_We are just under the eaves here; the dim ceiling slants; and there

are two doors: that in the rear wall is closed; the other, upon our

right, and evidently leading to an inner chamber, we find ajar. The

furniture of this mean apartment is chipped, faded, insecure, yet

still possessed of a haggard elegance; shamed odds and ends, cheaply

acquired by the proprietor of the lodging-house, no doubt at an

auction of the confiscated leavings of some emigrant noble. The single

window, square and mustily curtained, is so small that it cannot be

imagined to admit much light on the brightest of days; however, it

might afford a lodger a limited view of the houses opposite and the

street below. In fact, as our eyes grow accustomed to the obscurity we

discover it serving this very purpose at the present moment, for a

tall woman stands close by in the shadow, peering between the curtains

with the distrustfulness of a picket thrown far out into an enemy's

country. Her coarse blouse and skirt, new and as ill-fitting as sacks,

her shop-woman's bonnet and cheap veil, and her rough shoes are

naively denied by her sensitive, pale hands and the high-bred and

in-bred face, long profoundly marked by loss and fear, and now very

white, very watchful. She is not more than forty, but her hair,

glimpsed beneath the clumsy bonnet, shows much grayer than need be at

that age. This is ANNE DE LASEYNE_.

_The intent young man at the desk, easily recognizable as her brother,

fair and of a singular physical delicacy, is a finely completed

product of his race; one would pronounce him gentle in each sense of

the word. His costume rivals his sister's in the innocence of its

attempt at disguise: he wears a carefully soiled carter's frock, rough

new gaiters, and a pair of dangerously aristocratic shoes, which are

not too dusty to conceal the fact that they are of excellent make and

lately sported buckles. A tousled cap of rabbit-skin, exhibiting a

tricolor cockade, crowns these anomalies, though not at present his

thin, blond curls, for it has been tossed upon a dressing-table which

stands against the wall to the left. He is younger than MADAME DE

LASEYNE, probably by more than ten years; and, though his features so

strikingly resemble hers, they are free from the permanent impress of

pain which she bears like a mourning-badge upon her own._

_He is expending a feverish attention upon his task, but with patently

unsatisfactory results; for he whispers and mutters to himself, bites

the feather of his pen, shakes his head forebodingly, and again and

again crumples a written sheet and throws it upon the floor. Whenever

this happens ANNE DE LASEYNE casts a white glance at him over her

shoulder--his desk is in the center of the room--her anxiety is

visibly increased, and the temptation to speak less and less easily

controlled, until at last she gives way to it. Her voice is low and

hurried._

ANNE. Louis, it is growing dark very fast.

LOUIS. I had not observed it, my sister. [_He lights a second candle

from the first; then, pen in mouth, scratches at his writing with a

little knife._]

ANNE. People are still crowding in front of the wine-shop across the

street.

LOUIS [_smiling with one side of his mouth_]. Naturally. Reading the

list of the proscribed that came at noon. Also waiting, amiable

vultures, for the next bulletin from Paris. It will give the names of

those guillotined day before yesterday. For a good bet: our own names

[_he nods toward the other room_]--yes, hers, too--are all three in

the former. As for the latter--well, they can't get us in that now.

ANNE [_eagerly_]. Then you are certain that we are safe?

