Go in a body directly to the nearest piece to be shown, and move on

the minute that this piece has been adequately discussed. See to

it that the men give a brief, orderly statement on three points:

(1) The style with which they identify the piece; (2) reasons for

the classification; and (3) types of non-period pieces, rugs,

etc., in your own stock that could be used harmoniously with

it. Time should be allowed for criticism and comment, even if

very few pieces can be examined. If the group fails to arrive at

general agreement on any piece, request the men who are arguing

most keenly about it to consult other authorities and report at

the next meeting.

_Intermission_

3. _Selling furniture on style basis_ (30 minutes):

Demonstration by Messrs. Black and Herrick. In this demonstration,

let the men have 15 minutes free from interruption, with the time

limit announced in advance; stop them promptly when their time

has expired; and call for comment and criticism. These sales

rehearsals are of the utmost value if properly conducted. They

should never be permitted to lag or become involved in windy

discussion.

4. _How can we make use of unit III in closing any sales now pending?

Open discussion_ (20 minutes):

A sale of importance often has to be as carefully prepared and

staged as a stage play. If the style appeal can be used to

advantage in sales hanging fire or in sight, use the brains of

the entire organization to find out how to do it.

As an alternative procedure to that suggested in 4 above, the following

may be preferred by some group leaders:

Appoint three style leaders, or divide the entire force into three

style committees, to deal respectively with _(a)_ the early

European styles, from the Renaissance to William and Mary; _(b)_

the eighteenth century European styles; and _(c)_ the American

styles. These leaders or committees should be instructed to go

through the stock, assign as many pieces as possible to the

various historic periods, and be prepared to give the reasons for

these assignments to the whole group. In a large stock, limit the

assignment to living room furniture only.

5. _Assignment of practice work_ (5 minutes):

Typed forms prepared about as follows should be distributed at this

time:

Historic style_____________ Name of salesman________________________

Approximate dates of beginning and end______________________________

Reigning monarch____________________________________________________

Principal characteristics of the style______________________________

____________________________________________________________________

Details of construction, ornament, and decorative practice__________

____________________________________________________________________

____________________________________________________________________

Other styles more or less closely related to this one_______________

____________________________________________________________________

Pieces in our own stock which can be assigned to this style. Give number,

article, and finish_________________________________________________

____________________________________________________________________

Criticism and comment by Mr. (Name of second salesman to be filled

in later)___________________________________________________________

____________________________________________________________________

Fill in one of these sheets with a different style for each salesman.

Choose only the styles important for your own business. Hand these

forms out with the request that they be filled in after careful study.

Appendix D.--THE LEADING FURNITURE WOODS

_Acacia._--Africa, Australia, and generally throughout the warmer

regions of the globe. The 550 species of acacia include several

valuable timber woods, among them the Australian blackwood and

acacia koa (see Koa) of the Sandwich Islands. Acacia was used as

a furniture wood in the Byzantine and Romanesque styles more than

1,200 years ago.

_Amaranth._--Chiefly from British Guiana, South America. Also

known as purpleheart tree and violet wood. It is of fair size;

wood heavy, hard, and of a deep purple color not fast to light;

used in marquetry embellishment of Louis XV furniture, and still

popular in fine furniture.

_Amboyna._--East Indies, Malay Archipelago. (Also spelled

Amboina, from the island of that name, Dutch East Indies.) This

beautifully figured and mottled wood has much the color of

satinwood. Amboyna burl, so-called, comes from the padouk tree.

(See Padouk.) It is a rich golden yellow, shot with brilliant

red, and is one of the most costly woods in the world.

_Apple._--The fruit wood, used in Elizabethan England and since, as

an inlay.

_Ash._--Europe, Asia, and North America. A large, widely

distributed group related to the olive family. There are 20

species in North America, ranging from desert shrubs to the

magnificent white ash of the lower Ohio valley. The wood is

markedly ring-porous, and when skillfully finished is very

handsome, either plain or quarter-sawed. Varieties commonly used

for veneer are figured trees of American white ash, English,

Australian, and Japanese ash, the latter known as "tamo." Color

ranges from grayish white to nut brown in tamo; a small fiddle or

peanut figure is characteristic.

_Aspen._--Chiefly from Maryland and the Appalachian Mountains.

