GEORGIA'S AMETHYST PENDANT
"Has your man come yet, Lucy?"
"Mine hasn't, thank goodness! He couldn't get off for the afternoon."
"Mine thought he couldn't and then he changed his mind after I'd refused
all the teas."
"Oh, I wouldn't miss the teas for anything. They're more fun than the
concert."
"Of course she wouldn't miss them, the dressy lady, with violets to wear
and a new white hat with plumes."
"The Hilton is going to have an orchestra to play for dancing. Isn't
that pretty cute?"
"But did you hear about Sara Allen's men? They both telegraphed her last
evening that they could come,--both, please note. And now she hasn't any
seats."
So the talk ran among the merry crowd of girls who jostled one another
in the narrow halls after morning chapel. For it was the day of the
Glee Club concert. The first installment of men and flowers was already
beginning to arrive, giving to the Harding campus that air of festive
expectancy which it wears on the rare occasions when the Harding girl's
highest ambition is not to shine in her classes or star in the
basket-ball game or the senior play, but only to own a "man."
Tom Alison and his junior roommate arrived at the Belden soon after
luncheon. Tom looked so distinguished in a frock coat and high hat that
Betty hoped her pride and satisfaction in taking him around the campus
weren't too dreadfully evident.
Ashley Dwight was tall, round-shouldered, and homely, except when he
smiled, which he did very seldom because he was generally too busy
making every one within hearing of his low voice hysterical with
laughter over his funny stories. He took an instant fancy to Georgia,
and of course Georgia liked him--everybody liked Ashley, Tom explained.
So Betty's last worriment vanished, leaving nothing to mar the
perfection of her afternoon.
The Hilton girls' brilliant idea of turning their tea into a dance had
been speedily copied by the Westcott and the Belden, and the other
houses "came in strong on refreshments, cozy-corners, and conversation,"
as Ashley put it. So it was six o'clock before any one dreamed that it
could be so late, and the men went off to their hotels for dinner,
leaving the girls to gloat over the flower-boxes piled high on the
hall-table, to gossip over the afternoon's adventures, and then hurry
off to dress, dinner being a superfluity to them after so many salads
and sandwiches, ices and macaroons, all far more appetizing than a
campus dinner menu.
"I'll come down to your room in time to help you finish dressing," Betty
promised Georgia. "My things slip on in a minute."
But she had reckoned without a loose nail in the stair-carpet, which,
apparently resenting her hasty progress past it, had torn a yard of
filmy ruching off her skirt before she realized what was happening.
"Oh, dear!" she mourned, "now I shall have to rush just as usual. Helen
Chase Adams, the gathering-string is broken. Have you any pink silk? I
haven't a thing but black myself. Then would you try to borrow some? And
please ask Madeline to go down and help Georgia. Her roommate is going
rush to the concert, so she had to start early."
Helen had just taken the last stitches in the ruffle and Betty was
putting on her skirt again, when Tom's card came up to her. By the time
she got down-stairs they were all waiting in the reception-room and Mr.
Dwight was helping Georgia into her coat and laughing at the chiffon
scarf that she assured him was a great protection, so that Betty didn't
see Georgia in her hated evening gown until they took off their wraps at
the theatre.
"Awfully sorry I couldn't come to help you," she whispered, as they went
out to the carriage, "but I know you're all right."
"I did my little best not to disgrace you," Georgia whispered back. "My
neck is horribly bony, no matter what mother thinks; but I covered some
of it up with a chain."
When they got to the theatre, almost every seat was filled and a pretty
little usher hurried them through the crowd at the door, assuring them
importantly over her shoulder that the concert would begin in one
minute and she couldn't seat even box-holders during a number. Sure
enough, before they had fairly gotten into their places, the Glee Club
girls began to come out and arrange themselves in a rainbow-tinted
semicircle for the first number. They sang beautifully and looked so
pretty that Tom gallantly declared they deserved to be encored on that
account alone; and he led the applause so vigorously that everybody
looked up at their box and laughed. Alice Waite had the other seats in
it, and as the three men were friends and all in the highest spirits, it
was a gay party.
"There's Jerry Holt," Tom would say, "see him stare at our elegance."
"Oh, we're making the rest of the fellows envious all right," Ashley
would answer. "Who's the stunning girl in the second row, next the
aisle? We don't miss a thing from here, do we?"
