Reddish's Hotel, St. James's Street, London, July 23, 1811.

MY DEAR MADAM,--I am only detained by Mr. Hanson to sign some copyhold

papers, and will give you timely notice of my approach. It is with

great reluctance I remain in town. [1] I shall pay a short visit as we

go on to Lancashire on Rochdale business. I shall attend to your

directions, of course, and am, with great respect, yours ever,

BYRON.

P.S.--You will consider Newstead as your house, not mine; and me only

as a visiter.

[Footnote 1: On his way to London, Byron paid a visit, at Sittingbourne,

to Hobhouse, who was with his Militia Regiment, and under orders for

Ireland. He also stayed with H. Drury, at Harrow, for two or three days.]

158.--To William Miller. [1]

Reddish's Hotel, July 30th, 1811.

SIR,--I am perfectly aware of the justice of your remarks, and am

convinced that, if ever the poem is published, the same objections

will be made in much stronger terms. But as it was intended to be a

poem on _Ariosto's plan,_ that _is_ to _say_ on _no plan_ at all, and,

as is usual in similar cases, having a predilection for the worst

passages, I shall retain those parts, though I cannot venture to

defend them. Under these circumstances I regret that you decline the

publication, on my own account, as I think the book would have done

better in your hands; the pecuniary part, you know, I have nothing to

do with. But I can perfectly conceive, and indeed _approve_ your

reasons, and assure you my sensations are not _Archiepiscopal_ [2]

enough as yet to regard the rejection of my Homilies.

I am, Sir, your very obed't humble serv't,

BYRON.

[Footnote 1: William Miller (1769-1844), son of Thomas Miller,

bookseller, of Bungay (see Beloe's 'Sexagenarian,' 2nd edit., vol. ii.

pp. 253, 254), served his apprenticeship in Hookham's publishing house.

In 1790 he set up for himself as a bookselling publisher in Bond Street.

From 1804 onwards his place of business was at 50, Albemarle Street. But

in September, 1812, he sold his stock, copyrights, good will, and lease

to John Murray, and retired to a country farm in Hertfordshire. He

declined to publish 'Childe Harold,' on the grounds that it contained

"sceptical stanzas," and attacked Lord Elgin as a plunderer. But on the

latter point, Byron, who was in serious earnest, was not likely to give

way. In Beloe's 'Sexagenarian' (vol. ii. pp. 270, 271), Miller is

described as "the splendid bookseller," who "was enabled to retire to

tranquillity and independence long before the decline of life, or

infirmities of age, rendered it necessary to do so. He was highly

respectable, but could drive a hard bargain with a poor author, as well

as any of his fraternity."

[Footnote 2: Alluding to Gil Blas and the Archbishop of Grenada (see

page 121 [Letter 67], [Foot]note 3 [4]).]

159.--To John M. B. Pigot.

Newport Pagnell, August 2, 1811.

MY DEAR DOCTOR,--My poor mother died yesterday! and I am on my way

from town to attend her to the family vault. I heard _one_ day of her

illness, the _next_ of her death. [1] Thank God her last moments were

most tranquil. I am told she was in little pain, and not aware of her

situation. I now feel the truth of Mr. Gray's observation, "That we

can only have _one_ mother." [2] Peace be with her! I have to thank

you for your expressions of regard; and as in six weeks I shall be in

Lancashire on business, I may extend to Liverpool and Chester,--at

least I shall endeavour.

If it will be any satisfaction, I have to inform you that in November

next the Editor of the _Scourge_ [3] will be tried for two different

libels on the late Mrs. B. and myself (the decease of Mrs. B. makes no

difference in the proceedings); and as he is guilty, by his very

foolish and unfounded assertion of a breach of privilege, he will be

prosecuted with the utmost rigour.

I inform you of this, as you seem interested in the affair, which is

now in the hands of the Attorney-general.

I shall remain at Newstead the greater part of this month, where I

shall be happy to hear from you, after my two years' absence in the

East.

I am, dear Pigot, yours very truly,

BYRON.

[Footnote 1: On the night after his arrival at Newstead, Mrs. Byron's

maid, passing the room where the body lay, heard a heavy sigh from

within. Entering the room, she found Byron sitting in the dark beside

the bed. When she spoke to him, he burst into tears, and exclaimed,

"Oh, Mrs. By, I had but one friend in the world, and she is gone!"

On the day of the funeral he refused to follow the corpse to the grave,

but watched the procession move away from the door of Newstead; then,

turning to Rushton, bade him bring the gloves, and began his usual

sparring exercise. Only his silence, abstraction, and unusual violence

betrayed to his antagonist, says Moore ('Life', p. 128), the state of

his feelings.]

[Footnote 2:

"I had discovered a thing very little known, which is, that in one's

whole life one can never have more than a single mother. You may think

this is obvious, and (what you call) a trite observation. You are a

green gosling! I was at the same age (very near) as wise as you, and

yet I never discovered this (with full evidence and conviction, I

mean) till it was too late. It is thirteen years ago, ... and every

day I live it sinks deeper into my heart."

Gray to Nicholls, 'Works', vol. i. p. 482.]

[Footnote 3: One of Byron's first acts on returning to England was to

buy a copy of the 'Scourge', In Ridgway's bill for books supplied from

Piccadilly to Byron on July 24, 1811, is a copy of the 'Scourge' at

2's'. 6'd'. Hewson Clarke (1787-1832) was entered at Emanuel College,

Cambridge, apparently as a sizar, in 1806. Obliged to leave the

University before he had taken his degree, he supported himself in

London by his pen. He wrote two historical works--a continuation of

Hume's 'History of England' (1832), and an 'Impartial History of the

Naval, etc., Events in Europe' from the French Revolution to the Peace

of 1815. It was, however, as a journalist that he came into collision

with Byron. In the 'Satirist', a monthly magazine, illustrated with

coloured cartoons, three attacks were made on Byron, which he attributed

to Clarke:

(1) October, 1807 (vol. i pp. 77-81), a review of 'Hours of Idleness';

(2) June, 1808 (vol. ii p. 368), verses on "Lord B--n to his Bear. To

the tune of 'Lo chin y gair;'"

(3) August, 1808 (vol. iii pp. 78-86), a review of 'Poems Original and

Translated'.

Byron's reply was the passage in 'English Bards, and Scotch Reviewers'

(lines 973-980; see also the notes), where Clarke is described as

"A would-be satirist, a hired Buffoon,

A monthly scribbler of some low Lampoon," etc.;

and also the Postscript to the second edition (see 'Poems', vol. i. p.

382). In the 'Scourge' for March, 1811 (vol. i. pp. 191, 'et seqq'.),

appeared an article headed "Lord Byron," in which the alleged libel

occurred.

"We are unacquainted," says the article, "with any act of cowardice

that can be compared with that of keeping a libel 'ready cut and

dried' till some favourable opportunity enable its author to disperse

it without the hazard of personal responsibility, and under

circumstances which deprive the injured party of every means of

reparation ... He confined the knowledge of his lampoon, therefore, to

the circle of his own immediate friends, and left it to be given to

the public as soon as he should have bid adieu to the shores of

Britain. Whether his voyage was in reality no further than to Paris,

in search of the proofs of his own legitimacy, or, as he asserts, to

'Afric's coasts, and Calpe's adverse height', was of little

consequence to Mr. Clarke, who felt that to recriminate during his

absence would be unworthy of his character ... Considering the two

parties not as writers, but as men, Mr. Clarke might confidently

appeal to the knowledge and opinion of the whole university; but a

character like his disdains comparison with that of his noble

calumniator; a temper unruffled by malignant passions, a mind superior

to vicissitude, are gifts for which the pride of doubtful birth, and

the temporary possession of Newstead Abbey are contemptible

equivalents ...

"It may be reasonably asked whether to be a denizen of

Berwick-upon-Tweed be more disgraceful than to be the illegitimate

descendant of a murderer; whether to labour in an honourable

profession for the peace and competence of maturer age be less worthy

of praise than to waste the property of others in vulgar debauchery;

whether to be the offspring of parents whose only crime is their want

of title, be not as honourable as to be the son of a profligate

father, and a mother whose days and nights are spent in the delirium

of drunkenness; and, finally, whether to deserve the kindness of his

own college, to obtain its prizes, and to prepare himself for any

examination that might entitle him to share the highest honours which

the university can bestow, be less indicative of talent and virtue

than to be held up to the derision and contempt of his

fellow-students, as a scribbler of doggerel and a bear-leader; to be

hated for malignity of temper and repulsiveness of manners, and

shunned by every man who did not want to be considered a profligate

without wit, and trifling without elegance. ... We ... shall neither

expose the infamy of his uncle, the indiscretions of his mother, nor

his personal follies and embarrassments. But let him not again obtrude

himself on our attention as a moralist, etc."

The Attorney-General, Sir Vicary Gibbs, gave his opinion against legal

proceedings, on the two grounds that a considerable time had elapsed

since the publication, and Byron himself had provoked the attack.]

160.--To John Hanson.

Newstead Abbey, August 4th, 1811.

MY DEAR SIR,--The _Earl_ of Huntley and the Lady _Jean_ Stewart,

daughter of James 1st, of Scotland were the progenitors of Mrs. Byron.

I think it would be as well to be correct in the statement. Every

thing is doing that can be done, plainly yet decently, for the

interment.

When you favour me with your company, be kind enough to bring down my

carriage from Messrs. Baxter's & Co., Long Acre. I have written to

them, and beg you will come down in it, as I cannot travel

conveniently or properly without it. I trust that the decease of Mrs.

B. will not interrupt the prosecution of the Editor of the Magazine,

less for the mere punishment of the rascal, than to set the question

at rest, which, with the ignorant & weak-minded, might leave a wrong

impression. I will have no stain on the Memory of my Mother; with a

very large portion of foibles and irritability, she was without a

_vice_ (and in these days that is much). The laws of my country shall

do her and me justice in the first instance; but, if they were

deficient, the laws of modern Honour should decide. Cost what it may,

Gold or blood, I will pursue to the last the cowardly calumniator of

an absent man and a defenceless woman.

The effects of the deceased are sealed and untouched. I have sent for

her agent, Mr. Bolton, to ascertain the proper steps and nothing shall

be done precipitately. I understand her jewels and clothes are of

considerable value. I shall write to you again soon, and in the

meantime, with my most particular remembrance to Mrs. Hanson, my

regards to Charles, and my _respects_ to the young ladies, I am, Dear

Sir,

Your very sincere and obliged servant,

BYRON.