(Also known as silver poplar.) Large trees, yielding some figured

logs having a characteristic small block mottle figure. The wood

is of light-straw color with some light-brown streaks, and takes

a beautiful finish.

_Avodire._--West coast of Africa, near the equator. A creamy

colored wood, yielding a handsome figure in crotch or

quarter-sliced veneers.

_Ayous._--West coast of Africa. Cream-colored wood of a slight

greenish tinge; resembles prima vera in appearance, and because

of its low cost is sometimes used as a substitute for blond woods.

_Basswood._--North America. (Also known as linden and whitewood.)

This tree, which belongs to the lime family, has a wood of

cream-white color, almost free from visible markings due to

pores, annual rings, or rays. In furniture manufacture it is used

for plywood cores and kitchen table tops to be left unfinished.

_Beech._--Europe, Asia Minor, and eastern North America. Of

the same genus as the oak and the chestnut, this tree yields

furniture wood of light reddish-brown color. It has about the

same weight and hardness as sugar maple.

_Birch._--North America, Europe, Asia Minor, and northern Siberia.

A hardy, beautiful tree, yielding a hard and handsome wood,

whether in plain or quarter-sawed surfaces, or in the form of

veneers. The wood is of close texture; often has a wavy grain,

producing what is known as curly birch, noted for wavy figure of

changing high lights and shadows.

_Bosse._--Africa, French Ivory Coast. This large tree, closely

resembling the cedar, has a wood light red or pink in color,

which takes an excellent finish. It is used in America only as a

veneer.

_Boxwood._--Europe, North America, and the West Indies. An

extremely heavy, tough, close-grained wood, white or pale

yellow in color, used in making musical instruments and also in

furniture inlay.

_Bubinga._--West coast of Africa. Closely related to the rosewood,

and its equal in weight, hardness, and capacity to take a high

polish. The wood is slightly darker than mahogany. The veneer is

usually striped, but sometimes figured, with a gorgeous black

mottle. (See Kewazingo.)

_Butternut._--North Central United States. (Also known as white

walnut.) This relatively small tree has a short trunk which makes

it difficult to get veneer logs of good length and free from

knots.

_Cedar._--Asia, Africa, and North America. The cedar of Lebanon has

been a favorite with poets and painters for thousands of years.

Other famous members of this family are the deodar or "god tree"

of the Himalayas, and the thuya. Among the American varieties are

the incense or white cedar, the Port Oxford or Oregon cedar, and

the red or American cedar. Cedar was used as a furniture wood in

ancient Egypt, Mesopotamia, and Persia almost 4,000 years ago.

_Cherry._--Europe and North America. This fruit wood is now rare

and little used in furniture making but it is highly valued by

cabinet makers by reason of its handsome fine-grained texture,

its freedom from warping, and its capacity to take a high polish.

_Chestnut._--Europe and North America. The wood is closely allied

to that of the oak, which it resembles in general appearance,

though it is softer and the medullary rays are finer and less

pronounced. Ideal for lumber cores of hardwood plywood. Decay

resistant; easily glued and easy to work. The blight in no way

subtracts from the quality of the wood, but it has decreased the

amount now available.

_Cypress._--Europe, Asia, and North America. The common cypress

is straight, tapering, and stately, but dark and forbidding in

appearance. The wood is hard, close-grained, of a rich reddish

hue and durable. A veneer of cypress stumps, with a highly

intricate grain, is used in furniture making under the name of

_faux satine_, or false satin.

_Deal._--Scotland. The Scotch fir, used to some extent in

Elizabethan England and later as a furniture wood.

_Ebony._--India, East Indies, and Ceylon. Accurately, the black,

heavy heartwood of a genus of tropical trees. According to legend

the wood was used by the ancient kings of India not only for

scepters and images, but also as drinking cups. Macassar ebony,

so named from Macassar, seaport of the island of Celebes, Dutch

East Indies, is notable for its close grain, intense hardness and

rich hazel brown color, striped or mottled with black. It is much

used in this country, where it is often known as "marblewood."

_Elm._--Europe, Asia, and North America. A noble and beautiful

tree, widely distributed in the north temperate zone. In this

country white elm is chiefly important for furniture, with some

use of rock elm and slippery elm. The wood is hard, ranging in

color from reddish brown at the heart to white sap wood, and

has a fine wavelike grain when plain sawed. The richly figured

leather-brown burl veneers made from trunk burls of elms from the

Carpathian mountains, in central Europe, are among the costliest

of cabinet woods.

