Chapter IX.

It was a turning-point in Mercy's life when she met Parson Dorrance. Here

at last was a man who had strength enough to influence her, culture enough

to teach her, and the firm moral rectitude which her nature so inexorably

demanded. During the first few weeks of their acquaintance, Mercy was

conscious of an insatiable desire to be in his presence: it was an

intellectual and a moral thirst. Nothing could be farther removed from the

absorbing consciousness which passionate love feels of its object, than

was this sentiment she felt toward Parson Dorrance. If he had been a being

from another planet, it could not have been more so. In fact, it was very

much as if another planet had been added to her world,--a planet which

threw brilliant light into every dark corner of this one. She questioned

him eagerly. Her old doubts and perplexities, which Mr. Allen's narrower

mind had been unable to comprehend or to help, were now set at rest and

cleared up by a spiritual vision far keener than her own. Her mind was fed

and trained by an intellect so much stronger than her own that it

compelled her assent and her allegiance. She came to him almost as a

maiden, in the ancient days of Greece, would have gone to the oracle of

the holiest shrine. Parson Dorrance in his turn was as much impressed by

Mercy; but he was never able to see in her simply the pupil, the

questioner. To him she was also a warm and glowing personality, a young

and beautiful woman. Parson Dorrance's hair was white as snow; but his

eyes were as keen and dark as in his youth, his step as firm, and his

pulse as quick. Long before he dreamed of such a thing, he might have

known, if he had taken counsel of his heart, that Mercy was becoming to

him the one woman in the world. There was always this peculiarity in

Mercy's influence upon all who came to love her. She was so unique and

incalculable a person that she made all other women seem by comparison

with her monotonous and wearying. Intimacy with her had a subtle flavor to

it, by which other flavors were dulled. The very impersonality of her

enthusiasms and interests, her capacity for looking on a person for the

time being merely as a representative or mouth-piece, so to speak, of

thoughts, of ideas, of narrations, was one of her strongest charms. By

reason of this, the world was often unjust to her in its comments on her

manner, on her relations with men. The world more than once accused her

uncharitably of flirting. But the men with whom she had friendships knew

better; and now and then a woman had the insight to be just to her, to see

that she was quite capable of regarding a human being as objectively as

she would a flower or a mountain or a star. The blending of this trait in

her with the strong capacity she had for loving individuals was singular;

not more so, perhaps, than the blending of the poetic temperament with the

active, energetic, and practical side of her nature.

It was not long before her name began to be mentioned in connection with

Parson Dorrance's, by the busy tongues which are always in motion in small

villages. It was not long, moreover, before a thought and a hope, in which

both these names were allied, crept into the heart of Lizzy Hunter.

"Oh," she thought, "if only Uncle Dorrance would marry Mercy, how happy I

should be, she would be, every one would be."

No suspicion of the relation in which Mercy stood to Stephen White had

ever crossed Mrs. Hunter's mind. She had never known Stephen until

recently; and his manner towards her had been from the outset so chilled

and constrained by his unconscious jealousy of every new friend Mercy

made, that she had set him down in her own mind as a dull and surly man,

and rarely thought of him. And, as one of poor Mercy's many devices for

keeping up with her conscience a semblance of honesty in the matter of

Stephen was the entire omission of all reference to him in her

conversation, nothing occurred to remind her friends of him. Parson

Dorrance, indeed, had said to her one day,--

"You never speak of Mr. White, Mercy. Is he an agreeable and kind

landlord?"

Mercy started, looked bewilderedly in the Parson's face, and repeated his

words mechanically,--

"Landlord?" Then recollecting herself, she exclaimed, "Oh, yes! we do pay

rent to him; but it was paid for the whole year in advance, and I had

forgotten all about it."

Parson Dorrance had had occasion to distrust Stephen's father, and he

distrusted the son. "Advance? advance?" he exclaimed. "Why did you do

that, child? That was all wrong."

"Oh, no!" said Mercy, eagerly. "I had the money, and it made no difference

to me; and Mr. Allen told me that Mr. White was in a great strait for

money, so I was very glad to give it to him. Such a mother is a terrible

burden on a young man," and Mercy continued talking about Mrs. White,

until she had effectually led the conversation away from Stephen.

