Pierre Mortier was in a furious rage when a third boy presented

himself, as black as the two preceding, for all the attendants are

negroes in American hotels. This fellow was willing to remove his

boots. Some minutes passed. Mortier was almost apoplectic with anger.

The boy reappeared. He explained to his client that he gave the boots

back only in return for a dollar. Mortier was still in bed. To make

him understand, the negro lifted his clothes, which were folded on a

chair, and, whistling, all the while, rifled the pockets. He picked out

a dollar, and put it carelessly into his own pocket. Then he left the

boots on the floor and disappeared.

In a paroxysm of rage our friend dressed himself in a great hurry and

went to the hotel desk, where he made the place resound with curses

that no one paid any attention to since no one understood them.

On the evening of the same day Mortier put his boots outside his door

in order that they might be cleaned before next morning, as is done

everywhere in England and France.

In America when something is left in front of the door it is only as a

sign that the object can be thrown away. Mortier never saw his shoes

again.

He rang, a negro presented himself. Mortier demanded his shoes. He

cried, stormed, threatened. The negro backed up against the wall and

unconcernedly whistled a cakewalk.

Speechless with rage, Mortier hurled himself upon the black. The hotel

negroes, especially when they are not armed, are ordinarily lacking

in courage. Besides, this one had good reasons for believing that his

client had gone mad. So he hastily decamped.

After that nothing could induce any one of the negroes of the

establishment to enter Mortier’s room as long as he remained at this

hotel.

We did our best to explain to M. Mortier that the domestics were nowise

in the wrong. He would not listen to a word, but kept exclaiming, with

his eyes sticking further out of his head than usual (his eyes were

naturally prominent):

“No, no! In America you are savages, all savages. Yes, savages and

thieves. It is much worse here than I had supposed.”

One morning he went down alone into the restaurant for breakfast. Some

minutes after we saw him bounding up the stairs. He was livid and

trembling with rage. On reaching the door of our apartment, he burst

out:

“This time it is too much. What is the matter with these brutes here?

Has some change come over me? Tell me. Am I an object of ridicule?

What is the matter with me? When I entered the restaurant a great

fool looked me over from top to bottom, and said something, thereupon

everybody began to stare at me. What is the trouble with me? Tell me

what is the matter?”

What was the matter? He wore a straw hat with very narrow brim, one

of those hats called “American” in Paris and of a kind that is never

worn in America. He also had “New Yorkey” trousers such as were never

cut in New York. That was enough to let loose the risibilities of this

Yankee public, a public that is far from being indulgent of little

eccentricities in other people.

Instead of calming him our explanations exasperated him, and it was

only after he had spent his violence that we succeeded in getting him

down to breakfast again.

The breakfast was not extraordinarily expensive. But when he looked

over his account Mortier went into a rage. He had ordered the same

things that we did, and his bill was two dollars and a half, that is

about twelve and a half francs, higher than ours. These twelve and a

half francs represented the price of a bottle of very ordinary red

wine, which he had ordered.

“Do you want me to tell you what your Americans are,” he shouted.

“Well, they are, and don’t you forget it either, they are every one

thieves, savages, hogs. They are hogs, hogs! That one word expresses

it.”

One morning at eight o’clock, after we had had coffee together, he left

us.

“I am going to take a little walk,” he said. “I shall be back in half

an hour.”

The half hour lasted until seven o’clock in the evening. You can

imagine how anxious we became.

This is what happened.

Seeing that everybody, almost without exception, was headed in the

same direction, he followed the crowd along the side walk. Presently

he found himself on Brooklyn Bridge, black with people and burdened

with cars, those bound to New York filled to overflowing, the others

returning to Brooklyn completely empty.

Mortier did not know that all Brooklyn goes to work on the New York

side, where the business district is situated, and that everybody goes

to work at the same hour in this peculiar country. Astonished, curious,

a little bewildered, he followed the crowd. Once across the bridge he

found himself in one of the innumerable streets of New York.

