reversion to an earlier type is never complete. The classicism of
Matthew Arnold is not at all the classicism of the eighteenth century;
Thackeray's realism is not the realism of Fielding. It is what it is,
partly just because Walter Scott had written his Waverley Novels in the
mean while. Apart from the works for which it is directly responsible,
the romantic movement had enriched the blood of the literature, and its
results are seen even in writings hostile to the romantic principles. As
to the absolute value of the great romantic output of the nineteenth
century, it may be at once acknowledged that, as "human documents," books
which reflect contemporary life have a superior importance to the
creations of the modern imagination, playing freely over times and places
distant, and attractive through their distance; over ancient Greece or
the Orient or the Middle Age. But that a very beautiful and quite
legitimate product of literary art may spring from this contact of the
present with the past, it is hoped that our history may have shown.
[1] See vol. i., pp. 31-32.
[2] "Apologia pro Vita Sua," p. 139.
[3] "It would require the . . . magic pen of Sir Walter to catalogue and
to picture . . . that most miserable procession" ("Callista: a Sketch of
the Third Century," 1855; chapter, "Christianos ad Leones"). It is
curious to compare this tale of the early martyrs, Newman's solitary
essay in historical romance, with "Hypatia." It has the intellectual
refinement of everything that came from its author's pen; and it has
strong passages like the one describing the invasion of the locusts.
But, upon the whole, Newman was as inferior to Kingsley as a novelist as
he was superior to him in the dialectics of controversy.
[4] See the entire section "Selections from Newman," by Lewis G. Gates,
New York, 1895. Introduction, pp. xlvi-lix.
[5] "Essays Critical and Historical" (1846).
[6] "Reminiscences," Thomas Mozley, Boston, 1882.
[7] "Life and Letters of Dean Church," London, 1894.
[8] "Recollections of Aubrey de Vere," London, 1897.
[9] "Idea of a University" (1853). See also in "Parochial and Plain
Sermons" the discourse on "The Danger of Accomplishments," and that on
"The Gospel Palaces." In the latter he writes, speaking of the
cathedrals: "Unhappy they who, while they have eyes to admire, admire
them only for their beauty's sake; . . . who regard them as works of art,
not fruits of grace."
[10] Cardinal Wiseman had a decided preference for Renaissance over
Gothic, and the churches built under his authority were mostly in Italian
styles.
[11] "William George Ward and the Oxford Movement," London, 1889, pp.
153-55.
[12] "Recollections," p. 309.
[13] Frederick William Faber, one of the Oxford men who went over with
Newman in 1845, and became Superior of the Oratory of St. Philip Neri,
was a religious poet of some distinction. A collection of his hymns was
published in 1862.
[14] "Ritterzeit und Ritterwesen."
[15] See vol. i., pp. 221-26.
[16] Vol. i., p. 44 (ed. 1846).
[17] _Ibid._, pp. 315-16.
[18] _Ibid._, p. 350.
[19] See vol. i., chap. vii., "The Gothic Revival."
[20] A view of Fonthill Abbey, as it appeared in 1822, is given in
Fergusson's "History of Modern Architecture," vol. ii., p. 98 (third ed.).
[21] For Scott's influence on Gothic see Eastlake's "Gothic Revival," pp.
112-16. A typical instance of this castellated style in America was the
old New York University in Washington Square, built in the thirties.
This is the "Chrysalis College" which Theodore Winthrop ridicules in
"Cecil Dreeme" for its "mock-Gothic" pepper-box turrets, and "deciduous
plaster." Fan traceries in plaster and window traceries in cast iron
were abominations of this period.
[22] _Vide supra_, p. 153.
[23] "A blast from the icy jaws of Reason, the wolf Fenris of the
Teutonic mind, swept one and all into the Limbo of oblivion--that sole
ante-chamber spared by Protestantism in spoiling Purgatory. Perhaps this
was necessary and inevitable. If we would repair the column, we must cut
away the ivy that clings around the shaft, the flowers and brushwood that
conceal the base; but it does not follow that, when the repairs are
completed, we should isolate it in a desert,--that the flowers and
brushwood should not be allowed to grow up and caress it as before" (vol.
ii., p. 380, second ed.).
[24] Vol. ii., p. 364, _note_; and _vide supra_, p. 152.
[25] _Ibid._, p. 289.
[26] _Vide supra_, p. 34.
[27] _Ibid._, p. 286, _note_.
[28] "Stones of Venice," vol. ii., p. 295 (American ed. 1860).
[29] _Ibid._, vol. iii., p. 213.
[30] _Ibid._, vol. ii., pp. 109-14.
[31] See the final instalment of "Praeterita" for an extended eulogy of
Scott's verse and prose.
[32] "I know what white, what purple fritillaries
The grassy harvest of the river-fields
Above by Ensham, down by Sandford, yields."
--Matthew Arnold, "Thyrsis."
[33] "Stones of Venice," vol. iii., p. 211.
[34] _Ibid._, vol. ii., p. 4.
[35] _Vide supra_, p. 35.