"Prettiest lay-out I've ever seen, this concert is," Alice's escort
would declare fervently. "Sh, Tommie, the banjo club's going to play."
And then they would settle themselves to watch the stage and listen to
the music for a while.
"It's all good, but what I'm looking forward to is this," said Ashley
Dwight, pointing out the Glee Club's last number on his program. "I
can't wait to hear 'The Fames of Miss Ames.'"
"The what?" asked Betty, consulting her card. "Why, Georgia Ames, is it
about you? Did you know they were going to have it?"
Georgia nodded. "The leader came and asked me if I cared. She seemed to
think it would take, so I told her to go ahead. But I didn't realize
that this concert was such a big thing," she added mournfully, "and I
didn't know I was going to sit in a box."
"Pretty grand to be sitting in a box with the celebrity of the evening,
isn't it, Ashley?" said Tom.
And Ashley said something in a low voice to Georgia, which made her
laugh and blush and call him "too silly for anything."
Finally, after the Mandolin Club had played its lovely "Gondolier's
Song," and the Banjo Club its amusing and inevitable "Frogville Echoes,"
the Glee Club girls came out to sing "The Fames of Miss Ames," which a
clever junior had written and a musical sophomore had set to a catchy
melody. A little, short-haired girl with a tremendous alto voice sang
the verses, which dealt in witty, flippant fashion with the career of
the two Georgias, and the whole club came in strong on the chorus.
"And now she's come to life,
(Her double's here).
And speculation's rife,
(It's all so queer).
The ghost associations,
Hold long confabulations,
And the gaiety of nations
Is very much enhanced by Georgia dear!"
It was only shameless doggerel, but it took. Topical songs always take
well at Harding, and never had there been such a unique subject as this
one. Between the verses the girls clapped and laughed, nodded at
Georgia's box, and whispered explanations to their escorts; and when at
last the soloist answered their vociferous demands for more with a
smiling head-shake and the convincing statement that "there wasn't any
more--yet," they laughed and made her sing it all over.
This time Georgia asked one of the men to change seats with her, and
slipped quietly into the most secluded corner of the box, behind Betty's
chair, declaring that she really couldn't stand it to be stared at any
longer. She looked positively pretty, Betty thought, having a chance for
the first time to get a good look at her. The sparkle in her eyes and
the soft color in her cheeks that the excitement and embarrassment had
put there were very becoming. So was the low dress, in spite of the fact
that Georgia was undoubtedly right in considering herself a "shirt-waist
girl." Her neck wasn't particularly thin, or if it was the lovely old
chain that she wore twisted twice around it kept it from seeming so.
Betty turned to ask her something about the song and noticed the pendant
that hung from her chain. It was of antique pattern--an amethyst in a
ring of little pearls, with an odd quaint setting of dull gold. It
looked familiar somehow. It was--yes, it was just like Nita Reese's lost
pin--the one that belonged to her great grandmother and that had
disappeared just before the Belden House play--one of the first thefts
to be laid to the account of the college robber. Only, instead of a pin
this was a pendant, fastened to the chain by a tiny gold ring. That was
the only difference, for--yes, even the one little pearl that Nita had
lost of the circle was missing here.
Betty didn't hear Georgia's answer to her question. She turned back to
the stage, which swayed sickeningly as she watched it. At last the song
ended, and while she clapped mechanically with the rest she gave herself
a little shake, and told herself sternly that she was being a goose,
that it was absurd, preposterous, even wicked--this thought that had
flashed into her head. Nita's pin wasn't the only one of its kind; there
might be hundreds just like it. Georgia's great grandmother probably had
had one too.
Betty talked very fast on the way up to the Belden. She was thankful
that Tom and his friend were going back to New Haven that night and
would have time for only the hastiest of good-byes.
"See you later, Miss Ames," Ashley Dwight called back as he ran down the
steps after Tom.
"He's asked me to the prom, Betty. Think of that!" explained Georgia,
her eyes shining.
"How--nice," said Betty faintly. "I'm awfully tired, aren't you?"
"Tired!" repeated Georgia gaily. "Not a bit. I should like to begin all
over again this minute. I'm hot though. We walked pretty fast up the
hill." She threw back her coat and unwound the scarf that was twisted
over her hair and around her throat. It caught on the amethyst pendant
and Georgia pulled it away carefully, while Betty watched in fascinated
silence, trying to make up her mind to speak. She might never have a
good chance again. Ordinarily Georgia wore no jewelry,--not a pin or a
ring. She had certainly never worn this pendant before at Harding. It
would be so easy and so sensible to say something about it now and set
her uncomfortable thoughts at rest.
