Delamain’s later designs, and directions for using his instruments

In the Appendix of Grammelogia III, on page 52 is given a description of an

instrument promised near the end of Grammelogia I:

That which I have formerly delivered hath been onely upon one of the

Circles of my Ring, simply concerning Arithmeticall Proportions, I will

by way of Conclusion touch upon some uses of the Circles, of Logarithmall

Sines, and Tangents, which are placed on the edge of both the moveable

and fixed Circles of the Ring in respect of Geometricall Proportions, but

first of the description of these Circles.

First, upon the side that the Circle of Numbers is one, are graduated on

the edge of the moveable, and also on the edge of the fixed the

Logarithmall Sines, for if you bring 1. in the moveable amongst the

Numbers to 1. in the fixed, you may on the other edge of the moveable and

fixed see the sines noted thus 90. 90. 80. 80. 70. 70. 60. 60. &c. unto

6.6. and each degree subdivided, and then over the former divisions and

figures 90. 90. 80. 80. 70. 70. &c. you have the other degrees, viz. 5.

4. 3. 2. 1. each of those divided by small points.

Secondly, (if the Ring is great) neere the outward edge of this side of

the fixed against the Numbers, are the usuall divisions of a Circle, and

the points of the Compasse: serving for observation in Astronomy, or

Geometry, and the sights belonging to those divisions, may be placed on

the moveable Circle.

Thirdly, opposite to those Sines on the other side are the Logarithmall

Tangents, noted alike both in the moveable and fixed thus

6.6.7.7.8.8.9.9.10.10.15.15.20.20. &c. unto 45.45. which numbers or

divisions serve also for their Complements to 90. so 40 gr. stands for

50. gr. 30. gr. for 60 gr. 20. gr. for 70. gr. &c. each degree here both

in the moveable and fixed is also divided into parts. As for the degrees

which are under 6. viz. 5.4.3.2.1. they are noted with small figures over

this divided Circle from 45.40.35.30.25. &c. and each of those degrees

divided into parts by small points both in the moveable and fixed.

Fourthly, on the other edge of the moveable on the same side is another

graduation of Tangents, like that formerly described. And opposite unto

it, in the fixed is a Graduation of Logarithmall sines in every thing

answerable to the first descrition of Sines on the other side.

Fifthly, on the edge of the Ring is graduated a parte of the Æquator,

numbered thus 10 20. 30. unto 100. and there unto is adjoyned the degrees

of the Meridian inlarged, and numbered thus 10 20.30 unto 70. each degree

both of the Æquator, and Meridian are subdivided into parts; these two

graduated Circles serve to resolve such Questions which concerne

Latitude, Longitude, Rumb, and Distance, in Nauticall operations.

Sixthly, to the concave of the Ring may be added a Circle to be elevated

or depressed for any Latitude, representing the Æquator, and so divided

into houres and parts with an Axis, to shew both the houre, and Azimuth,

and within this Circle may be hanged a Box, and Needle with a Socket for

a staffe to slide into it, and this accommodated with scrue pines to

fasten it to the Ring and staffe, or to take it off at pleasure.

The pages bearing the printed numbers 53-68 in the Grammelogia III, IV and

V make no reference to the dispute with Oughtred and may, therefore, be

assumed to have been published before the appearance of Oughtred’s Circles

of Proportion. On page 53, “To the Reader,” he says:

. . . you may make use of the Projection of the Circles of the Ring upon

a Plaine, having the feet of a paire of compasses (but so that they be

flat) to move on the Center of that Plaine, and those feet to open and

shut as a paire of Compasses . . . now if the feet bee opened to any two

termes or numbers in that Projection, then may you move the first foot to

the third number, and the other foot shall give the Answer; . . . it hath

pleased some to make use of this way. But in this there is a double

labour in respect to that of the Ring, the one in fitting those feet unto

the numbers assigned, and the other by moving them about, in which a man

can hardly accommodate the Instrument with one hand, and expresse the

Proportionals in writing with the other. By the Ring you need not but

bring one number to another, and right against any other number is the

Answer without any such motion. . . . upon that [the Ring] I write,

shewing some uses of those Circles amongst themselves, and conjoyned with

others . . . in Astronomy, Horolographie, in plaine Triangles applyed to

Dimensions, Navigation, Fortification, etc. . . . But before I come to

Construction, I have thought it convenient by way introduction, to

examine the truth of the graduation of those Circles . . .

