CHAPTER I

TRANSCRIBER’S NOTE Some minor changes to the text are noted at the

end of the book.

Italic text is denoted by _underscores_

Small capitals changed to all capitals

[Illustration: “IF YOU WILL ARGUE THIS MATTER WITH GUNS, YOU SHALL BE

ANSWERED WITH GUNS.” _Frontispiece. Page 440._]

THE

Mayor of New York

_A Romance of Days to Come_

BY

L. P. GRATACAP

Author of “The Certainty of a Future Life in Mars,”

“A Woman of the Ice Age,” “The

Evacuation of England.”

[Illustration: circular illustration of a wax seal or coin]

G. W. DILLINGHAM COMPANY

PUBLISHERS NEW YORK

_Copyright, 1910, By_

G. W. DILLINGHAM COMPANY

THE MAYOR OF NEW YORK

CONTENTS

CHAPTER PAGE

I. Tom Ratler 9

II. Helen Lorimer 28

III. A Dinner in Carrara 48

IV. The Suicidarium 65

V. The Mayor 88

VI. The Beehive 110

VII. The Mayor’s Visit 135

VIII. The Chariot of Flight 168

IX. The Cardinal 195

X. The Mayor’s Courtship 225

XI. Amato’s Courtship 259

XII. The Trial 290

XIII. The Trial (continued) 321

XIV. The Great Riots 338

XV. An Up-to-Date Rescue 377

XVI. The Mayor’s Death 409

XVII. The Pope comes to America 447

ILLUSTRATIONS.

PAGE

“IF YOU WILL ARGUE THIS MATTER WITH GUNS, YOU SHALL BE

ANSWERED WITH GUNS” _Frontispiece_ 440

“PAIN, PAIN, PAIN; NOTHING BUT PAIN” 79

“NO FUNNY BUSINESS, OR UP YOU GO IN SMOKE” 120

“HOW WONDERFULLY YOU HAVE INSPIRED ME” 240

THE MAYOR OF NEW YORK

CHAPTER I

TOM RATLER

It was a picture of wonderful beauty, with elements strangely

transporting. The sky was clear, with vaporous vestiges of a thunder

storm, whose dark draperies of lightning stricken depths lay

effectively on the southern horizon; the moon was at its full, and

its unimpeded rays burnished the waters of the harbor with a silver

splendor. A group of men and women on the upper and forward deck

of an incoming steamer were the silent spectators of this scene as

the steamer lay anchored towards the New Jersey shore of the harbor

of New York in the coming year of grace 2000, and as the lingering

spring, with an already lost freshness, was passing into the warmer

flushes of the summer. The margins of that great bay which once at

such a time had been dark with the clustering volumes of leaves

upon the arms of encircling forests, was now girdled with a zone of

artificial light. It did not encroach upon the domain of the moon’s

regnancy, but it seemed to throb nebulous and soft upon all those

shores like a titanic wheel of fire. It represented the last triumph

of electrical science. It was an electrification of the air above

the cities, and that air was palpitating with shooting wreaths of

color that gave, for each changing instant, a new festal brilliancy.

The gazers were shocked into an admiring astonishment, which only

had an audible expression in murmurs of delight, or took the form of

appreciative exclamations.

The particular glory of this crown of illumination over the cities

about the harbor was its irregular surface or outline. Above the

island of New York it rose far up into the outer spaces, burning with

an exquisite rosiness; above Staten Island, where it was carried

still higher, the color was a strangely mutable blue, and over

the lower regions of Long Island and New Jersey it lay in auroral

sheets, that every now and then, with a billowy exhalation, shot up

phosphorescent projections that seemed actually to detach themselves,

and float away like luminous clouds. It gave a spectral splendor

to everything and on the deck of the steamer, and at the feet of

the mute on-lookers its reflections for an instant shimmered and

vanished. But the moon, unchecked by this terrestrial rival, shone

on, and its limpid refulgence on the faintly rippling waters lost

none of its charm, in contrast with the schemes of artifice around

it. In the penumbral glory dark lines appeared, which may have been

unilluminated and cavernous streets, while its changing lustres

revealed many a towering turret, especially over Staten Island and

New York island, and terraces of light marked the arched bridges and

their precipitous piers, over the East and North rivers.