On the New York side he looked round him to establish a landmark by

which he could find his way back. He did not discover one, but it

seemed impossible to get lost, as he had only to return to the base

of this big bridge to retrace his steps to Brooklyn. He kept on,

therefore, until he had completely satisfied his curiosity. Then he

retraced his steps, or at least he thought he was doing so. He looked

for the bridge, but in vain. Everybody walked so quickly that his very

courteous “Pardon, Monsieur,” met with no response. Once or twice he

made a bad effort at asking for “Brooklyn Bridge.” This met with no

better success.

All the while he was unable to find a policeman.

The idea occurred to him, a magnificent idea, of going into a shop.

No one made the slightest effort to help him. The assistants were

interested only in trying to sell him everything which the house

contained. Finally he found himself in a street where there were only

clothing merchants. Hardly had he set foot there when he was seized and

dragged into a shop. An hour passed before Mortier could escape, more

dead than alive, from the merchant’s clutches. The information he gave

led us to suppose that this must have been the famous Baxter Street,

the quarter in which Jewish second-hand dealers ply their trade. It was

past five o’clock when he succeeded finally in regaining the bridge,

and then it was only with difficulty that he got across, for it was

already overcrowded with workers returning to their homes in Brooklyn.

Finally he found the hotel again, swearing that he was going to take

the first steamer for Europe.

“Anywhere,” he would groan; “I would rather be anywhere in the world

than here. I’m not going to stay another hour in such a country. A

rotten country! Rotten people!”

This time, in Pierre Mortier’s eyes, we were “rotten.” It would be hard

to estimate how many discourteous adjectives this young man applied to

our people in a short time. He must have made a record.

However, the Brooklyn hotel at which we were staying was equipped “on

the European plan” with carefully chosen menus _à la carte_.

In the city to which we went later there was a purely American hotel,

at which we put up. A central plate surrounded by a dozen little plates

stood in front of each guest. All these were filled simultaneously with

soup, entrees, fish, meat, vegetables and fruit. The guests with hasty

movements gobbled smoked salmon, roast beef, chicken, mashed potatoes,

badly cooked “pie,” salad, cheese, fruit, pudding, ice-cream, with

apparently no regard for the effect of the hazardous mixtures on their

digestive organs.

Mortier left the table completely disheartened by this spectacle.

“What are those savages made of,” he said. “Upon my word they make me

look back with regret to the thieves in New York. And when you consider

that to urge down their hideous mixtures they incessantly guzzle

ice water and keep chewing olives, just as civilised people eat bread!”

When we returned to New York Mortier went to the Holland House, a hotel

at which French was spoken, and where things were done in a manner

approximating nearer to what he was accustomed to.

America--this America which on the steamer he had assured himself would

be perfect--had come to interest him only in places where it had lost

its own character. He found it good only in the few spots where it

resembled Paris. In this was not this young journalist, after all, like

most of his compatriots when they undertake to travel even in other

countries than in America?

At the Holland House Pierre Mortier relaxed a little. He even became

more polite in his expressions regarding America and Americans. But an

incident occurred that brought the young reporter’s distaste for the

country to a head, and precipitated his departure.

One day on returning to the Holland House he forgot to pay his cabman

and found him ten hours later still standing in front of the hotel. His

charge was a dollar and a half an hour. That meant that Mortier had to

give up fifteen dollars.

Our friend thought at first the house porter should have paid for the

trip, and had the charge made on his bill. Accordingly he complained at

the hotel desk regarding what he called a piece of negligence.

Although the house was conducted on the French plan they gave him a

thoroughly American answer:

“Well, that has nothing to do with the porter. You ordered the

carriage, didn’t you? Yes. You had the use of it, didn’t you? Yes.

Well, then, what do you expect? If you don’t know what you want, it

isn’t up to the employees to run after you to find out. They’ve got

something else to do.”

By the next steamer Pierre Mortier left the United States for good and

all, swearing never again to set foot there.

Mr. W. Boosey, the English publisher, had some very different

experiences in the United States.

On board the steamer he had become acquainted with a very interesting

and companionable American, who invited him to lunch at Delmonico’s.

“Thanks awfully,” said the Englishman as he accepted. “On what day?”

“Any day you please.”

That was a little vague, but Mr. Boosey assured him that he should be

delighted, and would come as soon as he had a free day. He was afraid

of not having said the proper thing, from the American point of view.

This notion bothered him for several days.

