ACT II

_A courtyard before the columned portico of a temple. The temple door

is in the middle of the portico. A veiled and robed woman of majestic

carriage passes along behind the columns towards the entrance. From the

opposite direction a man of compact figure, clean-shaven, saturnine, and

self-centred: in short, very like Napoleon I, and wearing a military

uniform of Napoleonic cut, marches with measured steps; places his hand

in his lapel in the traditional manner; and fixes the woman with his

eye. She stops, her attitude expressing haughty amazement at his

audacity. He is on her right: she on his left._

NAPOLEON [_impressively_] I am the Man of Destiny.

THE VEILED WOMAN [_unimpressed_] How did you get in here?

NAPOLEON. I walked in. I go on until I am stopped. I never am stopped. I

tell you I am the Man of Destiny.

THE VEILED WOMAN. You will be a man of very short destiny if you wander

about here without one of our children to guide you. I suppose you

belong to the Baghdad envoy.

NAPOLEON. I came with him; but I do not belong to him. I belong to

myself. Direct me to the oracle if you can. If not, do not waste my

time.

THE VEILED WOMAN. Your time, poor creature, is short. I will not waste

it. Your envoy and his party will be here presently. The consultation of

the oracle is arranged for them, and will take place according to the

prescribed ritual. You can wait here until they come [_she turns to go

into the temple_].

NAPOLEON. I never wait. [_She stops_]. The prescribed ritual is,

I believe, the classical one of the pythoness on her tripod, the

intoxicating fumes arising from the abyss, the convulsions of the

priestess as she delivers the message of the God, and so on. That sort

of thing does not impose on me: I use it myself to impose on simpletons.

I believe that what is, is. I know that what is not, is not. The antics

of a woman sitting on a tripod and pretending to be drunk do not

interest me. Her words are put into her mouth, not by a god, but by a

man three hundred years old, who has had the capacity to profit by his

experience. I wish to speak to that man face to face, without mummery or

imposture.

THE VEILED WOMAN. You seem to be an unusually sensible person. But there

is no old man. I am the oracle on duty today. I am on my way to take my

place on the tripod, and go through the usual mummery, as you rightly

call it, to impress your friend the envoy. As you are superior to that

kind of thing, you may consult me now. [_She leads the way into the

middle of the courtyard_]. What do you want to know?

NAPOLEON [_following her_] Madam: I have not come all this way to

discuss matters of State with a woman. I must ask you to direct me to

one of your oldest and ablest men.

THE ORACLE. None of our oldest and ablest men or women would dream of

wasting their time on you. You would die of discouragement in their

presence in less than three hours.

NAPOLEON. You can keep this idle fable of discouragement for people

credulous enough to be intimidated by it, madam. I do not believe in

metaphysical forces.

THE ORACLE. No one asks you to. A field is something physical, is it

not. Well, I have a field.

NAPOLEON. I have several million fields. I am Emperor of Turania.

THE ORACLE. You do not understand. I am not speaking of an agricultural

field. Do you not know that every mass of matter in motion carries with

it an invisible gravitational field, every magnet an invisible magnetic

field, and every living organism a mesmeric field? Even you have a

perceptible mesmeric field. Feeble as it is, it is the strongest I have

yet observed in a shortliver.

NAPOLEON. By no means feeble, madam. I understand you now; and I may

tell you that the strongest characters blench in my presence, and submit

to my domination. But I do not call that a physical force.

THE ORACLE. What else do you call it, pray? Our physicists deal with it.

Our mathematicians express its measurements in algebraic equations.

NAPOLEON. Do you mean that they could measure mine?

THE ORACLE. Yes: by a figure infinitely near to zero. Even in us the

force is negligible during our first century of life. In our second it

develops quickly, and becomes dangerous to shortlivers who venture into

its field. If I were not veiled and robed in insulating material you

could not endure my presence; and I am still a young woman: one hundred

and seventy if you wish to know exactly.

NAPOLEON [_folding his arms_] I am not intimidated: no woman alive, old

or young, can put me out of countenance. Unveil, madam. Disrobe. You

will move this temple as easily as shake me.