The steamer, whose occupants thought they had arrived at some

celestial fairy land, was a coast wise “tramp,” and had steamed

from Portland, Maine, with a cargo of stone and lumber. Among

its passengers was a sturdy youth from the lumber lands of that

state—lumber lands which yet, with decreasing resources, strove to

supply the markets—who had stolen away from home, and determined

to try the tempestuous and stirring arena of the huge metropolis,

that now, at the dawn of the twenty-first century, expressing the

awfully expanded powers of man over material things, expressed too

his illimitable luxury, and held within its area an unfathomable

possibility of strife and devastating conflict; a city that had

become the centre of the world of thought, confining the seething

tides of a radicalism that pushed forward a militant atheism against

the still struggling standards of the Church; wherein too lay the

ripe and bursting seeds of an ambitious artistry that would scale

the heavens and reincarnate the flesh of man in an immortal youth,

while it lit all the torches of a brazen defiance of the moral law.

Tom Ratler had heard of this tremendous city, and his blood boiled

to meet its intoxications and his mind delighted in the dream that

he might scale its dazzling heights, and linger long beneath the

canopies of its indulgences. He possessed those things which go to

make the conquering man, pride, courage, an instinctive readiness

in danger, a supple mind, a compelling passion dressed in all the

allurements of a strong and noble form, his voice had chime and music

in it, and a certain spirited demeanor held attention and enforced

respect, and all this not unreasonably yoked with judgment and no

inconsiderable self-control.

Tom had been born in the Aroostook country of his native state, and

had lived the fresh healthful life of the fields. He had availed

himself of the advantages of a high school, had read, and, belonging

to a farmer family of excellent reputation and commercial prestige,

wore the garb of good manners, and listened to the incentives of good

taste. His mother was a woman of exceptional purity of heart, and

his father a rugged Ajax skilled in extemporaneous prayer, and not

unskillful in hammering an opponent to the ground. Tom was a young

giant perfectly moulded. His size did not surpass natural limits of

comeliness, but it filled with caution its unlucky antagonist. His

face was fair, and the rounded bullet-head not strikingly expressive

of scholarship—was sheathed in crisply curled hair like a Grecian

Apollo, his mouth broad and ingratiating held an armory of ivory

teeth—the charm of all mouths—and his eyes of chestnut, were sweet

and tempting, by the side of a straight nose and beneath a just

obviously receding forehead which however was a little narrow, while

at the union of the nose and forehead, a depression gathered a few

lines of tension around these formative kernels of flesh and bone,

which, to the phrenologist are the signals of observation.

None among those on the deck of the Barrymore had been more

astonished with the miracle of science and loveliness before

them than Tom, and he thirsted eagerly to reach this prospect of

delectation, and plunge into its weaving web of life confusion and

intrigue. As he leaned over the rail gloatingly feeding his eyes

on this vision of delight, and somewhat apart from the others, he

heard, and then he noticed a movement at the stern of the boat,

and on the side, which was followed by the swish of oars and the

emergent outlines of a row boat. He ran down the rail and whistled

softly. The next instant the row boat was alongside revealed from

stem to stern in the moonlight, with one figure in it, a Whitehall

fisherman or “dockrat,” who was looking for such chance opportunities

of profit as a newly arrived ship afforded in passengers, freight,

errands, or—less meritoriously—in “smuggle.” His keen ear had caught

the sibilant invitation of Tom, and he quickly brought his little

boat immediately beneath that interested person’s observation. Tom

whispered to him to “wait,” and then hastily disappeared, returning

in a few moments with his modest dress suit case, which vanished

as quickly as it had come over the side of the ship, and was

unceremoniously succeeded by its owner, the latter making use of a

loose rope fastened to the taffrail of the steamer. The row boat shot

out into clear water, and Tom then became the object of expostulation

and entreaty on the part of his former companions, who no less

eagerly than himself, wished to reach the planetary wonder before

them. Tom paid slight attention to these remonstrances, and urged his

guide to renewed efforts, while he seized an unused pair of oars, and

added an impetuous speed to the rocking and arrowy motion.