Betty wet her lips nervously, made an heroic effort, and began.
"What a lovely chain that is, Georgia." She hoped her voice sounded more
natural to Georgia than it did to herself. "Is it a family heirloom?"
Georgia put up her hand absently, and felt of the chain. "Oh,
that,--yes, it is. It really belongs to mother, but she let me bring it
here. She's awfully fond of old jewelry, and she has a lot. I hate all
kinds, but this covers my bones so beautifully."
"The pendant is lovely too," put in Betty hastily, as Georgia moved off
toward her room. "Is that old too?"
"I don't know," said Georgia stiffly. "That isn't a family thing. It was
given to me--by somebody I don't like."
"The somebody must like you pretty well," said Betty, trying to speak
lightly, "to give you such a stunning present."
Georgia did not answer this, except by saying, "Good-night. I believe I
am tired," as she opened her door.
Up in her own corridor Betty met Madeline Ayres. "Back so soon?" said
Madeline, who refused to take Glee Club concerts seriously. "I've had
the most delicious evening, reading in solitary splendor and eating
apples that I didn't have to pass around. I'm sure your concert wasn't
half so amusing. How did Georgia's song go?"
"Finely," said Betty without enthusiasm. "Did she tell you about it
while you helped her dress?"
"No, for I didn't help her. I went over to the Hilton right after
dinner. Lucile told me, in a valiant attempt to persuade me that I was
foolish to miss the concert."
"Oh," said Betty limply, opening her own door.
Madeline hadn't seen the pendant then. Probably some freshman who didn't
know about Nita's loss had helped Georgia to dress. Well, what did that
matter? She had Georgia's own word that the pin was a gift. Besides it
was absurd to think that she would take Nita's pin and wear it right
here at Harding. And yet--it was just the same and the one little pearl
was gone. But a person who would steal Nita's pin, wouldn't make a
present of it to Georgia. Then the pin couldn't be Nita's.
"I'm getting to be a horrid, suspicious person," Betty told the green
lizard. "I won't think about it another minute. I won't, I won't!"
And she didn't that night, for she fell asleep almost before her head
touched the pillow. Next morning she woke in the midst of a long
complicated dream about Georgia and the green lizard. Georgia had stolen
him and put a ring around his tail, and the lizard was protesting
vigorously in a metallic shriek that turned out, after awhile, to be the
Belden House breakfast-bell jangling outside her door.
"They never ring the rising-bell as loud as that," wailed Betty, when
she had consulted her clock and made sure that she had slept over.
Before she was dressed Georgia Ames appeared, bringing a delicious
breakfast tray.
"Helen said that you have a nine o'clock recitation," she exclaimed,
"and I thought you probably hadn't studied for it and would be in a
dreadful hurry."
Betty thanked her, feeling very guilty. Georgia was wearing a plain
brown jumper dress, with no ornament of any kind, not even a pin to
fasten her collar; and she looked as cool and self-possessed and
cheerful as usual. In the sober light of morning it seemed even more
than absurd to suppose that she was anything but a nice, jolly girl,
like Rachel and K. and Madeline,--the sort of girl that you associated
with Harding College and with the "Merry Hearts" and asked to box
parties with a nice Yale man, who liked her and invited her to his prom.
In the weeks that followed Betty saw a great deal of Georgia, who seemed
intent on showing her gratitude for the splendid time that Betty had
given her. Betty, for her part, felt that she owed Georgia far more than
Georgia owed her and found many pleasant ways of showing her contrition
for a doubt that, do her best, she couldn't wholly stifle. The more she
saw of Georgia, the more clearly she noticed that there was something
odd about the behavior of the self-contained little freshman, and also
that she was worrying a good deal and letting nobody know the reason.
"But it's not conditions or warnings or anything of that sort,"
Georgia's round-eyed roommate declared solemnly to Betty, in a burst of
confidence about the way she was worrying over Georgia. "She sits and
thinks for hours sometimes, and doesn't answer me if I speak to her. And
she says she doesn't care whether she gets a chance to play in the big
game or not. Just imagine saying that, Miss Wales."
"She's tired," suggested Betty loyally. "She'll be all right after
vacation."