THE ORACLE. Very well [_she throws back her veil_].

NAPOLEON [_shrieking, staggering, and covering his eyes_] No. Stop. Hide

your face again. [_Shutting his eyes and distractedly clutching at his

throat and heart_] Let me go. Help! I am dying.

THE ORACLE. Do you still wish to consult an older person?

NAPOLEON. No, no. The veil, the veil, I beg you.

THE ORACLE [_replacing the veil_] So.

NAPOLEON. Ouf! One cannot always be at one's best. Twice before in my

life I have lost my nerve and behaved like a poltroon. But I warn you

not to judge my quality by these involuntary moments.

THE ORACLE. I have no occasion to judge of your quality. You want my

advice. Speak quickly; or I shall go about my business.

NAPOLEON [_After a moment's hesitation, sinks respectfully on one knee_]

I--

THE ORACLE. Oh, rise, rise. Are you so foolish as to offer me this

mummery which even you despise?

NAPOLEON [_rising_] I knelt in spite of myself. I compliment you on your

impressiveness, madam.

THE ORACLE [_impatiently_] Time! time! time! time!

NAPOLEON. You will not grudge me the necessary time, madam, when you

know my case. I am a man gifted with a certain specific talent in a

degree altogether extraordinary. I am not otherwise a very extraordinary

person: my family is not influential; and without this talent I should

cut no particular figure in the world.

THE ORACLE. Why cut a figure in the world?

NAPOLEON. Superiority will make itself felt, madam. But when I say I

possess this talent I do not express myself accurately. The truth is

that my talent possesses me. It is genius. It drives me to exercise it.

I must exercise it. I am great when I exercise it. At other moments I am

nobody.

THE ORACLE. Well, exercise it. Do you need an oracle to tell you that?

NAPOLEON. Wait. This talent involves the shedding of human blood.

THE ORACLE. Are you a surgeon, or a dentist?

NAPOLEON. Psha! You do not appreciate me, madam. I mean the shedding of

oceans of blood, the death of millions of men.

THE ORACLE. They object, I suppose.

NAPOLEON. Not at all. They adore me.

THE ORACLE. Indeed!

NAPOLEON. I have never shed blood with my own hand. They kill each

other: they die with shouts of triumph on their lips. Those who die

cursing do not curse me. My talent is to organize this slaughter; to

give mankind this terrible joy which they call glory; to let loose the

devil in them that peace has bound in chains.

THE ORACLE. And you? Do you share their joy?

NAPOLEON. Not at all. What satisfaction is it to me to see one fool

pierce the entrails of another with a bayonet? I am a man of princely

character, but of simple personal tastes and habits. I have the virtues

of a laborer: industry and indifference to personal comfort. But I must

rule, because I am so superior to other men that it is intolerable to

me to be misruled by them. Yet only as a slayer can I become a ruler. I

cannot be great as a writer: I have tried and failed. I have no talent

as a sculptor or painter; and as lawyer, preacher, doctor, or actor,

scores of second-rate men can do as well as I, or better. I am not even

a diplomatist: I can only play my trump card of force. What I can do

is to organize war. Look at me! I seem a man like other men, because

nine-tenths of me is common humanity. But the other tenth is a faculty

for seeing things as they are that no other man possesses.

THE ORACLE. You mean that you have no imagination?

NAPOLEON [_forcibly_] I mean that I have the only imagination worth

having: the power of imagining things as they are, even when I cannot

see them. You feel yourself my superior, I know: nay, you are my

superior: have I not bowed my knee to you by instinct? Yet I challenge

you to a test of our respective powers. Can you calculate what the

methematicians call vectors, without putting a single algebraic symbol

on paper? Can you launch ten thousand men across a frontier and a chain

of mountains and know to a mile exactly where they will be at the end

of seven weeks? The rest is nothing: I got it all from the books at my

military school. Now this great game of war, this playing with armies

as other men play with bowls and skittles, is one which I must go on

playing, partly because a man must do what he can and not what he would

like to do, and partly because, if I stop, I immediately lose my power

and become a beggar in the land where I now make men drunk with glory.