But Tom’s participation did not last longer than was necessary to

bring him closer to the docks of the city. Then he drew in his oars,

retired to the stern of the boat, and looked around him. And need

he had for he was within the scope of the opalescent marvel, and its

stupendous loveliness alternately crushed him with amazement, or

roused him to enthusiasm. His position may be understood from a few

contemporaneous land-marks.

The dancing row boat lay in that criss-crossed and vexed acre near

Governor’s Island, where the quarreling tides of the East and Hudson

rivers form a patch of troubled waters. On Tom’s right hand was the

island, now kept as a military reservation, but one hundred years

later forested and mantled with flowers, marked with paths, and

surmounted—in the old Fort Hancock—by a conservatory, while the

ancient keep of Castle William still remained, embraced in climbing

vines, with its roof converted into a garden of roses. On his left

the flaming pharos on Bedlow’s Island still burned, but in the hand

of the colossal figure there was no longer an electric star, but she

held a torch of flaming gas, whose long, wayward threads of fire the

winds now hurried upward, now stretched in horizontal films. Near

this dramatic station the immigration buildings on Ellis Island were

seen framed in light, and thence northward in all directions, along

the great rivers and in the median zone of Manhattan, tall structures

climbed upward, now dark by reason of the desertion of their human

households, but bathed over their summits with the descending rays

of that incredible aurora that filled the air above them. It was yet

early evening, and immediately in the foreground of this nocturnal

spectacle, was the old Battery park twinkling with lamps, in the

intervals of a renewed forestation which made it a dark spot on the

water’s edge, yet crisply dipt in a silver bath, that came from the

moon, mingled with a penumbral halo that came from the electric

arc far above it. Tom could now see the reason for the irregular

elevation of the luminous ceiling over the city. It was due to the

varying heights of the tall buildings that seemed to climb into the

skies.

The refulgence was also not everywhere; he could see that over broad

spaces of the peopled shores in Brooklyn and New York black lacunae

occurred where the shining curtain was absent. The boat had pushed

its way through the strife of waters and was nearing the little

Whitehall basin which then as now, afforded a retreat and harbor to

the battery boatman. Tom overwhelmed his pilot with a generous fare,

and jumped quickly to the landing, hurried up the stone stairs, and

was in New York, ready for adventure, not disinclined for mischief,

and fully committed to the wayward guidance of his fancies and his

fortune. His heart glowed with delight, and his mind leaped forward

in anticipations of forming a part in that shifting scene, which had

drawn to it the eyes of the world, for here again, as in ancient Rome

a tumult of social collisions had arisen, mingling with miscellaneous

and picturesque confusion with the last expressions of mechanical and

architectural daring, with the fevered promotions of every luxurious

taste, with erratic dissipations, and with a mental ferment of

scientific and literary and philosophic speculation.

Strangely there reverted to Tom’s mind from out of all his desultory

but avid reading the picture of Apollonius of Tyana arriving in Rome

in the cruel days of Nero. The book of Mr. Tredwell’s he had picked

up among a nondescript collection of odds and ends at a country-side

library to which gathered the tailings of private scholarship,

the chance offerings of missionary enterprises, an occasional

presentation copy from an enterprising publisher, and the discarded

extras of a newspaper office. Tom in a restless and skipping

manner had scoured these books for diversion, for instruction and

as youth will, for intimations, palatable but unhealthy, of the

currents of life in the channels where life moves most boisterously

and least restrained. Apollonius of Tyana quite caught his fancy.

That wandering figure, well furnished with the goods of the world,

appropriately screened from danger by a half supernatural grace,

wearing the garb of a preacher, and well drilled in local customs,

gentle with the bravado of spiritual superiority, and not averse

to finding out what the world contained, suited his own dreams of

action, though the companionable guardians of Tom’s fate in their

seclusion among the stars, might have smiled and shed tears over

the hazardous attempt to put Tom Ratler and Apollonius of Tyana in

the same category. Tom was not Apollonius, nor was New York in the

year 2000, the Rome of the year 50, though filled to the brim with

seditious, dissolute, serious and aggressively progressive elements.