_Goncalo alves._--Brazil. A hard and beautiful wood, closely

related to rosewood. It has a rosy straw color, streaked with

dark brown and black; is both sawed and sliced on the quarter,

and is used for the same purposes as Macassar ebony.

_Greywood or Silver Greywood._--See Harewood.

_Gum._--United States. The term gum tree is applied to several

unrelated gum-bearing trees in the United States, of which the

wood of the red gum is chiefly used for furniture. It has a

close grain, uniform texture, white sapwood, and reddish brown

heartwood, the latter sometimes containing dark streaks, and

known in the trade as figured gum. Tupelo gum and black gum have

almost the same texture as red gum, but are white or warm gray in

color. Gumwood was formerly called satin walnut in this country

and still bears that name in England. Red gum is one of the most

widely used hardwoods for plywood and ranks second among native

hardwoods in production of face veneers and first in production

of utility or commercial veneers. The sap wood is commonly called

"sap gum."

_Harewood_ (artificial).--England and the Continent. Harewood,

a West Indies wood now practically extinct, was much used by

eighteenth century cabinet makers. Artificial harewood, also

known as silver grey-wood, is made from carefully chosen English

curly maple, known there as sycamore. The logs are first cut into

planks and air-dried for three months; then cut into veneer and

dyed with iron salts in huge tanks under pressure, which produces

a beautiful silver grey wood with a slightly metallic sheen. It

is one of the most costly veneers.

_Holly._--England. English white holly has been used since the

time of Elizabeth for inlays. The thin veneers, having an

exceptionally close texture, can be dyed to various colors. It is

similar in appearance and use to boxwood, but less expensive.

_Iroko._--Africa. Though not of the teak family, this wood is

called African teak. It is hard, firm, of the color of a ripe

cucumber, and in veneers has a waxy figure.

_Kewazingo._--Africa. A veneer made in France from a species of

bubinga, and cut in a peculiar way to a wavy figure. It is used

as a decorative as well as a base wood in tables and case goods.

_Khaya._--Africa. (African mahogany.) See Mahogany.

_Koa._--Hawaiian Islands. Belonging to the acacia family, the koa

is the most valuable Hawaiian tree. Its beautiful wood is of

golden color, sometimes streaked with black or brown. Most logs

have some figure and many have a pronounced ripple grain in

veneers.

_Kingwood._--British Guiana, South America. A heavy wood, related

to the rosewood, and sometimes called violet wood because of its

color. It is chiefly used in the form of veneers sawed from small

logs, about the size of fence posts.

_Koko._--Andaman Islands, East Indies. The East India walnut; has

a hard, smooth texture similar to koa; not much figure, but a

narrow prominent stripe when quartered; nut brown color.

_Lacewood._--Australia. (Also known as silky or Australian oak

or selano.) This wood of a light, rosy color has pronounced

medullary rays, and when quartered yields a beautiful effect of

grain strikingly similar to that of coarse lace.

_Lauaan._--Philippine Islands. (Pronounced la-wan', with both a's

as in "arm".) A tall tree native to the Philippines, the wood of

which bears a marked resemblance to mahogany. Formerly marketed

as "Philippine mahogany," and now as red lauaan.

_Laurelwood._--Andaman Islands, East Indies. Related to koko, and

one of the finest timbers of the East. Laurelwood is a highly

figured wood, gray with black stripes, and with a wavy grain.

_Lime._--Europe. (Also known as linden, the North American variety

is basswood.) A soft, white wood, extraordinarily well adapted

for carving in high relief or in the round.

_Macassar._--See Ebony. (Often, and properly, spelled Makassar.)

Makassar oil, originally produced from the sandalwood of

Makassar, was so much used as a hair dressing in Victorian

England that it gave rise to the use of antimacassars or

"tidies," as a protection to upholstered chair backs.

_Magnolia._--Southeast United States. Also species are found in

Japan, China, the Himalayas. The wood is fine-grained, fairly

hard, white at the sap and of a pale yellowish or greenish tinge

at the heart.