161.--To Scrope Berdmore Davies.

Newstead Abbey, August 7, 1811.

MY DEAREST DAVIES,--Some curse hangs over me and mine. My mother lies

a corpse in this house; one of my best friends is drowned in a ditch.

[1] What can I say, or think, or do? I received a letter from him the

day before yesterday. My dear Scrope, if you can spare a moment, do

come down to me--I want a friend. Matthews's last letter was written

on _Friday._--on Saturday he was not. In ability, who was like

Matthews? How did we all shrink before him? You do me but justice in

saying, I would have risked my paltry existence to have preserved his.

This very evening did I mean to write, inviting him, as I invite you,

my very dear friend, to visit me. God forgive----for his apathy! What

will our poor Hobhouse feel? His letters breathe but of Matthews. Come

to me, Scrope, I am almost desolate--left almost alone in the world

[2]--I had but you, and H., and M., and let me enjoy the survivors

whilst I can. Poor M., in his letter of Friday, speaks of his intended

contest for Cambridge, and a speedy journey to London. Write or come,

but come if you can, or one or both.

Yours ever.

[Footnote 1: Charles Skinner Matthews (see page 150 [Letter 84],

[Foot]note 3 [2]).]

[Footnote 2: In 1811 Byron had lost, besides his mother and Matthews

(August), his Harrow friend Wingfield (see page 180, note 1), Hargreaves

Hanson (see page 54 [Letter 18], [Foot]note 1), and Edleston (see page

130 [Letter 74], [Foot]note 3 [2]).]

162.--To R. C. Dallas.

Newstead Abbey, Notts., August 12, 1811.

Peace be with the dead! Regret cannot wake them. With a sigh to the

departed, let us resume the dull business of life, in the certainty

that we also shall have our repose. Besides her who gave me being, I

have lost more than one who made that being tolerable.--The best

friend of my friend Hobhouse, Matthews, a man of the first talents,

and also not the worst of my narrow circle, has perished miserably in

the muddy waves of the Cam, always fatal to genius:--my poor

school-fellow, Wingfield, at Coimbra--within a month; and whilst I had

heard from _all three,_ but not seen _one._ Matthews wrote to me the

very day before his death; and though I feel for his fate, I am still

more anxious for Hobhouse, who, I very much fear, will hardly retain

his senses: his letters to me since the event have been most

incoherent. [1] But let this pass; we shall all one day pass along

with the rest--the world is too full of such things, and our very

sorrow is selfish.

I received a letter from you, which my late occupations prevented me

from duly noticing. [2]--I hope your friends and family will long hold

together. I shall be glad to hear from you, on business, on

commonplace, or any thing, or nothing--but death--I am already too

familiar with the dead. It is strange that I look on the skulls which

stand beside me (I have always had _four_ in my study) without

emotion, but I cannot strip the features of those I have known of

their fleshy covering, even in idea, without a hideous sensation; but

the worms are less ceremonious.--Surely, the Romans did well when they

burned the dead.--I shall be happy to hear from you, and am,

Yours, etc.

[Footnote 1:

"Just," writes Hobhouse to Byron, in an undated letter from Dover, "as

I was preparing to condole with you on your severe misfortune, an

event has taken place, the details of which you will find in the

enclosed letter from S. Davies. I am totally unable to say one word on

the subject. He was my oldest friend, and, though quite unworthy of

his attachment, I believe that I was an object of his regard.

"I now fear that I have not been sufficiently at all times just and

kind to him. Return me this fatal letter, and pray add, if it is but

one line, a few words of your own."

A second letter, dated August 8, 1811, is as follows:--

"MY DEAR BYRON,--To-morrow morning we sail for Cork. It is with

difficulty I bring myself to talk of my paltry concerns, but I cannot

refuse giving you such information as may enable me to hear from one

of the friends that I have still left. Pray do give me a line; nothing

is more selfish than sorrow. His great and unrivalled talents were

observable by all, his kindness was known to his friends. You

recollect how affectionately he shook my hand at parting. It was the

last time you ever saw him--did you think it would be the last? But

three days before his death he told me in a letter that he had heard

from you. On Friday he wrote to me again, and on Saturday--alas, alas!

we are not stocks or stones,--every word of our friend Davies' letter

still pierces me to the soul--such a man and such a death! I would

that he had not been so minute in his horrid details. Oh, my dear

Byron, do write to me; I am very, very sick at heart indeed, and,

after various efforts to write upon my own concerns, I still revert to

the same melancholy subject. I wrote to Cawthorn to-day, but knew not

what I said to him; half my incitement to finish that task is for ever

gone. I can neither have his assistance during my labour, his comfort

if I should fail, nor his congratulation if I should succeed. Forgive

me, I do not forget you--but I cannot but remember him.

Ever your obliged and faithful, JOHN C. HOBHOUSE."

Byron had apparently suggested that Hobhouse should write some brief

record of his friend. Hobhouse replies from Enniscorthy, September 13,

1811:--

"The melancholy subject of your last, in spite of every effort,

perpetually recurs to me. It is indeed a hard science to forget,

though I cannot but think that it is the wisest and indeed the only

remedy for grief. I should be quite incapable every way of doing what

you mention, and I could not even set about such a melancholy task

with spirit or prospect of success. The thing may be better done by a

person less interested than myself in so cruel a catastrophe. Whatever

you say in your book will be well said, and do credit both to your

heart and head; how much would it have gratified him who shall ne'er

hear it!"]

[Footnote 2: Dallas had written on July 29 to protest, on six grounds

which he gives ('Correspondence of Lord Byron', pp. 151-153), "against

the sceptical stanzas" of 'Childe Harold'.]

163.--To----Bolton.

Newstead Abbey, August 12, 1811.

Sir,--I enclose a rough draught of my intended will which I beg to

have drawn up as soon as possible, in the firmest manner. The

alterations are principally made in consequence of the death of Mrs.

Byron. I have only to request that it may be got ready in a short

time, and have the honour to be,

Your most obedient, humble servant,

BYRON.

163. To----Bolton.

Newstead Abbey, August 12, 1811.

DIRECTIONS FOR THE CONTENTS OF A WILL TO BE DRAWN UP IMMEDIATELY.

The estate of Newstead to be entailed (subject to certain deductions)

on George Anson Byron, heir-at-law, or whoever may be the heir-at-law

on the death of Lord B. The Rochdale property to be sold in part or

the whole, according to the debts and legacies of the present Lord B.

To Nicolo Giraud of Athens, subject of France, but born in Greece, the

sum of seven thousand pounds sterling, to be paid from the sale of

such parts of Rochdale, Newstead, or elsewhere, as may enable the said

Nicolo Giraud (resident at Athens and Malta in the year 1810) to

receive the above sum on his attaining the age of twenty-one years.

To William Fletcher, Joseph Murray, and Demetrius Zograffo [1] (native

of Greece), servants, the sum of fifty pounds pr. ann. each, for their

natural lives. To Wm. Fletcher, the Mill at Newstead, on condition

that he payeth rent, but not subject to the caprice of the landlord.

To Rt. Rushton the sum of fifty pounds per ann. for life, and a

further sum of one thousand pounds on attaining the age of twenty-five

years.

To Jn. Hanson, Esq. the sum of two thousand pounds sterling.

The claims of S. B. Davies, Esq. to be satisfied on proving the amount

of the same.

The body of Lord B. to be buried in the vault of the garden of

Newstead, without any ceremony or burial-service whatever, or any

inscription, save his name and age. His dog not to be removed from the

said vault.

My library and furniture of every description to my friends Jn. Cam

Hobhouse, Esq., and S. B. Davies, Esq., my executors. In case of their

decease, the Rev. J. Becher, of Southwell, Notts., and R. C. Dallas,

Esq., of Mortlake, Surrey, to be executors. [2]

The produce of the sale of Wymondham in Norfolk, and the late Mrs.

B.'s Scotch property, [3] to be appropriated in aid of the payment of

debts and legacies.

This is the last will and testament of me, the Rt. Honble George

Gordon, Lord Byron, Baron Byron of Rochdale, in the county of

Lancaster.--I desire that my body may be buried in the vault of the

garden of Newstead, without any ceremony or burial-service whatever,

and that no inscription, save my name and age, be written on the tomb

or tablet; and it is my will that my faithful dog may not be removed

from the said vault. To the performance of this my particular desire,

I rely on the attention of my executors hereinafter named.

==It is submitted to Lord Byron whether this clause relative to the

funeral had not better be omitted. The substance of it can be given

in a letter from his Lordship to the executors, and accompany the

will; and the will may state that the funeral shall be performed in

such manner as his Lordship may by letter direct, and, in default of

any such letter, then at the discretion of his executors== [4].

It must stand.

B.

I do hereby specifically order and direct that all the claims of the

said S. B. Davies upon me shall be fully paid and satisfied as soon as

conveniently may be after my decease, on his proving {by vouchers, or

otherwise, to the satisfaction of my executors hereinafter named} [5]

the amount thereof, and the correctness of the same.

==If Mr, Davies has any unsettled claims upon Lord Byron, that

circumstance is a reason for his not being appointed executor; each

executor having an opportunity of paying himself his own debt

without consulting his co-executors.==

So much the better--if possible, let him be an executor.

B.

[Footnote 1:

"If the papers lie not (which they generally do), Demetrius Zograffo

of Athens is at the head of the Athenian part of the Greek

insurrection. He was my servant in 1809, 1810, 1811, 1812, at

different intervals of those years (for I left him in Greece when I

went to Constantinople), and accompanied me to England in 1811: he

returned to Greece, spring, 1812. He was a clever, but not

_apparently_ an enterprising man; but circumstances make men. His two

sons (_then_ infants) were named Miltiades and Alcibiades: may the

omen be happy!"

Byron's MS. Journal, quoted by Moore, 'Life', p. 131.]

[Footnote 2: In the clause enumerating the names and places of abode of

the executors, the solicitor had left blanks for the Christian names of

these gentlemen, and Lord Byron, having filled up all but that of

Dallas, writes in the margin, "I forget the Christian name of Dallas

--cut him out."]

[Footnote 3: On the death of Mrs. Byron, the sum of £4200, the remains

of the price of the estate of Gight were paid over to Byron by her

trustee.]

