FRITZ--And we, we men--

RUDOLPH-- Our time has not yet come.

FRITZ--Must be the feet and run, eh?

RUDOLPH-- We must wait

Until the heart calls from the silent north.

FRITZ--Wait?

RUDOLPH-- You would have us--?

FRITZ-- If we are the hand,

For the hand strikes.

RUDOLPH-- Without the head? No, Fritz;

We must delay our battle with the beast.

A new shield we will shape us on the heights;

Temper it in the flashes of the sky

And boss it with the terror of the grave.

Of mountain metal on the mountain tops,

New armor we will forge. Let the old shield

Lie here upon the plain, covering the dead.

Let the leaves cover it. And for the sword

That broken lies between the dragon's paws,

Val-father will reach down and put the hilt

Of some great Fafnir's-bane in Canzler's hand,

Canzler, in turn, in Oswald's when he weds,

And Oswald and the girl will pass it on

Down to the hand of that child--

FRITZ-- Canzler go?

RUDOLPH--Whom Woden shall bid seek the dragon's den,

And Siegfried of the North shall slay the snake.

FRITZ--Canzler will not go. Canzler!

RUDOLPH-- He will go.

FRITZ--Canzler will lay him in the grave first.

RUDOLPH-- Fritz,

Who calls the fairies?

FRITZ-- What of that?

RUDOLPH-- Witchcraft.

FRITZ--You mean that they will burn her?

RUDOLPH-- Do they not

Burn witches in the city...? We can die;

We on our swords can perish; but the girl...?

(_He goes off through the wood, leaving Fritz

silent upon the bridge._)

FRITZ-- (_To himself._)

Canzler will lay his sword upon her throat.

(_With bowed head he walks on across the bridge.

As he passes into the deeper shadows the

white sheep's pelt lying in the bank at the

roadside catches his eye. He goes curiously

toward it, when, seeing the post, he glances

up and stops suddenly. For a time he stands as_

_one appalled._)

Rudolph!

RUDOLPH--Ho!

FRITZ-- Here!

(_To himself._) This will break Canzler's heart.

(_Rudolph reappears and joins Fritz, and the two

stand in silence, Rudolph with his eyes fixed

upon the crucifix, and Fritz with his eyes on

Rudolph._)

FRITZ--What do you think?

RUDOLPH-- It was put up last night.

FRITZ--You still think we should leave here?

RUDOLPH-- Still think?

FRITZ-- Yes.

RUDOLPH--Can there be any doubt of what this means?

Almost its eyeballs gleam between the trees.

FRITZ--And if we leave here, what?

RUDOLPH-- We bear away

To some far mountain nest our eagle's egg.

We save our hope.

(_Fritz points to the crucifix._)

Only proves what I say.

'Tis some poor burgher who refused to bow

And would not leave.

(_Fritz goes toward the crucifix._)

And they have put it up

To mock us with the pains they will make us feel

If we don't bow.

FRITZ-- (_Bending over the pelt._)

Knee prints. He has knelt here;

Knelt here and prayed--

(_Coming back to the road._)

to Woden, do you think?

You know the hand that carved that?

(_Rudolph goes closer and scrutinizes the

crucifix._)

Your great sword,

Where is it now, Rudolph? the Fafnir's-bane

Val-father should reach down to Canzler's hand;

To whose hand will the chief's hand pass it now?

Out of the dragon's belly will he come,

Our Siegfried, with the great heart of the beast?

Our hope, our eagle's egg, where is it now?

RUDOLPH--It can't be.

_Fritz_-- Can't be?

_Rudolph_-- Can't be.

_Fritz_-- But it is.

At dusk last night I saw him in the wood

And he was wending this way carrying that.

And there are knee-prints on it.

(_A pause._)

And that thing;

What other hand could have carved out that brow

And laid that sorrow there? Look at those knees.

RUDOLPH--This is why he has shunned us.

FRITZ-- Say no word

To Canzler about this or to the girl.

Never will she be happy any more.

He will leave now.

RUDOLPH-- (_Contemplating the knee-prints._)

Under Val-father's trees!

FRITZ--Canzler has been a father to the boy.

(_Rudolph comes toward the road, then turns and

looks back at the Christ._)

So Balder looked lying on Valhal floor.

If the men hear this, they will vote to die.

RUDOLPH--He must go quietly and no word be said.

(_They walk together along the road._)

FRITZ--The way he goes, the Saxon race has gone.

RUDOLPH--We must go to the mountains, not the grave.

FRITZ--Canzler has been a father to the boy.

