II. THE LOG-BOOK* OF A RAMBLER 1828

In the early part of last year I was awaiting in Rotterdam the arrival

of a friend from England;** and as some untoward circumstances had

occurred to detain him beyond the appointed time, I had abundant

opportunity to domesticate in the family of mine host of the Boar’s

Head. Do not suppose from the fact of my being thus _enfoncé_ that

I shall gratify either your gossiping disposition or your love of

personalities by any little detail of family failings from which the

houses of the great are not always free. No: though the literary world

does not want for instances of this practice, I shall abstain, and

confine myself merely to such a delineation of the outward man as may

serve to make you acquainted with him.

* This account of his wanderings in Germany was written by

Lever in 1829-30. The original MS. of ‘The Log-Book’ was

recently presented to the Royal Irish Academy by Mr C.

Litton Falkner. The principal portion of the Log was printed

at intervals in ‘The Dublin Literary Gazette’ during the

year 1830.--E. D.

** John Maxwell, a companion of Lever, to whom many

references are made in the course of his correspondence with

Alexander Spencer.--E. D.

Mine host was the most famous gastronome of the Low Countries, and at

the two _table d’hôtes_ at which he daily presided, never was known to

neglect the order and procession of the various courses of soup, fish,

game, and sauerkraut--of all and each of which he largely partook.

Would that George Cruikshank could have seen him with that breastplate

of a napkin--which, _more majorum_, was suspended from his

neck--whilst his hand grasped a knife whose proportions would cast into

insignificance the inoffensive weapon of our Horse Guards! His head,

too, was a perfect study. _Giove!_ what depressions where there should

have been bumps. And then his eye, alternately opening and closing,

seemed as if it were to relieve guard upon the drowsiness of his

features.

He spoke but seldom, and, despite my various efforts to draw him into

culinary discussion (having had some intention of publishing these

“Conversations”), he was ever on his guard, and only once, when----

But I grow personal, and shall return to myself. So effectually did the

society of this sage, the air of the place, and above all the statue of

Erasmus which looked so peacefully on me from the market-place opposite

the inn, conspire to tranquillise my mind, that in the course of a few

weeks I had become as thoroughly a Dutchman as if I had never meditated

an excursion beyond The Hague in a _trek-schuit_.

Dinner over, I was to be seen lolling under the trees on the Boomjes,*

with my tobacco-bag at my buttonhole and my meerschaum in my hand,

calmly contemplating the boats as they passed and repassed along the

canal.

* The Regent Street of Rotterdam.

In this country such a scene would have been all bustle, confusion, and

excitement: there it was quite the reverse,--scarcely a ripple on the

surface of the water indicated the track of the vessel as she slowly

held her course. How often have I watched them nearing a bridge, which,

as the boat approached, slowly rose and permitted her to pass, whilst

from the window of the low toll-house a long pole is projected with a

leathern purse at its extremity, into which the ancient mariner at the

helm bestows his tribute money and holds on his way, still smoking! But

now comes the tug-of-war; it is, indeed, the only moment of bustle I

have ever witnessed in Holland. How is the bridge to get down? Dutch

mechanics have provided for its elevation, but not for its descent; and

it is in this emergency that the national character shines forth,--and

the same spirit of mutual assistance and co-operation which enabled them

to steal a kingdom from the ocean becomes non-triumphant. Man by man

they are seen toiling up the steep ascent, and, creaking under many a

fat burgomaster, the bridge slowly descends and rests again upon its

foundation. Doubtless, like the ancients, they chose to perpetuate

customs which teach that laudable dependence of man upon, his

fellows--the strongest link which binds us in society--rather than mar

this mutual good feeling by mechanical invention.

Day after day passed in this manner, and probably you will say how

stupid, how tiresome, all this must have been: so it would, doubtless,

to one less gifted with the organ of assimilation or who has not, like

me, endured the tedium of a soiree at Lady ------‘s.

At length my friend arrived, and after a few days spent in excursions

to The Hague and the Palace in the wood, we set off in order to reach

Cologne in time for the musical festival.

We left Rotterdam at night on the steamboat, and the following morning

found us slowly stemming the current of the rapid Rhine, whose broad

surface and unwooded banks gave an air of bleakness and desolation which

more than once drove me from the deck to the warm stove of the cabin,

crowded as the cabin was with smoking and singing Hollanders on the way

to the Festival. Once I ascended the rigging to get a more extended view

of the surrounding country: I might as well have remained below. A vast

flat track of land, intersected by canals and studded with an occasional

solitary windmill, was all the eye could compass, and then it was that

I felt the full force of Goldsmith’s _mot_ that “Holland looks like a

country swimming for its life.” Nothing breaks the dull monotony of a

voyage on the lower Rhine except the sight of some vast raft of timber,

peopled by its myriads of inhabitants, dropping down the current.

We passed several towns: but variety of Dutch city, Dutch lady, and

Dutch ship, is only a slight deviation from an established scale of

proportions.

Of my fellow-travellers I can tell you nothing. I had no means of

cultivating their acquaintance; they spoke French (and doubtless

they had a right to do so) after a manner of their own, but were as

unintelligible to me as Kant’s metaphysics or Mr Montague’s directions

for dancing the new galopades.

As an illustration of the peculiarity of pronunciation, they tell of

a Fleming commencing, I believe, one of Beaumarchais’ plays with the

line--

“Hélas! je ne sais pas quel cours je dois prendre”;

Charles Lever, His Life in His Letters, Vol. I · 第 13 / 30 题