He turned. Before he could make another move Burris said: "Wait!"

Malone turned again, hope in his eyes. "Yes, sir?" he said.

"When you leave--" Burris began, and the hope disappeared "please do

one little favor for me. Just one little favor, because I'm an old,

tired man and I'm not used to things any more."

"Sure," Malone said. "Anything, Chief."

"Don't call me--"

"Sorry," Malone said.

Burris breathed heavily. "When you leave," he said, "please, please

use the door."

"But--"

"Malone," Burris said, "I've tried. I've really tried. Believe me.

I've tried to get used to the fact that you can teleport. But--"

"It's useful," Malone said, "in my work."

"I can see that," Burris said. "And I don't want you to ... well, to

stop doing it. By no means. It's just that it sort of unnerves me, if

you see what I mean. No matter how useful it is for the FBI to have an

agent who can go instantaneously from one place to another, it

unnerves me." He sighed. "I can't get used to seeing you disappear

like an over-dried soap bubble, Malone. It does something to

me--here." He placed a hand directly over his sternum and sighed

again.

"I can understand that," Malone said. "It unnerved me, too, the first

time I saw it. I thought I was going crazy, when that kid--Mike

Fueyo--winked out like a light. But then we got him, and some FBI

agents besides me have learned the trick." He stopped there, wondering

if he'd been tactful. After all, it took a latent ability to learn

teleportation, and some people had it, while others didn't. Malone,

along with a few other agents, did. Burris evidently didn't--so he

couldn't teleport, no matter how hard he tried or how many lessons he

took.

"Well," Burris said, "I'm still unnerved. So ... please, Malone ...

when you come in here, or go out, use the door. All right?"

"Yes, sir," Malone said. He turned and went out. As he opened the

door, he could almost hear Burris' sigh of relief. Then he banged it

shut behind him and, feeling that he might as well continue with his

spacebound existence, walked all the way to the elevator, and rode it

downstairs to the FBI laboratories.

The labs, highly efficient and divided into dozens of departments,

covered several floors. Malone passed through the Fingerprint section,

filled with technicians doing strange things to great charts and

slides, and frowning over tiny pieces of material and photographs.

Then came Forgery Detection, involving many more technicians, many

more slides and charts and tiny pieces of things and photographs, and

even a witness or two sitting on the white bench at one side and

looking lost and somehow civilian. Identification Classified was next,

a great barn of a room filled with index files. The real indexes were

in the sub-basement; here, on microfilm, were only the basic division.

A man was standing in front of one of the files, frowning at it.

Malone went on by without stopping.

Cosmetic Surgery Classification came next. Here there were more indexes,

and there were also charts and slides. There was an FBI agent sitting on a

bench looking bored while two female technicians--classified as O&U for

Old and Ugly in Malone's mind--fluttered around him, deciding what

disguises were possible, and which of those was indicated for the

particular job on hand. Malone waved to the agent, whom he knew very

slightly, and went on. He felt vaguely regretful that the FBI couldn't

hire prettier girls for the Cosmetic Surgery Division, but the trouble was

that pretty girls fell for the agents--and vice versa--and this led to an

unfortunate tendency toward only handsome and virile-looking disguises.

The O&U Division was unfortunate, he decided, but a necessity.

Chemical Analysis (III) was next. The Chemical Analysis section was

scattered over several floors, with the first stages up above.

Division III, Malone remembered, was devoted to non-poisonous

substances--like clay or sand found in boots or trouser cuffs, cigar

ashes and such. They were placed on the same floor as Fingerprints to

allow free and frequent passage between the sections on the problems

of plastic prints--made in putty or like substances--and visible

prints, made when the hand is covered with a visible substance like

blood, ketchup or glue.

Malone found what he was looking for at the very end of the floor. It

was the Computer Section, a large room filled with humming, clacking

and buzzing machines of an ancient vintage, muttering to themselves as

they worked, and newer machines which were smaller and more silent.

Lights were lighting and bells were ringing softly, relays were

relaying and the whole room was a gigantic maze of calculating and

control machines. What space wasn't filled by the machines themselves

was filled by workbenches, all littered with an assortment of gears,

tubes, spare relays, transistors, wires, rods, bolts, resistors and

all the other paraphernalia used in building the machines and

repairing them. Beyond the basic room were other, smaller rooms, each

assigned to a particular kind of computer work.

The narrow aisles were choked here and there with men who looked up as

Malone passed by, but most of them gave him one quick glance and went

back to work. A few didn't even do that, but went right on

concentrating on their jobs. Malone headed for a man working all alone

in front of a workbench, frowning down at a complicated-looking

mechanism that seemed to have neither head nor tail, and prodding at

it with a long, thin screwdriver. The man was thin, too, but not very

long; he was a little under average height, and he had straight black

hair, thick-lensed glasses and a studious expression, even when he was

frowning. He looked as if the mechanism were a student who had cut too

many classes, and he was being kindly but firm with it.

* * * * *

Malone managed to get to the man's side, and coughed discreetly. There

was no response.

"Fred?" he said.

The screwdriver waggled a little. Malone wasn't quite sure that the

man was breathing.

"Fred Mitchell," he said.

Mitchell didn't look up. Another second passed.

"Hey," Malone said. Then he closed his eyes and took a deep breath.

"Fred," he said in a loud, reasonable-sounding voice, "the State

Department's translator has started to talk pig-Latin."

Mitchell straightened up as if somebody had jabbed him with a pin. The

screwdriver waved wildly in the air for a second, and then pointed at

Malone. "That's impossible," Mitchell said in a flat, precise voice.

"Simply impossible. It doesn't have a pig-Latin circuit. It can't

possibly--" He blinked and seemed to see Malone for the first time.

"Oh," he said. "Hello, Malone. What can I do for you?"

Malone smiled, feeling a little victorious at having got through the

Mitchell armor, which was almost impregnable when there was a job in

hand. "I've been standing here talking to you for some time."

"Oh, have you?" Mitchell said. "I was busy." That, obviously,

explained that. Malone shrugged.

"I want you to help me check over some calculators, Fred," he said.

"We've had some reports that some of the government machines are out

of kilter, and I'd like you to go over them for me."

"Out of kilter?" Fred Mitchell said. "No, you can forget about it.

It's absolutely unnecessary to make a check--believe me. Absolutely.

Forget it." He smiled suddenly. "I suppose it's some kind of a joke,

isn't it?" he said, just a trifle uncertainly. Fred Mitchell's world,

while pleasant, did not include much humor, Malone knew. "It's

supposed to be funny," he said in the same flat, precise voice.

"It isn't funny," Malone said.

Fred sighed. "Then they're obviously lying," he said, "and that's all

there is to it. Why bother me with it?"

"Certainly," Fred said. He looked at the machinery with longing.

Malone took a breath. "How do you know?" he said.

Fred sighed. "It's perfectly obvious," he said in a patient tone.

"Since the State Department translator has no pig-Latin circuit, it

can't possibly be talking pig-Latin. I will admit that such a circuit

would be relatively easy to build, though it would have no utility as

far as I can see. Except, of course, for a joke." He paused. "Joke?"

he said, in a slightly uneasy tone.

"Sure," Malone said. "Joke."

Occasion ... for Disaster · 第 7 / 68 题