nave with safety, or that it will not be lasting, whether the work of
three naves, continued on, would be congruous, sufficient, and such as
would deserve to be prosecuted; or, on the contrary, if it ought to be
given up or changed; and in that case unto what height it would be right
to continue what is begun, and to specify the whole, in such sort as to
prevent mistake?
3. What form or continuation of the said works will be the most
compatible and the best proportioned to the Chevet of the said church
which is already begun, made, and finished?
The “maestros” and masons, before being asked these questions, must take
their oath; and after having given their declarations, the Lord Bishop
of Gerona and the honourable Chapter shall elect two of the said
masters, in order that they may form a plan or design, by which the work
will have to be continued. All which the secretary of the Chapter will
put in due form in a public writing.
III.
Successive dicti artifices, lapiscidæ sigillatim, ad partem medio a se
corporaliter præstito juramento deposuerunt, et suam intentionem
dixerunt in et super opere prelibato diebus, mensibus et annis inferius
designatis et sub forma sequenti. Die jovis vicessima tertia mensis
Januarii anno nativitatis Domini millesimo CCCC. sexto decimo magistri
et lapiscidæ sequentes juraverunt et deposuerunt apud civitatem Gerundæ
infrascripti, præsentibus et interrogantibus venerabilibus viris dominis
Arnaldo de Gurbo, et Joanne de Pontonibus canonicis, et Petro de Boscho
præsbitero de capitulo dictæ ecclesiæ Gerundensis ad hoc per dictos
reverendum dominum electum in Episcopum et capitulum Gerundense
deputatis super articulis præinsertis et contentis in eisdem ut
sequitur.
IV.
PASCHASIUS DE XULBE _lapiscida et magister operis sive fabricæ
ecclesiæ sedis Dertusensis super primo dictorum articulorum sibi
lecto medio juramento interrogatus, dixit_:--
1. That according to his knowledge and belief it is certain that the
work of one nave of the cathedral of Gerona already commenced is secure,
good, and firm; and that the foundations or bases of the old work
already made are also so, and that the rest will be so if they are
constructed in the same manner, and that they will be sufficient to
sustain the vault of the said work of one nave.
2. Supposing that the work of one nave is not carried out, it is certain
that the one of three naves, already commenced in the said church, is
good and firm. But in the event of the plan of three naves being
adopted, he says, that it would be necessary that the vault which is
over the Coro, towards the altar of the same church, should be pulled
down, and that it should be unroofed, in order that it may be raised
eight palms--a little more or less--above what it is now, so that it may
correspond to its third in its measurements.
3. That the plan of three naves is more compatible and better
proportioned to the Chevet of the church than that of one nave.
_Interrogatus._--Whether, in joining the lower voussoirs on the capital
of the pillar over the pulpit, which corresponds to the other of the
Coro, in case the work of three naves is carried out, there will be any
risk of causing a settlement in the said pillar?--I answer, that there
will be none, and that it can be done with safety.
V.
JOANNES DE XULBE, _lapiscida, filius dicti Paschasij de Xulbe,
regens pro dicto patre suo fabricam prædictam, sive opus dictæ
Ecclesiæ Dertusensis, simili juramento à se corporaliter
præscripto, interrogatus super prædictis articulis deposuit ut
infra. Et primo super primo articulo interrogatus, dixit_:--
1. That the work of the nave already commenced can be continued, and
that it will be good, firm, and without danger; but that the arches
must be made to the tierce point, and that the principal arch must be
shored up. That the first abutments of the old work, situated on the
south, are good and firm, and that, making the others like them, they
will be so also, and sufficient to sustain the vault which has to be
executed in the said church.
2. That if the plan of one nave is not to be followed, it is possible to
continue that of three; and that it will be more beautiful, stronger,
and better than the other. But that the three naves ought to be carried
on according to those in the choir of the church; and then it will be
more beautiful and admirable. And that the new vault which is contiguous
to the Chevet ought to be taken down, because it is bastard, and because
it does not correspond with the said Chevet.