[Footnote 4: The passages printed ==thus== are suggestions made by the

solicitors.]

[Footnote 5: Over the words placed {between brackets}, Byron drew his pen.]

164.--To----Bolton.

Newstead Abbey, August 16, 1811.

SIR,--I have answered the queries on the margin. I wish Mr. Davies's

claims to be most fully allowed, and, further, that he be one of my

executors. I wish the will to be made in a manner to prevent all

discussion, if possible, after my decease; and this I leave to you as

a professional gentleman.

With regard to the few and simple directions for the disposal of my

_carcass_, I must have them implicitly fulfilled, as they will, at

least, prevent trouble and expense;--and (what would be of little

consequence to me, but may quiet the conscience of the survivors) the

garden is _consecrated_ ground. These directions are copied verbatim

from my former will; the alterations in other parts have arisen from

the death of Mrs. B. I have the honour to be,

Your most obedient, humble servant,

BYRON.

165.--To--Bolton.

Newstead Abbey, August 20, 1811.

Sir,--The witnesses shall be provided from amongst

my tenants, and I shall be happy to see you on any day

most convenient to yourself. I forgot to mention, that

it must be specified by codicil, or otherwise, that my

body is on no account to be removed from the vault

where I have directed it to be placed; and in case any

of my successors within the entail (from bigotry, or

otherwise) might think proper to remove the carcass,

such proceeding shall be attended by forfeiture of the

estate, which in such case shall go to my sister, the

Hon'ble Augusta Leigh and her heirs on similar conditions.

I have the honour to be, sir,

Your very obedient, humble servant,

BYRON.

166.--To the Hon. Augusta Leigh.

Newstead Abbey, August 21st, 1811.

My Dear Sister,--I ought to have answered your letter before, but when

did I ever do any-thing that I ought?

I am losing my relatives & you are adding to the number of yours; but

which is best, God knows;--besides poor Mrs. Byron, I have been

deprived by death of two most particular friends within little more

than a month; but as all observations on such subjects are superfluous

and unavailing, I leave the dead to their rest, and return to the dull

business of life, which however presents nothing very pleasant to me

either in prospect or retrospection.

I hear you have been increasing his Majesty's Subjects, which in these

times of War and tribulation is really patriotic. Notwithstanding

Malthus [1] tells us that, were it not for Battle, Murder, and Sudden

death, we should be overstocked, I think we have latterly had a

redundance of these national benefits, and therefore I give you all

credit for your matronly behaviour.

I believe you know that for upwards of two years I have been rambling

round the Archipelago, and am returned just in time to know that I

might as well have staid away for any good I ever have done, or am

likely to do at home, and so, as soon as I have somewhat _repaired_ my

_irreparable_ affairs I shall een go abroad again, for I am heartily

sick of your climate and every thing it _rains_ upon, always save and

except _yourself_ as in _duty bound_.

I should be glad to see you here (as I think you have never seen the

place) if you could make it convenient. Murray is still like a Rock,

and will probably outlast some six Lords Byron, though in his 75th

Autumn. I took him with me to Portugal & sent him round by sea to

Gibraltar whilst I rode through the Interior of Spain, which was then

(1809) accessible.

You say you have much to communicate to me, let us have it by all

means, as I am utterly at a loss to guess; whatever it may be it will

meet with due attention.

Your trusty and well beloved cousin F. Howard [2] is married to a Miss

Somebody, I wish him joy on your account, and on his own, though

speaking generally I do not affect that Brood.

By the bye, I shall marry, if I can find any thing inclined to barter

money for rank within six months; after which I shall return to my

friends the Turks.

In the interim I am, Dear Madam,

[Signature cut out.]

[Footnote 1: The Rev. T. R. Malthus (1766-1834) published, in 1798, his

'Essay on the Principle of Population'.]

[Footnote 2: The Hon. Frederick Howard (see page 55 [Letter 19],

[Foot]note 1) married, August 6, 1811, Frances Susan Lambton, only

daughter of William Lambton, formerly M.P. for Durham.]

167.--To R. C. Dallas.

Newstead, August 21, 1811.

Your letter gives me credit for more acute feelings than I possess;

for though I feel tolerably miserable, yet I am at the same time

subject to a kind of hysterical merriment, or rather laughter without

merriment, which I can neither account for nor conquer, and yet I do

not feel relieved by it; but an indifferent person would think me in

excellent spirits. "We must forget these things," and have recourse to

our old selfish comforts, or rather comfortable selfishness.

I do not think I shall return to London immediately, and shall

therefore accept freely what is offered courteously--your mediation

between me and Murray. [1] I don't think my name will answer the

purpose, and you must be aware that my plaguy Satire will bring the

north and south Grub Streets down upon the _Pilgrimage_;--but,

nevertheless, if Murray makes a point of it, and you coincide with

him, I will do it daringly; so let it be entitled "_By the author of

English Bards and Scotch Reviewers." My remarks on the Romaic, etc.,

once intended to accompany the _Hints from Horace_, shall go along

with the other, as being indeed more appropriate; also the smaller

poems now in my possession, with a few selected from those published

in Hobhouse's _Miscellany_. I have found amongst my poor mother's

papers all my letters from the East, and one in particular of some

length from Albania. From this, if necessary, I can work up a note or

two on that subject. As I kept no journal, the letters written on the

spot are the best. But of this anon, when we have definitively

arranged.

Has Murray shown the work to any one? He may--but I will have no

traps for applause. Of course there are little things I would wish to

alter, and perhaps the two stanzas of a buffooning cast on London's

Sunday are as well left out. I much wish to avoid identifying Childe

Harold's character with mine, and that, in sooth, is my second

objection to my name appearing in the title-page. When you have made

arrangements as to time, size, type, etc., favour me with a reply. I

am giving you an universe of trouble, which thanks cannot atone for. I

made a kind of prose apology for my scepticism at the head of the MS.,

which, on recollection, is so much more like an attack than a defence,

that, haply, it might better be omitted--perpend, pronounce. After

all, I fear Murray will be in a scrape with the orthodox; but I cannot

help it, though I wish him well through it. As for me, "I have supped

full of criticism," and I don't think that the "most dismal treatise"

will stir and rouse my "fell of hair" till "Birnam wood do come to

Dunsinane."

I shall continue to write at intervals, and hope you will pay me in

kind. How does Pratt get on, or rather get off, Joe Blackett's

posthumous stock? You killed that poor man amongst you, in spite of

your Ionian friend [2] and myself, who would have saved him from

Pratt, poetry, present poverty, and posthumous oblivion. Cruel

patronage! to ruin a man at his calling; but then he is a divine

subject for subscription and biography; and Pratt, who makes the most

of his dedications, has inscribed the volume to no less than five

families of distinction.

I am sorry you don't like Harry White: [3] with a great deal of cant,

which in him was sincere (indeed it killed him as you killed Joe

Blackett), certes there is poesy and genius. I don't say this on

account of my simile and rhymes; but surely he was beyond all the

Bloomfields [4] and Blacketts, and their collateral cobblers, whom

Lofft [5] and Pratt have or may kidnap from their calling into the

service of the trade. You must excuse my flippancy, for I am writing I

know not what, to escape from myself. Hobhouse is gone to Ireland. Mr.

Davies has been here on his way to Harrowgate.

You did not know Matthews: he was a man of the most astonishing

powers, as he sufficiently proved at Cambridge, by carrying off more

prizes and fellowships, against the ablest candidates, than any other

graduate on record; but a most decided atheist, indeed noxiously so,

for he proclaimed his principles in all societies. I knew him well,

and feel a loss not easily to be supplied to myself--to Hobhouse

never. Let me hear from you, and

Believe me, etc.

[Footnote 1: In 1793 John Murray the first (born 1745) died, leaving a

widow, two daughters, and one son, John Murray the second (1778-1843),

then a boy of fifteen. The bookselling and publishing business at 32,

Fleet Street, which the first John Murray had purchased in 1768 from

William Sandby, was for two years carried on by the chief assistant,

Samuel Highley. From 1795, when John Murray the second joined it, it was

conducted as a partnership, under the title of Murray and Highley. But

in 1803 John Murray cancelled the partnership, and started for himself

at 32, Fleet Street. Relieved from a timorous partner, he at once

displayed his shrewdness, energy, and literary enthusiasm. He rapidly

became, as Byron called him, "the [Greek (transliterated): Anax] of

Publishers," or, as he was nicknamed, "The Emperor of the West." In

February, 1809, he had launched the 'Quarterly Review'; in March, 1812,

he published 'Childe Harold'; in the following September, he moved to

50, Albemarle Street, the lease of which, with the stock, good will, and

copyrights, he purchased from William Miller (see page 319 [Letter 158],

[Foot]note 2 [1]). The remarkable position which the second John Murray

created for himself, has two aspects, one commercial, the other social.

He was not only the publisher, but the friend, of the most distinguished

men of the day; and he was both by reason, partly of his honourable

character, partly of his personal attractiveness. Sir Walter Scott,

writing, October 30, 1828, to Lockhart, speaks of Murray in words which

sum up his character:

"By all means do what the Emperor says. He is what Emperor Nap was

not, 'much a gentleman.'"

Murray was the first to divorce the business of publishing from that of

selling books; the first to see, as he wrote to Sir Walter Scott,

October 13, 1825 ('A Publisher and his Friends', vol. ii. p. 199), that

"the business of a publishing bookseller is not in his shop, or even

his connection, but in his brains."

Quick-tempered and warm-hearted, he was endowed with a strong sense of

humour, and a gift of felicitous expression, which made him at once an

admirable talker and an excellent letter-writer, and enabled him to hold

his own among the noted wits and brilliant men of letters whom he

gathered under his roof. A man of ideas more than a man of business, of

enterprise rather than of calculation, he was always on the watch for

new writers and new openings. But his imagination and impulsive

temperament were checked by his fine taste for sound literature, and

controlled by high principles in matters of trade. Thus he was saved

from those disastrous speculations which involved Scott in ruin, and

might otherwise have appealed with fatal force to his own sanguine

nature. His close relations with Byron, which began in 1811, and lasted

till the poet's death, are set forth in the numerous letters which

follow, and were never embittered even when he refused to continue the

publication of 'Don Juan'. Their names are inseparably associated in the

history of literature. A generous paymaster, he was also an hospitable

host. Round him gathers much of the literary history of a half-century

which includes such names as those of Scott, Byron, Southey, Coleridge,

Hallam, Milman, Mahon, Carlyle, Grote, Benjamin Disraeli, Sir Robert

Peel, Canning, and Mr. Gladstone. His literary dinners were famous, and

his drawing-room was the rallying-place of all that was witty and

agreeable in society. At the same time, he was the acknowledged head of

the publishing trade, unswerving in the rectitude of his commercial

dealings, and in the maintenance of the honourable traditions of his

most distinguished predecessors, as well as sincere in his enthusiasm

for English letters.]

