2007 > THE FUTURE OF EBOOKS SEEN FROM FRANCE

[Summary]

Marc Autret, a journalist and graphic designer, wrote in December 2006:

"I am convinced that the ebook has a great future in all non-fiction

sectors. I refer to the ebook as a software and not as a dedicated

physical medium (the conjecture is more uncertain on this point). (…)

Non-commercial ebooks are already emerging everywhere while opening the

way to new developments. To my eyes, there are at least two emerging

trends: (a) an increasingly attractive and functional interface for

reading/consultation (navigation, research, restructuring on the fly,

user annotations, interactive quiz); (b) a multimedia integration

(video, sound, animated graphics, database) now strongly coupled to the

web. No physical book offers such features. So I imagine the ebook of

the future as a kind of wiki crystallized and packaged in a given

format. How valuable will it be? Its value will be the one of a book:

the unity and quality of editorial work!"

***

In late 2006, I launched an inquiry about how people were seeing the

future of ebooks. Here are the answers from Pierre Schweitzer, Denis

Zwirn and Marc Autret, three French “pioneers” in their own fields.

Pierre Schweitzer is the inventor of the @folio project, a mobile

device for texts. He wrote in December 2006: "The luck we all have is

to live this fantastic change here and now. When I was born in 1963, a

computer memory could only hold a few pages of characters. Today, my

music player could hold billions of pages, a true local library.

Tomorrow, by the combined effect of the Moore Law and the ubiquity of

networks, we will have instant access to works and knowledge. We won't

be much interested any more on which device to store information. We

will be interested in handy functions and beautiful objects."

Denis Zwirn is the founder of Numilog, the main French-language digital

bookstore. He wrote in August 2007: "The digital book is not any more a

topic for symposiums, conceptual definitions, or divination by some

'experts'. It is a commercial product and a tool for reading. There is

no need to wait for some new hypermodern and hypertextual tool

carefully orchestrating its specificity from the print book. We need to

offer books that can be easily read on any electronic device used by

customers, sooner or later with an electronic ink display. And to offer

them as an industry. The digital book is not, and will never be, a

niche product (dictionaries, travel guides, books for the blind). It is

becoming a mass market product, with multiple forms, like the

traditional book."

After being a journalist specialized in publishing, multimedia and

copyright, Marc Autret is a graphic designer working with publishers.

He wrote in December 2006: "I am convinced that the ebook has a great

future in all non-fiction sectors. I refer to the ebook as a software

and not as a dedicated physical medium (the conjecture is more

uncertain on this point). The [European] publishers of guides,

encyclopedias and informative books in general still see the ebook as a

very minor variation of the printed book, probably because the business

model and secure management don't seem entirely stabilized. But this is

a matter of time. Non-commercial ebooks are already emerging everywhere

while opening the way to new developments.

To my eyes, there are at least two emerging trends: (a) an increasingly

attractive and functional interface for reading/consultation

(navigation, searching, restructuring on the fly, annotations of the

user, interactive quiz); (b) a multimedia integration (video, sound,

animated graphics, database) now strongly coupled to the web. No

physical book offers such features. So I imagine the ebook of the

future as a kind of wiki crystallized and packaged in a given format.

How valuable will it be? Its value will be the one of a book: the unity

and quality of editorial work!"

Marc was not happy about the “competition” between PDF and EPUB. He

added in June 2011: “I do regret that the emergence of EPUB has led to

the outright annihilation of PDF as a format for digital books. The

fact that interactivity elements available within the PDF are not

supported by the current mobile platforms has removed any possibility

of experimenting new things in this direction, that had seemed very

promising to me. While print publishing gives place to many different

objects, ranging from the carefully designed art book to the basic book

for everyday reading, the ebook market has grown from the start on a

totalitarian and segregationist mode, comparable to a war between

operating systems, rather than favoring a technical and cultural

emulation. Because of this, there are few PDF digital books benefiting

from the opportunities given by this format.

In the unconscious collective mind, PDF has stayed a kind of static

duplicate of the print book, and nobody wants to see any other fate for

him. The EPUB format, which is nothing but a combination of XHTML/CSS

(admittedly with JavaScript prospects), consists in putting the digital

book 'in phase with' the web. This is a technology that has favored

structured content, but hasn’t favored typographic craft at all. It has

given a narrow vision of the digital work, reducing it to a flow of

information. We don’t measure it yet, but the worst cultural disaster

in recent decades has been the advent of XML, as a language that pre-

calibrates and contaminates the way we think our hierarchies. XML and

its avatars go on locking us in the cultural invariants of the Western

world.”

The eBook is 40 (1971-2011) · 第 47 / 49 题