Tom however—in his own thought—was seeing the world, or about to see

it. As he gazed upward that on-coming evening at the dark bulwarks of

the shrouded city, intermittently bathed on their summits and then

down their cliff-like sides by the aerial and diaphanous glows in the

skies, Tom felt the thrill of the unknown advancing towards him, and

all his eager senses reached out to receive its message and its gifts.

Nor was Tom a Nigel Olifaunt, the young Lord of Glenvarloch whose

adventures in London town at the beginning of the seventeenth

century Scott so humorously sets before his readers. He had come

upon no errand of restitution; and while his handy hand and emulous

spirits might engage him in some unlucky business, and his spirited

resentment bring him within the limits of a metropolitan Alsatia

he was not likely to become the victim of so unscrupulous a knave

as Lord Delgarno, nor run any risk of being tried for treason to

the state. If any comparison will help the reader to put Tom Ratler

in his proper phase of action let him recall Kenelm Chillingly’s

justification of his abrupt departure from his father’s home; “I go

in quest of adventure like Amadis of Gaul, like Don Quixote, like Gil

Blas, like Roderick Random; like, in short, the only people seeking

real life, the people who never existed except in books. I go on

foot; I go alone. I have provided myself with a larger amount of

money than I ought to spend, because every man must buy experience,

and the first fees are heavy.” Tom certainly bore little resemblance

to that accomplished cynic, and would have heartily derided—if he

understood them—most of his paradoxical conclusions, but like Kenelm

he had left home to see the world, and see it, where at the beginning

of the twentieth century it presented the most contrasted garniture

of forms and sentiments.

Tom noticed that while many persons were walking along the sea wall

of the Battery Park, and the settees were occupied by many couples

deeply interested in their mutual felicities, and a few families were

engaged in animated discussion of their household affairs, prospects,

and designs, the larger numbers were gathered around a central point,

whence the strains of very enlivening music proceeded. By reason of

its elevation, the band—evidently of large proportions—succeeded in

conveying these strains to the outskirts of its acoustic domain,

where Tom found himself. This concentration permitted him to walk

unimpeded around the wall, against the beautiful and shining bay,

looking towards monstrous beacons of light on the hills of Staten

Island, the shimmering walls of the Narrows and the nimbus of rays

that played over the populous shores of Bay Ridge, no longer retained

as a semi rural contour on the edge of the Harbor.

Scarcely conscious of any definite intentions, where all around him

invited him to continue a delighted and aimless ramble, Tom reached

the walls of the Aquarium, now occupying the old foundation of

Castle Garden, and, at the distant period to which we transport the

reader, yet retained, but immensely heightened and most inordinately

ornamented.

Tom could not clearly see the chase of zoological detail over the

glistening terra-cotta sides, though salient representations of

whales and porpoises, dolphins, tunas, tarpons, sword fish, and

sharks were descried by our traveller, whose astonished eyes however

were not always well enough informed to report their correct

identity. His eyes, bright and eager as they were, quite failed

to discern the wealth of marine naturalism, in sea urchins, coral

groups, medusas, hydroids, sea-cucumbers, molluscs, which encumbered

the ornamentation, mingled with the larger motifs, and luxuriantly

clustered at every interval between the swelling and pompous

immensity of the cetaceans, and the giant fish.

It was at this spot that Tom had reason to recall with gratitude the

agricultural training of his muscles, and to be roughly reminded that

the splendid city to which he had come was not unqualified in its

apparent possession of peace and order. In going round the circular

outskirt of this immense pavilion Tom reached its northern walls

approaching the confines of a great basin for the accommodation

of motor boats and naphtha launches, small pleasure yachts, and a

miscellaneous assortment of less definite water vehicles. Here the

shadow of the building was less successfully dispelled by the park

lamps, and as Tom turned to leave the angle, prompted to do so by

the deficiency of light, three figures seemed to spring from the

pavements, and with a consecutive movement too rapid to be easily

discerned, to fly at his back and front aiming fist blows at his head

and neck, and vicious kicks at his shins.