When Lizzy Hunter first began to recognize the possibility of her Uncle

Dorrance's loving her dear friend Mercy, she found it very hard to

refrain, in her talks with Mercy, from all allusions to such a

possibility. But she knew instinctively that any such suggestion would

terrify Mercy, and make her withdraw herself altogether. So she contented

herself with talking to her in what she thought were safe generalizations

on the subject of marriage. Lizzy Hunter was one of the clinging,

caressing, caressable women, who nestle into men's affections as kittens

nestle into warm corners, and from very much the same motives,--love of

warmth and shelter, and of being fondled. To all these instincts in Lizzy,

however, were added a really beautiful motherliness and great loyalty of

affection. If the world held more such women, there would be more happy

children and contented husbands.

"Mercy," said she one afternoon, earnestly, "Mercy, it makes me perfectly

wretched to have you say so confidently that you will never be married.

You don't know what you are talking about: you don't realize in the least

what it is for a woman to live alone and homeless to the end of her days."

"I never need be homeless, dear," said Mercy. "I shall always have a home,

even after mother is no longer with me; and I am afraid that is very near,

she has failed so much this past summer. But, even if I were all alone, I

should still keep my home."

"A house isn't a home, Mercy!" exclaimed Lizzy. Of course you can always

be comfortable, so far as a roof and food go towards comfort."

"And that's a great way, my Lizzy," interrupted Mercy, laughing,--"a great

way. No husband could possibly take the place of them, could he?"

"Now, Mercy, don't talk so. You know very well what I mean," replied

Lizzy. "It is so forlorn for a woman not to have anybody need her, not to

have anybody to love her more than he loves all the rest of the world, and

not to have anybody to love herself. Oh, Mercy, I don't see how any woman

lives without it!"

The tears came into Mercy's eyes. There were depths of lovingness in her

soul of which a woman like Lizzy could not even dream. But she spoke in a

resolute tone, and she spoke very honestly, too, when she said,--

"Well, I don't see how any woman can help living very well without it, if

it doesn't come to her. I don't see how any human being--man or woman,

single or married--can help being glad to be alive under any conditions.

It is such a glorious thing to have a soul and a body, and to get the most

out of them. Just from the purely selfish point of view, it seems to me a

delight to live; and when you look at it from a higher point, and think

how much each human being can do for those around him, why, then it is

sublime. Look at Parson Dorrance, Lizzy! Just think of the sum of the

happiness that man has created in this world! He isn't lonely. He couldn't

think of such a thing."

"Yes, he is, too,--I know he is," said Lizzy, impetuously. "The very way

he takes up my children and hugs them and kisses them shows that he longs

for a home and children of his own."

"I think not," replied Mercy. "It is all part of the perpetual overflow of

his benevolence. He can't pass by a living creature, if it is only a dog,

without a desire to give it a moment's happiness. Of happiness for himself

he never thinks, because he is on a plane above happiness,--a plane of

perpetual joy." Mercy hesitated, paused, and then went on, "I don't mean

to be irreverent, but I could never think of his needing personal

ministrations to his own happiness, any more than I could think of God's

needing them. I think he is on a plane as absolutely above such needs as

God is. Not so high above, but as absolutely."

"How are you so sure God is above it?" said Lizzy, timidly. "I can't

conceive of God's being happy if nobody loved him."

Mercy was startled by these words from Lizzy, who rarely questioned and

never philosophized. She opened her lips to reply with a hasty reiteration

of her first sentiment, but the words died even before they were spoken,

arrested by her sudden consciousness of the possibility of a grand truth

underlying Lizzy's instinct. If that were so, did it not lie out far

beyond every fact in life, include and control them all, as the great

truth of gravitation outlies and embraces the physical universe? Did God

so need as well as so love the world, that he gave his only begotten Son

for it? Is this what it meant to be "one with God"? Then, if the great,

illimitable heart of God thus yearns for the love of his creatures, the

greater the heart of a human being, the more must he yearn for a fulness

of love, a completion of the cycle of bonds and joys for which he was

made. From these simple words of a loving woman's heart had flashed a

great light into Mercy's comprehension of God. She was silent for some

moments; then she said solemnly,--

"That was a great thought you had then, Lizzy. I never saw it in that

light before. I shall never forget it. Perhaps you are right about the

Parson, too. I wonder if there is any thing he does long for? If there is,

I would die to give it to him,--I know that."