[Footnote 2: Walter Rodwell Wright, author of 'Horae Ionicae, a Poem

descriptive of the Ionian Islands, and part of the adjacent coast of

Greece,' (1809), had been Consul-General of the Seven Islands. On his

return he became Recorder of Bury St. Edmund's. He was subsequently

President of the Court of Appeals in Malta, where he died in 1826. (See

Byron's address to him in 'English Bards, and Scotch Reviewers', lines

877-880.)]

[Footnote 3: Henry Kirke White (1785-1806) published 'Clifton Grove' and

other poems in 1803. He died at Cambridge in 1806. His 'Remains' were

published by Southey in 1807. (See 'English Bards', and Scotch

Reviewers', lines 831-848, and note 2.)]

[Footnote 4: The three brothers, George Bloomfield, a shoemaker,

Nathaniel, a tailor, and Robert, also a shoemaker, were the sons of a

tailor at Honington, in Suffolk, whose wife kept the village school.

(For further details as to George and Nathaniel, see 'English Bards, and

Scotch Reviewers', lines 765-798, and 'notes'.)

Robert Bloomfield (1766-1823) achieved a success with his 'Farmer's Boy'

(1800), of which thousands of copies were sold in England, and which was

translated into French and Italian. But however creditable the lines may

have been to the author, Byron's opinion of the merits of the poet was

the true one. Bloomfield's subsequent volumes, of which there were

seven, were inferior to 'The Farmer's Boy'. 'Good Tidings, or News from

the Farm' (1804), is perhaps the best known. A collected edition of

Bloomfield's 'Works' was published in 1824.]

[Footnote 5: Capel Lofft (1751-1824), educated at Eton and Cambridge,

was called to the Bar in 1775. Succeeding in 1781 to the family estates

near Bury St. Edmund's, he lived for some years at Troston Hall. Crabb

Robinson ('Diary', vol. i. p. 29) describes him, in 1795, as

"a gentleman of good family and estate--an author on an infinity of

subjects; his books were on Law, History, Poetry, Antiquities,

Divinity, and Politics. He was then an acting magistrate, having

abandoned the profession of the Bar. He was one of the numerous

answerers of Burke; and, in spite of a feeble voice and other

disadvantages, was an eloquent speaker."

His boyish figure, slovenly dress, and involved sentences were well

known on the platforms where he advocated parliamentary reform. On May

17, 1784, Johnson dined at Mr. Dilly's. Among the guests was

"Mr. Capel Lofft, who, though a most zealous Whig, has a mind so full

of learning and knowledge, and so much in exercise in various

exertions, and withal so much liberality, that the stupendous powers

of the literary Goliath, though they did not frighten this little

David of popular spirit, could not but excite his admiration."

Lofft held strong opinions in favour of the French Revolution, which he

admired. He, "Godwin, and Thelwall are the only three persons I know

(except Hazlitt) who grieve at the late events;" so writes Crabb

Robinson, after the battle of Waterloo ('Diary', vol. i. p. 491). He

published numerous works on law and politics, besides four volumes of

poetry: 'The Praises of Poetry, a Poem' (1775); 'Eudosia, or a Poem on

the Universe' (1781); 'The first and second Georgics of Virgil' (in

blank verse, 1803); 'Laura, or an Anthology of Sonnets' (1814). He also

edited Milton's 'Paradise Lost'. In November, 1798, Lofft read the

manuscript of 'The Farmer's Boy', written by Robert Bloomfield in a

London garret, where he worked as a shoemaker. Interested in the poem

and the Suffolk poet, Lofft had it published in 1800, with cuts by

Bewick, and a preface by himself.]

168.--To Francis Hodgson.

Newstead Abbey, August 22, 1811.

You may have heard of the sudden death of my mother, and poor

Matthews, which, with that of Wingfield (of which I was not fully

aware till just before I left town, and indeed hardly believed it,)

has made a sad chasm in my connections. Indeed the blows followed each

other so rapidly that I am yet stupid from the shock; and though I do

eat, and drink, and talk, and even laugh, at times, yet I can hardly

persuade myself that I am awake, did not every morning convince me

mournfully to the contrary.--I shall now wave the subject,--the dead

are at rest, and none but the dead can be so.

You will feel for poor Hobhouse,--Matthews was the "god of his

idolatry;" and if intellect could exalt a man above his fellows, no

one could refuse him preeminence. I knew him most intimately, and

valued him proportionably; but I am recurring--so let us talk of life

and the living.

If you should feel a disposition to come here, you will find "beef and

a sea-coal fire," and not ungenerous wine. Whether Otway's two other

requisites for an Englishman or not, I cannot tell, but probably one

of them [1].--Let me know when I may expect you, that I may tell you

when I go and when return. I have not yet been to Lancs. Davies has

been here, and has invited me to Cambridge for a week in October, so

that, peradventure, we may encounter glass to glass. His gaiety (death

cannot mar it) has done me service; but, after all, ours was a hollow

laughter.

You will write to me? I am solitary, and I never felt solitude irksome

before. Your anxiety about the critique on----'s book is amusing; as

it was anonymous, certes it was of little consequence: I wish it had

produced a little more confusion, being a lover of literary malice.

Are you doing nothing? writing nothing? printing nothing? why not your

Satire on Methodism? the subject (supposing the public to be blind to

merit) would do wonders. Besides, it would be as well for a destined

deacon to prove his orthodoxy.--It really would give me pleasure to

see you properly appreciated. I say _really_, as, being an author, my

humanity might be suspected.

Believe me, dear H., yours always.

[Footnote 1:

"Give but an Englishman his whore and ease,

Beef and a sea-coal fire, he's yours for ever."

'Venice Preserved', act ii. sc. 3]

APPENDIX I.

REVIEW OF WORDSWORTH'S POEMS,

2 VOLS. 1807.

(From 'Monthly Literary Recreations' for July, 1807.)

The volumes before us are by the author of Lyric Ballads, a collection

which has not undeservedly met with a considerable share of public

applause. The characteristics of Mr. Wordsworth's muse are simple and

flowing, though occasionally inharmonious verse; strong, and sometimes

irresistible appeals to the feelings, with unexceptionable sentiments.

Though the present work may not equal his former efforts, many of the

poems possess a native elegance, natural and unaffected, totally devoid

of the tinsel embellishments and abstract hyperboles of several

contemporary sonneteers. The last sonnet in the first volume, p. 152, is

perhaps the best, without any novelty in the sentiments, which we hope

are common to every Briton at the present crisis; the force and

expression is that of a genuine poet, feeling as he writes--

Another year! another deadly blow!

Another mighty empire overthrown!

And we are left, or shall be left, alone--

The last that dares to struggle with the foe.

'Tis well!--from this day forward we shall know

That in ourselves our safety must be sought,

That by our own right-hands it must be wrought;

That we must stand unprop'd, or be laid low.

O dastard! whom such foretaste doth not cheer!

We shall exult, if they who rule the land

Be men who hold its many blessings dear,

Wise, upright, valiant, not a venal band,

Who are to judge of danger which they fear,

And honour which they do not understand.

The song at the Feast of Brougham Castle, the Seven Sisters, the

Affliction of Margaret----of----, possess all the beauties, and few

of the defects, of the writer: the following lines from the last are in

his first style:--

"Ah! little doth the young one dream,

When full of play and childish cares,

What power hath e'en his wildest scream,

Heard by his mother unawares:

He knows it not, he cannot guess:

Years to a mother bring distress,

But do not make her love the less."

The pieces least worthy of the author are those entitled "Moods of my

own Mind." We certainly wish these "Moods" had been less frequent, or

not permitted to occupy a place near works which only make their

deformity more obvious; when Mr. W. ceases to please, it is by

"abandoning" his mind to the most commonplace ideas, at the same time

clothing them in language not simple, but puerile. What will any reader

or auditor, out of the nursery, say to such namby-pamby as "Lines

written at the Foot of Brother's Bridge"?

"The cock is crowing,

The stream is flowing,

The small birds twitter,

The lake doth glitter,

The green field sleeps in the sun;

The oldest and youngest,

Are at work with the strongest;

The cattle are grazing,

Their heads never raising,

There are forty feeding like one.

Like an army defeated,

The snow hath retreated,

And now doth fare ill,

On the top of the bare hill."

"The ploughboy is whooping anon, anon," etc., etc., is in the same

exquisite measure. This appears to us neither more nor less than an

imitation of such minstrelsy as soothed our cries in the cradle, with

the shrill ditty of

"Hey de diddle,

The cat and the fiddle:

The cow jump'd over the moon,

The little dog laugh'd to see such sport,

And the dish ran away with the spoon."

On the whole, however, with the exception of the above, and other

INNOCENT odes of the same cast, we think these volumes display a genius

worthy of higher pursuits, and regret that Mr. W. confines his muse to

such trifling subjects. We trust his motto will be in future "Paulo

majora canamus." Many, with inferior abilities, have acquired a loftier

seat on Parnassus, merely by attempting strains in which Wordsworth is

more qualified to excel.

APPENDIX II.

ARTICLE FROM THE EDINBURGH REVIEW,

FOR JANUARY, 1808.

'Hours of Idleness; a Series of Poems, original and translated.'

By George Gordon, Lord Byron, a Minor. 8vo, pp. 200. Newark, 1807.