THE ORACLE. No doubt then you wish to know how to extricate yourself

from this unfortunate position?

NAPOLEON. It is not generally considered unfortunate, madam. Supremely

fortunate rather.

THE ORACLE. If you think so, go on making them drunk with glory. Why

trouble me with their folly and your vectors?

NAPOLEON. Unluckily, madam, men are not only heroes: they are also

cowards. They desire glory; but they dread death.

THE ORACLE. Why should they? Their lives are too short to be worth

living. That is why they think your game of war worth playing.

NAPOLEON. They do not look at it quite in that way. The most worthless

soldier wants to live for ever. To make him risk being killed by the

enemy I have to convince him that if he hesitates he will inevitably be

shot at dawn by his own comrades for cowardice.

THE ORACLE. And if his comrades refuse to shoot him?

NAPOLEON. They will be shot too, of course.

THE ORACLE. By whom?

NAPOLEON. By their comrades.

THE ORACLE. And if they refuse?

NAPOLEON. Up to a certain point they do not refuse.

THE ORACLE. But when that point is reached, you have to do the shooting

yourself, eh?

NAPOLEON. Unfortunately, madam, when that point is reached, they shoot

me.

THE ORACLE. Mf! It seems to me they might as well shoot you first as

last. Why don't they?

NAPOLEON. Because their love of fighting, their desire for glory, their

shame of being branded as dastards, their instinct to test themselves in

terrible trials, their fear of being killed or enslaved by the enemy,

their belief that they are defending their hearths and homes, overcome

their natural cowardice, and make them willing not only to risk their

own lives but to kill everyone who refuses to take that risk. But if war

continues too long, there comes a time when the soldiers, and also the

taxpayers who are supporting and munitioning them, reach a condition

which they describe as being fed up. The troops have proved their

courage, and want to go home and enjoy in peace the glory it has earned

them. Besides, the risk of death for each soldier becomes a certainty if

the fighting goes on for ever: he hopes to escape for six months, but

knows he cannot escape for six years. The risk of bankruptcy for the

citizen becomes a certainty in the same way. Now what does this mean for

me?

THE ORACLE. Does that matter in the midst of such calamity?

NAPOLEON. Psha! madam: it is the only thing that matters: the value

of human life is the value of the greatest living man. Cut off that

infinitesimal layer of grey matter which distinguishes my brain from

that of the common man, and you cut down the stature of humanity from

that of a giant to that of a nobody. I matter supremely: my soldiers do

not matter at all: there are plenty more where they came from. If you

kill me, or put a stop to my activity (it is the same thing), the

nobler part of human life perishes. You must save the world from

that catastrophe, madam. War has made me popular, powerful, famous,

historically immortal. But I foresee that if I go on to the end it will

leave me execrated, dethroned, imprisoned, perhaps executed. Yet if I

stop fighting I commit suicide as a great man and become a common one.

How am I to escape the horns of this tragic dilemma? Victory I

can guarantee: I am invincible. But the cost of victory is the

demoralization, the depopulation, the ruin of the victors no less than

of the vanquished. How am I to satisfy my genius by fighting until I

die? that is my question to you.

THE ORACLE. Were you not rash to venture into these sacred islands with

such a question on your lips? Warriors are not popular here, my friend.

NAPOLEON. If a soldier were restrained by such a consideration, madam,

he would no longer be a soldier. Besides [_he produces a pistol_], I

have not come unarmed.

THE ORACLE. What is that thing?

NAPOLEON. It is an instrument of my profession, madam. I raise this

hammer; I point the barrel at you; I pull this trigger that is against

my forefinger; and you fall dead.

THE ORACLE. Shew it to me [_she puts out her hand to take it from him_].

NAPOLEON [_retreating a step_] Pardon me, madam. I never trust my life

in the hands of a person over whom I have no control.

THE ORACLE [_sternly_] Give it to me [_she raises her hand to her

veil_].

NAPOLEON [_dropping the pistol and covering his eyes_] Quarter! Kamerad!