Finally, just before sailing, he asked the American again when they

should lunch together at Delmonico’s.

His friend replied: “On Thursday or Saturday, whichever suits you best.”

The Englishman decided on Thursday.

The day set for the lunch arrived and Mr. Boosey was prompt to keep

the appointment. He asked for Mr. X., and they showed him to a table.

Half-past one, two, half-past two, three o’clock, and still no American.

The Englishman, patient though he was, began to find time hanging

heavily on his hands. He thought he must have made a mistake as to the

day, and at last he sent for the manager.

“What,” said the manager, “didn’t the waiter tell you that Mr. X. had

telephoned that he could not come, and that he begged you to order

whatever you liked? He will attend to the account.”

Imagine what the Englishman must have thought. He had come to lunch

with a gentleman, not to have his food paid for by some one. Just at

that moment the American rushed into the restaurant.

“I am awfully sorry, my dear fellow, but I am glad to find you still

here. I had quite forgotten about our lunch up to two o’clock, and then

I telephoned. I didn’t think I could get here at all. I had a deal on,

one involving a million dollars, and I simply couldn’t leave it. Have

you had your bite? No? Well, I haven’t either. Well, then, let us go

and sit down.”

And they sat down. Mr. Boosey will never forget his American

entertainer.

The American had, it must be confessed, treated his English guest

with a certain negligence. However little he may be inclined to

philosophical considerations, nothing is more instructive to a

thorough-going Englishman than to observe the manner in which a Yankee

ordinarily observes the civilised conventions and the lofty spirit in

which he also looks upon anyone who is not an American. Nothing gives

him a better notion of the high opinion Americans have of themselves

than to hear a Yankee say:

“Well, what are you anyway? English, I’ll bet.”

Then, after a profound sigh and with an indefinable sweep of the hand:

“As for me,” with emphasis on the “me,” “I am an American.”

He seems to experience genuine annoyance at having to face a man who

isn’t an American.

Every American thinks, without ever being guilty of profound reflection

on the subject, that everybody, whatever his nationality, would have

preferred first to see the light of day in the United States. For the

United States, if one were to accept the cheerful American belief, is a

free country whose parallel does not exist anywhere in the world.

The native American claims to have the advantage of being a citizen of

the world’s freest country. If you were to say to most Americans that

there is a great deal of liberty in England, they would think that you

were trying to make fun of them, and they would tell you that they

did not believe it. They admit, occasionally, that there is a little

freedom outside of the United States, but they will add:

“What a pity there isn’t more of it.”

The American believes himself completely emancipated, for freedom is

the passion of the whole people. He pays for this catchword, which

satisfies him, for having no basis of comparison he in reality does not

know what he possesses and what he lacks.

The Spanish American is not less picturesque than the Anglo-Saxon

American.

I had an engagement for a season at the city of Mexico. I made my first

appearance at the Grand Théâtre-National in presence of five thousand

spectators. On returning to the Hotel Sands, the most beautiful hotel

in the city, I found there the municipal orchestra come to serenade me.

At the end of my stay I was asked to take part in a charitable

performance. The house was packed, despite the high price of the seats.

After the performance a great banquet was given, under the auspices of

the festival committee.

At the table I was received with an enthusiasm which was quite Mexican,

and that means with an enthusiasm that could be hardly surpassed in any

country of the world. Throughout the repast I kept receiving presents.

Some of the women took off their bracelets, others their rings, others

their brooches, and, in spite of my protestations, insisted on giving

them to me.

“Absolutely at your service!”

They obliged me to take them all.

I was inexpressibly embarrassed by my booty. When I returned to the

hotel I asked the clerk to put all these jewels in a safe place.

He looked at the jewels and said:

“But you will have to send them back, madam.”

“Send them back? Why, they were given me.”

“It is the custom here, madam. Presents are always returned.”

“What am I going to do? I am leaving to-morrow morning at six o’clock,

and I don’t know the names of the people who have entrusted their

jewels to me.”

He shook his head.

“Well, then, I don’t know what to do. After all, keep them.”

Next day, accordingly, when I departed, I took the precious package,

thinking that we should return from Cuba, to which we were bound, by

way of Mexico, and that I should then look up the owners of “my” jewels.