3. That the work of three naves in the form which has just been
explained is the most compatible and the best proportioned to the Chevet
of the church.
_Interrogatus._--Whether in joining the lower voussoirs of the arch
above the capital of the pillar which is above the pulpit, corresponding
to the other of the choir, in case the work of three naves is carried
out, there will be any risk of causing a settlement in the said
pillar?--I say no, provided that the arches are well shored, so that
they can have no thrust.
VI.
PETRUS DE VALLFOGONA, l_apiscida et magister fabricaæ Ecclesiæ
Terraconensis juramento prædicto medio super dictis articulis
interrogatus deposuit. Et primo super primo articulo interrogatus
dixit_:--
1. That the work of the said church, already commenced, of one nave can
be continued, and that it will be good, safe, firm, and without risk.
That the abutments and foundations of the old work are so, and that
those which have to be made will be so if constructed in the same way,
and that they are sufficient to support the vault which such a work
ought to have. But that the abutments made towards the campanile require
to be strengthened more than those constructed on the south side.
2. That if the plan of one nave is not carried out, that of three is
congruous and worthy to be continued, provided that the second bay of
vaulting, as far as the capitals and lowest voussoirs inclusive, is
taken down; yet if above the principal arch a discharging arch is
erected, it will not be necessary to move the lower voussoirs or the
capitals, and it would be possible to raise the Crossing of that vault
all its width as much as is required; and it could have a light in the
gable, which could have a clear opening of fifteen or sixteen palms,
which would be a notable work. He says further: that the lower voussoirs
which are in the northern and southern angles ought to be altered, and
that they ought to be reconstructed in accordance with the plan of three
naves.
3. That without comparison the plan of three naves, in the form which
has just been explained, is more compatible and more proportioned to the
Chevet of the church than the plan of one nave.
_Interrogatus._--Whether, in case the plan of three naves is carried
out, there will be any danger in opening a hole in the pillar over the
pulpit corresponding to the other of the Coro at the time of joining the
voussoirs above the capital?--He said, that there would not; and that it
could be done with safety.
VII.
Postmodum die veneris vicessima quarta dictorum mensis et anni in manu
et posse mei ejusdem Bernardi de Solerio, notarii subscripti,
præsentibus et interrogantibus dictis dominis Arnaldo de Gurbo, Joanne
de Pontonibus, et Petro de Boscho, magistri et lapiscidæ sequentes super
prædictis, medio simili juramento, deposuerunt ut sequitur.
VIII.
GUILLERMUS DE LA MOTA, _lapiscida, socius magistri in opere fabricæ
Ecclesiæ Terraconæ super prædictis articulis, medio juramento, ut
supra interrogatus deposuit. Et primo super primo articulo
interrogatus, dixit_:--
1. That he considers that the plan of the church commenced with one nave
could be well executed, and that the Crossing will be firm; but that it
is observed in old works, that bulky buildings, as that of one nave
would be, sink with earthquakes or with great hurricanes, and for these
causes he fears that the work of one nave might not be permanent.
2. That the plan of three naves is good, congruous, and one that
deserves to be followed, provided that the second Crossing may be new to
the lowest voussoirs; and that its principals be demolished as far as
the capitals, and that horizontal courses of stones be carried up to the
height of fourteen or fifteen palms. That the springers which are
towards the north and the south ought also to be taken down, and that
they ought to be reconstructed in proper proportion to the plan of three
naves.
3. That without comparison the plan of three naves is more compatible
and more proportioned to the Chevet of the church than that of one nave.
_Interrogatus._--If there will be danger in opening a hole in the pillar
near the pulpit, to place the springers?--He said that there would not
be any risk.
IX.
BARTOLOMEUS GUAL, _lapiscida et magister operis sedis
Barchinonensis super prædictis articulis, ut supra dicitur,
interrogatus, medio juramento prædicto deposuit. Et primo super
primo articulo interrogatus dixit_:--
1. That the bases and abutments of the old work of one nave are
sufficiently strong, making a wall over the capitals between the
abutments, which may rise a “cana”[469] from the windows, and that from
that wall a vault may spring, which will abut against each of the
abutments, and in this way they would remain safe. No doubt the vault
may remain firm over one nave, so that it may resist earthquakes,
violent winds, and other mishaps which may occur.
