Mrs. Bittacy swept in upon them with the tumbler--

"There, David," she said, "that will ward off any beginnings of attack.

Just a spoonful, dear. Oh, oh! not _all_ !" for he had swallowed half

the contents at a single gulp as usual; "another dose before you go to

bed, and the balance in the morning, first thing when you wake."

She turned to her guest, who put the tumbler down for her upon a table

at his elbow. She had heard them speak of the east wind. She emphasized

the warning she had misinterpreted. The private part of the conversation

came to an abrupt end.

"It is the one thing that upsets him more than any other--an east wind,"

she said, "and I am glad, Mr. Sanderson, to hear you think so too."

~III~

A deep hush followed, in the middle of which an owl was heard calling

its muffled note in the forest. A big moth whirred with a soft collision

against one of the windows. Mrs. Bittacy started slightly, but no one

spoke. Above the trees the stars were faintly visible. From the distance

came the barking of a dog.

Bittacy, relighting his cigar, broke the little spell of silence that

had caught all three.

"It's rather a comforting thought," he said, throwing the match out of

the window, "that life is about us everywhere, and that there is really

no dividing line between what we call organic and inorganic."

"The universe, yes," said Sanderson, "is all one, really. We're puzzled

by the gaps we cannot see across, but as a fact, I suppose, there are no

gaps at all."

Mrs. Bittacy rustled ominously, holding her peace meanwhile. She feared

long words she did not understand. Beelzebub lay hid among too many

syllables.

"In trees and plants especially, there dreams an exquisite life that no

one yet has proved unconscious."

"Or conscious either, Mr. Sanderson," she neatly interjected. "It's only

man that was made after His image, not shrubberies and things...."

Her husband interposed without delay.

"It is not necessary," he explained suavely, "to say that they're alive

in the sense that we are alive. At the same time," with an eye to his

wife, "I see no harm in holding, dear, that all created things contain

some measure of His life Who made them. It's only beautiful to hold that

He created nothing dead. We are not pantheists for all that!" he added

soothingly.

"Oh, no! Not that, I hope!" The word alarmed her. It was worse than

pope. Through her puzzled mind stole a stealthy, dangerous thing ...

like a panther.

"I like to think that even in decay there's life," the painter murmured.

"The falling apart of rotten wood breeds sentiency, there's force and

motion in the falling of a dying leaf, in the breaking up and crumbling

of everything indeed. And take an inert stone: it's crammed with heat

and weight and potencies of all sorts. What holds its particles together

indeed? We understand it as little as gravity or why a needle always

turns to the 'North.' Both things may be a mode of life...."

"You think a compass has a soul, Mr. Sanderson?" exclaimed the lady with

a crackling of her silk flounces that conveyed a sense of outrage even

more plainly than her tone. The artist smiled to himself in the

darkness, but it was Bittacy who hastened to reply.

"Our friend merely suggests that these mysterious agencies," he said

quietly, "may be due to some kind of life we cannot understand. Why

should water only run downhill? Why should trees grow at right angles to

the surface of the ground and towards the sun? Why should the worlds

spin for ever on their axes? Why should fire change the form of

everything it touches without really destroying them? To say these

things follow the law of their being explains nothing. Mr. Sanderson

merely suggests--poetically, my dear, of course--that these may be

manifestations of life, though life at a different stage to ours."

"The '_ breath_ of life,' we read, 'He breathed into them. These things

do not breathe." She said it with triumph.

Then Sanderson put in a word. But he spoke rather to himself or to his

host than by way of serious rejoinder to the ruffled lady.

"But plants do breathe too, you know," he said. "They breathe, they eat,

they digest, they move about, and they adapt themselves to their

environment as men and animals do. They have a nervous system too... at

least a complex system of nuclei which have some of the qualities of

nerve cells. They may have memory too. Certainly, they know definite

action in response to stimulus. And though this may be physiological, no

one has proved that it is only that, and not--psychological."