Take it, madam [_he kicks it towards her_]: I surrender.

THE ORACLE. Give me that thing. Do you expect me to stoop for it?

NAPOLEON [_taking his hands from his eyes with an effort_] A poor

victory, madam [_he picks up the pistol and hands it to her_]: there was

no vector strategy needed to win it. [Making a pose of his humiliation]

But enjoy your triumph: you have made me--ME! Cain Adamson Charles

Napoleon! Emperor of Turania! cry for quarter.

THE ORACLE. The way out of your difficulty, Cain Adamson, is very

simple.

NAPOLEON [_eagerly_] Good. What is it?

THE ORACLE. To die before the tide of glory turns. Allow me [_she shoots

him_].

_He falls with a shriek. She throws the pistol away and goes haughtily

into the temple._

NAPOLEON [_scrambling to his feet_] Murderess! Monster! She-devil!

Unnatural, inhuman wretch! You deserve to be hanged, guillotined, broken

on the wheel, burnt alive. No sense of the sacredness of human life! No

thought for my wife and children! Bitch! Sow! Wanton! [_He picks up the

pistol_]. And missed me at five yards! Thats a woman all over.

_He is going away whence he came when Zoo arrives and confronts him

at the head of a party consisting of the British Envoy, the Elderly

Gentleman, the Envoy's wife, and her daughter, aged about eighteen. The

envoy, a typical politician, looks like an imperfectly reformed criminal

disguised by a good tailor. The dress of the ladies is coeval with that

of the Elderly Gentleman, and suitable for public official ceremonies in

western capitals at the XVIII-XIX fin de siècle._

_They file in under the portico. Zoo immediately comes out imperiously

to Napoleon's right, whilst the Envoy's wife hurries effusively to his

left. The Envoy meanwhile passes along behind the columns to the door,

followed by his daughter. The Elderly Gentleman stops just where he

entered, to see why Zoo has swooped so abruptly on the Emperor of

Turania._

ZOO [_to Napoleon, severely_] What are you doing here by yourself? You

have no business to go about here alone. What was that noise just now?

What is that in your hand?

_Napoleon glares at her in speechless fury; pockets the pistol; and

produces a whistle._

THE ENVOY'S WIFE. Arnt you coming with us to the oracle, sire?

NAPOLEON. To hell with the oracle, and with you too [_he turns to go_]!

THE ENVOY'S WIFE} [_together_] {Oh, sire!!

ZOO} {Where are you going?}

NAPOLEON. To fetch the police. [_He goes out past Zoo, almost jostling

her, and blowing piercing blasts on his whistle_].

ZOO [_whipping out her tuning-fork and intoning_] Hallo Galway Central.

[_The whistling continues_]. Stand by to isolate. [_To the Elderly

Gentleman, who is staring after the whistling Emperor_] How far has he

gone?

THE ELDERLY GENTLEMAN. To that curious statue of a fat old man.

ZOO [_quickly, intoning_] Isolate the Falstaff monument isolate hard.

Paralyze--[_the whistling stops_]. Thank you. [_She puts up her

tuning-fork_]. He shall not move a muscle until I come to fetch him.

THE ENVOY'S WIFE. Oh! he will be frightfully angry! Did you hear what he

said to me?

ZOO. Much we care for his anger!

THE DAUGHTER [_coming forward between her mother and Zoo_]. Please,

madam, whose statue is it? and where can I buy a picture postcard of it?

It is so funny. I will take a snapshot when we are coming back; but they

come out so badly sometimes.

ZOO. They will give you pictures and toys in the temple to take away

with you. The story of the statue is too long. It would bore you [_she

goes past them across the courtyard to get rid of them_].

THE WIFE [_gushing_] Oh no, I assure you.

THE DAUGHTER [_copying her mother_] We should be so interested.

ZOO. Nonsense! All I can tell you about it is that a thousand years ago,

when the whole world was given over to you shortlived people, there was

a war called the War to end War. In the war which followed it about ten

years later, hardly any soldiers were killed; but seven of the capital

cities of Europe were wiped out of existence. It seems to have been a

great joke: for the statesmen who thought they had sent ten million

common men to their deaths were themselves blown into fragments with

their houses and families, while the ten million men lay snugly in the

caves they had dug for themselves. Later on even the houses escaped; but

their inhabitants were poisoned by gas that spared no living soul.