LOUIS. I am certain only that they cannot murder us day before

yesterday. [_As he bends his head to his writing a woman comes in

languidly through the open door, bearing an armful of garments, among

which one catches the gleam of fine silk, glimpses of lace and rich

furs--a disordered burden which she dumps pell-mell into a large

portmanteau lying open upon a chair near the desk. This new-comer is

of a startling gold-and-ivory beauty; a beauty quite literally

striking, for at the very first glance the whole force of it hits the

beholder like a snowball in the eye; a beauty so obvious, so

completed, so rounded, that it is painful; a beauty to rivet the

unenvious stare of women, but from the full blast of which either king

or man-peasant would stagger away to the confessional. The egregious

luster of it is not breathed upon even by its overspreading of sullen

revolt, as its possessor carelessly arranges the garments in the

portmanteau. She wears a dress all gray, of a coarse texture, but

exquisitely fitted to her; nothing could possibly be plainer, or of a

more revealing simplicity. She might be twenty-two; at least it is

certain that she is not thirty. At her coming, LOUIS looks up with a

sigh of poignant wistfulness, evidently a habit; for as he leans back

to watch her he sighs again. She does not so much as glance at him,

but speaks absently to MADAME DE LASEYNE. Her voice is superb, as it

should be; deep and musical, with a faint, silvery huskiness._]

ELOISE [_the new-comer_]. Is he still there?

ANNE. I lost sight of him in the crowd. I think he has gone. If only

he does not come back!

LOUIS [_with grim conviction_]. He will.

ANNE. I am trying to hope not.

ELOISE. I have told you from the first that you overestimate his

importance. Haven't I said it often enough?

ANNE [_under her breath_]. You have!

ELOISE [_coldly_]. He will not harm you.

ANNE [_looking out of the window_]. More people down there; they are

running to the wine-shop.

LOUIS. Gentle idlers! [_The sound of triumphant shouting comes up from

the street below._] That means that the list of the guillotined has

arrived from Paris.

ANNE [_shivering_]. They are posting it in the wine-shop window.

[_The shouting increases suddenly to a roar of hilarity, in which the

shrilling of women mingles._]

LOUIS. Ah! One remarks that the list is a long one. The good people

are well satisfied with it. [_To ELOISE_] My cousin, in this amiable

populace which you champion, do you never scent something of--well,

something of the graveyard scavenger? [_She offers the response of an

unmoved glance in his direction, and slowly goes out by the door at

which she entered. Louis sighs again and returns to his scribbling._]

ANNE [_nervously_]. Haven't you finished, Louis?

LOUIS [_indicating the floor strewn with crumpled slips of paper_]. A

dozen.

ANNE. Not good enough?

LOUIS [_with a rueful smile_]. I have lived to discover that among all

the disadvantages of being a Peer of France the most dangerous is that

one is so poor a forger. Truly, however, our parents are not to be

blamed for neglecting to have me instructed in this art; evidently

they perceived I had no talent for it. [_Lifting a sheet from the

desk._] Oh, vile! I am not even an amateur. [_He leans back, tapping

the paper thoughtfully with his pen._] Do you suppose the Fates took

all the trouble to make the Revolution simply to teach me that I have

no skill in forgery? Listen. [_He reads what he has written._]

"Committee of Public Safety. In the name of the Republic. To all

Officers, Civil and Military: Permit the Citizen Balsage"--that's

myself, remember--"and the Citizeness Virginie Balsage, his

sister"--that's you, Anne--"and the Citizeness Marie Balsage, his

second sister"--that is Eloise, you understand--"to embark in the

vessel _Jeune Pierrette_ from the port of Boulogne for Barcelona.

Signed: Billaud Varennes. Carnot. Robespierre." Execrable! [_He tears

up the paper, scattering the fragments on the floor._] I am not even

sure it is the proper form. Ah, that Dossonville!

ANNE. But Dossonville helped us--

LOUIS. At a price. Dossonville! An individual of marked attainment,

not only in penmanship, but in the art of plausibility. Before I paid

him he swore that the passports he forged for us would take us not

only out of Paris, but out of the country.

ANNE. Are you sure we must have a separate permit to embark?

LOUIS. The captain of the _Jeune Pierrette_ sent one of his sailors to

tell me. There is a new Commissioner from the National Committee, he

said, and a special order was issued this morning. They have an

officer and a file of the National Guard on the quay to see that the

order is obeyed.

ANNE. But we bought passports in Paris. Why can't we here?