The poesy of this young lord belongs to the class which neither gods nor

men are said to permit. Indeed, we do not recollect to have seen a

quantity of verse with so few deviations in either direction from that

exact standard. His effusions are spread over a dead flat, and can no

more get above or below the level, than if they were so much stagnant

water. As an extenuation of this offence, the noble author is peculiarly

forward in pleading minority. We have it in the title-page, and on the

very back of the volume; it follows his name like a favourite part of

his 'style'. Much stress is laid upon it in the preface; and the poems

are connected with this general statement of his case, by particular

dates, substantiating the age at which each was written. Now, the law

upon the point of minority we hold to be perfectly clear. It is a plea

available only to the defendant; no plaintiff can offer it as a

supplementary ground of action. Thus, if any suit could be brought

against Lord Byron, for the purpose of compelling him to put into court

a certain quantity of poetry, and if judgment were given against him, it

is highly probable that an exception would be taken, were he to deliver

'for poetry' the contents of this volume. To this he might plead

'minority'; but, as he now makes voluntary tender of the article, he

hath no right to sue, on that ground, for the price in good current

praise, should the goods be unmarketable.

This is our view of the law on the point; and, we dare to say, so will

it be ruled. Perhaps, however, in reality, all that he tells us about

his youth is rather with a view to increase our wonder than to soften

our censures. He possibly means to say, "See how a minor can write! This

poem was actually composed by a young man of eighteen, and this by one

of only sixteen!" But, alas! We all remember the poetry of Cowley at

ten, and Pope at twelve; and so far from hearing, with any degree of

surprise, that very poor verses were written by a youth from his leaving

school to his leaving college, inclusive, we really believe this to be

the most common of all occurrences; that it happens in the life of nine

men in ten who are educated in England; and that the tenth man writes

better verse than Lord Byron.

His other plea of privilege our author rather brings forward in order to

waive it. He certainly, however, does allude frequently to his family

and ancestry--sometimes in poetry, sometimes in notes; and, while giving

up his claim on the score of rank, he takes care to remember us of Dr.

Johnson's saying, that when a nobleman appears as an author, his merit

should be handsomely acknowledged. In truth, it is this consideration

only that induces us to give Lord Byron's poems a place in our review,

beside our desire to counsel him, that he do forthwith abandon poetry,

and turn his talents, which are considerable, and his opportunities,

which are great, to better account.

With this view, we must beg leave seriously to assure him, that the mere

rhyming of the final syllable, even when accompanied by the presence of

a certain number of feet,--nay, although (which does not always happen)

those feet should scan regularly, and have been all counted accurately

upon the fingers,--is not the whole art of poetry. We would entreat him

to believe, that a certain portion of liveliness, somewhat of fancy, is

necessary to constitute a poem, and that a poem in the present day, to

be read, must contain at least one thought, either in a little degree

different from the ideas of former writers, or differently expressed. We

put it to his candour, whether there is any thing so deserving the name

of poetry in verses like the following, written in 1806; and whether, if

a youth of eighteen could say any thing so uninteresting to his

ancestors, a youth of nineteen should publish it;--

"Shades of heroes, farewell! your descendant, departing

From the seat of his ancestors, bids you adieu!

Abroad or at home, your remembrance imparting

New courage, he'll think upon glory and you.

"Though a tear dim his eye at this sad separation,

'Tis nature, not fear, that excites his regret;

Far distant he goes, with the same emulation;

The fame of his fathers he ne'er can forget.

"That fame, and that memory, still will he cherish;

He vows that he ne'er will disgrace your renown;

Like you will he live, or like you will he perish;

When decay'd, may he mingle his dust with your own."

Now, we positively do assert, that there is nothing better than these

stanzas in the whole compass of the noble minor's volume.

Lord Byron should also have a care of attempting what the greatest poets

have done before him, for comparisons (as he must have had occasion to

see at his writing-master's) are odious. Gray's Ode on Eton College

should really have kept out the ten hobbling stanzas "On a distant View

of the Village and School of Harrow."

"Where fancy yet joys to retrace the resemblance

Of comrades, in friendship and mischief allied,

How welcome to me your ne'er-fading remembrance,

Which rests in the bosom, though hope is denied."

In like manner, the exquisite lines of Mr. Rogers, "On a Tear," might

have warned the noble author off those premises, and spared us a whole

dozen such stanzas as the following:--

"Mild Charity's glow, to us mortals below,

Shows the soul from barbarity clear;

Compassion will melt where this virtue is felt,

And its dew is diffused in a Tear.

"The man doom'd to sail with the blast of the gale,

Through billows Atlantic to steer,

As he bends o'er the wave, which may soon be his grave,

The green sparkles bright with a Tear."

And so of instances in which former poets have failed. Thus we do not

think Lord Byron was made for translating, during his nonage, "Adrian's

Address to his Soul," when Pope succeeded so indifferently in the

attempt. If our readers, however, are of another opinion, they may look

at it.

"Ah! gentle, fleeting, wavering sprite,

Friend and associate of this clay!

To what unknown region borne

Wilt thou now wing thy distant flight?

No more with wonted humour gay,

But pallid, cheerless, and forlorn."

However, be this as it may, we fear his translations and imitations are

great favourites with Lord Byron. We have them of all kinds, from

Anacreon to Ossian; and, viewing them as school exercises, they may

pass. Only, why print them after they have had their day and served

their turn? And why call the thing in p. 79 (see p. 380) a translation,

where 'two' words [Gr.]('thel_o legein') of the original are expanded

into four lines, and the other thing in p. 81 (see 'ibid'.) where [Gr.]

'mesonuktiais poth h_orais' is rendered by means of six hobbling verses?

As to his Ossianic poesy, we are not very good judges, being in truth,

so moderately skilled in that species of composition, that we should, in

all probability, be criticizing some bit of the genuine Macpherson

itself, were we to express our opinion of Lord Byron's rhapsodies. If,

then, the following beginning of a "Song of Bards" is by his lordship,

we venture to object to it, as far as we can comprehend it. "What form

rises on the roar of clouds? whose dark ghost gleams on the red stream

of tempests? His voice rolls on the thunder; 'tis Orla, the brown chief

of Oithona. He "was," etc. After detaining this "brown chief" some time,

the bards conclude by giving him their advice to "raise his fair locks;"

then to "spread them on the arch of the rainbow;" and to "smile through

the tears of the storm." Of this kind of thing there are no less than

_nine_ pages; and we can so far venture an opinion in their favour, that

they look very like Macpherson; and we are positive they are pretty

nearly as stupid and tiresome.

It is a sort of privilege of poets to be egotists; but they should "use

it as not abusing it;" and particularly one who piques himself (though

indeed at the ripe age of nineteen) on being "an infant bard,"--("The

artless Helicon I boast is youth")--should either not know, or should

seem not to know, so much about his own ancestry. Besides a poem above

cited, on the family seat of the Byrons, we have another of eleven

pages, on the self-same subject, introduced with an apology, "he

certainly had no intention of inserting it," but really "the particular

request of some friends," etc., etc. It concludes with five stanzas on

himself, "the last and youngest of a noble line." There is a good deal

also about his maternal ancestors, in a poem on Lachin y Gair, a

mountain where he spent part of his youth, and might have learnt that

pibroch is not a bagpipe, any more than duet means a fiddle.

As the author has dedicated so large a part of his volume to immortalise

his employments at school and college, we cannot possibly dismiss it

without presenting the reader with a specimen of these ingenious

effusions. In an ode with a Greek motto, called "Granta," we have the

following magnificent stanzas:--

There, in apartments small and damp,

The candidate for college prizes,

Sits poring by the midnight lamp,

Goes late to bed, yet early rises.

Who reads false quantities in Sele,

Or puzzles o'er the deep triangle,

Deprived of many a wholesome meal,

In barbarous Latin doom'd to wrangle:

Renouncing every pleasing page,

From authors of historic use;

Preferring to the letter'd sage,

The square of the hypothenuse.

Still harmless are these occupations,

That hurt none but the hapless student,

Compared with other recreations,

Which bring together the imprudent."

We are sorry to hear so bad an account of the college psalmody as is

contained in the following Attic stanzas:--

"Our choir would scarcely be excused

Even as a band of raw beginners;

All mercy now must be refused

To such a set of croaking sinners.

If David, when his toils were ended,

Had heard these blockheads sing before him,

To us his psalms had ne'er descended:

In furious mood he would have tore 'em!"

But, whatever judgment may be passed on the poems of this noble minor,

it seems we must take them as we find them, and be content; for they are

the last we shall ever have from him. He is, at best, he says, but an

intruder into the groves of Parnassus: he never lived in a garret, like

thorough-bred poets; and "though he once roved a careless mountaineer in

the Highlands of Scotland," he has not of late enjoyed this advantage.

Moreover, he expects no profit from his publication; and, whether it

succeeds or not, "it is highly improbable, from his situation and

pursuits hereafter," that he should again condescend to become an

author. Therefore, let us take what we get, and be thankful. What right

have we poor devils to be nice? We are well off to have got so much from

a man of this lord's station, who does not live in a garret, but "has

the sway" of Newstead Abbey. Again, we say, let us be thankful; and,

with honest Sancho, bid God bless the giver, nor look the gift horse in

the mouth.

APPENDIX III.

REVIEW OF GELL'S GEOGRAPHY OF ITHACA', AND 'ITINERARY OF GREECE'.

(From the Monthly Review for August, 1811.)

That laudable curiosity concerning the remains of classical antiquity,

which has of late years increased among our countrymen, is in no

traveller or author more conspicuous than in Mr. Gell. Whatever

difference of opinion may yet exist with regard to the success of the

several disputants in the famous Trojan controversy [1], or, indeed,

relating to the present author's merits as an inspector of the Troad, it

must universally be acknowledged that any work, which more forcibly

impresses on our imaginations the scenes of heroic action, and the

subjects of immortal song, possesses claims on the attention of every

scholar.

Of the two works which now demand our report, we conceive the former to

be by far the most interesting to the reader, as the latter is

indisputably the most serviceable to the traveller. Excepting, indeed,

the running commentary which it contains on a number of extracts from

Pausanias and Strabo, it is, as the title imports, a mere itinerary of

Greece, or rather of Argolis only, in its present circumstances. This

being the case, surely it would have answered every purpose of utility

much better by being printed as a pocket road-book of that part of the

Morea; for a quarto is a very unmanageable travelling companion. The

maps [2] and drawings, we shall be told, would not permit such an

arrangement; but as to the drawings, they are not in general to be

admired as specimens of the art; and several of them, as we have been

assured by eye-witnesses of the scenes which they describe, do not

compensate for their mediocrity in point of execution, by any

extraordinary fidelity of representation. Others, indeed, are more

faithful, according to our informants. The true reason, however, for

this costly mode of publication is in course to be found in a desire of

gratifying the public passion for large margins, and all the luxury of

typography; and we have before expressed our dissatisfaction with Mr.