RUDOLPH--He may return and bring the Saxon race.

FRITZ--Who will deliver him?

RUDOLPH-- Val-father lives.

FRITZ--(_Bitterly._) Lives with the dead.

(_He goes out._)

RUDOLPH-- He may yet be reclaimed.

The paths of Prophesy lead far away

But still the Powers of the air are bent

To guide it and their eyes are on its feet.

Let us not doubt Val-father's hand in this.

That eye in Mimer's fountain sees through all

The dark, gnome-haunted caverns of the earth;

The other under his calm brow watches heaven.

(_He goes off through the forest._)

_SCENE TWO--Under an old beech in the edge of the forest.

A knoll, like the toe of a large boot shoved in from the

rear, butts squarely against the trunk. Up under the

boughs, left, lies a decaying log with here and there a

tuft of rank grass growing from the cores of old knots._

_Beside it is a small basket filled with berries. At the_

_foot of the beech, bubbles a spring partly walled in with_

_dark mossy rocks, on top of which lies a brown gourd_

_dipper. Two worn foot-paths, one winding up the slope into

the forest, the other entering from the left, meet at the

spring. The ground is checkered with flakes of sunlight_

_that fall through the leaves, and over all is the silence_

_of the summer noon._

_A crackle is heard as of a dry twig breaking under foot. The

branches on the left swing apart and Selma pushes through

backwards. She is a fairy-like creature dressed in green.

Her hair falls loose about her shoulders and upon her head

she wears a coronet of wild-flowers. Holding the boughs

slightly apart, she stands peering intently to the left,

then, turning quickly, she snatches up the basket and hides

it behind the log, and after picking a few green burrs from

the branches above her, darts to the right and conceals

herself behind the trunk. For a time she stands motionless.

Then, as if upon second thought, she stoops and removes the

dipper from the rocks._

_Along the foot-path, leading in from the left, Oswald enters._

_He stops and looks back and for a time stands thus, as one_

_undecided, a forlorn expression upon his face. He then_

_turns and proceeds to the spring. Not finding the dipper,_

_he lays aside his staff and hat, and stretches himself out

upon the flat stone at the entrance of the spring. While

he is drinking, Selma leans cautiously from behind the

trunk and raises her arm as if to drop something. Having

evidently seen her shadow in the water, Oswald glances

up, but seeing no one, lies down again and drinks. From

behind the hole Selma tosses a burr into the spring. Oswald

continues to drink. Finally he rises, and, taking up his

hat and staff, goes up the slope and sits down upon the

log. The girl moves stealthily around the trunk._

OSWALD--Selma. (_After a pause._)

Selma. I saw you in the spring.

SELMA--I'm there yet, then; you didn't take me out.

(_She comes round the side of the trunk opposite

the log and, stooping over, looks down into

the spring._)

O you should see the fishes! two, three, four,

A troop of them! O Oswald, come and see!

They're round a splash of sunlight in the spring.

See how they twinkle and in the current stir

Their little crimson fins. Ah, I've scared them.

I really did; I scared them with my hair.

See how it fell.

(_She points to a mass of hair that has fallen past

her cheek._)

It would not hurt them, though.

We must be still; we must not say a word.

They never will play if they see us looking.

(_Oswald points down into the spring._)

That little green thing? That's a beech-nut burr.

I threw it in to scare the water-sprite

That looked up at you when you stooped to drink.

You did not see her? Oh, I did. I peeped

Like this, softly, over, over the edge,

And saw her peeping from the mossy stones

Down in the spring. Her hair was loose like mine

And brown as buckeyes, and her lips were stained

With juice of berries. Then I raised my hand.

Thinks I: "I'll drop a beech-nut on his head."

Then she raised hers as if to say: "Be still!

I'll make the bubbles break against his nose."

Was that what made you jump? You scared her so.

I saw her hair fly up about her face

As I leaped back. She lives down in the spring.

This morning as I passed I stooped and said:

"I'm going after berries; won't you come?"

She beckoned to me, too, and seemed to say:

"I can't leave home; my little fish will stray.

You come down here; I have some pretty shells."

Oh, look! Be still! She's let them come again.

See them flash.

OSWALD-- It's the green shell they're after.

SELMA--Why, there's no kernel in it. If there were

They could not eat it; it would break their gills,

They are so very thin.

OSWALD-- We all do that;

We follow shells sometimes.

SELMA-- O Oswald, look!

See how the little silver bubbles rise.

The Saxons: A Drama of Christianity in the North · 第 17 / 139 题