LOUIS. Send out a street-crier for an accomplished forger? My poor

Anne! We can only hope that the lieutenant on the quay may be drunk

when he examines my dreadful "permit." Pray a great thirst upon him,

my sister! [_He looks at a watch which he draws from beneath his

frock._] Four o'clock. At five the tide in the river is poised at its

highest; then it must run out, and the _Jeune Pierrette_ with it. We

have an hour. I return to my crime. [_He takes a fresh sheet of paper

and begins to write._]

ANNE [_urgently_]. Hurry, Louis!

LOUIS. Watch for Master Spy.

ANNE. I cannot see him. [_There is silence for a time, broken only by

the nervous scratching of Louis's pen._]

LOUIS [_at work_]. Still you don't see him?

ANNE. No. The people are dispersing. They seem in a good humor.

LOUIS. Ah, if they knew--[_He breaks off, examines his latest effort

attentively, and finds it unsatisfactory, as is evinced by the

noiseless whistle of disgust to which his lips form themselves. He

discards the sheet and begins another, speaking rather absently as he

does so._] I suppose I have the distinction to be one of the most

hated men in our country, now that all the decent people have left

it--so many by a road something of the shortest! Yes, these merry

gentlemen below there would be still merrier if they knew they had

within their reach a forfeited "Emigrant." I wonder how long it would

take them to climb the breakneck flights to our door. Lord, there'd be

a race for it! Prize-money, too, I fancy, for the first with his

bludgeon.

ANNE [_lamentably_]. Louis, Louis! Why didn't you lie safe in England?

LOUIS [_smiling_]. Anne, Anne! I had to come back for a good sister of

mine.

ANNE. But I could have escaped alone.

LOUIS. That is it--"alone"! [_He lowers his voice as he glances toward

the open door._] For she would not have moved at all if I hadn't come

to bully her into it. A fanatic, a fanatic!

ANNE [_brusquely_]. She is a fool. Therefore be patient with her.

LOUIS [_warningly_]. Hush.

ELOISE [_in a loud, careless tone from the other room_]. Oh, I heard

you! What does it matter? [_She returns, carrying a handsome skirt and

bodice of brocade and a woman's long mantle of light-green cloth,

hooded and lined with fur. She drops them into the portmanteau and

closes it._] There! I've finished your packing for you.

LOUIS [_rising_]. My cousin, I regret that we could not provide

servants for this flight. [_Bowing formally._] I regret that we have

been compelled to ask you to do a share of what is necessary.

ELOISE [_turning to go out again_]. That all?

LOUIS [_lifting the portmanteau_]. I fear--

ELOISE [_with assumed fatigue_]. Yes, you usually do. What now?

LOUIS [_flushing painfully_]. The portmanteau is too heavy. [_He

returns to the desk, sits, and busies himself with his writing,

keeping his grieved face from her view._]

ELOISE. You mean you're too weak to carry it?

LOUIS. Suppose at the last moment it becomes necessary to hasten

exceedingly--

ELOISE. You mean, suppose you had to run, you'd throw away the

portmanteau. [_Contemptuously._] Oh, I don't doubt you'd do it!

LOUIS [_forcing himself to look up at her cheerfully_]. I dislike to

leave my baggage upon the field, but in case of a rout it might be a

temptation--if it were an impediment.

ANNE [_peremptorily_]. Don't waste time. Lighten the portmanteau.

LOUIS. You may take out everything of mine.

ELOISE. There's nothing of yours in it except your cloak. You don't

suppose--

ANNE. Take out that heavy brocade of mine.

ELOISE. Thank you for not wishing to take out my fur-lined cloak and

freezing me at sea!

LOUIS [_gently_]. Take out both the cloak and the dress.

ELOISE [_astounded_]. What!

LOUIS. You shall have mine. It is as warm, but not so heavy.

ELOISE [_angrily_]. Oh, I am sick of your eternal packing and

unpacking! I am sick of it!