These are the words of a practical man, interested in the mechanical

development of his instrument. He considers not only questions of

convenience but also of accuracy. The instrument has, or may have now, also

lines of sines and tangents. To test the accuracy of the circles of

Numbers, “bring any number in the moveable to halfe of that number in the

fixed: so any number or part in the fixed shall give his double in the

moveable, and so may you trie of the thirds, fourths &c. of numbers, vel

contra,” (p. 54). On page 55 are given two small drawings, labelled, “A

Type of the Ringe and Scheme of this Logarithmicall projection, the use

followeth. These Instruments are made in Silver or Brasse by John Allen

neare the Sauoy in the Strand.”

IV. CONTROVERSY BETWEEN OUGHTRED AND DELAMAIN ON THE INVENTION OF THE

CIRCULAR SLIDE RULE

Delamain’s publication of 1630 on the ‘Mathematicall Ring’ does not appear

at that time to have caused a rupture between him and Oughtred. When in

1631 Delamain brought out his Horizontall Quadrant, the invention of which

Delamain was afterwards charged to have stolen from Oughtred, Delamain was

still in close touch with Oughtred and was sending Oughtred in the Arundell

House, London, the sheets as they were printed. Oughtred’s reference to

this in his Epistle (p. 20) written after the friendship was broken, is as

follows:

While he was printing his tractate of the Horizontall quadrant, although

he could not but know that it was injurious to me in respect of my free

gift to Master Allen, and of William Forster, whose translation of my

rules was then about to come forth: yet such was my good nature, and his

shamelessnesse, that every day, as any sheet was printed, hee sent, or

brought the same to mee at my chamber in Arundell house to peruse which I

lovingly and ingenuously did, and gave him my judgment of it.

Even after Forster’s publication of Oughtred’s Circles of Proportion, 1632,

Oughtred had a book, A canon of Sines Tangents and Secants, which he had

borrowed from Delamain and was then returning (Epistle, page (5)). The

attacks which Forster, in the preface to the Circles of Proportion, made

upon Delamain (though not naming Delamain) started the quarrel. Except for

Forster and other pupils of Oughtred who urged him on to castigate

Delamain, the controversy might never have arisen. Forster expressed

himself in part as follows:

. . . being in the time of the long vacation 1630, in the Country, at the

house of the Reverend, and my most worthy friend, and Teacher, Mr.

William Oughtred (to whose instruction I owe both my initiation, and

whole progresse in these Sciences.) I vpon occasion of speech told him of

a Ruler of Numbers, Sines, & Tangents, which one had be-spoken to be made

(such as it vsually called Mr. Gunter’s Ruler) 6 feet long, to be vsed

with a payre of beame-compasses. “He answered that was a poore invention,

and the performance very troublesome: But, said he, seeing you are taken

with such mechanicall wayes of Instruments, I will shew you what deuises

I have had by mee these many yeares.” And first, hee brought to mee two

Rulers of that sort, to be vsed by applying one to the other, without any

compasses: and after that hee shewed mee those lines cast into a circle

or Ring, with another moueable circle vpon it. I seeing the great

expeditenesse of both those wayes; but especially, of the latter, wherein

it farre excelleth any other Instrument which hath bin knowne; told him,

I wondered that hee could so many yeares conceale such vseful inuentions,

not onely from the world, but from my selfe, to whom in other parts and

mysteries of Art, he had bin so liberall. He answered, “That the true way

of Art is not by Instruments, but by Demonstration: and that it is a

preposterous course of vulgar Teachers, to begin with Instruments, and

not with the Sciences, and so in-stead of Artists, to make their

Schollers only doers of tricks, and as it were Iuglers: to the despite of

Art, losse of precious time, and betraying of willing and industrious

wits, vnto ignorance and idlenesse. That the vse of Instruments is indeed

excellent, if a man be an Artist: but contemptible, being set and opposed

to Art. And lastly, that he meant to commend to me, the skill of

Instruments, but first he would haue me well instructed in the Sciences.

He also shewed me many notes, and Rules for the vse of those circles, and

of his Horizontall Instrument, (which he had proiected about 30 yeares

before) the most part written in Latine. All which I obtained of him

leaue to translate into English, and make publique, for the vse, and

benefit of such as were studious, and louers of these excellent Sciences.

Which thing while I with mature, and diligent care (as my occasions would

give me leaue) went about to doe: another to whom the Author in a louing

confidence discouered this intent, using more hast then good speed, went

about to preocupate; of which vntimely birth, and preuenting (if not

circumuenting) forwardnesse, I say no more: but aduise the studious

Reader, onely so farre to trust, as he shal be sure doth agree to truth &

Art.