[36] "I reckon him the remarkablest Pontiff that has darkened God's
daylight. . . . Here is a Supreme Priest who believes God to be--what,
in the name of God, _does_ he believe God to be?--and discerns that all
worship of God is a scenic phantasmagory of wax-candles, organ-blasts,
Gregorian chants, mass-brayings, purple monsignori, etc." ("Past and
Present," Book iii., chap. i.).
[37] Ibid., Book iv., chap. i.
[38] With Morris, too, when an Oxford undergraduate, "Carlyle's 'Past and
Present,'" says his biographer, "stood alongside of 'Modern Painters' as
inspired and absolute truth."
[39] For a systematic exposition of Ruskin's social and political
philosophy, the reader should consult "John Ruskin, Social Reformer," by
J. A. Hobson, London, 1898.
[40] _Vide supra_, pp. 279, 280.
[41] For a number of years, beginning with 1854, Ruskin taught drawing
classes in Maurice's Working Man's College.
[42] See "Characteristics" and "Signs of the Times."
[43] _Vide supra_, p. 321.
[44] Vol. ii., chap. vi., section xv., xvi. Morris reprinted the whole
chapter on the Kelmscott Press.
[45] "Victorian Poets," chap. vii., section vi.
[46] "An Epic of Women" (1870); "Lays of France" (1872); "Music and
Moonlight" (1874); "Songs of a Worker" (1881).
[47] "A Masque of Shadows" (1870): "Intaglios" (1871); "Songs of Life and
Death" (1872); "Lautrec" (1878); "New Poems" (1880).
[48] "A Gallery of Pigeons" (1873).
[49] "Arthur O'Shaughnessy." By Louise Chandler-Moulton, Cambridge and
Chicago, 1894.
[50] Swinburne, as a living author, is not represented in the "Treasury."
O'Shaughnessy's metrical originality is undoubted. But one of his finest
lyrics, "The Fountain of Tears," has an echo of Baudelaire's American
master, Edgar Poe, as well as of Swinburne;
"Very peaceful the place is, and solely
For piteous lamenting and sighing,
And those who come living or dying
Alike from their hopes and their fears:
Full of cypress-like shadows the place is,
And statues that cover their faces;
But out of the gloom springs the holy
And beautiful Fountain of Tears."
[51] See especially "Sir Erwin's Questing," "The Ballad of May Margaret,"
"The Westward Sailing," and "The Ballad of the King's Daughter" in "Songs
of Life and Death."
[52] In "An Epic of Women."
[53] "From time to time bright spirits, intolerant of the traditional,
try to alter the bournes of time and space in these respects, and to make
out that the classical, whatever the failings on its part, was always in
its heart rather Romantic, and that the Romantic has always, at its best,
been just a little classical. . . . But such observations are only of
use as guards against a too wooden and matter-of-fact classification; the
great general differences of the periods remain, and can never be removed
in imagination without loss and confusion" ("A Short History of English
Literature," Saintsbury, p. 724).
[54] _Vide supra_, pp. 123-25.
[55] "A Dialogue to the Memory of Mr. Alexander Pope."
THE END.
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INDEX.
Abbot, The, 42
Aben-Humeya, 246
Addison, Jos., 95
Adonais, 120
Age of Wordsworth, The, 12, 24, 34, 87, 88
Ahnung und Gegenwart, 147
Alhambra, The, 239
Allemagne, L', 139, 141-45, 192, 208
Allingham, Wm., 258, 300, 304, 324
Alonzo the Brave, 77, 83
Alton Locke, 383
Amadis of Gaul, 236, 241
Amber Witch, The, 42, 280
Ancient Mariner, The, 48, 49, 54, 74-80
Ancient Poetry and Romance of Spain, 248
Ancient Spanish Ballads, 239, 247-49
Anima Poetae, 78
Annales Romantiques, 201
Anthony, 198
Antiquary, The, 31, 33, 178
Appreciations, 42
Ariosto, Lodovico, 91, 104, 107, 109, 122
Arme Heinrich, Der, 297
Arnim, Achim von, 134, 138, 155, 167, 192, 400
Arnold, Matthew, 255, 256, 263, 274-76, 278, 280,
356, 378, 398-400, 402
Arthur's Tomb, 305
Aslauga's Knight, 168
Aspects of Poetry, 18
At Eleusis, 342
Athenaeum, The, 134
Aucassin et Nicolete, 330
Aue, Hartmann von, 297
Aulnoy, Comtesse d', 194
Austin, Sarah, 162, 170
Ave atque Vale, 349
Bagehot, Walter, 39
Balin and Balan, 347, 348
Ballad of a Nun, 263, 264
Ballad of Dead Ladies, 298
Ballad of Judas Iscariot, 263
Ballade à la Lune, 189
Ballads and Sonnets (Rossetti), 310
Ballads of Irish Chivalry, 260
Balzac, Honoré de, 42
Bande Noire, La, 216
Banshee and Other Poems, The, 261
Banville, Théodore F. de, 388
Barante, P. A. P. B., 226
Bards of the Gael and the Gall, 260
Basso, Andrea de, 110
Baudelaire, Chas., 388, 389
Bax, E. B., 386
Beata Beatrix, 291, 303, 310
Beckford, Wm., 367
Belle Dame sans Merci, La, 86, 118, 119, 127, 262, 279, 303, 307
Berlioz, Hector, l80, 181
Bertrand, A., 175, 388
Beyle, Henri. See Stendhal.