Of course the soldiers starved and ran wild; and that was the end of

pseudo-Christian civilization. The last civilized thing that happened

was that the statesmen discovered that cowardice was a great patriotic

virtue; and a public monument was erected to its first preacher, an

ancient and very fat sage called Sir John Falstaff. Well [_pointing_],

thats Falstaff.

THE ELDERLY GENTLEMAN [_coming from the portico to his granddaughter's

right_] Great Heavens! And at the base of this monstrous poltroon's

statue the War God of Turania is now gibbering impotently.

ZOO. Serve him right! War God indeed!

THE ENVOY [_coming between his wife and Zoo_] I don't know any history:

a modern Prime Minister has something better to do than sit reading

books; but--

THE ELDERLY GENTLEMAN [_interrupting him encouragingly_] You make

history, Ambrose.

THE ENVOY. Well, perhaps I do; and perhaps history makes me. I hardly

recognize myself in the newspapers sometimes, though I suppose leading

articles are the materials of history, as you might say. But what I want

to know is, how did war come back again? and how did they make those

poisonous gases you speak of? We should be glad to know; for they might

come in very handy if we have to fight Turania. Of course I am all for

peace, and don't hold with the race of armaments in principle; still, we

must keep ahead or be wiped out.

ZOO. You can make the gases for yourselves when your chemists find out

how. Then you will do as you did before: poison each other until there

are no chemists left, and no civilization. You will then begin all over

again as half-starved ignorant savages, and fight with boomerangs

and poisoned arrows until you work up to the poison gases and high

explosives once more, with the same result. That is, unless we have

sense enough to make an end of this ridiculous game by destroying you.

THE ENVOY [_aghast_] Destroying us!

THE ELDERLY GENTLEMAN. I told you, Ambrose. I warned you.

THE ENVOY. But--

ZOO [_impatiently_] I wonder what Zozim is doing. He ought to be here to

receive you.

THE ELDERLY GENTLEMAN. Do you mean that rather insufferable young man

whom you found boring me on the pier?

ZOO. Yes. He has to dress-up in a Druid's robe, and put on a wig and a

long false beard, to impress you silly people. I have to put on a purple

mantle. I have no patience with such mummery; but you expect it from us;

so I suppose it must be kept up. Will you wait here until Zozim comes,

please [_she turns to enter the temple_].

THE ENVOY. My good lady, is it worth while dressing-up and putting on

false beards for us if you tell us beforehand that it is all humbug?

ZOO. One would not think so; but if you wont believe in anyone who is

not dressed-up, why, we must dress-up for you. It was you who invented

all this nonsense, not we.

THE ELDERLY GENTLEMAN. But do you expect us to be impressed after this?

ZOO. I don't expect anything. I know, as a matter of experience, that

you will be impressed. The oracle will frighten you out of your wits.

[_She goes into the temple_].

THE WIFE. These people treat us as if we were dirt beneath their feet. I

wonder at you putting up with it, Amby. It would serve them right if we

went home at once: wouldnt it, Eth?

THE DAUGHTER. Yes, mamma. But perhaps they wouldnt mind.

THE ENVOY. No use talking like that, Molly. Ive got to see this oracle.

The folks at home wont know how we have been treated: all theyll know

is that Ive stood face to face with the oracle and had the straight tip

from her. I hope this Zozim chap is not going to keep us waiting much

longer; for I feel far from comfortable about the approaching interview;

and thats the honest truth.

THE ELDERLY GENTLEMAN. I never thought I should want to see that man

again; but now I wish he would take charge of us instead of Zoo. She was

charming at first: quite charming; but she turned into a fiend because I

had a few words with her. You would not believe: she very nearly killed

me. You heard what she said just now. She belongs to a party here which

wants to have us all killed.

