew;
Fern and leaf-hid, gleaming gloamward,
Drips the wildwood spring I knew,
Drips the spring my boyhood knew.
II
Myrrh and music everywhere
Haunt its cascades;--like the hair
That a naiad tosses cool,
Swimming strangely beautiful,
With white fragrance for her bosom,
For her mouth a breath of song:--
Under leaf and branch and blossom
Flows the woodland spring along,
Sparkling, singing flows along.
III
Still the wet wan mornings touch
Its gray rocks, perhaps; and such
Slender stars as dusk may have
Pierce the rose that roofs its wave;
Still the thrush may call at noontide
And the whippoorwill at night;
Nevermore, by sun or moontide,
Shall I see it gliding white,
Falling, flowing, wild and white.
THE FOREST SPRING
Push back the brambles, berry-blue:
The hollowed spring is full in view:
Deep-tangled with luxuriant fern
Its rock-embedded, crystal urn.
Not for the loneliness that keeps
The coigne wherein its silence sleeps;
Not for wild butterflies that sway
Their pansy pinions all the day
Above its mirror; nor the bee,
Nor dragonfly, that passing see
Themselves reflected in its spar;
Not for the one white liquid star,
That twinkles in its firmament;
Nor moon-shot clouds, so slowly sent
Athwart it when the kindly night
Beads all its grasses with the light
Small jewels of the dimpled dew;
Not for the day's inverted blue
Nor the quaint, dimly coloured stones
That dance within it where it moans:
Not for all these I love to sit
In silence and to gaze in it.
But, know, a nymph with merry eyes
Looks at me from its laughing skies;
A graceful glimmering nymph who plays
All the long fragrant summer days
With instant sights of bees and birds,
And speaks with them in water words,
And for whose nakedness the air
Weaves moony mists, and on whose hair,
Unfilleted, the night will set
That lone star as a coronet.
TRANSMUTATION
To me all beauty that I see
Is melody made visible:
An earth-translated state, may be,
Of music heard in Heaven or Hell.
Out of some love-impassioned strain
Of saints, the rose evolved its bloom;
And, dreaming of it here again,
Perhaps re-lives it as perfume.
Out of some chant that demons sing
Of hate and pain, the sunset grew;
And, haply, still remembering,
Re-lives it here as some wild hue.
DEAD CITIES
Out of it all but this remains:--
I was with one who crossed wide chains
Of the Cordilleras, whose peaks
Lock in the wilds of Yucatan,
Chiapas and Honduras. Weeks--
And then a city that no man
Had ever seen; so dim and old,
No chronicle has ever told
The history of men who piled
Its temples and huge teocallis
Among mimosa-blooming valleys;
Or how its altars were defiled
With human blood; whose idols there
With eyes of stone still stand and stare.
So old the moon can only know
How old, since ancient forests grow
On mighty wall and pyramid.
Huge ceibas, whose trunks were scarred
With ages, and dense yuccas, hid
Fanes 'mid the cacti, scarlet-starred.
I looked upon its paven ways,
And saw it in its kingliest days;
When from the lordly palace one,
A victim, walked with prince and priest,
Who turned brown faces toward the east
In worship of the rising sun:
At night ten hundred temples' spires
On gold burnt everlasting fires.
Uxmal? Palenque? or Copan?
I know not. Only how no man
Had ever seen; and still my soul
Believes it vaster than the three.
Volcanic rock walled in the whole,
Lost in the woods as in some sea.
_I only_ read its hieroglyphs,
Perused its monster monoliths
Of death, gigantic heads; and read
The pictured codex of its fate,
The perished Toltec; while in hate
Mad monkeys cursed me, as if dead
Priests of its past had taken form
To guard its ruined shrines from harm.
FROST
Magician he, who, autumn nights,
Down from the starry heavens whirls;
A harlequin in spangled tights,
Whose wand's touch carpets earth with pearls.