The most listless admirer of self defense, or the least intrepid of

its critics, would have rejoiced to have witnessed the lightning-like

metamorphosis in our whilome inert wanderer. His valise dropped from

his hand, and the motionless arms—so long and powerfully braced

with muscle, multiplied themselves with incredible rapidity in a

Briarean thicket of appendages before whose centrifugal violence his

assailants quickly vanished. The scuffle attracted some notice not

divorced from a desire, on the part of many, to see the stranger

worsted, and this sentiment was reinforced by the sudden approach

of a policeman entrusted with the wardenship of this quarter. A

sullen group of men and boys, vaguely referable to the Syrian section

of Washington Street, followed Tom, and their inquisition of his

appearance grew less and leas favorable, while a few epithets,

accompanied by a chance and unsavory missile in the shape of rotten

fruit acquainted him with his unpopularity.

Tom experienced a faint sense of disappointment, but his own warlike

instincts, readily aroused, permitted no movement of retreat, and

his disdain of his cowardly critics finally prompted him to turn and

walk with threatening alacrity towards them. This movement served

to disperse them, and as Tom remarked their skulking shapes, he was

joined by a much older man who had watched with interest and sympathy

the shifting relations of Tom and his tormentors. The stranger spoke,

and his measured and pleasant tones fell refreshingly on Tom’s ears,

to whom, overwhelmed by the immensity of his new surroundings, the

incident had seemed painful and unlucky.

“I see you are quite able to take care of yourself. I was ready to

take a hand myself against this bunch of loafers. I guess that you

are a new-comer, but don’t misjudge us from this little adventure.

The city is fairly orderly, as much so as most large towns, and you

can safely ramble over it at any hour of the day or night, without

much danger of molestation, though”—here the speaker drew a cigar

case from his pocket and handed its open end to Tom who with a slight

hesitation engendered by unfamiliarity with smoking, took one of the

proffered Wizards, as his new friend continued;—“though in some ways

we are dangerously near a domestic conflict much more serious than

street brawls or the incivility of hoodlums and nocturnal poachers.

Come over to the sea wall and sit down. I don’t wish to presume upon

the acquaintance my admiration of your strength has given me, but as

an older man and one not indifferently acquainted with the conditions

and the opportunities of this city, you may welcome some friendly

directions and advice.”

“Indeed, sir” answered Tom now thoroughly interested, if not quite

assured as to the honorable intention of his interlocutor, “I should

feel grateful for that. I am not a baby, and I believe that I can

pull through easily enough, but a few pointers at the outset may save

one from dangerous or expensive blunders. What is learned without

cost can be used without loss, is an old saying with us in Maine.”

As the two men moved towards the edge of the reservation it was

easily seen that Tom surpassed his companion in height, and if

this were not a sufficient assurance, any incipient suspicion of

danger would have been dispelled by the striking visage of Tom’s

acquaintance. He was a man of middle life hardly showing any of the

usual symptoms of increasing years. His hair, the weakest defence

against time’s encroachments, was yet untouched with gray, his face

was unmarred by a single wrinkle, his eyes of a peculiar brilliancy,

betokened intelligence and frankness, and the broad mouth, firm and

rather narrow lips, the chin perhaps a little too massive, confirmed

the unmistakable impression that our young adventurer had fallen

in with an unusual man—a man of observation and experience and

convictions.

Tom had himself quickly noticed these details and his confidence

increased, and even a sudden impulse of affection sprang up in his

heart as the momentary sense of his extreme isolation deepened into a

half reminiscent sadness. They had come up to one of the many seats

facing the bay, and the older man motioning to a bench, cut up into

separate seats by iron straps, sat down, while the end of his cigar

shone vividly as he puffed away, apparently abstracted, and making no

further overtures at conversation. Tom himself had become thoughtful

and silent, though he fully expected that the dialogue would be

resumed without his encouragement, and his mind dreamingly fell into

that mixed revery and consciousness, which overcomes us at such

restful moments. The waters before them, dark and viscid in their

unctuous flow, with scolloped concavities glazed with the moonlight,

lapped softly against the stones of the wall, and the band of music,

recoiling from some tempestuous climax, was breathing over them an

enticing melody.

It was Tom who first broke the silence between them.