_Mahogany._--A fine cabinet wood, is noted for variety and beauty

of figure or pattern of the grain of the wood. Widely used for

veneers and lumber of extreme dimensions and freedom from defect.

Used for traditional furniture styles such as Chippendale,

Hepplewhite, Sheraton, and Duncan Phyfe, and desirable for modern

styles either in traditional or the lighter finishes.[32]

Three general types of mahogany are recognized: West Indian,

conceded to be the hardest and strongest. Most of this type now

comes from Cuba, but less than 5 percent of the American imports of

mahogany are from the West Indies. The mainland Tropical American,

which grows from southern Mexico to Colombia and Venezuela and

appears again on the Upper Amazon and its tributaries in western

Brazil and eastern Peru. Somewhat milder textured than the West

Indian. A third type comes from the West Coast of Africa. This

mahogany is not quite as firm textured as the American mahogany,

but the trees are large and many are highly figured. Accordingly,

the most of the mahogany veneers used in this country are _African_.

Mahogany wood is strong and tough, uniform in structure and close

or moderately open grained, depending upon the locality where it is

grown. Mahogany possesses a combination of physical and woodworking

characteristics that have brought it into high renown as a cabinet

wood. It is receptive to the finest of finishes. Freshly cut

mahogany ranges from a light pink to yellow, but on exposure to

light and air, quickly turns to a reddish brown or sherry color.

Mahogany has an interlocking grain which, on the quarter, usually

reveals a straight stripe or ribbon figure. To a more limited

degree some trees show broken stripe, rope, ripple, mottle,

fiddleback, and blister figures and various combinations of these

figures. Outstanding are the crotch and swirl figures obtained from

sections of the trunk immediately beneath a fork or crotch in the

tree. Mahogany does not produce clearly defined annual growth rings

common to trees of the temperate zone. Consequently, the shell or

leaf pattern in flat cut mahogany is due to the interlocking grain

rather than to annual growth rings.

_Maidou._--Burma and Indo-China. This tree is closely related to

the amboyna, but has a coarser figure and a darker brown color.

Maidou burls are hard, sound, and valuable.

_Makore._--Africa, West Coast. (Also known as African cherry.) A

large tree, yielding a furniture wood similar in texture and

coloring to our cherry, but frequently revealing a strong black

mottle.

_Madrone._--California and Oregon. (Also called Madrona.) Chiefly

used in in the form of burl veneer, which has a tough hard

surface, intricately veined figure, and rose-pink color.

_Maple._--North temperate zone. There are about 150 species in the

maple family, of which 13 are native to North America. The sugar

maple (also known as hard maple and rock maple) is a magnificent

tree which sometimes attains a height of 120 feet. The wood is

heavy, hard and of fine grain, as is that of the black maple.

In veneers the maples yield many beautiful effects, including

curly maple, bird's-eye maple, and the remarkable maple burls

from Oregon trees. With the "natural" finish it is principally

used for bedroom, porch, and kitchen furniture. Occasionally it

is used in combination with other woods for exposed parts which

are stained or painted and for interior parts where strength or

rigidity are essential.

_Marblewood_ or _Marble-heart_.--See Ebony.

_Movingue._--Africa, west coast. A straw-colored wood resembling

Java teak, but more yellow in color. In veneers it produces

mottled wood and fine feather crotches.

_Myrtle._--Northern California and Oregon. A greenish-yellow wood,

which when used in veneers has the peculiarity of showing the

characteristic figuration of plain, butt, and burl woods in a

single small area. Chiefly used in burls.

_Narra._--Dutch East Indies and the Philippines. Red narra varies

in color from deep red shadings to attractive rose tint. Yellow

narra ranges through the brilliant browns to golden yellow.

When cut on the quarter the appearance is not unlike quartered

unfigured satinwood.

_New Guinea Wood._--A recent popular importation. Brown to light

gray with definite black lines. Large trees produce wide, long

veneers. A highly figured wood with straight narrow stripe.

Resembles oriental wood, but slightly lighter. Usually cut on the

quarter.

_Oak._--North temperate zone. Of the hundreds of species of oak,

84 are found in the United States. Some of the splendid forest

oaks reach a height of 150 feet. In the trade, oak lumber is

classified as _white oak_ (cut chiefly from the white, chestnut,

post, burr, over-cup, and swamp chestnut oaks), and _red oak_

(cut chiefly from the red, Shumard red, scarlet, black, and

yellow oaks).