In Cuba all our plans were changed. We left directly for New York, with

the object of returning at once to Europe. Consequently I have never

given back the jewels.

I sometimes wonder what my friends of some hours must think of a woman

who dared to accept, under protest, the presents that were tendered her.

While we were in Mexico I had occasion to offer a cheque payable in New

York for some books I was buying.

No one, absolutely no one, wanted to accept it. Then I went to the

Chief of Police, General Carbadjadoes, whom I knew and he telegraphed

to a New York bank, from which the reply was received that, “Loie

Fuller’s cheques are perfectly good.”

That put an end to any reluctance among the merchants, who afterward,

on the contrary, overwhelmed me with all sorts of propositions.

My most vivid impressions of Mexico were of the abounding and

well-regulated enthusiasm of the upper classes and the extraordinary

insolence of the tradespeople. The whole character of the country is

expressed in these two traits.

On the liner that took us to the United States Pierre Mortier, for I

shall have to mention him once more, made the acquaintance of a young

Roumanian, who seemed to be a well-bred man, a very well-bred man.

In Mortier enthusiasm is as easily evoked as is condemnation, and he

presented this man to me in a most cordial manner.

Upon our arrival the young man said to me:

“I have so many little parcels that I don’t know where to put them.

Would you do me the great favour of taking care of this one?”

I gave the object to my maid, who put it in my travelling case, and it

passed the inspection of the customs-house officer.

That evening at the hotel the young man called on me with Mortier, and

I gave him back his package.

He opened it smiling, and showed me the contents.

I had fraudulently brought in a bag of uncut rubies.

I treated the Roumanian as a cheat and told him that if he did not

make the matter right with the customs I should hand him over to the

authorities. Smiling all the while he promised that, since I took the

affair to heart, he would go and make his peace, and he left.

I never saw him or his rubies again, it is needless to say.

I believe that from this time forward they have been seeking me in vain

to charge me with smuggling a package through the customs-house.

XXII

GAB

For eight years Gab and I have lived together on terms of the greatest

intimacy, like two sisters. Gab is much younger than I and regards me

with deep affection.

Often I look at her curiously. She seems to read what is in my face and

replies to my mute interrogation.

“You cannot understand me. You are Saxon and I am Latin.”

When I survey her I find myself thinking as she thinks, and I wonder

if there exists a way of comprehending that we Anglo-Saxons do not

possess. Gab is deeply serious. She has long, black eyes which seem to

slumber perpetually. When she walks, despite her youth, she proceeds

with slow and protracted steps, which give you an impression that she

must be of a serious and meditative nature.

When I became acquainted with her she was living in a dark little

apartment, furnished in Hindu style, where in her black velvet costume

she looked like some Byzantine princess. Jean Aicard, the poet, said

one day that her voice is of velvet, her skin and locks are of velvet,

her eyes are of velvet and her name ought to be _Velours_. If one

could compare her to a living creature a boa constrictor would be most

appropriate, for her movements are like those of a snake. There is

nothing sinuous, nothing rampant about them, but the _ensemble_ of her

motions suggests the suppleness of the young adder.

I knew Gab for at least two years before it entered into my head

that she was fond of me. She was always so calm, so silent, so

undemonstrative, so unlike any other human being that only a

supernatural personality, it seemed, would ever be able to understand

her.

Her eyes and her hair are just alike, deep black and very brilliant.

In her presence people never know for certain whether she is looking

at them or not. Yet nothing about them escapes her, and through her

half-closed eyes she penetrates to the very depths of their souls. She

is neither tall nor slight, neither plump nor thin. Her skin is like

alabaster, her abundant locks are parted in the middle and brought

together in a knot behind the head, just as our grandmothers did their

hair. Her teeth are small, regular and white as pearls. Her nose is

straight and graceful. Her face is full and her head is so large that

she never finds quite hair enough to dress it with.