“I suppose I can expect good employment in New York, sir,” he said,

yet unwilling to expressly declare his purpose. There was no answer;

and Tom looked more inquisitively at his neighbor, fearing that his

favorable deductions might have been premature. Again he spoke; “I

had a fancy that in this city of rich people I might get a good job

as motorist; I understand machinery, have used a steamer myself at

home, (as indeed he had), and reading of fair pay given capable men

in New York came on for employment.”

His companion woke up, or at least alighted from his soaring

meditations, turned a little towards Tom, and without the slightest

reference to Tom’s inquiry and declaration, began a deliberate sketch

of the social conditions of New York, its political dilemmas, and

its industrial power, almost as if, in response to some unheard

interrogation, he took advantage of the occasion to deliver himself

of a carefully prepared disquisition, though he conferred upon Tom

the honor of being the subject of that inaudible question.

“Yes, my friend,” he began, “New York has become the microcosm of the

whole world. Here are gathered together the nuclei of every school

of thought, every phase of social state is here; the abject poor,

the fabulously rich, and the industriously competent. Our population

is over sixteen millions. We are spreading to the furthest limits of

our territorial domain. Every art is practised here, and here each

art secures its highest rewards. Architecture has here risen to its

most stupendous and impossible tasks. Music finds here its greatest

audiences, and its exhibitions take place in the grandest temples.

Painting has here displaced the former superiority of France;

factories making every article that human ingenuity or human appetite

can invent for its satisfaction or its profit, are here in operation.

“We have become the cynosure of the world, and one million of

visitors a year has reversed the tide of curiosity from the old

world to the new; because our enormous wealth permits us to build

marvels and realize dreams. We have become a state, and this city

now possesses its own legislature, and frames laws for its own

government. Enormous universities furnish us with learning, and

under the impetus of an outrageous intellectualism large classes of

our population discard old habits of life, old creeds, old morals,

struggling with an impossible ardor to compass the meaning of life

in the surfeit of enjoyment and the rhapsodies of speculation.

The Catholic Church almost alone upholds the dogmas of the past;

Protestantism has deteriorated in Agnosticism, and Agnosticism

falls a prey to a devouring melancholy, which councils a happy

death, whenever life forgets its pleasures, or Age robs the senses

of their uses. Euthanasia, although a forbidden crime as the enemy

of the state, is secretly practised and from day to day sumptuous

Suicidariums are discovered and destroyed by the police.

“Science makes contributions, to our convenience, but is still dumb

on the questions of our purpose and origin. The transmutation of

metals is said to be almost discovered, and when gold can be made

from lead the tocsin of industrial activity will be sounded, and the

social machine, no longer able to maintain financial differences,

will run down, and, clotted with a metallic lubricant—no longer

serving its just ends,—will stop working, and our social state

resolve itself into a primordial protoplasm, whence the savage tribe

with chief and slaves, will slowly emerge, and the earth begin over

again its tiresome political evolution.

“But just now in this city the questions of policy grow daily more

complicated and dangerous. We have a gloriously rich class enjoying

the highest culture and withal benevolent, but living in undreamed

of splendor, and we have an educated class of operatives and middle

men with a proletariat of the very poor, who, often by their own

misdirection or proclivities, live stunted and desperate lives. These

classes form a vast body proclaiming a radical socialism and their

organization grows stronger and stronger with increasing population,

for family life, except within stringent limits, is discouraged by

the rich, and is despised by the _emancipated_.

“The balance of power will soon fall to the socialist, who lives

for breeding, and breeds by living. You have just come to our city

(and here the speaker for the first time turned directly to Tom, and

involved him directly in his allocution), at the close of a general

election for Mayor—the Mayor being the governor of our city-state.

It was a hot rancorous contest, and the successful candidate was

a compromise, a fusion brought about by the rich classes, the

moderately well off, and the Catholic labor vote. The new Mayor’s

position is a perilous one. He has hardly a bare majority in the

city Legislature. He himself is a dreamer, and over balanced with

metaphysical guesses, well trained in psychology, not inexperienced

in business, but at best a compromise, chosen to be the tool of

the rich, yet constitutionally a believer in some creed about the

Brotherhood of Man, and so without absolute direction, and without

force; and so also a farce, and a failure. Well—” (here the singular

monologue ended, and the speaker, who more and more astounded his

absorbed listener, stood up) “Yes—there are good chances for a

chauffeur of the right stamp in this city, where over ten per cent.

of the accidental deaths occur through motor accidents. Have you any

money?”