THE WIFE [_terrified_] Us! But we have done nothing: we have been as

nice to them as nice could be. Oh, Amby, come away, come away: there is

something dreadful about this place and these people.

THE ENVOY. There is, and no mistake. But youre safe with me: you ought

to have sense enough to know that.

THE ELDERLY GENTLEMAN. I am sorry to say, Molly, that it is not merely

us four poor weak creatures they want to kill, but the entire race of

Man, except themselves.

THE ENVOY. Not so poor neither, Poppa. Nor so weak, if you are going to

take in all the Powers. If it comes to killing, two can play at that

game, longlived or shortlived.

THE ELDERLY GENTLEMAN. No, Ambrose: we should have no chance. We are

worms beside these fearful people: mere worms.

_Zozim comes from the temple, robed majestically, and wearing a wreath

of mistletoe in his flowing white wig. His false beard reaches almost to

his waist. He carries a staff with a curiously carved top._

ZOZIM [_in the doorway, impressively_] Hail, strangers!

ALL [_reverently_] Hail!

ZOZIM. Are ye prepared?

THE ENVOY. We are.

ZOZIM [_unexpectedly becoming conversational, and strolling down

carelessly to the middle of the group between the two ladies_] Well, I'm

sorry to say the oracle is not. She was delayed by some member of your

party who got loose; and as the show takes a bit of arranging, you will

have to wait a few minutes. The ladies can go inside and look round the

entrance hall and get pictures and things if they want them.

{Thank you.}

THE WIFE} [_together_] {I should like to,} [_They go into_]

THE DAUGHTER} {very much.} [_the temple_]

THE ELDERLY GENTLEMAN [_in dignified rebuke of Zozim's levity_] Taken in

this spirit, sir, the show, as you call it, becomes almost an insult to

our common sense.

ZOZIM. Quite, I should say. You need not keep it up with me.

THE ENVOY [_suddenly making himself very agreeable_] Just so: just so.

We can wait as long as you please. And now, if I may be allowed to seize

the opportunity of a few minutes' friendly chat--?

ZOZIM. By all means, if only you will talk about things I can

understand.

THE ENVOY. Well, about this colonizing plan of yours. My father-in-law

here has been telling me something about it; and he has just now let out

that you want not only to colonize us, but to--to--to--well, shall we

say to supersede us? Now why supersede us? Why not live and let live?

Theres not a scrap of ill-feeling on our side. We should welcome a

colony of immortals--we may almost call you that--in the British Middle

East. No doubt the Turanian Empire, with its Mahometan traditions,

overshadows us now. We have had to bring the Emperor with us on this

expedition, though of course you know as well as I do that he has

imposed himself on my party just to spy on me. I dont deny that he has

the whip hand of us to some extent, because if it came to a war none of

our generals could stand up against him. I give him best at that game:

he is the finest soldier in the world. Besides, he is an emperor and

an autocrat; and I am only an elected representative of the British

democracy. Not that our British democrats wont fight: they will fight

the heads off all the Turanians that ever walked; but then it takes so

long to work them up to it, while he has only to say the word and march.

But you people would never get on with him. Believe me, you would not be

as comfortable in Turania as you would be with us. We understand you. We

like you. We are easy-going people; and we are rich people. That will

appeal to you. Turania is a poor place when all is said. Five-eighths of

it is desert. They dont irrigate as we do. Besides--now I am sure this

will appeal to you and to all right-minded men--we are Christians.

ZOZIM. The old uns prefer Mahometans.

THE ENVOY [_shocked_] What!

ZOZIM [_distinctly_] They prefer Mahometans. Whats wrong with that?

THE ENVOY. Well, of all the disgraceful--

THE ELDERLY GENTLEMAN [_diplomatically interrupting his scandalized

son-in-law_] There can be no doubt, I am afraid, that by clinging too

long to the obsolete features of the old pseudo-Christian Churches we

allowed the Mahometans to get ahead of us at a very critical period of

the development of the Eastern world. When the Mahometan Reformation

took place, it left its followers with the enormous advantage of having

the only established religion in the world in whose articles of faith

any intelligent and educated person could believe.