It was very near Lizzy's lips to say, "If you would live to give it to

him, it would be more to the purpose, perhaps;" but she wisely forbore and

they parted in silence, Mercy absorbed in thinking of this new view of

God's relation to man, and Lizzy hoping that Mercy was thinking of Parson

Dorrance's need of a greater happiness than he possessed.

As Mercy's circle of friends widened, and her interests enlarged and

deepened, her relation to Stephen became at once easier and harder:

easier, because she no longer spent so many hours alone in perplexed

meditation as to the possible wrong in it; harder, because he was

frequently unreasonable, jealous of the pleasure that he saw she found in

others, jealous of the pleasure she gave to others,--jealous, in short, of

every thing in which he was not her centre. Mercy was very patient with

him. She loved him unutterably. She never forgot for an instant the quiet

heroism with which he bore his hard life. As the months had gone on, she

had gradually established a certain kindly familiarity with his mother;

going in often to see her, taking her little gifts of flowers or fruit,

and telling her of all little incidents which might amuse her. She seemed

to herself in this way to be doing a little towards sharing Stephen's

burden; and she also felt a certain bond to the woman who, being Stephen's

mother, ought to have been hers by adoption. The more she saw of Mrs.

White's tyrannical, exacting nature, the more she yearned over Stephen.

Her first feeling of impatience with him, of resentment at the seeming

want of manliness in such subjection, had long ago worn away. She saw that

there were but two courses for him,--either to leave the house, or to buy

a semblance of peace at any cost.

"Flesh and blood can't stand up agin Mis' White," said Marty one day, in

an irrepressible confidence to Mercy. "An' the queerest thing is, that

she'll never let go on you. There ain't nothin' to hender my goin' away

any day, an' there hain't been for twenty year; but she sez I'm to stay

till she dies, an' I don't make no doubt I shall. It's Mister Stephen I

stay for, though, after all, more 'n 't is her. I don't believe the Lord

ever made such a man."

Mercy's cheeks would burn after such a talk as this; and she would lavish

upon Stephen every device of love and cheer which she could invent, to

atone to him by hours, if possible, for the misery of days.

But the hours were few and far between. Stephen's days were filled with

work, and his evenings were his mother's. Only after she slept did he have

freedom. Just as soon as it was safe for him to leave the house, he flew

to Mercy; but, oh, how meagre and pitiful did the few moments seem!

"Hardly long enough to realize that I am with you, my darling," he often

said.

"But then it is every day, Stephen,--think of that," Mercy would reply,

bent always on making all things easier instead of harder for him. Even

the concealment, which was at times well-nigh insupportable to her, she

never complained of now. She had accepted it. "And, after accepting it, I

have no right to reproach him with it: it would be base," she thought.

Nevertheless, it was slowly wearing away the very foundations of her

peace. The morning walks had long been given up. Mercy had been resolute

about this. When she found Stephen insisting upon going in by-ways and

lanes, lest some one should see them who might mention it to his mother,

when he told her that she must not speak of it to her own mother, she said

firmly,--

"This must end, Stephen. How hard it is to me to give it up you know very

well. It is like the sunrise to my day, always, these moments with you.

But I will not multiply concealments. It makes me guilty and ashamed all

the time. Don't urge me to any such thing; for I am not sure that too much

of it would not kill my love for you. Let us be patient. Chance will do a

good deal for us; but I will not plan to meet clandestinely. Whenever you

can come to our house, that is different. It distresses me to have you do

that and never tell of it; but that is yours and not mine, if any thing

can be yours and not mine," she added sadly. Stephen had not heard the

last words.

"Kill your love for me, Mercy!" he exclaimed. "Are you really afraid of

that?"

"No, not kill my love for you," replied Mercy, "I think nothing could do

that, but kill all my joy in my love for you; and that would be as

terrible to you as if the love were killed. You would not know the

difference, and I should not be able to make you see it."

It was a strange thing that with all Stephen's jealousy of Mercy's

enlarged and enlarging life, of her ever-widening circle of friends, he

had no especial jealousy of Parson Dorrance. The Parson was Mercy's only

frequent visitor; and Stephen knew very well that he had become her

teacher and her guide, that she referred every question to his decision,

and was guided implicitly by his taste and wish in her writing and in her

studies. But, when Stephen was a boy in college, Parson Dorranee had

seemed to him an old man; and he now seemed venerable. Stephen could not

have been freer from a lover's jealousy of him, if he had been Mercy's own

father. Perhaps, if his instinct had been truer, it might have quickened

Mercy's. She was equally unaware of the real nature of the Parson's regard

for her. He did for her the same things he did for Lizzy, whom he called

his child. He came to see her no oftener, spoke to her no more

affectionately: she believed that she and Lizzy were sisters together in

his fatherly heart.