ANNE. Watch at the window, then. [_She goes swiftly to the

portmanteau, opens it, tosses out the green mantle and the brocaded

skirt and bodice, and tests the weight of the portmanteau._] I think

it will be light enough now, Louis.

LOUIS. Do not leave those things in sight. If our landlord should come

in--

ANNE. I'll hide them in the bed in the next room. Eloise! [_She points

imperiously to the window. ELOISE goes to it slowly and for a moment

makes a scornful pretense of being on watch there; but as soon as

MADAME DE LASEYNE has left the room she turns, leaning against the

wall and regarding Louis with languid amusement. He continues to

struggle with his ill-omened "permit," but, by and by, becoming aware

of her gaze, glances consciously over his shoulder and meets her

half-veiled eyes. Coloring, he looks away, stares dreamily at nothing,

sighs, and finally writes again, absently, like a man under a spell,

which, indeed, he is. The pen drops from his hand with a faint click

upon the floor. He makes the movement of a person suddenly awakened,

and, holding his last writing near one of the candles, examines it

critically. Then he breaks into low, bitter laughter._]

ELOISE [_unwillingly curious_]. You find something amusing?

LOUIS. Myself. One of my mistakes, that is all.

ELOISE [_indifferently_]. Your mirth must be indefatigable if you can

still laugh at those.

LOUIS. I agree. I am a history of error.

ELOISE. You should have made it a vocation; it is your one genius. And

yet--truly because I am a fool I think, as Anne says--I let you hector

me into a sillier mistake than any of yours.

LOUIS. When?

ELOISE [_flinging out her arms_]. Oh, when I consented to this absurd

journey, this _tiresome_ journey--with _you_! An "escape"? From

nothing. In "disguise." Which doesn't disguise.

LOUIS [_his voice taut with the effort for self-command_]. My sister

asked me to be patient with you, Eloise--

ELOISE. Because I am a fool, yes. Thanks. [_Shrewishly._] And then, my

worthy young man? [_He rises abruptly, smarting almost beyond

endurance._]

LOUIS [_breathing deeply_]. Have I not been patient with you?

ELOISE [_with a flash of energy_]. If _I_ have asked you to be

anything whatever--with me!--pray recall the petition to my memory.

LOUIS [_beginning to let himself go_]. Patient! Have I ever been

anything but patient with you? Was I not patient with you five years

ago when you first harangued us on your "Rights of Man" and your

monstrous republicanism? Where you got hold of it all I don't know--

ELOISE [_kindling_]. Ideas, my friend. Naturally, incomprehensible to

you. Books! Brains! Men!

LOUIS. "Books! Brains! Men!" Treason, poison, and mobs! Oh, I could

laugh at you then: they were only beginning to kill us, and I was

patient. Was I not patient with you when these Republicans of yours

drove us from our homes, from our country, stole all we had,

assassinated us in dozens, in hundreds, murdered our King? [_He walks

the floor, gesticulating nervously._] When I saw relative after

relative of my own--aye, and of yours, too--dragged to the

abattoir--even poor, harmless, kind Andre de Laseyne, whom they took

simply because he was my brother-in-law--was I not patient? And when I

came back to Paris for you and Anne, and had to lie hid in a stable,

every hour in greater danger because you would not be persuaded to

join us, was I not patient? And when you finally did consent, but

protested every step of the way, pouting and--

ELOISE [_stung_]. "Pouting!"

LOUIS. And when that stranger came posting after us so obvious a spy--

ELOISE [_scornfully_]. Pooh! He is nothing.

LOUIS. Is there a league between here and Paris over which he has not

dogged us? By diligence, on horseback, on foot, turning up at every

posting-house, every roadside inn, the while you laughed at me because

I read death in his face! These two days we have been here, is there

an hour when you could look from that window except to see him

grinning up from the wine-shop door down there?

ELOISE [_impatiently, but with a somewhat conscious expression_]. I

tell you not to fear him. There is nothing in it.