Biographia Literaria, 48, 55, 63, 88, 89
Bisclaveret, 393
Blackmore, Sir Richard, 269, 270
Blake, Wm., 99
Blessed Damozel, The, 285, 301, 308, 311, 343
Blue Closet, The, 305
Blüthenstaub, 167
Boccaccio, Giovanni, 92, 123, 124
Bowles, W. L., 55-73
Bowring, Sir Jno., 248
Boyd, Henry, 96, 97
Boyesen, H. H., 139, 159, 160, 165
Brandl, Alois, 50-55, 75, 77, 82, 86
Brentano, Clemens, 134, 138, 141, 147, 153, 155, 167, 192,
247, 400
Bridal of Triermain, The, 6, 13, 14
Bride's Prelude, The, 300, 311
Broad Stone of Honour, The, 363-66
Brooke, Stopford A., 261
Brown, F. M., 389
Brownie of Bodsbeck, The, 253
Browning, Elizabeth B., 277, 278
Browning, Robert, 190, 221, 276, 277
Buchanan, Robert, 263
Building of the Dream, The, 390, 391
Bürger, G. A., 83, 133, 144, 159, 192, 297
Burgraves, Les, 226, 299, 396
Burke, Edmund, 145
Burne-Jones, Edward, 285, 304, 305, 309, 318-20, 322, 324, 340
Byron, Geo. Gordon, Lord, 8, 9, 26, 53, 60, 65-73, 81, 84,
99-101, 106, 116-18, 171, 192, 195, 196, 203, 232-34, 246,
333, 396-98
Caine, T. Hall, 279, 296, 301, 302, 308
Calderon de la Barca, Pedro, 156, 192, 234, 247
Calidore, 129
Callista, 355, 357
Calverley, C. S., 249
Campbell, Thomas, 64-67, 71, 72
Cancionero, The, 246
Carlyle, Thos., 15, 35, 39, 92, 103, 110, 137, 149, 151, 160,
162, 164, 168, 171, 335, 381, 382, 384, 398, 400
Cary, Henry F., 97-99, 102
Castle by the Sea, The 170
Castle of Otranto, The, 4, 10
Cecil Dreeme, 367
Chaitivel, 390
Chartier, Alain, 118
Chasse du Burgrave, La, 189, 277
Chateaubriand, F. A. de, 90, 176, 191, 202-08, 225, 246, 363
Chatterton, Thos., 52, 54, 86, 119, 191, 300
Chaucer, Geoffrey, 93, 315-17, 328, 329
Cheap Clothes and Nasty, 383
Chevaliers de la Table Ronde, Les, 225
Childe Harold, 70, 73, 91, 99, 233
Childe Roland, 276
Christabel, 14, 27, 49, 53, 54, 75, 80-85, 126, 296
Christian Year, The, 357, 361
Christmas Carol, A, 343
Chronicle of the Cid, 236
Cinq Mars, 191
Civil Wars of Granada, The, 247
Cloister and the Hearth, The, 230, 231
Coleridge, S. T., 9, 12-14, 27, 48-63, 74-89, 97-99, 119, 126,
127, 136-38, 158, l59, 168, 291, 295-97, 314, 355
Collins, J. Churton, 257, 260
Collinson, Jas., 284, 292, 293
Colvin, Sidney, 116, 127
Conde Alarcos, 247
Congal, 260
Conquête d'Angleterre, La, 39, 226
Conservateur Littéraire, Le, 201
Conspiracy of Venice, The, 246
Contes Bizarres, 167
Contes Drolatiques, 42
Contrasts, 368-71, 375
Count Gismond, 276
Courthope, W. J., 314
Cowper, Wm., 57, 58, 68
Croker, T. C., 253, 256, 258
Cromwell, 90, 218, 221
Cross, W. L., 1, 31, 38
Dante, Alighieri, 40, 90-113, 122, 282, 290, 298-301, 310,
311, 362, 393
Dante and his Circle, 299, 303
Dante at Verona, 310
Dante Gabriel Rossetti (Sharp), 291, 292, 306
Dante's Dream, 291
Dark Ladie, The, 49, 86
Dark Rosaleen, 259
Dasent, Sir Geo., 334
Davidson, Jno., 263, 264
Day Dream, The, 265-67
Death of Mlle. de Sombreuil, The, 216
Decameron, The, 123, 124, 393, 400
Defence of Guenevere, The, 275, 296, 309, 321, 324-28
Defence of Poetry (Shelley), 101
Deirdrè, 260
Dejection: an Ode, 60, 86
Delacroix, Eugène, 177, 178
De Quincey, Thos., 38
Development of the English Novel, The, 1, 31, 38
Devéria, Eugène, 178, 195
Dialogue to the Memory of Mr. Alexander Pope, 402
Dies Irae, 5, 153
Digby, Kenelm H., 319, 363-66, 379
Discourse of the Three Unities, 133
Divine Comedy, The, 92-99, 102, 103, 105, 109, 111, 282,
290, 310, 362, 366
Djinns, The, 189
Dobell, Sydney, 262, 263
Dobson, Austin, 401, 402
Don Alvaro, 246
Dondey, Théophile, 185, 190
Don Quixote, 156, 241