Meanwhile, in the less searching eyes of the college world, Georgia
continued to be the spoiled child of fortune. She came back from the
prom, with glowing tales of the good times she had had, and whether or
not she cared about it she was the only "sub" who got a chance to play
in the big game. She made two goals, while Betty clapped for her
frantically and her class made their side of the gallery actually
tremble with the manifestations of their delight.
It was just as Betty was leaving the gym on the afternoon of the game
that Jean Eastman overtook her.
"Could you come for a walk?" she asked abruptly. "There is something I
want to get settled before vacation. It won't take long. It's about
Bassanio," she went on, when they had gotten a little away from the
crowd. "I want to give up my part. Do you suppose Mary Horton would take
it now?"
"You want to give up Bassanio?" Betty repeated wonderingly.
"Yes. There's no use in mincing matters. I did have a condition in
French, and Miss Carter was tutoring me, just as you thought. I had
worked it off the day I answered your note, but of course that doesn't
alter anything. They say mademoiselle never hands in her records for one
semester until the next one is almost over, so nothing would have come
to light until it was too late for a new person to learn the part. Don't
look so astonished, Betty. It's been done before and it may be done
again, but I don't care for it myself." Then, as Betty continued to
stare at her in horrified silence, "If you're going to look like that, I
might as well have kept the part. The reason I decided to give it up was
because I didn't think I should enjoy seeing your face at the grand
dénouement. You see, when you and Eleanor came in that afternoon I
thought you'd guessed or that Barbara Gordon and Teddie Wilson, who knew
of a similar case, had, and had sent you up to make sure. But after
you'd apologized for your note and squared things with Eleanor, I--well,
I didn't think I should enjoy seeing your face," ended Jean, with a
little break in her voice. "I--told you I had a sense of honor, and I
have."
Betty put out her hand impulsively. "I'm glad you changed your mind,
Jean. It's too bad that you can't have a part, but you wouldn't want it
in any such way."
"I did though," said Jean, blinking back the tears. "I knew it would
come out in the end,--I counted on that, and I shouldn't have minded
Miss Stuart's rage or the committee's horror. But you're so dreadfully
on the square. You make a person feel like a two-penny doll. I don't
wonder that Eleanor Watson has changed about a lot of things. Anybody
would have to if they saw much of you."
Betty's thoughts flew back to Georgia. "I wish I thought so."
"Well," said Jean fiercely, "I do. That's why I've always hated you. I
presume I shall hate you worse than ever to-morrow. Meanwhile, will you
please tell Barbara? I can't help what they all think, and I don't care.
I only wanted you to see that I've got a little sense of obligation
left and that after I've let a person apologize--Don't come any further,
please."
Jean ran swiftly down the steep path leading to the lower level of the
back campus and Betty turned obediently toward home, feeling very small
and useless and unhappy. Jean's announcement had been so sudden and so
amazing that she didn't know what she had said in response to it, and
she was quite sure that she hadn't done at all what Jean expected. Then
this confirmation of her suspicions about Jean gave her an uneasy
feeling about Georgia. That baffling young person was just leaving the
gym as Betty got back to it, and the sight of her surrounded by a bevy
of her admiring friends reassured Betty wonderfully. Nevertheless she
decided to go and see Miss Ferris. There was something she wanted to ask
about.
After half an hour spent in Miss Ferris's cozy sitting-room, she started
out to find Barbara, armed with the serene conviction that everything
would come out right in the end.
"How do people influence other people?" she had demanded early in her
call. "There is some one I want to influence, if I could, but I don't
know how to begin."
"That's a big question, Betty," Miss Ferris assured her smilingly. "In
general I think the best way to influence people is to be ourselves the
things we want them to be--honest and true and kind."
Betty mused on this advice as she crossed the campus. "That was a good
deal what Jean said. I guess I must just attend to my own affairs and
wait and let things happen, the way Madeline does. This about Jean just
happened."
She passed Georgia's door on her way up-stairs. The room was full of
girls, listening admiringly to their hostess's reminiscences of the
afternoon. "That sophomore guard was so rattled. She kept saying, 'I
will, I will, I will,' between her teeth and she was so busy saying it
that she forgot to go for the ball. But she didn't forget to stick her
elbow into me between times--not she. I wanted to slug her a little just
for fun, but of course I wouldn't. I perfectly hate people who don't
play fair."
Betty went on up the stairs smiling happily. She wanted to hug Georgia
for that last sentence.