When Gab was a baby she had as playmates a donkey, a pony and an army

of lead soldiers, including Napoleon in his various aspects, with

horses, rifles and wooden cannon. When I became acquainted with her she

still had with her the nurse who had taken her mother’s place. This

woman told me that Gab used to make her play horse while she took the

part of Napoleon, until the poor nurse staggered with fatigue. She told

me again that Gab was so shy that when her mother received a visitor,

if the child were in the drawing-room and there was no way of escape,

the little one would hide herself behind a curtain and would not budge

until the intruder went away. Her mother was so much concerned with

what she called the child’s timidity that she was unwilling to force

her in any way. Gab subsequently has explained to me that she was

not afraid and was not timid, but the truth was she could not endure

certain people and that she did not wish to be obliged to see those who

annoyed her.

She is just the same to-day. For years whenever a visitor came in by

one door she would go out by another, and it made no difference whether

the person came for a long call or for only a single word. At lunch or

at dinner nothing could, and nothing can, induce Gab to meet people.

[Illustration: GAB

_Photo_ _Tabler_]

Gab has an iron will. Her nurse told me that one day on a journey with

her parents Gab, who was then a very small girl, wanted to have a

donkey that was running along the railway track. She cried for the

donkey and did not cease until they had found the beast and bought it

for her.

Gab has rarely to be corrected. It seems as if some one had taught

her all the politeness in the world, and all the seriousness as well.

When nine years old she was reading Schopenhauer. At fourteen she was

carrying on special research among the archives of the State police. At

sixteen she was studying the literature of ancient India. At eighteen

she published a manuscript she had found after her mother’s death. She

spent her pocket money to have it published. The title of the book was

_Au Loin_, and Jean Lorrain declared that it was the most beautiful

book on India which he had ever read.

Gab’s mother must have written this book during her journey in India,

for a short time before her death she had visited this interesting

country, and had gained access to private houses and courts to which

Europeans are not ordinarily admitted. She was a marvellously beautiful

woman, and made a great sensation in a country in which beauty is held

in high regard.

The story goes that one evening at a ball in the viceroy’s palace, to

which she had been invited, her entrance made such a sensation that all

the couples, forgetting that they were there to dance, stopped and came

forward to admire her radiant beauty.

When she died those who attended her funeral wept like children, saying

that she was too beautiful to have been an ordinary mortal, and that

there was something supernatural in her countenance.

All her life she had been called the beautiful Mme. X.

At the time of my debut at the Folies-Bergère Gab was fourteen years

old. One day her mother said to her: “There is a new foreign dancer

whom everybody is going to see. We will see her at a matinee.”

On reaching the theatre to buy seats the day before the performance

they asked about me at the ticket office. Gab’s mother, whose beauty

captivated everybody, had no trouble in getting all the information she

wanted. The following dialogue ensued:

“Is she pretty?” asked Gab’s mother.

“No, she is not pretty,” was the reply.

“Is she common, ordinary?”

“No, she has an individuality of her own.”

“Tall?”

“Rather slight than tall.”

“Is she young?”

“Yes, I suppose so, but I could not swear to it.”

“Is she brunette or blonde?”

“She has brown hair and blue eyes, very blue.”

“Is she smart?”

“Oh, no. Not smart. She is anything but that. She is a queer sort of

girl who seems to think of nothing but her work.”

“Is she retiring?”

“Well, yes. She knows nobody and sees nobody. She has continued to be

quite unacquainted in Paris. She lives on the third storey at the end

of a court in a house to the rear of the Folies-Bergère, and she never

goes out unless with the manager of the theatre or his wife and with

her mother, who never leaves her.”

“Does her dancing weary her greatly?”

“After the dance she is so tired that they have to carry her home and

she goes to bed at once. The first time she came here she stayed at the

Grand Hotel, but the manager has given her the _appartement_ of which I

have been speaking. He has had a door let in at the rear of the stage,

so that she can return to her rooms without having to go upon the

street. She remains forty-five minutes on the stage. The white dance

alone lasts eleven minutes. That is very fatiguing for her; she sticks

at it too long, but the public is never willing to let her stop.”

“Is she amiable?”

“Well, she does not know a word of French, but she smiles all the time,

and says, ‘bong-jour’.”

At this moment the manager, M. Marchand, who had come near the ticket

office, and who fell victim to the irresistible charm of Gab’s mother,

joined in the conversation.

Fifteen years of a dancer's life · 第 10 / 12 段