When she was undeceived, the shock was very great: it was twofold,--a

shock to her sense of loyalty to Stephen, a shock to her tender love for

Parson Dorrance. It was true, as she had said to Lizzy, that she would

have died to give him a pleasure; and yet she was forced to inflict on him

the hardest of all pains. Every circumstance attending it made it harder;

made it seem to Mercy always in after life, as she looked back upon it,

needlessly hard,--cruelly, malignantly hard.

It was in the early autumn. The bright colors which had thrilled Mercy

with such surprise and pleasure on her first arrival in Penfield were

glowing again on the trees, it seemed to her brighter than before. Purple

asters and golden-rod waved on the roadsides and in the fields; and blue

gentians, for which Penfield was famous, were blooming everywhere. Parson

Dorrance came one day to take Lizzy and Mercy over to his "Parish," as he

called "The Cedars." They had often been with him there; and Mercy had

been for a long time secretly hoping that he would ask her to help him in

teaching the negroes. The day was one of those radiant and crystalline

days peculiar to the New England autumn. On such days, joy becomes

inevitable even to inert and lifeless natures: to enthusiastic and

spontaneous ones, the exhilaration of the air and the sun is as

intoxicating as wine. Mercy was in one of her most mirthful moods. She

frolicked with the negro children, and decked their little woolly heads

with wreaths of golden-rod, till they looked as fantastic as dancing

monkeys. She gathered great sheaves of ferns and blue gentians and asters,

until the Parson implored her to "leave a few just for the poor sun to

shine on." The paths winding among "The Cedars" were in some places

thick-set with white eupatoriums, which were now in full, feathery flower,

some of them so old that, as you brushed past them, a cloud of the fine

thread-like petals flew in all directions. Mercy gathered branch after

branch of these, but threw them away impatiently, as the flowers fell off,

leaving the stems bare.

"Oh, dear!" she exclaimed. "Nature wants some seeds, I suppose; but I want

flowers. What becomes of the poor flower, any way? it lives such a short

while; all its beauty and grace sacrificed to the making of a seed for

next year."

"That's the way with every thing in life, dear child," said Parson

Dorrance. "The thing that shall be is the thing for which all the powers

of nature are at work. We, you and Lizzy and I, will drop off our stems

presently,--I, a good deal the first, for you and Lizzy have the blessing

of youth, but I am old."

"You are not old! You are the youngest person I know," exclaimed Mercy,

impetuously. "You will never be old, Mr. Dorrance, not if you should live

to be as old as--as old as the Wandering Jew!"

Mercy's eyes were fixed intently on the Parson's face; but she did not

note the deep flush which rose to his very hair, as she said these words.

She was thinking only of the glorious soul, and seeing only its shining

through the outer tabernacle. Lizzy Hunter, however, saw the flush, and

knew what it meant, and her heart gave a leap of joy. "Now he can see that

Mercy never thinks of him as an old man, and never would," she thought to

herself; and while her hands were idly playing with her flowers and

mosses, and her face looked as innocent and care-free as a baby's, her

brain was weaving plots of the most complicated devices for hastening on

the future which began to look to her so assured for these two.

They were sitting on a mossy mound in the shadow of great cedar-trees. The

fields around "The Cedars" were filled with low mounds, like velvet

cushions: some of them were merely a mat of moss over great rocks; some of

them were soft yielding masses of moss, low cornel, blueberry-bushes,

wintergreen, blackberry-vines, and sweet ferns; dainty, fragrant, crowded

ovals, lovelier than any florist could ever make; white and green in the

spring, when the cornels were in flower; scarlet and green and blue in the

autumn, when the cornels and the blueberries were in fruit.

Mercy was sitting on a mound which was thick-grown with the shining

wintergreen. She picked a stem which had a cluster of red berries on it,

and below the berries one tiny pink blossom. As she held it up, the

blossom fell, leaving a tiny satin disk behind it on its stem. She took

the bell and tried to fit it again on its place; then she turned it over

and over, held it up to the light and looked through it. "It makes me

sad," she said: "I wish I knew if the flower knows any thing about the

fruit. If it were working to that end all the while, and so were content

to pass on and make room, it would seem all right. But I don't want to

pass on and make room! I do so like to be here!"