THE ENVOY. But what about our Reformation? Dont give the show away,

Poppa. We followed suit, didnt we?

THE ELDERLY GENTLEMAN. Unfortunately, Ambrose, we could not follow suit

very rapidly. We had not only a religion to deal with, but a Church.

ZOZIM. What is a Church?

THE ENVOY. Not know what a Church is! Well!

THE ELDERLY GENTLEMAN. You must excuse me; but if I attempted to explain

you would only ask me what a bishop is; and that is a question that no

mortal man can answer. All I can tell you is that Mahomet was a truly

wise man; for he founded a religion without a Church; consequently when

the time came for a Reformation of the mosques there were no bishops and

priests to obstruct it. Our bishops and priests prevented us for two

hundred years from following suit; and we have never recovered the start

we lost then. I can only plead that we did reform our Church at last. No

doubt we had to make a few compromises as a matter of good taste;

but there is now very little in our Articles of Religion that is not

accepted as at least allegorically true by our Higher Criticism.

THE ENVOY [_encouragingly_] Besides, does it matter? Why, _I_ have never

read the Articles in my life; and I am Prime Minister! Come! if my

services in arranging for the reception of a colonizing party would be

acceptable, they are at your disposal. And when I say a reception I mean

a reception. Royal honors, mind you! A salute of a hundred and one guns!

The streets lined with troops! The Guards turned out at the Palace!

Dinner at the Guildhall!

ZOZIM. Discourage me if I know what youre talking about! I wish Zoo

would come: she understands these things. All I can tell you is that

the general opinion among the Colonizers is in favor of beginning in a

country where the people are of a different color from us; so that we

can make short work without any risk of mistakes.

THE ENVOY. What do you mean by short work? I hope--

ZOZIM [_with obviously feigned geniality_] Oh, nothing, nothing,

nothing. We are thinking of trying North America: thats all. You see,

the Red Men of that country used to be white. They passed through a

period of sallow complexions, followed by a period of no complexions

at all, into the red characteristic of their climate. Besides, several

cases of long life have occurred in North America. They joined us here;

and their stock soon reverted to the original white of these islands.

THE ELDERLY GENTLEMAN. But have you considered the possibility of your

colony turning red?

ZOZIM. That wont matter. We are not particular about our pigmentation.

The old books mention red-faced Englishmen: they appear to have been

common objects at one time.

THE ELDERLY GENTLEMAN [_very persuasively_] But do you think you would

be popular in North America? It seems to me, if I may say so, that on

your own shewing you need a country in which society is organized in a

series of highly exclusive circles, in which the privacy of private life

is very jealously guarded, and in which no one presumes to speak to

anyone else without an introduction following a strict examination of

social credentials. It is only in such a country that persons of special

tastes and attainments can form a little world of their own, and protect

themselves absolutely from intrusion by common persons. I think I may

claim that our British society has developed this exclusiveness to

perfection. If you would pay us a visit and see the working of our caste

system, our club system, our guild system, you would admit that nowhere

else in the world, least of all, perhaps in North America, which has a

regrettable tradition of social promiscuity, could you keep yourselves

so entirely to yourselves.

ZOZIM [_good-naturedly embarrassed_] Look here. There is no good

discussing this. I had rather not explain; but it wont make any

difference to our Colonizers what sort of short-livers they come across.

We shall arrange all that. Never mind how. Let us join the ladies.

THE ELDERLY GENTLEMAN [_throwing off his diplomatic attitude and

abandoning himself to despair_] We understand you only too well, sir.

Well, kill us. End the lives you have made miserably unhappy by opening

up to us the possibility that any of us may live three hundred years. I

solemnly curse that possibility. To you it may be a blessing, because

you do live three hundred years. To us, who live less than a hundred,

whose flesh is as grass, it is the most unbearable burden our poor

tortured humanity has ever groaned under.

THE ENVOY. Hullo, Poppa! Steady! How do you make that out?

ZOZIM. What is three hundred years? Short enough, if you ask me. Why, in

the old days you people lived on the assumption that you were going to

last out for ever and ever and ever. Immortal, you thought yourselves.