Tom no longer doubtful as to the integrity of his friend—his

rhetorical tirade convinced him that he was some one with

reservations of conscience—answered, as he also rose to his feet:

“I have three hundred dollars. Enough?”

The stranger had resumed his musings, looking away in the direction

of the Liberty Light whose flaring chords of flame now rose straight

into the sky like a contorted and tapering pinnacle of fire;—but he

heard; and turning again to Tom he said; “Very good. Go to the Hotel

Kohinoor near the Times Square. Get well lodged; Look well; Dress

well, and put an advertisement in the New York Times for a position

as a chauffeur. Give the hotel address. You will have answers to

choose from; mark me! Take my card! I will see you at any time.”

He handed Tom a card, and walked away after cordially shaking his

hand, though as he did it, he looked less at Tom, than at the

dispersing crowds who, no longer kept together by the band, were

dissolving in streams through the Battery grounds.

Tom moved to a lamp and read:

BENTON BRIGGS

(Secretary to the Mayor)

CITY HALL

Tom of course was duly impressed, and thanked his stars that the

assault on him had been made. He placed the card carefully in his

pocket book, and proceeded forthwith to find out the location of the

Hotel Kohinoor. He found the policeman who had aided in interrupting

the machinations of his enemies, and from him was directed to the

hotel which his informant assured him; “was the all-firedest most

expensive house in town.” Tom perhaps quailed a moment, but he

partially divined the philosophy of Mr. Briggs’ advice; he wanted a

rich employer, his own qualifications were, he knew, unimpeachable,

a little spurious distinction given to him by his handsome quarters

would not form a prejudice against him; on the other hand it was

intended by his adviser to form a direct appeal to the fastidious

personal tastes of the rich employer he was after. He intended to be

careful about his advertisement, and he had quite enough reliance

upon himself and his good looks to improve a favorable impression.

Ruminating over these things Tom found his way to the Subway which in

the year 2000 maintained its supremacy as an artery of travel, and

was flashed through its blazing conduit, to Forty-Second Street,

where he alighted. The hotel Kohinoor occupied the present combined

sites of the Metropole and the Saranac and represented the most

munificent expenditure of skill and fancy known to the publican world.

It was the marvel of two continents. The most daring mechanical

device had been united with the strangest and most defiant artistic

conceptions, and a result roundly denounced by the better taste of

the day, was also blazoned and paraded as the consummate expression

of the New School, a hackneyed phrase devoted at all periods of art,

to give distinction to oddity, if not to the vulgarity of empty

display.

It was a monstrous pagoda of stone and stucco, ornamented with

extraordinary grotesques of great size, and involved a curious use

of colored decoration with surprisingly copious development of

electrical illumination. At night the tapering structure, prolonged

upward to almost two hundred feet became a shimmering and splendid

spire of light by reason of chains of lamps swung from tip to tip of

its projecting antennae, each chain from top to bottom being swung,

as it were, by a mounting line of grinning goblins and laughing

nymphs, rendered in terra-cotta and affixed to the ends of the

antennae, which, on each story numbered twelve, making a sort of

angulation of the whole building, and these polygonal faces were

constructed to form as many façades, and a different treatment was

allotted to each in ornamentation and color.

This facetted and rather brilliant composition had suggested the

name Kohinoor and, as a term descriptive of scintillation and

gem-like glory, it applied well enough to the chromatic and photal

encrustation of this singular architecture, whose effrontery of

design drew to its doors and rooms the richest and the most eccentric

patrons.

The interior arrangement was not less striking nor less effective,

limiting that term to the range of ideas expressed in surprise and

disordered novelty. It consisted, in outline, of a central air

space, or well, reaching to the apical skylight—itself a fantastic

medley of colored glasses—conical in form. From the contracting areas

of the successive floors, encircled at each floor or story by a

gallery, whose edge upon the conical well was protected by a _rococo_

railing of brass, hung aprons of English ivy. The ascending floors

were designed as radial spaces with diverging corridors producing

rhomboidal rooms, and the corridors opened at their outside limit

upon a broad balcony, cut up into stalls, for the occupants of the

rooms.