Parson Dorrance looked from one woman's face to the other, both young,

both lovely: Lizzy's so full of placid content, unquestioning affection,

and acceptance; Mercy's so full of mysterious earnestness, far-seeing

vision, and interpretation.

"What a lot lies before that gifted creature," he said to himself, "if

life should go wrong with her! If only I might dare to take her fate into

my hands! I do not believe any one else can do for her what I could, if I

were only younger." And the Parson sighed.

That night he stayed in Penfield at Lizzy's house. The next morning, on

his way to Danby, he stopped to see Mercy for a moment. When he entered

her door, he had no knowledge of what lay before him; he had not yet said

to himself, had not yet dared to say to himself, that he would ask Mercy

to be his wife. He knew that the thought of it was more and more present

with him, grew sweeter and sweeter; yet he had never ceased resisting it,

saying that it was impossible. That is, he had never ceased saying so in

words; but his heart had ceased resisting long ago. Only that traitor

which we call judgment had been keeping up a false show of resolute

opinion, just to lure the beguiled heart farther and farther on in a

mistaken security.

But love is like the plants. It has its appointed days for flowers and for

the falling of the flowers. The vague, sweetness of the early hours and

days together, the bright happiness of the first close intimacy and

interchange,--these reach their destined moment, to pass on and make room

for the harvest. Blessed are the lives in which all these sweet early

petals float off gently and in season for the perfect setting of the holy

fruit!

On this morning, when Parson Dorrance entered Mercy's room, it was already

decorated as if for a festival. Every blooming thing she had brought from

"The Cedars" the day before had taken its own place in the room, and

looked as at home as it had looked in the fields. One of Mercy's great

gifts was the gift of creating in rooms a certain look which it is hard to

define. The phrase "vitalized individuality," perhaps, would come as near

describing it as is possible; for it was not merely that the rooms looked

unlike other rooms. Every article in them seemed to stand in the place

where it must needs stand by virtue of its use and its quality. Every

thing had a certain sort of dramatic fitness, without in the least

trenching on the theatrical. Her effects were always produced with simple

things, in simple ways; but they resulted in an impression of abundance

and luxury. As Parson Dorrance glanced around at all the wild-wood beauty,

and the wild-wood fragrance stole upon his senses, a great mastering wave

of love for the woman whose hand had planned it all swept over him. He

recalled Mercy's face the day before, when she had said,--

"You are the youngest person I know;" and, as she crossed the threshold of

the door at that instant, he went swiftly towards her with outstretched

hands, and a look on his face which, if she had seen, she could not have

failed to interpret aright.

But she was used to the outstretched hands; she always put both her own in

them, as simply as a child; and she was bringing to her teacher now a

little poem, of which her thoughts were full. She did not look fully in

his face, therefore; for it was still a hard thing for her to show him her

verses.

Holding out the paper, she said shyly,--

"It had to get itself said or sung, you know,--that thought that haunted

me so yesterday at 'The Cedars.' I daresay it is very bad poetry, though."

Parson Dorrance unfolded the paper, and read the following poem:--

WHERE?

My snowy eupatorium has dropped

Its silver threads of petals in the night;

No sound told me its blossoming had stopped;

Its seed-films flutter, silent, ghostly white:

No answer stirs the shining air,

As I ask, "Where?"

Beneath the glossy leaves of wintergreen

Dead lily-bells lie low, and in their place

A rounded disk of pearly pink is seen,

Which tells not of the lily's fragrant grace:

No answer stirs the shining air,

As I ask "Where?"

This morning's sunrise does not show to me

Seed-film or fruit of my sweet yesterday;

Like falling flowers, to realms I cannot see

Its moments floated silently away:

No answer stirs the shining air,

As I ask, "Where?"

As he read the last verse, his face altered. Mercy was watching him.

"I thought you wouldn't like the last verse," she said eagerly. "But,

indeed, it doesn't mean doubt. I know very well no day dies; but we can't

see the especial good of each single day by itself. That is all I meant."

Parson Dorrance came closer to Mercy: they were both standing. He laid one

hand on her' head, and said,--

"Child, it was a 'sweet yesterday' wasn't it?"

"Oh, yes," said Mercy, still absorbed in the thought of the poem. "The

day was as sweet as the flowers. But all days are heavenly sweet out of

doors with you and Lizzy," she continued, lifting one hand, and laying it

caressingly on the hand which was stroking her hair.