English brown oak is taken from certain English white oak trees,

the wood of which has become brown from an infection of microscopic

fungus which feeds on the tannin in the wood, leaving a brown

residue which gives the wood the appearance of fine tortoise shell.

Many of these trees were sturdy specimens hundreds of years before

the Norman conquest in the year 1066.

Pollard oak is the term applied by English cabinet makers to oak

burls. The veneers are choice and costly. Its uses are legion, but

in fine furniture it has great strength, durability and attractive

appearance.

_Oriental wood._--Queensland, Australia. (Also known as Queensland

or Australian "walnut.") These huge trees resemble the Australian

silky oak and the American blue beech. The wood, which is

comparatively new on the American market, resembles walnut

in appearance, and the veneers, quarter cut, yield stripe,

fiddleback, and mottled effects.

_Padouk._--Burma and the Andaman Islands. (Also known as Vermilion

wood.) A beautiful wood of reddish golden color with prominent

ribbon stripe. (See Yomawood.)

_Pearwood._--Europe and North America. The fruit wood, much used by

seventeenth century furniture makers.

_Peroba._--Brazil. The largest family of fine Brazilian woods.

Peroba Rosa has a pink color, somewhat resembling that of

tulipwood, while Peroba Blanca resembles satinwood. The veneers

have a fine grain and take a remarkable polish.

_Poplar._--United States. The cabinet wood known as yellow poplar,

whitewood, and poplar in this country, and as canary whitewood in

England, comes from a tall North American tree known as the tulip

tree. The wood is of fine grain, uniform texture, and of a color

ranging from the yellowish white in the sap to yellowish green,

purplish brown, or iridescent blue in the heart. It closely

resembles magnolia, but is somewhat softer. Must not be confused

with the rarer Brazilian tulipwood.

_Prima Vera._--Central America. While not a mahogany, prima vera

is generally known as white mahogany. The wood is of cream color

with a greenish cast, and resembles stripe mahogany in texture.

_Purpleheart._--See Amaranth.

_Redwood._--Northern California. (Also known as Sequoia.) Chiefly

used in furniture in the form of veneers cut from the huge trunk

burls, which yield sheets 5 × 6 feet without defects. The wood

has a strikingly veined figure and a light brick-red color.

_Rosewood._--Brazil, eastern India, and Madagascar. Brazilian

rosewood, also known as Rio rosewood, was formerly extensively

used in making piano cases and musical instruments, and is still

sometimes known as piano-wood. Color varies from brownish yellow

to deep red, with black growth lines. The veneer is generally

cut rotary, but also sliced on the quarter or across the heart.

East Indian rosewood, sometimes known in veneer form as malabor

or Bombay rosewood, is one of the finest cabinet woods. It varies

in color from clear yellow through the reds to purple, with dark

stripes. Madagascar rosewood, also known as _faux rose_, is a

heavy hardwood ranging from pale pink to dull red in color, and

revealing a fine pin-stripe in veneer.

_Sapele._--West African coast. Most Sapele logs are cut on the

quarter and produce a straight stripe that in width is about

halfway between the stripe of mahogany and stripe of satinwood.

_Satinwood._--Puerto Rico, and Island of Ceylon. This finest of

cabinet woods was obtained by the eighteenth century masters

from the West Indies, but little is now to be had outside

Ceylon. Whether straight-grained or figured, satinwood has an

incomparable beauty and fire.

_Snakewood._--Brazil. This term is applied to several woods, of

which the most striking is the handsomely mottled wood of the

South American leopard tree. It is used only in veneer.

_Sycamore._--United States. This name is applied to the native

American plane tree, although the term still is applied to

the ancient Egyptian and Asia Minor mulberry. Sycamore wood,

generally known in Europe as maple, is reddish-brown in color and

when quartered is handsomely figured. It has interlocked grain

and is therefore difficult to split.

_Tamo._--Japan. (Native name for the Japanese ash.) Veneers cut

from figured logs reveal an extraordinary wavy-like figure, and

are beautiful and costly.

_Tanguile._--Philippine Islands. A Philippine hardwood similar to

red lauaan (see Lauaan) and like the latter at one time marketed

as "Philippine mahogany."

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