He did not notice, apparently, the little gasp that was audible behind

the yellow shawl. Bittacy cleared his throat, threw his extinguished

cigar upon the lawn, crossed and recrossed his legs.

"And in trees," continued the other, "behind a great forest, for

instance," pointing towards the woods, "may stand a rather splendid

Entity that manifests through all the thousand individual trees--some

huge collective life, quite as minutely and delicately organized as our

own. It might merge and blend with ours under certain conditions, so

that we could understand it by _being_ it, for a time at least. It

might even engulf human vitality into the immense whirlpool of its own

vast dreaming life. The pull of a big forest on a man can be tremendous

and utterly overwhelming."

The mouth of Mrs. Bittacy was heard to close with a snap. Her shawl, and

particularly her crackling dress, exhaled the protest that burned within

her like a pain. She was too distressed to be overawed, but at the same

time too confused 'mid the litter of words and meanings half understood,

to find immediate phrases she could use. Whatever the actual meaning of

his language might be, however, and whatever subtle dangers lay

concealed behind them meanwhile, they certainly wove a kind of gentle

spell with the glimmering darkness that held all three delicately

enmeshed there by that open window. The odors of dewy lawn, flowers,

trees, and earth formed part of it.

"The moods," he continued, "that people waken in us are due to their

hidden life affecting our own. Deep calls to sleep. A person, for

instance, joins you in an empty room: you both instantly change. The new

arrival, though in silence, has caused a change of mood. May not the

moods of Nature touch and stir us in virtue of a similar prerogative?

The sea, the hills, the desert, wake passion, joy, terror, as the case

may be; for a few, perhaps," he glanced significantly at his host so

that Mrs. Bittacy again caught the turning of his eyes, "emotions of a

curious, flaming splendor that are quite nameless. Well ... whence come

these powers? Surely from nothing that is ... dead! Does not the

influence of a forest, its sway and strange ascendancy over certain

minds, betray a direct manifestation of life? It lies otherwise beyond

all explanation, this mysterious emanation of big woods. Some natures,

of course, deliberately invite it. The authority of a host of

trees,"--his voice grew almost solemn as he said the words--"is

something not to be denied. One feels it here, I think, particularly."

There was considerable tension in the air as he ceased speaking. Mr.

Bittacy had not intended that the talk should go so far. They had

drifted. He did not wish to see his wife unhappy or afraid, and he was

aware--acutely so--that her feelings were stirred to a point he did not

care about. Something in her, as he put it, was "working up" towards

explosion.

He sought to generalize the conversation, diluting this accumulated

emotion by spreading it.

"The sea is His and He made it," he suggested vaguely, hoping Sanderson

would take the hint, "and with the trees it is the same...."

"The whole gigantic vegetable kingdom, yes," the artist took him up,

"all at the service of man, for food, for shelter and for a thousand

purposes of his daily life. Is it not striking what a lot of the globe

they cover ... exquisitely organized life, yet stationary, always ready

to our had when we want them, never running away? But the taking them,

for all that, not so easy. One man shrinks from picking flowers, another

from cutting down trees. And, it's curious that most of the forest tales

and legends are dark, mysterious, and somewhat ill-omened. The

forest-beings are rarely gay and harmless. The forest life was felt as

terrible. Tree-worship still survives to-day. Wood-cutters... those who

take the life of trees... you see a race of haunted men...."

He stopped abruptly, a singular catch in his voice. Bittacy felt

something even before the sentences were over. His wife, he knew, felt

it still more strongly. For it was in the middle of the heavy silence

following upon these last remarks, that Mrs. Bittacy, rising with a

violent abruptness from her chair, drew the attention of the others to

something moving towards them across the lawn. It came silently. In

outline it was large and curiously spread. It rose high, too, for the

sky above the shrubberies, still pale gold from the sunset, was dimmed

by its passage. She declared afterwards that it move in "looping

circles," but what she perhaps meant to convey was "spirals."

The Man Whom the Trees Loved · 第 4 / 6 题