Presently, she asked, "Are you asleep?"

"No."

"I thought you'd fallen asleep."

"I wish I could."

"I've had a quarrel with Estelle."

"You shouldn't have brought her here."

"I didn't bring her."

"Women without men are no good," he said.

Back in bed, she fell into a troubled sleep until peacocks and roosters

woke her. She dressed and the shrill pot-rack, pot-rack of the guinea

hen annoyed her; it seemed to her the most hideous of hacienda noises.

Raul got up and dressed rapidly and as he dressed he told her that he

and his men must drive three hundred head of cattle to Colima. At

breakfast, he still could not tell her about Refugio.

She toyed with her dish of fruit, thinking of Estelle, remembering

Guadalajara people.

Such a sad face, he thought.

"Couldn't you and Gabriel do something with some of the children?" he

suggested.

"Perhaps we could. I ... I'll talk to Gabriel."

He gulped his food: eggs and bread.

"Bring my coffee," he said to Chavela.

His chewing annoyed her and she wanted to leave the table.

"Why do we change so?" she asked.

"Many things are changing," he said, not following her.

"I don't mean that." She poured herself water.

He got up and drank his coffee standing. "Have to go," he mumbled. "I

hear the cattle in the court. Goodbye."

Raul overtook the cattle outside the hacienda gate: Esteban had the

group in front, Manuel worked the rear, and other cowboys covered the

sides, to pick up strays and keep them moving.

Raul and Manuel rode side by side a while.

"Have we got them all?"

"So far, so good. A fine bunch," said Manuel. "Are we sure of

railroad cars?"

"General Matanzas promised cars. He gets a cut."

"Engines too?" joked Manuel.

"Well, they're going through to Guadalajara."

The cattle followed a narrow road through palmera, fronds roofing the

trail, dumping dust and dirt on the riders. The hoofs drummed a hollow

insistence, hollower in rocky places, where boulders towered. Between

houselike rocks lay the ruins of a temple, ancient limestone walls in

stubble, weeds and bushes, a circular platform partially terraced.

Years ago, Raul had planned to dig there. What for? he asked himself

as he rode by. Bones, old pots, an idol? Let the temple keep its

secrets.... A young doe, crouched among stones, eyes shifting, ears

up. Raul liked this route to Colima, seldom used because it was too

rough for carriages and wagons.

In Colima, the promised cars lay on a siding and, after checking the

cattle into the loading pen, Raul and Manuel rode to the Hotel Ruiz, a

shabby white stucco building overlooking the plaza. The town heat was

oppressive, and when Raul had eaten in the flyspecked dining room,

where not a breath stirred, he sought the square. There, the iron

swans spewed water through misshapen beaks into a mossy fountain; dried

bougainvillaea flowers blew about from little piles left by the

gardener. The clock--pasted in the Presidencia wall--bonged the hour.

On a bench, Raul smoked and listened to Colimans argue: a bearded

fellow was peeved over domino rules. He clacked a domino up and down

at his rustic playing table under a laurel tree. His fat partner

scowled and talked back. Across the plaza, in the house of Doña

Camila, somebody struggled with a guitar.

Colima--he had been here so many times!

Colima--narrow streets, simple one- and two-story homes, red-tiled

roofs, whitewashed fronts, patios with banana, breadfruit, coco palms,

bamboo and mango. A little town that fought earthquakes and

hurricanes, a sugar-cane town with a few coffee plantations nearby.

He smoked and listened to the badly strummed guitar (the domino players

had gone); he thought of Angelina.... Kindness, could that help?

He loved Lucienne for her auburn beauty, her even temper, her grace,

her humor.

He strolled down a shady street and circled back to the plaza and

noticed a band of armed men alongside the church, sitting on the curb,

leaning against the wall; most of them had carbines. At first he

disregarded them, and then felt concerned.

In the hotel, he mentioned the band of men to Manuel and Esteban, and

the three talked it over with the manager. He was a huge, high-strung

Spaniard, sallow, fish-eyed, egg-chinned; he said that the hoodlums

ought to be strung up and that if they entered the hotel he'd shoot

them "one by one." Manuel winked at Raul.

During the night Raul heard rifle shots but in the morning no one had

any information. "Drunkards," the manager conjectured.

Raul paid a call on Federicka. In her shady bamboo-slatted living

room, he read a letter Lucienne had written him, telling him why she

had gone hastily to Guanajuato, her handwriting more of a gardener's

scribble: "They say the trains will start running regularly in 1912....

I think I had better find a lead mine, for bullets...." Her humor was

there, even in her concern.

"What a foolish thing, to go to Guanajuato at this time," he said.

"I begged her not to go," Federicka said.

She gave him a venison lunch and then they went to see Vicente, at his

school, where the sisters and students were blissfully unaware of

Mexico's impending disaster. Federicka, too, shrugged a provincial

shrug.

Raul, alone for a moment with Vicente, thought: My God, the boy

resembles Angelina, face, body, her posture even! Putting a rough arm

about him, he hugged him close.

Late in the afternoon, the postmaster showed Raul a newspaper from

Guadalajara, brought in by a horseman. It reported street fighting.

Raul found many Colima friends who were sorely distressed, who

predicted tragedy, who blamed foreign governments and the _hacendados_.

Raul described a cartoon, in the Guadalajara newspaper, to Manuel, as

they rode out of Colima, for Petaca.

"It showed a butterfly of death hovering above an hacienda," said Raul.

"How does the song go about the butterfly of death?" asked Manuel,

hitching his gun belt, kicking his horse with his spurs.

"I don't remember," said Raul.

"I should remember," Manuel laughed. "I used to sing it to you."

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