"O Mercy! Mercy! couldn't I make all days sweet for you? Come to me,

darling, and let me try!" came from Parson Dorrance's lips in hurried and

husky tones.

Mercy looked at him for one second in undisguised terror and bewilderment.

Then she uttered a sharp cry, as of one who had suddenly got a wound, and,

burying her face in her hands, sank into a chair and began to cry

convulsively.

Parson Dorrance walked up and down the room. He dared not speak. He was

not quite sure what Mercy's weeping meant; so hard is it, for a single

moment, to wrench a great hope out of a man's heart. But, as she continued

sobbing, he understood. Unselfish to the core, his first thought was, even

now, "Alas! now she will never let me do any thing more for her. Oh, how

shall I win her back to trust me as a father again?"

"Mercy!" he said. Mercy did not answer nor look up.

"Mercy!" he repeated in a firmer tone. "Mercy, my child, look up at me!"

Docile from her long habit and from her great love, Mercy looked up, with

the tears streaming. As soon as she saw Parson Dorrance's face, she burst

again into more violent crying, and sobbed out incoherently,--

"Oh! I never knew it. It wouldn't be right."

"Hush, dear! Hush!" said the Parson, in a voice of tender authority. "I

have done wrong; and you must forgive me, and forget it. You are not in

the least to blame. It is I who ought to have known that you could never

think of me as any thing but a father."

"Oh! it is not that," sobbed Mercy, vehemently,--"it is not that at all!

But it wouldn't be right."

Parson Dorrance would not have been human if Mercy's vehement "It is not

that,--it is not that!" had not fallen on his ear gratefully, and made

hope stir in his heart again. But her evident grief was too great for the

hope to last a moment.

"You may not know why it seems so wrong to you, dear child," he continued;

"but that is the real reason. There could be no other." He paused. Mercy

shuddered, and opened her lips to speak again; but the words refused to be

uttered. This was the supreme moment of pain. If she could but have

said,--

"I loved some one else long before I saw you. I was not my own. If it had

not been for that, I should have loved you, I know I should!" Even in her

tumult of suffering, she was distinctly conscious of all this. The words

"I could have loved him, I know I could! I can't bear to have him think it

is because he is so old," went clamoring in her heart, pleading to be

said; but she dared not say them.

Tenderly and patiently Parson Dorrance endeavored to soothe her, to

convince her that his words sprung from a hasty impulse which he would be

able wholly to put aside and forget. The one thing that he longed now to

do, the only reparation that he felt was left for him to make to her, was

to enable her, if possible, to look on him as she had done before. But

Mercy herself made this more difficult. Suddenly wiping her tears, she

looked very steadily into his face, and said slowly,--"It is not of the

least use, Mr. Dorrance, for you to say this sort of thing to me. You

can't deceive me. I know exactly how you love me, and how you always will

love me. And, oh, I wish I were dead! It can never be any thing but pain

to you to see me,--never," and she wept more bitterly than before.

"You do not know me, Mercy," replied the Parson, speaking as slowly as she

had done. "All my life has been one long sacrifice of my own chief

preferences. It is not hard for me to do it."

Mercy clasped her hands tighter, and groaned,--

"Oh, I know it! I know it! and I said you were on a plane above all

thought of personal happiness."

The Parson looked bewildered, but went on,--

"You do love me, my child, very dearly, do you not?"

"Oh, you know I do!" cried Mercy. "You know I do!"

"Yes, I know you do, or I should not have said that. You know I am all

alone in the world, do you not?"

"Yes," moaned Mercy.

"Very well. Now remember that you and Lizzy are my two children, and that

the greatest happiness I can have, the greatest help in my loneliness, is

the love of my two daughters. You will not refuse me this help, will you?

You will let me be just as I was before, will you not?"

Mercy did not answer.

"Will you try, Mercy?" he said in a tone almost of the old affectionate

authority; and Mercy again moaned rather than said,--

"Yes."

Then Parson Dorrance kissed her hair where his hand had lain a few moments

before, and said,--

"Now I must go. Good-by, my child."

But Mercy did not look up; and he closed the door gently, leaving her

sitting there bowed and heart-stricken, in the little room so gay with the

bright flowers she had gathered on her "sweet yesterday."

Mercy Philbrick's Choice · 第 9 / 13 章