Were you any happier then?

THE ELDERLY GENTLEMAN. As President of the Baghdad Historical Society

I am in a position to inform you that the communities which took this

monstrous pretension seriously were the most wretched of which we have

any record. My Society has printed an editio princeps of the works of

the father of history, Thucyderodotus Macolly-buckle. Have you read his

account of what was blasphemously called the Perfect City of God, and

the attempt made to reproduce it in the northern part of these islands

by Jonhobsnoxius, called the Leviathan? Those misguided people

sacrificed the fragment of life that was granted to them to an imaginary

immortality. They crucified the prophet who told them to take no thought

for the morrow, and that here and now was their Australia: Australia

being a term signifying paradise, or an eternity of bliss. They tried

to produce a condition of death in life: to mortify the flesh, as they

called it.

ZOZIM. Well, you are not suffering from that, are you? You have not a

mortified air.

THE ELDERLY GENTLEMAN. Naturally we are not absolutely insane and

suicidal. Nevertheless we impose on ourselves abstinences and

disciplines and studies that are meant to prepare us for living three

centuries. And we seldom live one. My childhood was made unnecessarily

painful, my boyhood unnecessarily laborious, by ridiculous preparations

for a length of days which the chances were fifty thousand to one

against my ever attaining. I have been cheated out of the natural joys

and freedoms of my life by this dream to which the existence of these

islands and their oracles gives a delusive possibility of realization.

I curse the day when long life was invented, just as the victims of

Jonhobsnoxius cursed the day when eternal life was invented.

ZOZIM. Pooh! You could live three centuries if you chose.

THE ELDERLY GENTLEMAN. That is what the fortunate always say to the

unfortunate. Well, I do not choose. I accept my three score and ten

years. If they are filled with usefulness, with justice, with mercy,

with good-will: if they are the lifetime of a soul that never loses its

honor and a brain that never loses its eagerness, they are enough for

me, because these things are infinite and eternal, and can make ten of

my years as long as thirty of yours. I shall not conclude by saying live

as long as you like and be damned to you, because I have risen for the

moment far above any ill-will to you or to any fellow-creature; but I

am your equal before that eternity in which the difference between your

lifetime and mine is as the difference between one drop of water

and three in the eyes of the Almighty Power from which we have both

proceeded.

ZOZIM [_impressed_] You spoke that piece very well, Daddy. I couldnt

talk like that if I tried. It sounded fine. Ah! here comes the ladies.

_To his relief, they have just appeared on the threshold of the temple._

THE ELDERLY GENTLEMAN [_passing from exaltation to distress_] It means

nothing to him: in this land of discouragement the sublime has become

the ridiculous. [_Turning on the hopelessly puzzled Zozim_] 'Behold,

thou hast made my days as it were a span long; and mine age is even as

nothing in respect of thee.'

{Poppa, Poppa: dont look like

THE WIFE.} [_running_] {that.

THE DAUGHTER.}[_to him_] {Oh, granpa, whats the matter?

ZOZIM [_with a shrug_] Discouragement!

THE ELDERLY GENTLEMAN [_throwing off the women with a superb gesture_]

Liar! [_Recollecting himself, he adds, with noble courtesy, raising his

hat and bowing_] I beg your pardon, sir; but I am NOT discouraged.

_A burst of orchestral music, through which a powerful gong sounds, is

heard from the temple. Zoo, in a purple robe, appears in the doorway._

ZOO. Come. The oracle is ready.

_Zozim motions them to the threshold with a wave of his staff. The Envoy

and the Elderly Gentleman take off their hats and go into the temple on

tiptoe, Zoo leading the way. The Wife and Daughter, frightened as they

are, raise their heads uppishly and follow flatfooted, sustained by a

sense of their Sunday clothes and social consequence. Zozim remains in

the portico, alone._

ZOZIM [_taking off his wig, beard, and robe, and bundling them under his

arm_] Ouf! [He goes home].

Back to Methuselah: A Metabiological Pentateuch · 第 2 / 4 章