Gell's aristocratical mode of communicating a species of knowledge,

which ought to be accessible to a much greater portion of classical

students than can at present acquire it by his means:--but, as such

expostulations are generally useless, we shall be thankful for what we

can obtain, and that in the manner in which Mr. Gell has chosen to

present it.

The former of these volumes, we have observed, is the most attractive in

the closet. It comprehends a very full survey of the far-famed island

which the hero of the 'Odyssey' has immortalized; for we really are

inclined to think that the author has established the identity of the

modern 'Theaki' with the 'Ithaca' of Homer. At all events, if it be an

illusion, it is a very agreeable deception, and is effected by an

ingenious interpretation of the passages in Homer that are supposed to

be descriptive of the scenes which our traveller has visited. We shall

extract some of these adaptations of the ancient picture to the modern

scene, marking the points of resemblance which appear to be strained and

forced, as well as those which are more easy and natural; but we must

first insert some preliminary matter from the opening chapter. The

following passage conveys a sort of general sketch of the book, which

may give our readers a tolerably adequate notion of its contents:--

"The present work may adduce, by a simple and correct survey of the

island, coincidences in its geography, in its natural productions, and

moral state, before unnoticed. Some will be directly pointed out; the

fancy or ingenuity of the reader may be employed in tracing others;

the mind familiar with the imagery of the 'Odyssey' will

recognise with satisfaction the scenes themselves; and this volume is

offered to the public, not entirely without hopes of vindicating the

poem of Homer from the scepticism of those critics who imagine that

the 'Odyssey' is a mere poetical composition, unsupported by

history, and unconnected with the localities of any particular

situation.

"Some have asserted that, in the comparison of places now existing

with the descriptions of Homer, we ought not to expect coincidence in

minute details; yet it seems only by these that the kingdom of

Ulysses, or any other, can be identified, as, if such an idea be

admitted, every small and rocky island in the Ionian Sea, containing a

good port, might, with equal plausibility, assume the appellation of

Ithaca.

"The Venetian geographers have in a great degree contributed to raise

those doubts which have existed on the identity of the modern with the

ancient Ithaca, by giving, in their charts, the name of Val di Compare

to the island. That name is, however, totally unknown in the country,

where the isle is invariably called Ithaca by the upper ranks, and

Theaki by the vulgar. The Venetians have equally corrupted the name of

almost every place in Greece; yet, as the natives of Epactos or

Naupactos never heard of Lepanto, those of Zacynthos of Zante, or the

Athenians of Settines, it would be as unfair to rob Ithaca of its

name, on such authority, as it would be to assert that no such island

existed, because no tolerable representation of its form can be found

in the Venetian surveys.

"The rare medals of the Island, of which three are represented in the

title-page, might be adduced as a proof that the name of Ithaca was

not lost during the reigns of the Roman emperors. They have the head

of Ulysses, recognised by the pileum, or pointed cap, while the

reverse of one presents the figure of a cock, the emblem of his

vigilance, with the legend [Greek:IThAK_ON]. A few of these medals are

preserved in the cabinets of the curious, and one also, with the cock,

found in the island, is in the possession of Signor Zavo, of Bathi.

The uppermost coin is in the collection of Dr. Hunter; the second is

copied from Newman; and the third is the property of R.P. Knight, Esq.

"Several inscriptions, which will be hereafter produced, will tend to

the confirmation of the idea that Ithaca was inhabited about the time

when the Romans were masters of Greece; yet there is every reason to

believe that few, if any, of the present proprietors of the soil are

descended from ancestors who had long resided successively in the

island. Even those who lived, at the time of Ulysses, in Ithaca, seem

to have been on the point of emigrating to Argos, and no chief

remained, after the second in descent from that hero, worthy of being

recorded in history. It appears that the isle has been twice colonised

from Cephalonia in modern times, and I was informed that a grant had

been made by the Venetians, entitling each settler in Ithaca to as

much land as his circumstances would enable him to cultivate."

Mr. Gell then proceeds to invalidate the authority of previous writers

on the subject of Ithaca. Sir George Wheeler and M. le Chevalier fall

under his severe animadversion; and, indeed, according to his account,

neither of these gentlemen had visited the island, and the description

of the latter is "absolutely too absurd for refutation." In another

place, he speaks of M. le C. "disgracing a work of such merit by the

introduction of such fabrications;" again, of the inaccuracy of the

author's maps; and, lastly, of his inserting an island at the southern

entry of the channel between Cephalonia and Ithaca, which has no

existence. This observation very nearly approaches to the use of that

monosyllable which Gibbon [3], without expressing it, so adroitly

applied to some assertion of his antagonist, Mr. Davies. In truth, our

traveller's words are rather bitter towards his brother tourist; but we

must conclude that their justice warrants their severity.

In the second chapter, the author describes his landing in Ithaca, and

arrival at the rock Korax and the fountain Arethusa, as he designates it

with sufficient positiveness.--This rock, now known by the name of

Korax, or Koraka Petra, he contends to be the same with that which Homer

mentions as contiguous to the habitation of Eumæus, the faithful

swineherd of Ulysses.--We shall take the liberty of adding to our

extracts from Mr. Gell some of the passages in Homer to which he

_refers_ only, conceiving this to be the fairest method of exhibiting

the strength or the weakness of his argument.

"Ulysses," he observes, "came to the extremity of the isle to visit

Eumæus, and that extremity was the most southern; for Telemachus,

coming from Pylos, touched at the first south-eastern part of Ithaca

with the same intention."

[Greek:

Kai tote dae r Odysaea kakos pothen aegage daim_on

Agrou ep eschatiaen, hothi d_omata naie sub_otaes

Enth aelthen philos uhios Odyssaeos theioio,

Ek Pylon aemathoentos i_on sun naei melainae.

Odyssei _O.

Autar epaen pr_otaen aktaen Ithakaes aphikaeai,

Naea men es polin otrunai kai pantas etairous

Autos de pr_otista sub_otaen eisaphikesthai, k.t.l.

Odyssei O.]

These citations, we think, appear to justify the author in his attempt

to identify the situation of his rock and fountain with the place of

those mentioned by Homer. But let us now follow him in the closer

description of the scene.--After some account of the subjects in the

plate affixed, Mr. Gell remarks:

"It is impossible to visit this sequestered spot without being struck

with the recollection of the Fount of Arethusa and the rock Korax,

which the poet mentions in the same line, adding, that there the swine

ate the _sweet_ [4] acorns, and drank the black water."

[Greek:

Daeeis ton ge suessi paraemenon ai de nemontai

Par Korakos petrae, epi te kraenae Arethousae,

Esthousai balanon menoeikea, kai melan hud_or

Pinousai.

Odyssei N.]

"Having passed some time at the fountain, taken a drawing, and made

the necessary observations on the situation of the place, we proceeded

to an examination of the precipice, climbing over the terraces above

the source among shady fig-trees, which, however, did not prevent us

from feeling the powerful effects of the mid-day sun. After a short

but fatiguing ascent, we arrived at the rock, which extends in a vast

perpendicular semicircle, beautifully fringed with trees, facing to

the south-east. Under the crag we found two caves of inconsiderable

extent, the entrance of one of which, not difficult of access, is seen

in the view of the fount. They are still the resort of sheep and

goats, and in one of them are small natural receptacles for the water,

covered by a stalagmatic incrustation.

"These caves, being at the extremity of the curve formed by the

precipice, open toward the south, and present us with another

accompaniment of the fount of Arethusa, mentioned by the poet, who

informs us that the swineherd Eumæus left his guests in the house,

whilst he, putting on a thick garment, went to sleep near the herd,

under the hollow of the rock, which sheltered him from the northern

blast. Now we know that the herd fed near the fount; for Minerva tells

Ulysses that he is to go first to Eumæus, whom he should find with

the swine, near the rock Korax and the fount of Arethusa. As the swine

then fed at the fountain, so it is necessary that a cavern should be

found in its vicinity; and this seems to coincide, in distance and

situation, with that of the poem. Near the fount also was the fold or

stathmos of Eumæus; for the goddess informs Ulysses that he should

find his faithful servant at or above the fount.

"Now the hero meets the swineherd close to the fold, which was

consequently very near that source. At the top of the rock, and just

above the spot where the waterfall shoots down the precipice, is at

this day a stagni, or pastoral dwelling, which the herdsmen of Ithaca

still inhabit, on account of the water necessary for their cattle. One

of these people walked on the verge of the precipice at the time of

our visit to the place, and seemed so anxious to know how we had been

conveyed to the spot, that his inquiries reminded us of a question

probably not uncommon in the days of Homer, who more than once

represents the Ithacences demanding of strangers what ship had brought

them to the island, it being evident they could not come on foot. He

told us that there was, on the summit where he stood, a small cistern

of water, and a kalybea, or shepherd's hut. There are also vestiges of

ancient habitations, and the place is now called Amarâthia.

"Convenience, as well as safety, seems to have pointed out the lofty

situation of Amarâthia as a fit place for the residence of the

herdsmen of this part of the island from the earliest ages. A small

source of water is a treasure in these climates; and if the

inhabitants of Ithaca now select a rugged and elevated spot, to secure

them from the robbers of the Echinades, it is to be recollected that

the Taphian pirates were not less formidable, even in the days of

Ulysses, and that a residence in a solitary part of the island, far

from the fortress, and close to a celebrated fountain, must at all

times have been dangerous, without some such security as the rocks of

Korax. Indeed, there can be no doubt that the house of Eumæus was on

the top of the precipice; for Ulysses, in order to evince the truth of

his story to the swineherd, desires to be thrown from the summit if

his narration does not prove correct.

"Near the bottom of the precipice is a curious natural gallery, about

seven feet high, which is expressed in the plate. It may be fairly

presumed, from the very remarkable coincidence between this place and

the Homeric account, that this was the scene designated by the poet as

the fountain of Arethusa, and the residence of Eumæus; and, perhaps,

it would be impossible to find another spot which bears, at this day,

so strong a resemblance to a poetic description composed at a period

so very remote. There is no other fountain in this part of the island,

nor any rock which bears the slightest resemblance to the Korax of

Homer.