LOUIS [_looking at her keenly_]. Be sure I understand why you do not

think him a spy! You believe he has followed us because you--

ELOISE. I expected that! Oh, I knew it would come! [_Furiously._] I

never saw the man before in my life!

LOUIS [_pacing the floor_]. He is unmistakable; his trade is stamped

on him; a hired trailer of your precious "Nation's."

ELOISE [_haughtily_]. The Nation is the People. You malign because you

fear. The People is sacred!

LOUIS [_with increasing bitterness_]. Aren't you tired yet of the

Palais Royal platitudes? I have been patient with your Mericourtisms

for so long. Yes, always I was patient. Always there was time; there

was danger, but there was a little time. [_He faces her, his voice

becoming louder, his gestures more vehement._] But now the _Jeune

Pierrette_ sails this hour, and if we are not out of here and on her

deck when she leaves the quay, my head rolls in Samson's basket within

the week, with Anne's and your own to follow! _Now_, I tell you, there

is no more time, and _now_--

ELOISE [_suavely_]. Yes? Well? "Now?" [_He checks himself; his lifted

hand falls to his side._]

LOUIS [_in a gentle voice_]. I am still patient. [_He looks into her

eyes, makes her a low and formal obeisance, and drops dejectedly into

the chair at the desk._]

ELOISE [_dangerously_]. Is the oration concluded?

LOUIS. Quite.

ELOISE [_suddenly volcanic_]. Then "_now_" you'll perhaps be "patient"

enough to explain why I shouldn't leave you instantly. Understand

fully that I have come thus far with you and Anne solely to protect

you in case you were suspected. "_Now_," my little man, you are safe:

you have only to go on board your vessel. Why should I go with you?

Why do you insist on dragging me out of the country?

LOUIS [_wearily_]. Only to save your life; that is all.

ELOISE. My life! Tut! My life is safe with the People--my People!

[_She draws herself up magnificently._] The Nation would protect me!

I gave the people my whole fortune when they were starving. After

that, who in France dare lay a finger upon the Citizeness Eloise

d'Anville!

LOUIS. I have the idea sometimes, my cousin, that perhaps if you had

not given them your property they would have taken it, anyway.

[_Dryly._] They did mine.

ELOISE [_agitated_]. I do not expect you to comprehend what I

felt--what I feel! [_She lifts her arms longingly._] Oh, for a Man!--a

Man who could understand me!

LOUIS [_sadly_]. That excludes me!

ELOISE. Shall I spell it?

LOUIS. You are right. So far from understanding you, I understand

nothing. The age is too modern for me. I do not understand why this

rabble is permitted to rule France; I do not even understand why it is

permitted to live.

ELOISE [_with superiority_]. Because you belong to the class that

thought itself made of porcelain and the rest of the world clay. It is

simple: the mud-ball breaks the vase.

LOUIS. You belong to the same class, even to the same family.

ELOISE. You are wrong. One circumstance proves me no aristocrat.

LOUIS. What circumstance?

ELOISE. That I happened to be born with brains. I can account for it

only by supposing some hushed-up ancestral scandal. [_Brusquely._] Do

you understand that?

LOUIS. I overlook it. [_He writes again._]

ELOISE. Quibbling was always a habit of yours. [_Snapping at him

irritably._] Oh, stop that writing! You can't do it, and you don't

need it. You blame the people because they turn on you now, after

you've whipped and beaten and ground them underfoot for centuries and

centuries and--

LOUIS. Quite a career for a man of twenty-nine!

ELOISE. I have said that quibbling was--

LOUIS [_despondently_]. Perhaps it is. To return to my other

deficiencies, I do not understand why this spy who followed us from

Paris has not arrested me long before now. I do not understand why you

hate me. I do not understand the world in general. And in particular I

do not understand the art of forgery. [_He throws down his pen._]

ELOISE. You talk of "patience"! How often have I explained that you

would not need passports of any kind if you would let me throw off my

incognito. If anyone questions you, it will be sufficient if I give my

name. All France knows the Citizeness Eloise d'Anville. Do you suppose

the officer on the quay would dare oppose--

LOUIS [_with a gesture of resignation_]. I know you think it.