While in this dedication reference is made to a slide rule or “ring” with a

“moveable circle,” the instrument actually described in the Circles of

Proportion consists of fixed circles “with an index to be opened after the

manner of a paire of Compasses.” Delamain, as we have seen, had decided

preference for the moveable circle. To Oughtred, on the other hand, one

design was about as good as the other; he was more of a theorist and

repeatedly expressed his contempt for mathematical instruments. In his

Epistle (page (25)), he says he had not “the one halfe of my intentions

upon it” (the rule in his book), nor one with a “moveable circle and a

thread, but with an opening Index at the centre (if so be that bee cause

enough to make it to bee not the same, but another Instrument) for my part

I disclaime it: it may go seeke another Master: which for ought I know,

will prove to be Elias Allen himselfe: for at his request only I altered a

little my rules from the use of the moveable circle and the thread, to the

two armes of an Index.”

All parts of Delamain’s Grammelogia IV, except pages 1-22 and 53-68

considered above, were published after the Circles of Proportion, for they

contain references to the ill treatment that Delamain felt or made believe

that he felt, that he had received in the book published by Oughtred and

Forster. Oughtred’s reference to teachers whose scholars are “doers of

tricks,” “Iuglers,” and Forster’s allusion to “another to whom the Author

in a loving confidence” explained the instrument and who “went about to

preocupate” it, are repeatedly mentioned. Delamain says, (page (89)) that

at first he did not intend to express himself in print, “but sought peace

and my right by a private and friendly way.” Oughtred’s account of

Delamain’s course is that of an “ill-natured man” with a “virulent tongue,”

“sardonical laughter” and “malapert sawsiness.” Contrasting Forster and

Delamain, he says that, of the former he “had the very first moulding” and

made him feel that “the way of Art” is “by demonstration.” But Delamain was

“already corrupted with doing upon Instruments, and quite lost from ever

being made an Artist.” (Epistle page (27)). Repeatedly does Oughtred assert

Delamain’s ignorance of mathematics. The two men were evidently of wholly

different intellectual predilections. That Delamain loved instruments is

quite evident, and we proceed to describe his efforts to improve the

circular slide rule.

The Grammelogia IV is dedicated to King Charles I. Delamain says:

. . . Everything hath his beginning, and curious Arts seldome come to the

height at the first; It was my promise then to enlarge the invention by a

way of decuplating the Circles, which I now present unto your sacred

Majestie as the quintessence and excellencie there of . . .

His enlarged circular rules are illustrated in the Bodleian Library copy of

Grammelogia IV by four diagrams, two of them being the two drawings on the

two title-pages at the beginning of the Grammelogia IV, 4 inches in

external diameter, and exhibiting eleven concentric circular lines carrying

graduations of different sorts. In the second of these designs all circles

are fixed. The other two drawings are each 10¾ inches in external diameter

and exhibit 18 concentric circular lines; the folded sheet of the first of

these drawings is inserted between pages (23) and (24), the second folded

sheet between pages (83) and (84). All circles of this second instrument

are fixed. Counting in the two small drawings in Grammelogia III, there are

in all six drawings of slide rules in the Bodleian Grammelogia IV. On pages

(24) to (43) Delamain explains the graduation of slide rules. He takes

first a rule which has one circle of equal parts, divided into 1000 equal

divisions. From a table of logarithms he gets log 2 = 0.301; from the

number 301 in the circle of equal parts he draws a line to the center of

the circle and marks the intersection with the circles of numbers by the

figure 2. Thus he proceeds with log 3, log 4, and so on; also with log sin

x and log tan x. For log sin x he uses two circles, the first (see page

(27)) for angles from 34′ 24″ to 5° 44′ 22″, the second circle from 5° 44′

22″ to 90°. The drawings do not show the seconds. He suggests many

different designs of rules. On page (29) he says:

For the single projection of the Circles of my Ring, and the dividing and

graduating of them: which may bee so inserted upon the edges of Circles

of mettle turned in the forme of a Ring, so that one Circle may moove

betweene two fixed, by helpe of two stayes, then may there be graduated

on the face of the Ring, upon the outer edge of the mooveable and inner

edge of the fixed, the Circle of Numbers, then upon the inner edge of

that mooveable Circle, and the outward edge of that inner fixed Circle

may be inserted the Circle of Sines, and so according to the description

of those that are usually made.