"The stathmos of the good Eumæus appears to have been little

different, either in use or construction, from the stagni and kalybea

of the present day. The poet expressly mentions that other herdsmen

drove their flocks into the city at sunset,--a custom which still

prevails throughout Greece during the winter, and that was the season

in which Ulysses visited Eumæus. Yet Homer accounts for this deviation

from the prevailing custom, by observing that he had retired from the

city to avoid the suitors of Penelope. These trifling occurrences

afford a strong presumption that the Ithaca of Homer was something

more than the creature of his own fancy, as some have supposed it; for

though the grand outline of a fable may be easily imagined, yet the

consistent adaptation of minute incidents to a long and elaborate

falsehood is a task of the most arduous and complicated nature."

After this long extract, by which we have endeavoured to do justice to

Mr. Gell's argument, we cannot allow room for any farther quotations of

such extent; and we must offer a brief and imperfect analysis of the

remainder of the work. In the third chapter the traveller arrives at the

capital, and in the fourth he describes it in an agreeable manner. We

select his account of the mode of celebrating a Christian festival in

the Greek Church:--

"We were present at the celebration of the feast of the Ascension,

when the citizens appeared in their gayest dresses, and saluted each

other in the streets with demonstrations of pleasure. As we sate at

breakfast in the house of Signer Zavo, we were suddenly roused by the

discharge of a gun, succeeded by a tremendous crash of pottery, which

fell on the tiles, steps, and pavements, in every direction. The bells

of the numerous churches commenced a most discordant jingle; colours

were hoisted on every mast in the port, and a general shout of joy

announced some great event. Our host informed us that the feast of the

Ascension was annually commemorated in this manner at Bathi, the

populace exclaiming [Greek: anestae o Christos, alaethinos o Theos],

Christ is risen, the true God."

In another passage, he continues this account as follows:--

"In the evening of the festival, the inhabitants danced before their

houses; and at one we saw the figure which is said to have been first

used by the youths and virgins of Delos, at the happy return of

Theseus from the expedition of the Cretan Labyrinth. It has now lost

much of that intricacy which was supposed to allude to the windings of

the habitation of the Minotaur,"

etc., etc. This is rather too much for even the inflexible gravity of

our censorial muscles. When the author talks, with all the 'reality' (if

we may use the expression) of a Lemprière, on the stories of the

fabulous ages, we cannot refrain from indulging a momentary smile; nor

can we seriously accompany him in the learned architectural detail by

which he endeavours to give us, from the 'Odyssey', the ground-plot of

the house of Ulysses,--of which he actually offers a plan in drawing!

"showing how the description of the house of Ulysses in the 'Odyssey'

may be supposed to correspond with the foundations yet visible on the

hill of Aito!"--Oh, Foote! Foote! why are you lost to such inviting

subjects for your ludicrous pencil!--In his account of this celebrated

mansion, Mr. Gell says, one side of the court seems to have been

occupied by the Thalamos, or sleeping apartments of the men, etc., etc.;

and, in confirmation of this hypothesis, he refers to the 10th

'Odyssey', line 340. On examining his reference, we read--

[Greek: 'Es thalamon t' ienai, kai saes epibaemenai eunaes']

where Ulysses records an invitation which he received from Circe to take

a part of her bed. How this illustrates the above conjecture, we are at

a loss to divine: but we suppose that some numerical error has occurred

in the reference, as we have detected a trifling mistake or two of the

same nature.

Mr. G. labours hard to identify the cave of Dexia near Bathi (the

capital of the island), with the grotto of the Nymphs described in the

13th 'Odyssey'. We are disposed to grant that he has succeeded; but we

cannot here enter into the proofs by which he supports his opinion; and

we can only extract one of the concluding sentences of the chapter,

which appears to us candid and judicious:--

"Whatever opinion may be formed as to the identity of the cave of

Dexia with the grotto of the Nymphs, it is fair to state, that Strabo

positively asserts that no such cave as that described by Homer

existed in his time, and that geographer thought it better to assign a

physical change, rather than ignorance in Homer, to account for a

difference which he imagined to exist between the Ithaca of his time

and that of the poet. But Strabo, who was an uncommonly accurate

observer with respect to countries surveyed by himself, appears to

have been wretchedly misled by his informers on many occasions.

"That Strabo had never visited this country is evident, not only from

his inaccurate account of it, but from his citation of Apollodorus and

Scepsius, whose relations are in direct opposition to each other on

the subject of Ithaca, as will be demonstrated on a future

opportunity."

We must, however, observe that "demonstration" is a strong term.--In his

description of the Leucadian Promontory (of which we have a pleasing

representation in the plate), the author remarks that it is "celebrated

for the _leap_ of Sappho, and the _death_ of Artemisia." From this

variety in the expression, a reader would hardly conceive that both the

ladies perished in the same manner; in fact, the sentence is as proper

as it would be to talk of the decapitation of Russell, and the death of

Sidney. The view from this promontory includes the island of Corfu; and

the name suggests to Mr. Gell the following note, which, though rather

irrelevant, is of a curious nature, and we therefore conclude our

citations by transcribing it:--

"It has been generally supposed that Corfu, or Corcyra, was the

Phæacia of Homer; but Sir Henry Englefield thinks the position of that

island inconsistent with the voyage of Ulysses as described in the

'Odyssey'. That gentleman has also observed a number of such

remarkable coincidences between the courts of Alcinous and Solomon,

that they may be thought curious and interesting. Homer was familiar

with the names of Tyre, Sidon, and Egypt; and, as he lived about the

time of Solomon, it would not have been extraordinary if he had

introduced some account of the magnificence of that prince into his

poem. As Solomon was famous for wisdom, so the name of Alcinous

signifies strength of knowledge; as the gardens of Solomon were

celebrated, so are those of Alcinous ('Od'. 7. 112); as the kingdom of

Solomon was distinguished by twelve tribes under twelve princes (1

Kings ch. 4), so that of Alcinous ('Od'. 8. 390) was ruled by an equal

number: as the throne of Solomon was supported by lions of gold (1

Kings ch. 10), so that of Alcinous was placed on dogs of silver and

gold ('Od'. 7. 91); as the fleets of Solomon were famous, so were

those of Alcinous. It is perhaps worthy of remark, that Neptune sate

on the mountains of the SOLYMI, as he returned from Æthiopia to Ægæ,

while he raised the tempest which threw Ulysses on the coast of

Phæacia; and that the Solymi of Pamphylia are very considerably

distant from the route.--The suspicious character, also, which

Nausicaa attributes to her countryman agrees precisely with that which

the Greeks and Romans gave of the Jews."

The seventh chapter contains a description of the Monastery of Kathara,

and several adjacent places. The eighth, among other curiosities, fixes

on an imaginary site for the Farm of Laertes; but this is the agony of

conjecture indeed!--and the ninth chapter mentions another Monastery,

and a rock still called the School of Homer. Some sepulchral

inscriptions of a very simple nature are included.--The tenth and last

chapter brings us round to the Port of Schoenus, near Bathi; after we

have completed, seemingly in a very minute and accurate manner, the tour

of the island.

We can certainly recommend a perusal of this volume to every lover of

classical scene and story. If we may indulge the pleasing belief that

Homer sang of a real kingdom, and that Ulysses governed it, though we

discern many feeble links in Mr. Gell's chain of evidence, we are on the

whole induced to fancy that this is the Ithaca of the bard and of the

monarch. At all events, Mr. Gell has enabled every future traveller to

form a clearer judgment on the question than he could have established

without such a "Vade-mecum to Ithaca," or a "Have with you, to the House

of Ulysses," as the present. With Homer in his pocket, and Gell on his

sumpter-horse or mule, the Odyssean tourist may now make a very

classical and delightful excursion; and we doubt not that the advantages

accruing to the Ithacences, from the increased number of travellers who

will visit them in consequence of Mr. Gell's account of their country,

will induce them to confer on that gentleman any heraldic honours which

they may have to bestow, should he ever look in upon them again.--'Baron

Bathi' would be a pretty title:--

"'Hoc' Ithacus 'velit, et magno mercentur Atridae'."

VIRGIL.

For ourselves, we confess that all our old Grecian feelings would be

alive on approaching the fountain of Melainudros, where, as the

tradition runs, or as the priests relate, Homer was restored to sight.

We now come to the "Grecian Patterson," or "Cary," which Mr. Gell has

begun to publish; and really he has carried the epic rule of concealing

the person of the author to as great a length as either of the

above-mentioned heroes of itinerary writ. We hear nothing of his

"hair-breadth 'scapes" by sea or land; and we do not even know, for the

greater part of his journey through Argolis, whether he relates what he

has seen or what he has heard. From other parts of the book, we find the

former to be the case; but, though there have been tourists and

"strangers" in other countries, who have kindly permitted their readers

to learn rather too much of their sweet selves, yet it is possible to

carry delicacy, or cautious silence, or whatever it may be called, to

the contrary extreme. We think that Mr. Gell has fallen into this error,

so opposite to that of his numerous brethren. It is offensive, indeed,

to be told what a man has eaten for dinner, or how pathetic he was on

certain occasions; but we like to know that there is a being yet living

who describes the scenes to which he introduces us; and that it is not a

mere translation from Strabo or Pausanias which we are reading, or a

commentary on those authors. This reflection leads us to the concluding

remark in Mr. Gell's preface (by much the most interesting part of his

book) to his 'Itinerary of Greece', in which he thus expresses himself:--

"The confusion of the modern with the ancient names of places in this

volume is absolutely unavoidable; they are, however, mentioned in such

a manner, that the reader will soon be accustomed to the

indiscriminate use of them. The necessity of applying the ancient

appellations to the different routes, will be evident from the total

ignorance of the public on the subject of the modern names, which,

having never appeared in print, are only known to the few individuals

who have visited the country.

"What could appear less intelligible to the reader, or less useful to

the traveller, than a route from Chione and Zaracca to Kutchukmadi,

from thence by Krabata to Schoenochorio, and by the mills of Peali,

while every one is in some degree acquainted with the names of

Stymphalus, Nemea, Mycenæ, Lyrceia, Lerna, and Tegea?"

Although this may be very true inasmuch as it relates to the reader, yet

to the traveller we must observe, in opposition to Mr. Gell, that

nothing can be less useful than the designation of his route according

to the ancient names. We might as well, and with as much chance of

arriving at the place of our destination, talk to a Hounslow post-boy

about making haste to 'Augusta', as apply to our Turkish guide in modern

Greece for a direction to Stymphalus, Nemea, Mycenæ, etc., etc. This is

neither more nor less than classical affectation; and it renders Mr.