2. That the plan of three naves is good, congruous, and such as deserves
to be carried out; but that the new vault of the second arch, the last
done, ought to be taken down to the springing, and ought to be raised
until there is room in that place for a circle (“una O”) of fourteen
palms of opening; and in that way there will be beautiful and notable
work, and it will not be necessary to undo the whole to the springing
line.
3. That the plan of three naves is beyond comparison much better
proportioned and more compatible to the Chevet of the church than that
of one nave.
_Interrogatus._--Whether there will be any risk in making an opening in
the pillars in order to join the springers of the arches?--He said that
there would not be; but he counsels that, when the said arch is taken
out, the foot of the arch voussoir in the pillar which has to be altered
should be larger than the other, because that has not so much weight on
it.
X.
ANTONIUS CANET, _lapiscida, magister sive sculptor imaginum
civitatis Barchinonæ, magisterque fabricæ sedis Urgellensis super
prædictis articulis ut prædicitur, interrogatus medio dicto
juramento deposuit. Et primo super primo articulo interrogatus,
dixit_:--
1. That according to his knowledge and conscience the plan of one nave,
already commenced, can be continued with the certainty that it will be
good, firm, and secure: and that the abutments which the said work has
are good and firm for the support of the vault, and all that is
necessary in order to carry on the said work.
2. That the work already begun of three naves is good and
well-proportioned, but that it is not so noble as that of one nave; and
that if the work of three naves is continued it would be necessary that
the vault of the second bay of the middle nave should be taken down to
the capitals; and that the capitals as well should be taken down eight
or ten courses of stone, and so that the first pillar may be joined,
which was constructed in the head of the grand nave, contiguous to the
Chevet of the church, and that the opening shall not be made so low in
the pillar, and the springing of the arch stones may be introduced in it
better. And though it is true that in this way the (triforium) gallery
may be lost, it is worth more to lose it than the bright effect of light
in the temple, which could be secured by a round window in the said
grand nave. But that, if the second nave is followed out as it was
commenced, it will be most gloomy. For which reason he is sure that if
the plan of three naves is to be good, it is necessary for it to be
carried out working in the way he has described.
3. That the plan of one nave would be much more compatible and better
proportioned to the Chevet of the church as it is already commenced and
completed, than that of three naves, because the said Chevet was
commenced low; and that the plan of one nave will be executed with a
third at least of the cost of three naves. That if the plan of one nave
is followed, the galleries, which are beautiful, will not be lost, and
the church will be beyond comparison much more light.
XI.
GUILLERMUS ABIELL, _lapiscida et magister operum seu fabricarum
ecclesiarum Beatæ Mariæ de Pinu et Beatæ Mariæ de Monte Carmelo, et
de Monte Sion, et Sancti Jacobi Barchinonæ, et hospitalis Sanctæ
Crucis, civitatis ejusdem, sic etiam super prædictis, dicto
juramento medio, interrogatus, dixit_:--
1. That according to his understanding and good conscience the work
already commenced of one nave can be continued, and will be good, firm,
and secure; and that the foundations which it has, the rest being made
in the same way, are good and firm to support the work of one nave
without danger.
2. That, the plan of three naves is good, beautiful, and more secure
than the other, wherefore it deserves to be continued. But that the
vault of the second bay of the middle nave ought to be taken down to the
springers, and be raised afterwards by its third, so that a fine round
window may be had there, and to make an upper vault above the principal:
and in this way the plan of three naves will be very beautiful.
3. That without any doubt the plan of three naves is more compatible and
adequate to the choir of the church as it is now, than that of one nave,
because that of one nave would be so wide that it would have great
deformity when compared with the Chevet of the church.
XII.