Dream of Gerontius, The, 362
Dream of John Ball, The, 386
Dryden, Jno., 117, 124, 125, 269
Ducs de Bourgogne, Les, 226
Dumas, Alexandre, 198, 209
Dürer, Albrecht, 152, 153, 324, 373, 374
Earthly Paradise, The, 237, 238, 315, 321, 328-32, 334,
380, 390, 391
Ecclesiologist, The, 375
Edda, The, 334
Eden Bower, 315
Eichendorff, Joseph von, 146
Eighteenth Century Vignettes, 401
Elfinland Wud, 254, 255
Elves, The, 163
Emerson, R. W., 165, 166, 307
Endymion, 121, 126, 128, 342
English Bards and Scotch Reviewers, 26, 60, 63, 69, 70, 72
English Contemporary Art, 293
Enid, 270, 272
Epic and Romance, 46, 47
Epic of Women, An, 393
Epipsychidion, 101, 310
Erfindung des Rosenkranzes, Die, 153
Erl King, The, 192
Erskine, Wm., 6, 7, 13
Espronceda, José de, 246
Essay on Epic Poetry (Hayley), 95
Essays and Studies (Swinburne), 349, 351
Essays on German Literature (Boyesen), 139, 159, 160, 165
Essays on the Picturesque (Price), 34
Eve of St. Agnes, The, 85, 107, 120-22, 125-29, 307
Eve of St. John, The, 13, 22, 23
Eve of St. Mark, The, 130, 131
Faber, F. W., 360, 362
Faërie Queene, The, 120, 275
Fairies, The, 258
Fair Inez, 279
Fairy Legends of the South of Ireland, 253, 256, 258
Fairy Thorn, The, 258
Familiar Studies of Men and Books, 32
Fantasio, 226
Faust, 178, 191, 192, 238
Feast of the Poets, The, 108
Ferguson, Sir Samuel, 258-60
Fichte, J. G., 137
Fin du Classicisme, La, 175
Ford, R., 246, 248
Forest Lovers, The, 230-32
Fors Clavigera, 380, 383, 387
Fountain of Tears, The, 389
Fouqué, F. de la M., 36, 139, 140, 153, 162, 167-69, 324, 363, 373
Fourteen Sonnets (Bowles), 55, 58-61
Fragments from German Prose Writers, 162
Frere, Jno. H., 248
From Shakspere to Pope, 116
Gallery of Pigeons, The, 388, 394, 395
Gareth and Lynette, 274
Gaspard de la Nuit, 388
Gates, L. E., 129, 355, 356
Gaule Poétique, La, 225
Gautier, Théophile, 167, 176-81, 183-85, 187, 188, 191-93,
195-98, 202, 219, 221-25, 349, 388, 393
Gebir, 235, 237
Génie du Christianisme, Le, 90, 176, 202, 203, 205-08, 363
Gentle Armour, The, 109, 110
Germ, The, 284
German Novelists (Roscoe), 167
German Poets and Poetry (Longfellow), 167
German Romance (Carlyle), 162
Gierusalemme Liberata, 91
Girlhood of Mary Virgin, The, 287, 290, 291
Glenfinlas, 13, 22
Globe, Le, 201, 202
Goblet, The, 164
Goblin Market, The, 82
Godiva, 265
Goethe, Johann Wolfgang, 5, 92, 133, 178, 191, 192
Golden Legend, The, 297
Golden Treasury, The, 25, 389
Golden Wings, 326-28
Goldsmith, Oliver, 95
Görres, Joseph, 138, 147, 152, 363, 400
Gosse, Edmund, 116
Götz von Berlichingen, 5, 133, 193
Gries, J. D., 156, 247
Grimm, Jakob and Wm., 154, 162, 247, 256
Guest, Lady Charlotte, 270
Hallam, Henry, 103, 399
Han d'Islande, 196, 218
Hardiknute, 3
Harold the Dauntless, 29
Hartleap Well, 19-21, 80
Hauptmann, Gerhart, 245
Hawker, R. S., 262, 263
Hawthorne, Nathaniel, 162-64
Hayley, Wm., 95, 96
Haystack in the Floods, The, 326
Heart of Midlothian, The, 31, 33, 379
Heine, Heinrich, 35-38, 139-41, 144, 146-49, 152, 154-59,
l6l, 170, 400
Heinrich von Ofterdingen, 164-66
Heir of Redcliffe, The, 357
Helvellyn, 15, l6
Henri III., 209
Heretic's Tragedy, The, 276
Hereward the Wake, 281
Herford, C. H., 12, 24, 34, 87, 88
Hernani, 186, 188, 195-200
Hero Worship, 103, 111, 335
Herzensergiessungen eines kunstliebenden Klosterbruders, 152, 153
Hewlett, Maurice, 230-32
Higginson, T. W., 163
Histoire du Romantisme (Gautier), 176-81, 183-85, 187, 188,
191-93, 195-98, 22l-25
Histoire du Romantisme en France (Toreinx), 202
History of France (Michelet), 226
History of Literature (Schlegel), 157