Gell's book of much more confined use than it would otherwise have

been:--but we have some other and more important remarks to make on his

general directions to Grecian tourists; and we beg leave to assure our

readers that they are derived from travellers who have lately visited

Greece. In the first place, Mr. Cell is absolutely incautious enough to

recommend an interference on the part of English travellers with the

Minister at the Porte, in behalf of the Greeks.

"The folly of such neglect (page 16, preface), in many instances,

where the emancipation of a district might often be obtained by the

present of a snuff-box or a watch, at Constantinople, _and without the

smallest danger of exciting the jealousy of such a court as that of

Turkey_, will be acknowledged when we are no longer able to rectify

the error."

We have every reason to believe, on the contrary, that the folly of half

a dozen travellers, taking this advice, might bring us into a war.

"Never interfere with any thing of the kind," is a much sounder and more

political suggestion to all English travellers in Greece.

Mr. Gell apologizes for the introduction of "his panoramic designs," as

he calls them, on the score of the great difficulty of giving any

tolerable idea of the face of a country in writing, and the ease with

which a very accurate knowledge of it may be acquired by maps and

panoramic designs. We are informed that this is not the case with many

of these designs. The small scale of the single map we have already

censured; and we have hinted that some of the drawings are not

remarkable for correct resemblance of their originals. The two nearer

views of the Gate of the Lions at Mycenæ are indeed good likenesses of

their subject, and the first of them is unusually well executed; but the

general view of Mycenæ is not more than tolerable in any respect; and

the prospect of Larissa, etc., is barely equal to the former. The view

_from_ this last place is also indifferent; and we are positively

assured that there are no windows at Nauplia which look like a box of

dominos,--the idea suggested by Mr. Gell's plate. We must not, however,

be too severe on these picturesque bagatelles, which, probably, were

very hasty sketches; and the circumstances of weather, etc., may have

occasioned some difference in the appearance of the same objects to

different spectators. We shall therefore return to Mr. Gell's preface;

endeavouring to set him right in his directions to travellers, where we

think that he is erroneous, and adding what appears to have been

omitted. In his first sentence, he makes an assertion which is by no

means correct. He says, "_We_ are at present as ignorant of Greece, as

of the interior of Africa." Surely not quite so ignorant; or several of

our Grecian _Mungo Parks_ have travelled in vain, and some very

sumptuous works have been published to no purpose! As we proceed, we

find the author observing that "Athens is 'now' the most polished

city of "Greece," when we believe it to be the most barbarous, even to a

proverb--

[Greek: _O Athaena, pr_otae ch_ora,

Ti gaidarous trepheis t_ora;] [5]

is a couplet of reproach _now_ applied to this once famous city; whose

inhabitants seem little worthy of the inspiring call which was addressed

to them within these twenty years, by the celebrated Riga:--

[Greek: Deute paides t_on Hellaen_on, k.t.l.]

Iannina, the capital of Epirus, and the seat of Ali Pacha's government,

'is' in truth deserving of the honours which Mr. Gell has improperly

bestowed on degraded Athens. As to the correctness of the remark

concerning the fashion of wearing the hair cropped in 'Molossia', as Mr.

Gell informs us, our authorities cannot depose; but why will he use the

classical term of Eleuthero-Lacones, when that people are so much better

known by their modern name of Mainotes? "The court of the Pacha of

Tripolizza" is said "to realise the splendid visions of the Arabian

Nights." This is true with regard to the 'court'; but surely the

traveller ought to have added that the city and palace are most

miserable, and form an extraordinary contrast to the splendour of the

court.--Mr. Gell mentions 'gold' mines in Greece: he should have

specified their situation, as it certainly is not universally known.

When, also, he remarks that "the first article of necessity 'in Greece'

is a firman, or order from the Sultan, permitting the traveller to pass

unmolested," we are much misinformed if he be right. On the contrary, we

believe this to be almost the only part of the Turkish dominions in

which a firman is not necessary; since the passport of the Pacha is

absolute within his territory (according to Mr. G.'s own admission), and

much more effectual than a firman.--

"Money," he remarks, "is easily procured at Salonica, or Patrass, where

the English have consuls." It is much better procured, we understand,

from the Turkish governors, who never charge discount. The consuls for

the English are not of the most magnanimous order of Greeks, and far

from being so liberal, generally speaking; although there are, in

course, some exceptions, and Strané of Patras has been more honourably

mentioned.--After having observed that "horses seem the best mode of

conveyance in Greece," Mr. Gell proceeds: "Some travellers would prefer

an English saddle; but a saddle of this sort is always objected to by

the owner of the horse, _and not without reason_," etc. This, we learn,

is far from being the case; and, indeed, for a very simple reason, an

English saddle must seem to be preferable to one of the country, because

it is much lighter. When, too, Mr. Gell calls the _postillion_

"Menzilgi," he mistakes him for his betters; _Serrugees_ are

postillions; _Menzilgis_ are postmasters.--Our traveller was fortunate

in his Turks, who are hired to walk by the side of the baggage-horses.

They "are certain," he says, "of performing their engagement without

grumbling." We apprehend that this is by no means certain:--but Mr. Gell

is perfectly right in preferring a Turk to a Greek for this purpose; and

in his general recommendation to take a Janissary on the tour: who, we

may add, should be suffered to act as he pleases, since nothing is to be

done by gentle means, or even by offers of money, at the places of

accommodation. A courier, to be sent on before to the place at which the

traveller intends to sleep, is indispensable to comfort; but no tourist

should be misled by the author's advice to suffer the Greeks to gratify

their curiosity, in permitting them to remain for some time about him on

his arrival at an inn. They should be removed as soon as possible; for,

as to the remark that "no stranger would think of intruding when a room

is pre-occupied," our informants were not so well convinced of that

fact.

Though we have made the above exceptions to the accuracy of Mr. Gell's

information, we are most ready to do justice to the general utility of

his directions, and can certainly concede the praise which he is

desirous of obtaining,--namely, "of having facilitated the researches of

future travellers, by affording that local information which it was

before impossible to obtain." This book, indeed, is absolutely necessary

to any person who wishes to explore the Morea advantageously; and we

hope that Mr. Gell will continue his Itinerary over that and over every

other part of Greece. He allows that his volume "is only calculated to

become a book of reference, and not of general entertainment;" but we do

not see any reason against the compatibility of both objects in a survey

of the most celebrated country of the ancient world. To that country, we

trust, the attention not only of our travellers, but of our legislators,

will hereafter be directed. The greatest caution will, indeed, be

required, as we have premised, in touching on so delicate a subject as

the amelioration of the possessions of an ally: but the field for the

exercise of political sagacity is wide and inviting in this portion of

the globe; and Mr. Gell, and all other writers who interest us, however

remotely, in its extraordinary _capabilities_, deserve well of the

British empire. We shall conclude by an extract from the author's work:

which, even if it fails of exciting that general interest which we hope

most earnestly it may attract towards its important subject, cannot, as

he justly observes, "be entirely uninteresting to the scholar;" since it

is a work "which gives him a faithful description of the remains of

cities, the very existence of which was doubtful, as they perished

before the æra of authentic history." The subjoined quotation is a good

specimen of the author's minuteness of research as a topographer; and we

trust that the credit which must accrue to him from the present

performance will ensure the completion of his _Itinerary_:--

"The inaccuracies of the maps of Anacharsis are in many respects very

glaring. The situation of Phlius is marked by Strabo as surrounded by

the territories of Sicyon, Argos, Cleonæ, and Stymphalus. Mr. Hawkins

observed, that Phlius, the ruins of which still exist near Agios

Giorgios, lies in a direct line between Cleonæ and Stymphalus, and

another from Sicyon to Argos; so that Strabo was correct in saying

that it lay between those four towns; yet we see Phlius, in the map of

Argolis by M. Barbie du Bocage, placed ten miles to the north of

Stymphalus, contradicting both history and fact. D'Anville is guilty

of the same error.

"M. du Bocage places a town named Phlius, and by him Phlionte, on the

point of land which forms the port of Drepano; there are not at

present any ruins there. The maps of D'Anville are generally more

correct than any others where ancient geography is concerned. A

mistake occurs on the subject of Tiryns, and a place named by him

Vathia, but of which nothing can be understood. It is possible that

Vathi, or the profound valley, may be a name sometimes used for the

valley of Barbitsa, and that the place named by D'Anville Claustra may

be the outlet of that valley called Kleisoura, which has a

corresponding signification.

"The city of Tiryns is also placed in two different positions, once by

its Greek name, and again as Tirynthus. The mistake between the

islands of Sphæria and Calaura has been noticed in page 135. The

Pontinus, which D'Anville represents as a river, and the Erasinus, are

equally ill placed in his map. There was a place called Creopolis,

somewhere toward Cynouria; but its situation is not easily fixed. The

ports called Bucephalium and Piræus seem to have been nothing more

than little bays in the country between Corinth and Epidaurus. The

town called Athenæ, in Cynouria, by Pausanias, is called Anthena by

'Thucydides', book 5. 41.

"In general, the map of D'Anville will be found more accurate than

those which have been published since his time; indeed, the mistakes

of that geographer are in general such as could not be avoided without

visiting the country. Two errors of D'Anville may be mentioned, lest

the opportunity of publishing the itinerary of Arcadia should never

occur. The first is, that the rivers Malætas and Mylaon, near

Methydrium, are represented as running toward the south, whereas they

flow northwards to the Ladon; and the second is, that the Aroanius,

which falls into the Erymanthus at Psophis, is represented as flowing

from the lake of Pheneos; a mistake which arises from the ignorance of

the ancients themselves who have written on the subject. The fact is

that the Ladon receives the waters of the lakes of Orchomenos and

Pheneos; but the Aroanius rises at a spot not two hours distant from

Psophis."

In furtherance of our principal object in this critique, we have only to

add a wish that some of our Grecian tourists, among the fresh articles

of information concerning Greece which they have lately imported, would

turn their minds to the language of the country. So strikingly similar

to the ancient Greek is the modern Romaic as a written language, and so

dissimilar in sound, that even a few general rules concerning

pronunciation would be of most extensive use.

END OF VOL. I.

The Works of Lord Byron: Letters and Journals. Vol. 1 · 第 5 / 5 章