In addition to these lines he proceeds to mention the circle giving the

ordinary division into degrees and minutes, and two circles of tangents on

the other side of the rule.

Next Delamain explains an arrangement of all the graduation on one side of

the rule by means of “a small channell in the innermost fixed Circle, in

which may be placed a small single Index, which may have sufficient length

to reach from the innermost edge of the Mooveable Circle, unto the outmost

edge of the fixed Circle, which may be mooved to and fro at pleasure, in

the channell, which Index may serve to shew the opposition of Numbers” (p.

(31)). From this it is clear that the invention of the “runner” goes back

to the very first writers on the slide rule.

After describing a modification of the above arrangement, he adds, “many

other formes might be deliverd, about this single projection” (p. (32)).

Proceeding to the “enlarging” of the circles in the Ring, to, say, the

“Quadruple to that which is single, that is, foure times greater,” the

“equall parts” are distributed over four circles instead of only one

circle, but the general method of graduation is the same as before (p.

(33)); there being now four circles carrying the logarithms of numbers, and

so on. Next he points out “severall wayes how the Circles of the

Mathematicall Ring (being inlarged) may be accommodated for practicall

use:” (1) The Circles are all fixed in a plain and movable flat compasses

(or better, a movable semicircle) are used for fixing any two positions;

(2) There is a “double projection” of each logarithmic line “inlarged on a

Plaine,” one fixed, the other movable, as shown in his first figure on the

title-page, a single index only being used; (3) use of “my great Cylinder

which I have long proposed (in which all the Circles are of equall

greatnesse,) and it may be made of any magnitude or capacity, but for a

study (hee that will be at the charge) it may be of a yard diameter and of

such an indifferent length that it may containe 100 or more Circles fixed

parallel one to the other on the Cylinder, having a space betweene each of

them, so that there may bee as many mooveable Circles, as there are fixed

ones, and these of the mooveable linked, or fastened together, so that they

may all moove together by the fixed ones in these spaces, whose edges both

of the fixed, and mooveable being graduated by helpe of a single Index will

shew the proportionalls by opposition in this double Projection, or by a

double Index in a single Projection” (p. (36)).

Next follows the detailed description of his Ring “on a Plaine, according

to the diagramme that was given the King (for a view of that projection)

and afterwards the Ring it selve.” The diagram is the large one which we

mentioned as inserted between pages (23) and (24). The instrument has two

circles, one moveable, upon each of which are described 13 distinct

circular graduations. The lines on the fixed circle are: “The Circle of

degrees and calendar,” E. “Circle of equall parts, and part of the Equator,

and Meridian,” TT. “The Circle of Tangents,” S. “The Circle of Sines,” D.

“The Circle of Decimals,” N. “The Circle of Numbers.” The lines on the

movable circle are: N. “The Circle of Numbers,” E. “The Circle of equated

figures, and bodies,” S. “The Circle of Sines,” TT. “The Circle of

Tangents,” Y. “The Circle of time, yeares, and monethes.”

On pages (84)-(88) Delamain explains an enlargement of his Ring for

computations involving the sines of angles near to 90°. On page (86) he

says:

I have continued the Sines of the Projection unto two severall

revolutions, the one beginning at 77.gr. 45.m. 6.s. and ends at 90.gr.

(being the last revolution of the decuplation of the former, or the

hundred part of that Projection) the other beginning at 86.gr. 6.m. 48.s.

and ends at 90.gr. (being the last of a ternary of decuplated

revolutions, or the thousand part of that Projection) and may bee thus

used.

He explains the manner of using these extra graduations. Thus he claims to

have attained degrees of accuracy which enabled him to do what “some one”

had declared “could not bee done.” It is hardly necessary to point out that

Delamain’s Grammelogia IV suggests designs of slide rules which inventors

two hundred or more years later were endeavouring to produce. Which of

Delamain’s designs of rules were actually made and used, he does not state

explicitly. He refers to a rule 18 inches in diameter as if it had been

actually constructed (pages (86), (88)). Oughtred showed no appreciation of

such study in designing and ridiculed Delamain’s efforts, in his Epistle.

Additional elucidations of his designs of rules, along with explanations of

the relations of his work to that of Gunter and Napier, and sallies

directed against Oughtred and Forster, are contained on pages (8)-(21) of

his Grammelogia IV.

On the History of Gunter's Scale and the Slide Rule During the Seventeenth Century · 第 14 / 25 题