ELOISE [_angrily_]. You tempt me not to prove it. But for Anne's

sake--

LOUIS. Not for mine. That, at least, I understand. [_He rises._] My

dear cousin, I am going to be very serious--

ELOISE. O heaven! [_She flings away from him._]

LOUIS [_plaintively_]. I shall not make another oration--

ELOISE. Make anything you choose. [_Drumming the floor with her

foot._] What does it matter?

LOUIS. I have a presentiment--I ask you to listen--

ELOISE [_in her irritation almost screaming_]. How can I help but

listen? And Anne, too! [_With a short laugh._] You know as well as I

do that when that door is open everything you say in this room is

heard in there. [_She points to the open doorway, where MADAME DE

LASEYNE instantly makes her appearance, and after exchanging one fiery

glance with ELOISE as swiftly withdraws, closing the door behind her

with outraged emphasis._]

ELOISE [_breaking into a laugh_]. Forward, soldiers!

LOUIS [_reprovingly_]. Eloise!

ELOISE. Well, _open_ the door, then, if you want her to hear you make

love to me! [_Coolly._] That's what you're going to do, isn't it?

LOUIS [_with imperfect self-control_]. I wish to ask you for the last

time--

ELOISE [_flouting_]. There are so many last times!

LOUIS. To ask you if you are sure that you know your own heart. You

cared for me once, and--

ELOISE [_as if this were news indeed_]. I did? Who under heaven ever

told you that?

LOUIS [_flushing_]. You allowed yourself to be betrothed to me, I

believe.

ELOISE. "Allowed" is the word, precisely. I seem to recall changing

all that the very day I became an orphan--and my own master!

[_Satirically polite._] Pray correct me if my memory errs. How long

ago was it? Six years? Seven?

LOUIS [_with emotion_]. Eloise, Eloise, you did love me then! We were

happy, both of us, so very happy--

ELOISE [_sourly_]. "Both!" My faith! But I must have been a brave

little actress.

LOUIS. I do not believe it. You loved me. I--[_He hesitates._]

ELOISE. Do get on with what you have to say.

LOUIS [_in a low voice_]. I have many forebodings, Eloise, but the

strongest--and for me the saddest--is that this is the last chance you

will ever have to tell--to tell me--[_He falters again._]

ELOISE [_irritated beyond measure, shouting_]. To tell you what?

LOUIS [_swallowing_]. That your love for me still lingers.

ELOISE [_promptly_]. Well, it doesn't. So _that's_ over!

LOUIS. Not quite yet. I--

ELOISE [_dropping into a chair_]. O Death!

LOUIS [_still gently_]. Listen. I have hope that you and Anne may be

permitted to escape; but as for me, since the first moment I felt the

eyes of that spy from Paris upon me I have had the premonition that I

would be taken back--to the guillotine, Eloise. I am sure that he will

arrest me when I attempt to leave this place to-night. [_With

sorrowful earnestness._] And it is with the certainty in my soul that

this is our last hour together that I ask you if you cannot tell me

that the old love has come back. Is there nothing in your heart for

me?

ELOISE. Was there anything in _your_ heart for the beggar who stood at

your door in the old days?

LOUIS. Is there nothing for him who stands at yours now, begging for a

word?

ELOISE [_frowning_]. I remember you had the name of a disciplinarian

in your regiment. [_She rises to face him._] Did you ever find

anything in your heart for the soldiers you ordered tied up and

flogged? Was there anything in your heart for the peasants who starved

in your fields?

LOUIS [_quietly_]. No; it was too full of you.

ELOISE. Words! Pretty little words!

One-Act Plays by Modern Authors · 第 5 / 26 段