ARNALDUS DE VALLERAS, _lapiscida et magister operis sedis Minorisæ
super dictis articulis, prout alii, interrogatus deposuit medio
dicto juramento ut sequitur. Et primo super primo articulo
interrogatus dixit_:---
1. That the work of one nave, already commenced, can very well be
continued, and will be good, firm, secure, and without risk; and that
the foundations which the said work has, and the rest which may be made
like them, are good, and sufficient to sustain the work of a single
nave; and that, though they might not be so strong, they would be firm
and secure. He says further, that the work of the Church of Manresa is
now being constructed, which is higher than this, which has not such
great or strong foundations, and is not of so strong a stone. It is
true, he says, that the Manresa stone is lighter, and combines better
with the mortar than that of Gerona; and that, if he could have to
construct the latter church, he would make the vault of other stone
which was lighter, and which combined better with the mortar, but that
the vaulting ribs, the lower part of the walls, the abutments, and the
rest of such work could be executed in Gerona stone.
2. That the plan of three naves is good, congruous, and deserves to be
carried out, provided that the vault of the second arch of the middle
nave is taken down to the springers, and that they also are taken down,
so that the work may be raised by its dimensions; so that it will be
possible to have over the principal of the first arch a round window of
twenty palms opening, with which it will look very well and not be
disfigured.
3. That the plan of three naves in the manner which has been described
is, without comparison, more fitting and better proportioned to the
existing Chevet of this church than that of one nave; because that of
one nave would make the choir appear to be so small and mis-shapen, that
it would always demand that it should be raised or made larger.
_Interrogatus._--Whether there would be any danger in opening a hole in
the pillars in order to insert the abutments?--He said that there would
not; and that if he, the deponent, should do the work, he would commence
first by opening a hole in the pillars in order to join the abutments,
since in that way they could not settle or give way, as certainly and
without doubt might happen. That he was ready to come and continue this
work in the manner which he had described; obtaining the licence of the
city of Manresa, with which he had contracted to construct the church
there.
XIII.
ANTONIUS ANTIGONI, _magister major operis ecclesiæ villæ
Castilionis Impuriarum super prædictis interrogatus, dicto
juramento medio deposuit. Et primo super primo articulo
interrogatus dixit_:--
1. That the plan of one nave, formerly commenced, could be continued
well and firmly without any risk; and the foundations that it has, and
the rest which have to be made like them, are sufficient to sustain with
all firmness the said work of one nave.
_Interrogatus._--Whether the work of one nave, in case it were made,
would run any risk of falling with hurricanes and earthquakes?--He said
that there was no cause for fear.
2. That the work of three naves continued of late is not congruous, nor
of such sort as that its plan could be followed, because in no way could
it be constructed with the same dimensions. But it is true that if the
vault of the bay last done is taken down to the springers, and raised
afterwards fourteen or fifteen palms in its measurements, the plan of
three naves would be more tolerable, though it could never be called
beautiful or very complete.
3. That he has no doubt that the work of one nave would be for all time
without comparison the most beautiful, more compatible and better
proportioned to the Chevet of the church than that of three naves, since
it will be always clear that the latter was not done carefully and with
good taste.
_Interrogatus._--Whether in case the work of three naves is carried out,
there will be any risk in opening a hole in the pillars in order to join
the abutments?--He said that it could be done, but not without danger.
XIV.
GUILLERMUS SAGRERA, _magister operis sive fabric ecclesiæ Sancti
Joannis Perpigniani ut supra interrogatus dicto juramento medio
deposuit. Et primo super primo articulo interrogatus dixit_:--
1. That the plan of one nave, formerly commenced, can be continued, and
that it will be good, firm, and secure; and that the foundations which
it has, with the rest which must be made in the same way, are sufficient
to sustain it.
_Interrogatus._--Whether if the one nave is adopted there will be risk
by reason of earthquakes and violent winds?--He said that with the
earthquakes which he has seen, and the winds which naturally prevail,
there would be no danger that the said work should fall or become
decayed.