History of Spanish Literature, A (Kelly), 246, 247
History of Spanish Literature, A (Ticknor), 242, 243, 248
History of the Crusades, 226
History of the Swiss Confederation, 153
Hita, Perez de, 247
Hogg, Jas., 250-55
Holy Cross Day, 277
Homme qui Rit, L', 219, 22l
Hood, Thos., 278, 279
House of Life, The, 307, 310
House of the Wolfings, The, 232, 337-39, 387
Howells, W. D., 397, 398
Howitt, Chas. and Mary, 334
Hughes, Arthur, 305-07
Hughes, Thomas., 357, 383
Hugo, François V., 222
Hugo, Victor Marie, 90, 137, 173, 176, 178-82, 188, 189,
194-96, 200, 214-21, 224, 226, 247, 277, 298, 299, 349,
388, 389
Hunt, Jas. Leigh, 49, 105-13, 118, 119, 121-23, 127, 388
Hunt, Wm. H., 283, 284, 288-90, 292, 302, 306, 307
Hurd, Richard, 364
Hutton, R. H., 40
Hylas, 331
Hymns to the Night, 164
Hypatia, 355
Hyperion (Keats), 117, 122
Hyperion (Longfellow), 172
Idylls of the King, 268-75, 303, 347
Illustrations of Tennyson, 257, 260
Il Penseroso, 374
Imitation of Spenser (Keats), 120
Inferno, 96, 99, 103, 191
Intaglios, 393
Irving, Washington, 239
Isabella, 123-25, 307, 390, 400
Ivanhoe, 31, 36, 39, 40, 43, 379, 397
Jameson, Anna, 374, 375
Jeffrey, Francis, Lord, 37
Jenny, 309
John Inglesant, 357
Journal des Débats, 201
Journal of Speculative Philosophy, The, 166
Journey into the Blue Distance, 162, 163
Joyce, P. W., 260
Joyce, R. D., 260
Keats (Colvin), 116, 127
Keats, Jno., 53, 54, 82, 85, 86, 107, 113-31, 172, 228, 262,
264, 279, 287, 294, 299, 300, 306, 307, 314, 315, 342, 388,
390, 400
Kebie, Jno., 292, 357, 361
Keith of Ravelston, 262, 263
Kelly, J. F., 246, 247
Ker, W. P., 46, 47
Kilmeny, 252
Kinder und Hausmärchen, 154, 162
King Arthur's Tomb, 327
Kinges Quair, The, 306, 312
Kingsley, Chas., 279-81, 292, 355, 383, 384
King's Tragedy, The, 306, 311-13
Knaben Wunderhorn, Des, 155, 172
Knight, Death, and the Devil, The, 152, 153, 324, 373
Knight's Grave, The, 87
Kronenwächter, Die, 167
Kubia Khan, 87
Lady of Shalott, The, 365, 271, 303, 304, 324
Lady of the Lake, The, 19, 29, 251, 379
Lament for the Decline of Chivalry, 279
Lamia, 117, 129
Landor, W. S., 16, 20, 27, 53, 54, 117, 235, 237, 395
Lang, Andrew, 330
Lara, 233
Laus Veneris, 343, 349
Lay of the Brown Rosary, The, 277, 278
Lay of the Last Minstrel, The, 3, 5, 11, 25-28, 40, 53, 85, 252
Lays of Ancient Rome, 249
Lays of France, 389, 390
Lays of the Western Gael, 260
Leading Cases done into Equity, 249
Legends of the Cid, 246
Lenore, 83, 133, 144, 192, 297, 392
Leper, The, 349
Lesser, Creuzé de, 225
Letters on Chivalry and Romance, 364
Letters on Demonology and Witchcraft, 41
Lettres de Dupuis et Cotonet, 226
Lewis, M. G., 77, 83, 238, 239
Liberal Movement in English Literature, The, 314
Life and Death of Jason, The, 315, 321, 328-33
Life and Letters of Dean Church, The, 358
Life of William Morris, The (Mackail), 315, 320, 331, 333, 382
Light of the World, The, 288-90
Lindsay, A. W. C., 372-74
Lines on a Bust of Dante, 105
Literary Reminiscences (De Quincey), 38
Literature and Romance of Northern Europe, 334
Literature of Europe, The (Hallam), 103
Lockhart, J. G., 5, 7, 9, 11, 22, 23, 239, 247, 248
Locrine, 346
Longfellow, H. W., 105, 109, 164, 167, 170, 172, 239, 297
Lord of the Isles, The, 29, 85
Lorenzaccio, 226
Lorenzo and Isabella, 287, 291
Loss and Gain, 357, 359
Love, 86, 127
Love is Enough, 332, 333
Lovers of Gudrun, The, 330, 334-36
Lowell, J. R., 70, 82, 93, 116, 131, 165, 203, 260
Lucinde, 157
Luck of Edenhall, The, 170
Lürlei, Die, 141
Lyra Innocentium, 357
Lyrical Ballads, 18, 48, 74