The ground floor, entered from the street by ascending steps, was a

labyrinth of columns, arranged in stars, and holding between them

groined ceilings luxuriously painted with multitudes of enlacing

figures, borrowed from all the stages of life, the personages

of history, contemporaneous character, the idols of the theatre

the legends of poetry, figures of mythology; an intemperate

extravaganza of portraiture, in whose chaotic investiture and train

the impudence of the artist had placed politicians in compromising

union with goddesses, and mingled the decorum of the pulpit with the

bacchanalian antics of the chorus hall. Momentarily it was denounced

as a scandal and later it was welcomed as a joke, and at all times it

crowded the place with sightseers and gathered to it a spendthrift

retinue.

Lounging chairs and sofas of a deep cherry red, imitating coral stems

and growths, upholstered in a sea green tapestry, filled the space at

convenient intervals, and every hour was signalled by soft utterances

of music from a mammoth orchestrion. It was all in bad taste

relieved by extreme skill, but from top to bottom of the building,

and throughout its details the loosened revelry of libidinous fancy

was given full play. For want of a method it chased over the known

world for the exotic, the bizarre, the beautiful, and brought them

together in all phases of contact, producing a colossal maze of

features that could only, with trained artists, react in a monstrous

and terrifying weariness. It was principally a marvel of decorative

ingenuity, picking from the resources of industry every thing rare

and costly. What might have been styled a system of house gardening

prevailed within, and patches of flowers were installed in ample

vases and bowls, themselves richly conceived and executed, kept alive

by artifice, and stimulated by electric shades.

Into this unusual hostelry Tom Ratler came with no inconsiderable

trepidation, provoked, and naturally enough, by some apprehensions as

to the sufficiency of his pocket book to meet financial requirements

which might conform to so marvellous a place.

He found that however, in spite of its splendor, it could afford him

in its skyward limits a small room at, if not exactly a small price,

no ruinous toll. So he was whisked upward in the elevator tube that,

as a steel tube in open work, represented a towering and stupendous

palm, extended through the central air-space, with bridges at each

floor for the escape of its travellers.

The room was tiny but deliciously neat and, to Tom’s eyes,

ravishingly beautiful. It was in enamelled white, with a wall

paper that began at the bottom with a flush of white blossoms

on a dainty pink ground, and ended at the top in pendent boughs

bearing yellow—golden yellow—oranges. The furniture was made from

a delicately stained green wood, designed in patterns of rustic

simplicity; the windows were shaded by crisp chintz-like curtains,

whose figures represented various idylls of the country, from

chestnutting to May-day frolics. A soft downy red mat or rug covered

the floor, and water colors of charming freshness, delineating the

undressed pleasure of the seashore, decorated the walls. A little

bath room opened off this fascinating boudoir, and Tom standing

in the centre of the bewildering beauty and comfort, dropped his

hand valise, whistled softly, and for an instant thought of his own

plain bed-room at home, in which, were the reader able to follow

our friend’s dream, a well stored book-case, rude but serviceable,

occupying an entire wall, brimmingly filled with books of all sizes

and on all subjects, would have been revealed.

Tom at once attacked the task of preparing his advertisement. The

writing escritoire was supplied with pen, paper, and ink, and a few

moments only were necessary for the rough outlining of his “ad” which

changed a few times finally took this form;

WANTED—A position as a chauffeur by an experienced driver of

automobile cars. References furnished. Address Tom Ratler, Hotel

Kohinoor.

Tom again descended the elevator shaft; was directed to the

Times newspaper office opposite to the hotel itself, entered his

application, and, unwilling to yet trust himself to the throbbing

and blazing streets, retired to his exquisite aerie to think of his

new surroundings, and to gaze over that carpet of light punctuated

with brilliant orbs or crossed by sombre shafts of stone, that like

an undulous and phosphorescent scarf floated over and through the

Capital of the World.

And to Tom’s musing eyes there seemed to be at times speeding meteors

in trained or panoramic succession passing in the sky. And there was.

For to all other marvels of the growing years Science had added the

partial conquest of the air.

The Mayor of New York · 第 1 / 17 章