2. That the work of three naves lately commenced is not congruous, and
does not deserve to be carried on; and in case it is continued, in the
first place the vault of the second bay ought to be taken down from the
springers to the capitals; in the second, also, the other pillars which
were made afterwards ought to be taken down, in order that they may be
raised fifteen palms or thereabouts; and that with all this the work
will not be completed well, but on the contrary will be _mesquin_ and
miserable. That the gallery, which would be lost, could not remain
there; that it would not be possible to place the series of windows due
to the work between the chapels higher than they would be in a single
nave, owing to the thrust or pressure of the arches, which would be
towards the gallery, corresponding to the new pillars of the enclosure
of the choir, and would come against the void of the gallery, wherefore
the work would not have the firmness it ought to have. The deponent
concludes, saying, that for these and other reasons the said work of
three naves would not be good or advantageous.
3. That the plan of one nave would be beyond comparison more compatible
and more proportioned to the Chevet of the church already built,
commenced, and completed, than would one of three naves; and he says it
is the fact that the said choir of the church was made and completed
with the intention that the remainder of the work should be made and
carried out with a single nave.
XV.
JOANNES DE GUINGUAMPS, _lapiscida, habitator civitatis Narbonæ
super prædictis articulis, sicut alii prædicti interrogatus medio
dicto juramento deposuit ut sequitur. Et primo super primo articulo
interrogatus dixit_:--
1. That the work already commenced of one nave could very well be made
and continued; and that when it is done it will be very good, firm, and
secure, without any dispute; and that the foundations which are already
made in the old work, and the others which will be made in the same way,
are good, and have sufficient strength to maintain the work of a single
nave.
2. That the plan of three naves latterly continued is not congruous or
sufficient, and should not in any way be made or followed, because it
never will have reasonable conformity with the Chevet.
3. That the plan of a single nave is beyond comparison more fit and
proportioned to the choir of the said church, than would be that of
three naves, for several reasons. 1st. That the deponent knows that the
plan of a single nave with the said choir would be more reasonable, more
brilliant, better proportioned, and less costly. 2nd. Because, if the
work is carried on with one nave, there would not be the deformity or
difference that disgusts. And though some may say that the plan of a
single nave would make the choir look low and small, the more on that
account would no deformity be produced, rather it would be more
beautiful; and the reason is, that in the space which would be left
between the top of the choir and the centre of the great vault, there
would be so large a space that it would be possible to have there three
rose windows: the first and principal in the middle, and another small
one on each side: and these three roses would do away with all
deformity, would give a grand light to the church, and would endow the
work with great perfection.
_Interrogatus._--Whether, if the plan of three naves is adopted, it
would be dangerous to open the pillars in order to join in them the
springers corresponding to it?--He said that he would not do it or
consent to it on any account, because great danger, great wrong, and
great damage would result, since in no part could the work be brought to
perfection, and such a fissure could not be made without great risk.
XVI.
Postmodum die Lunæ, quæ fuit vicesima octava mensis Septembris, anno jam
dicto a Nativitate Domini millessimo CCCC. sexto decimo, ad instantiam
dicti domini Petri de Boscho operarii hoc anno dictas ecclesiæ
Gerundensis, super ipsius regimine operis una et in solidum cum
honorabili viro domino Francisco Sacalani canonico dictæ ecclesiæ electi
et deputati apud domos Thesaurariæ dictæ ecclesiæ Gerundensis coram
dictis reverendo in Christo patre et domino domino Dalmacio Dei gratia
episcopo et honorabili capitulo ejusdem ecclesiæ Gerundensis ad tactum
cimbali, ut moris est, ibidem convocatis et congregatis; ubi fuerunt
præsentes dictus reverendus dominus dominus Dalmacius, episcopus, et
honorabiles viri Dalmacius de Roseto, decretorum doctor, archidiaconus
de Silva in dicta ecclesia Gerundensi, Arnaldus de Gurbo, Joannes de
Pontonibus, Guillermus de Brongarolis, sacrista secundus, Joannes de
Boscho Thesaurarius, Joannes Gabriel Pavia, Petrus de Boscho prædictus,
Guillermus Marinerii, Petrus Sala, Franciscus Mathei, et Bartholomeus
Vives, presbiteri capitulares et de capitulo ante dicto, capitulum
ejusdem ecclesiæ Gerundensis facientes, representantes et more solito
celebrantes: dicti articuli et dictas depositiones, et dicta a dictis
artificibus super eisdem in scriptis redacta et continuata in dicto
capitulo publice, alta et intelligibilli voce de verbo ad verbum lecta
fuerunt, et publicata per me eundem Bernardum de Solerio, notarium,
supra et infra scriptum. Et eis sic lectis et publicatis, illico dicti
reverendus dominus episcopus et honorabile capitulum super concludendo
et determinando per quem modum juxta opiniones, depositiones et dicta
dictorum artificum melius pulchrius et efficacius dictum opus præfatæ
ecclesiæ Gerundensis sub prosecutione videlicet unius aut trium navium
prosequatur et consumetur, retinuerunt sibi deliberationem et ad
hujusmodi fuerunt pro testibus presentes et evocati discreti viri
Franciscus Tabernerii et Petrus Puig presbiteri benefficiati in dicta
ecclesia Gerundensi.