Mabinogion, The, 270, 332
Macaulay, T. B., 103, 249
Mackail, W. J., 315, 320, 331, 333, 382
McLaughlin, E. T., 43
Madoc, 237
Mador of the Moor, 251
Maeterlinck, Maurice, 326
Maidens of Verdun, The, 216
Maids of Elfin-Mere, The, 258, 304, 324
Maigron, L., 33, 34, 44-46
Mallet, P. H., 107, 229
Malory, Sir Thos., 270, 272, 303, 347, 348
Manfred, 234
Mangan, J. C., 259, 260
Manzoni, Alessandro, 133
Märchen (Tieck), 162
Marie de France, 390, 393
Marienlieder, 148
Marino Faliero, 234
Marion Delorme, 200
Marmion, 6, 15, 23, 29, 40, 90, 379
Martyrs, Les, 225
Marzials, Théophile, 285, 387, 388, 394, 395
Masque of Queen Bersabe, The, 277, 344
Masque of Shadows, The, 390, 392
Meinhold, J. W., 42, 280
Mérimée, Prosper, 30, 33
Michaud, J. F., 226
Michelet, Jules, 226
Middle Ages, The (Hallam), 103
Millais, J. E., 283-85, 287, 288, 290, 291, 307
Milton, Jno., 93, 103, 269, 374
Minstrelsy, Ancient and Modern (Motherwell), 253
Minstrelsy of the Scottish Border, 21, 22, 24, 26, 243, 250, 251
Modern Painters, 6, 10, 284, 292, 294
Mores Catholici, 319, 366
Morgante Maggiore, 234
Morris, Wm., 29, 232, 237, 275, 285, 296, 304-06, 309,
314-40, 345, 350, 380, 382, 384-89
Morte Darthur (Malory), 106, 270, 273, 303, 304, 324, 347, 364
Morte d'Arthur (Tennyson), 271, 272
Motherwell, Wm., 250, 253-55
Mozley, T., 358
Müller, Johannes, 153
Munera Pulveris, 380
Muse Française, La, 201
Music Master, The, 258, 300
Musset, Alfred de, 180, 189, 198, 226, 247
Myller, H., 154
Mysteries of Udolpho, 83
Nanteuil, Célestin, 178, 223-25
Nature of Gothic, The, 321, 375, 385, 386
Nerval, Gérard de, 190-92, 196, 197, 225, 349
New Essays toward a Critical Method, 122
Newman, J. H., 292, 319, 354-62, 366, 381
News from Nowhere, 317, 319, 382, 386
Nibelungenlied, The, 154, 155, 297
Nodier, Chas., 194
Northern Antiquities, 107, 229
Northern Mythology. 334
Notre Dame de Paris, 178, 179, 221, 224
Novalis, 134, 137, 148, 152, 164-67, 172, 302, 400
Ode to a Dead Body, 110
Ode to a Grecian Urn, 117
Ode to the West Wind, 102
Odes et Ballades (Hugo), 176, 180, 189, 217
Odes et Poésies Diverses (Hugo), 214
Odyssey, The, 331
Ogier the Dane, 330, 332
Old Celtic Romances, 260
Old Masters at Florence, 316
Old Mortality, 31, 33, 253, 379
Old Woman of Berkeley, The, 238, 239
Oliphant, F., 353
On First Looking into Chapman's Homer, 117, 122
Oriana, 265, 313, 324
Orientales, Les, 189
Orlando Furioso, 90, 91, 109
O'Shaughnessy, Arthur, 387-90, 393
Ossian, 208, 261
Palgrave, F. T., 25, 389
Palmerin of England, 236, 241
Paradise, 311
Parochial and Plain Sermons, 360
Parsons, T. W., 105
Partenopex of Blois, 90
Past and Present, 381, 382
Pater, Walter, 42, 79
Payne, Jno., 387-93
Perrault, Chas., 194, 265, 349
Percy, Thos., 3, 54, 57, 74, 159, 238, 295
Petrarca, Francesco, 92
Phantasus, 160
Pillar of the Cloud, The, 362
Poe, Edgar A., 162, 163, 300, 301, 389
Poems and Ballads (Swinburne), 296, 339, 343, 345, 349, 350
Poems and Romances (Simcox), 388
Poems by the Way, 386
Poets and Poetry of Munster, 259
Politics for the People, 383
Pollock, Sir Frederick, 249
Pope, Alexander, 52-54, 56, 63-73, 115-17, 402
Portrait, The, 311
Praeterita, 372, 378
Preface to Cromwell, 182, 188, 218-20
Pre-Raphaelitism (Ruskin), 293
Price, Sir Uvedale, 34, 374
Primer of French Literature, A, 183, 184
Prince Arthur (Blackmore), 270
Prince des Sots, Le, 225
Princess, The, 267, 268
Prior, Matthew, 401
Prophecy of Dante, The, 100, 101
Proverbs in Porcelain, 401
Psyche, 121
Pugin, A. C., 368
Pugin, A. W. N., 360, 361, 368-72, 375, 379
