CHAPTER V.

THE fishing village of Newhaven is an unique place; it is a colony

that retains distinct features; the people seldom intermarry with their

Scotch neighbors.

Some say the colony is Dutch, some Danish, some Flemish. The character

and cleanliness of their female costume points rather to the latter.

Fish, like horse-flesh, corrupts the mind and manners.

After a certain age, the Newhaven fishwife is always a blackguard, and

ugly; but among the younger specimens, who have not traded too much, or

come into much contact with larger towns, a charming modesty, or else

slyness (such as no man can distinguish from it, so it answers every

purpose), is to be found, combined with rare grace and beauty.

It is a race of women that the northern sun peachifies instead of

rosewoodizing.

On Sundays the majority sacrifice appearance to fashion; these turn out

rainbows of silk, satin and lace. In the week they were all grace, and

no stays; now they seem all stays and no grace. They never look so ill

as when they change their “costume” for “dress.”

The men are smart fishermen, distinguished from the other fishermen of

the Firth chiefly by their “dredging song.”

This old song is money to them; thus:

Dredging is practically very stiff rowing for ten hours.

Now both the Newhaven men and their rivals are agreed that this song

lifts them through more work than untuned fishermen can manage.

I have heard the song, and seen the work done to it; and incline to

think it helps the oar, not only by keeping the time true, and the

spirit alive, but also by its favorable action on the lungs. It is sung

in a peculiar way; the sound is, as it were, expelled from the chest in

a sort of musical ejaculations; and the like, we know, was done by the

ancient gymnasts; and is done by the French bakers, in lifting their

enormous dough, and by our paviors.

The song, in itself, does not contain above seventy stock verses, but

these perennial lines are a nucleus, round which the men improvise the

topics of the day, giving, I know not for what reason, the preference to

such as verge upon indelicacy.

The men and women are musical and narrative; three out of four can sing

a song or tell a story, and they omit few opportunities.

Males and females suck whisky like milk, and are quarrelsome in

proportion. The men fight (round-handed), the women fleicht or scold, in

the form of a teapot--the handle fixed and the spout sawing the air.

A singular custom prevails here.

The maidens have only one sweetheart apiece!!!

So the whole town is in pairs.

The courting is all done on Saturday night, by the lady's fire. It is

hard to keep out of a groove in which all the town is running; and the

Johnstone had possessed, as mere property--a lad!

She was so wealthy that few of them could pretend to aspire to her, so

she selected for her chattel a young man called Willy Liston; a youth

of an unhappy turn--he contributed nothing to hilarity, his face was

a kill-joy--nobody liked him; for this female reason Christie

distinguished him.

He found a divine supper every Saturday night in her house; he ate, and

sighed! Christie fed him, and laughed at him.

Flucker ditto.

As she neither fed nor laughed at any other man, some twenty were

bitterly jealous of Willy Liston, and this gave the blighted youth a

cheerful moment or two.

But the bright alliance received a check some months before our tale.

Christie was _heluo librorum!_ and like others who have that taste, and

can only gratify it in the interval of manual exercise, she read very

intensely in her hours of study. A book absorbed her. She was like a

leech on these occasions, _non missura cutem._ Even Jean Carnie, her

co-adjutor or “neebor,” as they call it, found it best to keep out of

her way till the book was sucked.

One Saturday night Willy Liston's evil star ordained that a gentleman

of French origin and Spanish dress, called Gil Blas, should be the

Johnstone's companion.

Willy Liston arrived.

Christie, who had bolted the door, told him from the window, civilly

enough, but decidedly, “She would excuse his company that night.”

“Vara weel,” said Willy, and departed.

Next Saturday--no Willy came.

Ditto the next. Willy was waiting the _amende._

Christie forgot to make it.

One day she was passing the boats, Willy beckoned her mysteriously; he

led her to his boat, which was called “The Christie Johnstone”; by the

boat's side was a paint pot and brush.

They had not supped together for five Saturdays.

Ergo, Mr. Liston had painted out the first four letters of “Christie,”

he now proceeded to paint out the fifth, giving her to understand, that,

if she allowed the whole name to go, a letter every blank Saturday, her

image would be gradually, but effectually, obliterated from the heart

Listonian.

My reader has done what Liston did not, anticipate her answer. She

recommended him, while his hand was in, to paint out the entire name,

and, with white paint and a smaller brush, to substitute some other

female appellation. So saying, she tripped off.

Mr. Liston on this was guilty of the following inconsistency; he

pressed the paint carefully out of the brush into the pot. Having thus

economized his material, he hurled the pot which contained his economy

at “the Johnstone,” he then adjourned to the “Peacock,” and “away at

once with love and reason.”

Thenceforth, when men asked who was Christie Johnstone's lad, the answer

used to be, “She's seeking ane.” _Quelle horreur!!_

Newhaven doesn't know everything, but my intelligent reader suspects,

and, if confirming his suspicions can reconcile him to our facts, it

will soon be done.

But he must come with us to Edinburgh; it's only three miles.

Christie Johnstone: A Novel · 第 5 / 17 章