XVII.
Deinde vero die Lunæ octava mensis Martii anno a Nativitate Domini
millessimo CCCC. decimo septimo alius artifex lapiscida infrascriptus
juravit et deposuit in dicta civitate Gerundæ in posse mei Bernardi de
Solerio notarii supra et infra scripti, præsentibus et interrogantibus
venerabilibus viris dominis Arnoldo de Gurbo, canonico, et Guillermo
Marinierii presbitero de capitulo dictæ ecclesias Gerundensis, ad hoc
per dictos reverendum dominum Dalmacium episcopum et honorabile
capitulum Gerundense, specialiter deputatis super articulis præinsertis,
et contentis in eisdem ut sequitur.
XVIII.
GUILLERMUS BOFFIY, _magister operis sedis dictæ ecclesiæ
Gerundensis simili juramento a se corporaliter præstito super primo
articulo dictorum articulorum interrogatus, dixit et deposuit_:--
1. That the work of the nave of the church of Gerona, already begun,
could be made and continued very well; and that if it is continued, it
will be firm and secure without any doubt, and that the foundations, and
others which may be made like them, are and will be good and firm enough
to sustain the said work of one nave. And that it is true that the said
foundations or abutments, even if they were not so strong, would be
sufficient to maintain the said work of one nave, since they have a
third more of breadth than is required: wherefore they are very strong,
and offer no kind of risk.
2. That the work of three naves for the said church does not merit to be
continued when compared with that of one nave, because great deformity
and great cost will follow from it, and it would never be so good as
that of one nave.
3. That the work of one nave is, without comparison, the most
conformable to the choir of the church already commenced and made, and
that the plan of three naves would not be so. And that, if the plan of
one nave is carried out, it would have such grand advantages, and such
grand lights, that it would be a most beautiful and notable work.
XIX.
Post prædicta autem omnia sic habita et secuta, videlicet die Lunæ,
intitulata quinta decima dicti mensis Martii, anno jam dicto a
Nativitate Domini millesimo CCCC. decimo septimo, mane videlicet, post
missam sub honore beatæ Mariæ Virginis gloriosæ in dicta Gerundensi
ecclesia solemniter celebratam, dictis reverendo in Christo patre et
domino domino Dalmacio episcopo, et honorabilibus viris capitulo dictæ
ecclesiæ Gerundensis, hac de causa ad trinum tactum cimbali, ut moris
est, de mandato dicti domini episcopi apud domos prædictas Thesaurariæ
dictæ ecclesiæ Gerundensis simul convocatis et congregatis: ubi
convenerunt, et fuerunt præsentes dictus reverendos dominus Dalmacius
episcopus, et honorabiles viri Dalmacius de Raseto, decretorum doctor,
archidiaconus de Silva, Arnaldus de Gurbo, Joannes de Pontonibus,
canonici, Guillermus de Burgarolis, sacrista secundas, Joannes de
Boscho, Thesaurarius, Joannes Gabriel Pavia, Petrus de Boscho,
Guillermus Marinerii, Petrus Sala, Bacallarii in decretis, Franciscus
Mathei et Bartholomeus Vives licentiatus in decretis, presbiteri
capitulares et de capitulo ante dicto, ipsi reverendus dominus episcopus
et honorabiles viri et capitulum prænotati, sicut præmititur
capitulariter convocati et congregati, et capitulum dictæ ecclesiæ
Gerundensis facientes, representantes, et more solito celebrantes, visis
et recognitis per eosdem, ut dixerunt, prædictorum artificum et
lapiscidarum depositionibus ante dictis in unum concordes
deliberaverunt, _sub Navi una prossequi magnum opus antiquum Gerundensis