Pugin, E. W., 368
Purgatorio, 362
Queen Gwynnevar's Round, 262
Queenhoo Hall, 8, 20, 32
Queen Mab, 235
Queen's Wake, The, 252, 253
Quentin Durward, 31, 36
Quest of the Sancgreall, The (Westwood), 276
Quest of the Sangreal, The (Hawker), 262
Quiberon, 216
Racine et Shakspere, 38, 186, 208, 211, 213
Radcliffe, Anne, 41, 42, 82, 193
Rapunzel, 309, 326, 327
Raven, The, 301
Reade, Chas., 230
Rebecca and Rowena, 397
Récits Mérovingiens, 226
Recollections of D. G. Rossetti (Caine), 296, 297, 301, 302, 308
Reliques of Ancient English Poetry, 3, 17, 74, 107, 229,
238, 243, 247
Reminiscences (Mozley), 358
Remorse, 86, 89
Richter, J. P. F., 169
Rime of Redemption, The, 392
Rime of the Duchess May, The, 277, 278
Rivas, Duke de, 246
Robertson, J. M., 122
Rogers, Chas., 96
Roi s'Amuse, Le, 200, 201
Rokeby, 29
Romancero General, The, 243, 247
Roman Historique, Le, 33, 34, 44-46
Romantische Schule, Die (Heine), 36, 139-41
Romaunt of the Page, The, 277
Roots of the Mountains, The, 337, 338
Rosa, Martinez de la, 246
Rosamond, 346, 347
Rosamund, Queen of the Goths, 346
Roscoe, Wm., 65, 66
Rose, W. S., 90
Rose Mary, 263, 311, 312
Rossetti, Christina, 82, 282, 284, 302
Rossetti, D. G., 131, 228, 258, 262, 263, 265, 282-88, 290-92,
295-315, 318-21, 323, 324, 340, 343, 345, 350, 387-89, 393
Rossetti, Gabriele, 282
Rossetti, Maria F., 282
Rossetti, W. M., 282, 284
Runenberg, The, 163
Ruskin, Jno., 6, 10, 284, 286-89, 292-94, 304, 317, 321,
324, 371, 372, 375-80, 382-87, 398
Sacred and Legendary Art, 374, 375
Saint Agnes, 267
Saint Brandan, 263
Saint Dorothy, 344
Saint Patrick's Purgatory, 238
Saintsbury, George, 50, 118, 183, l84, 295, 324, 326, 395, 396
Saints' Tragedy, The, 279, 280, 292
Samuel Taylor Coleridge und die Englische Romantik, 50-55,
75, 77, 82, 86
Scherer, Wm., 167, 170
Schiller, J. C. F., 210, 212
Schlegel, A. W., 88, 140, 144, 145, 154, 156-59, 162, 165,
172, 192, 247
Schlegel, F., 99, 134, 135, 137, 148, 151, 157-59, 172, 247, 363
Scott, Sir Walter, 1-47, 49, 50, 52, 53, 71, 75, 77, 85, 87,
88, 90, 91, 119, 120, 127, 129, 136, 158, 167, 169, 172, 173,
178, 180, 192, 212, 226, 232, 243, 246, 247, 249-53, 256,
267, 295, 313, 320, 321, 323, 329, 352-56, 367, 378, 379,
397, 402
Scott, W. B., 292, 293, 305-07, 353, 389
Selections from Newman, 355, 356
Seward, Anne, 98
Shairp, J. C., 18
Shaker Bridal, The, 164
Shakspere, Wm., 210, 222, 399
Sharp, Wm., 291, 292, 306
Shelley, P. B., 8, 25, 101, 102, 120, 232-35, 299, 310, 340, 398
Short History of English Literature, A, 50, 118, 295, 324,
326, 395, 396
Shorthouse, J. H., 357
Short Studies (Higginson), 163
Sigerson, Jno., 259, 261
Sigismonda and Guiscardo, 124, 125
Sigurd the Volsung, 336
Simcox, G. A., 388
Sintram and his Companions, 153, 162, 168, 324, 373
Sir Floris, 390-92
Sir Galahad (Morris), 306, 325, 328
Sir Galahad (Tennyson), 267, 271, 325
Sir Lancelot and Queen Guinivere, 271, 325
Sir Tristram, 7
Sister Helen, 311, 312, 345
Sisters, The, 265, 313
Sizeranne, R. de la, 293
Sketches of Christian Art, 372-74
Sleep and Poetry, 114-16
Sleeping Beauty, The, 265
Smith, Charlotte, 55
Socialism, 386
Song at the Feast of Brougham Castle, 18, 19
Song of the Western Men, 262
Sonneur de Saint Paul, Le, 193
Sorrows of Werther, The, 397
Southey, Robert, 50, 51, 55, 71, 235-39, 355
Specimen of an Induction to a Poem, 129
Specimens of German Romance, 167
Specimens of Gothic Architecture, 368
Spenser, Edmund, 3, 4, 93, 107, 120-22, 269, 275, 329
Staël, Mme. de, 134, 139, 141-45, l71, 192, 208
Staff and Scrip, 311
Stedman, E. C., 265, 387
Stendhal, De, 36-38, 186, 187, 201, 208-14
Stephen, Leslie, 10, 38, 80
Sternbald's Wanderungen, 152
Stevenson, R. L., 32
Stokes, Whitley, 259, 261
Stolberg, F. L., Count, 149, 363
Stones of Venice, 321, 375-79, 385, 386
Stories from the Italian Poets, 109-11
Story of Rimini, The, 105-07, 119, 121, 122, 390
Story of the Brave Casper and the Fair Annerl, The, 167
Student of Salamanca, The, 246
Studies and Appreciations, 129
Studies in Mediaeval Life and Literature, 43
Study of Celtic Literature, On the, 256
Succube, La, 43
Sundering Flood, The, 232, 337, 339
Swinburne, A. C., 275, 276, 296, 304, 309, 314, 315, 319,
339-51, 387-89
Table Talk (Coleridge), 12
Tables Turned, The, 386
Tale of Balen, The, 347, 348
Tale of King Constans, The, 330
Tales of Wonder, 238
Talisman, The, 28, 36, 43
Tannhäuser, 153, 160, 264, 343, 391
Task, The, 58
Tasso, Torquato, 91, 104, 109
Taylor, Edgar, 162
Taylor, Wm., 53, 162, 238
Templars in Cyprus, The, 149
Tennyson, Alfred, 257, 260, 262, 264-75, 295, 303, 324,
325, 347, 348
Thackeray, W. M., 397, 398, 402
Thalaba the Destroyer, 235
Theocritus, 331
Thierry, Augustin, 39, 225, 226
Thomas the Rhymer, 7
Thoreau, H. D., 165
Thorpe, Benjamin, 334
Thousand and One Nights, The, 393
Three Bardic Tales, 259
Three Fishers, The, 383
Thyrsis, 378
Ticknor, Geo., 242, 243, 248
Tieck, Ludwig, 42, 134, 137, 148, 150, 152, 154, 156-65,
172, 245, 400
Tighe, Mary, 121
Tintern Abbey, 358
Todhunter, Jno., 259, 261
Tom Brown at Oxford, 357
Tracts for the Times, 292, 319, 363, 368
Treasury of Irish Poetry, A, 261
Tristram and Iseult (Arnold), 275, 278, 341
Tristram of Lyonesse (Swinburne), 275, 340
Tristram und Isolde (Wagner), 393
Troy Town, 315
True Principles of Pointed Architecture, The, 372
Tune of Seven Towers, The, 305, 326
Two Foscari, The, 234
Uhland, Ludwig, 140, 154-56, 170, 171
Ulalume, 301
Undine, 168
Unto this Last, 380
Vabre, Jule, 222
Vanity Fair, 396
Vathek, 367
Vere, Aubrey de, 259, 260, 358, 361, 366
Verses on Various Occasions (Newman), 357
Versunkene Glocke, Die, 245
Victorian Poets, 265, 387
Vignettes in Rhyme, 401
Vigny, A. V., Comte de, 188, 191, 210
Villon, François, 298, 299, 350, 393
Vision of Judgment, The, 70
Vita Nuova, La, 101, 299, 302, 310, 393
Volksmärchen (Tieck), 160
Völsunga Saga, The, 334, 335
Voltaire, F. M. A. de, 92, 94, 95
Vorlesungen über dramatische Kunst und Litteratur (Schlegel), 88,
158, 162, 192
Voss, J.H., 149
Voyage of Maeldune, The, 260
Wackenroder, W. H., 134, 152, 153, 159
Wagner, Richard, 153, 264, 391, 393
Walladmor, 38
Walter Scott et la Princesse de Clèves, 36
Ward, W. G., 360
Warton, Joseph, 61, 63, 64, 71, 73, 157, 158
Warton, Thos., 27, 57, 60, 61, 94, 157, 158
Water Lady, The, 279
Water of the Wondrous Isles, The, 337, 339
Watts, Theodore, 300
Waverley Novels, The, 30-39, 324, 378, 379, 403
Welland River, 328, 345
Welshmen of Tirawley, The, 260
Werner, Zacharias, 148, 149, 212, 302
Westwood, Thos., 276
White Doe of Rylstone, The, 16-18
White Ship, The, 311, 312
William George Ward and the Oxford Movement, 361
Winthrop, Theodore, 367
Wisdom and Languages of India, The, 157
Wissenschaftslehre (Fichte), 137
Witch of Fife, The, 252
Wood beyond the World, The, 337, 339
Woolner, Thos., 284
Wordsworth, Wm., 9, 12, 14-20, 48, 50-55, 71, 77, 80, 89,
119, 300, 333, 355, 358, 398
Yarrow Revisited, 14
Yeast, 383
Yeats, J. B., 261
Yonge, Charlotte M., 357
Yuletide Stories, 334
Zapolya, 89
Zauberring, Der, 168
Zeitung für Einsiedler, 138, 172
Zorrilla, José de, 246