ecclesiæ_, prælibatis rationibus quæ sequuntur: tum quia ex dictis
præmissorum artificum clare constat, quod si opus trium navium
supradictum opere continuetur jam cœpto, expedit omnino quod opus
expeditum supra chorum usque ad capitellos ex ejus deformitate penitus
diruatur et de novo juxta mensuras cœpti capitis reformetur: tum quia
constat ex dictis ipsorum clare, eorum uno dempto, nemine discrepante,
quod hujusmodi opus magnum sub navi una jam cœptum est firmum,
stabile et securum si prosequatur tali modo et ordine, ut est cœptum,
et quod terræmotus, tonitrua nec turbinem ventorum timebit: tum quia ex
opinione multorum artificum prædictorum constat, dictum opus navis unius
fore solemnius, notabilius et proportionabilius capiti dictæ ecclesiæ
jam incepto, quam sit opus trium navium supradictum: tum quia etiam
multo majori claritate fulgebit quod est lætius et jucundum: tum quia
vitabuntur expensæ, nam ad prosequendum alterum operum prædictorum modo
quo stare videntur opus navis unius multo minori prætio, quam opus trium
navium, et in breviori tempore poterit consumari.
Et sic rationum intuitu præmisarum dictus reverendus dominus episcopus
et honorabile capitulum supradictæ ecclesiæ Gerundensis voluerunt,
cupierunt, et intenderunt, ut dictum est, opus magnum unius navis
prædictum, quantum cum Deo poterunt prosequi et deduci totaliter ac
effectum. Et talis fuerunt intentionis domini episcopus et capitulum
ante dicti præsente me eodem Bernardo de Solerio, notario supra et infra
scripto et præsentibus venerabilibus viris, &c. &c. &c.
(I.)
CONTRACT OF GUILLERMO SAGRERA FOR THE EXCHANGE AT PALMA.
_Contract entered into at Palma in Mallorca, March 11, 1426, by
which the Architect Guillermo Sagrera bound himself to construct or
to continue the Construction of the Exchange of that City,
according to Plans which he presented, and to the Conditions
expressed._
Recites the names of the contracting parties for the erection of the
fabric of the Exchange which is being built in the Place called “del
Boters,” outside the walls of the city.
(The following conditions were written in the “Lemosin” or Mallorcan
idiom.)
_Firstly._--That the said Guillermo Sagrera promises and agrees in good
faith with the said honourable members of the Building Council
(Fabriqueros), that, God helping, he will complete the building of the
said Exchange, to the covering of its vaults, in the first twelve years
from the date of the contract: the said Exchange to be eight “canas[470]
of Monpeller” in height, reckoning from the pavement, to the keystone.
_Item._--That the said twelve years being passed, the said Guillermo
Sagrera will be obliged in the three succeeding years to make and finish
all the towers, turrets, and other works which pertain to the said
Exchange above the roof.
_Item._--That the said Guillermo must and is bound to do all the said
work at his own cost and charge, as well what may be necessary by reason
of his art, as for wooden scaffolding and centering; and also for paying
for all the stone, lime, gravel, and all the instruments and tools
necessary for the work; and in the same manner for all the workmen,
officials, and others working in the said Exchange and outside it; and
lastly all the other things necessary for its completion.
_Item._--That the said Guillermo is obliged to continue and complete the
said work of the Exchange in the form which was begun, and according to
the designs given and put into the hands of the honourable Council of
the Fabric by the said Guillermo.
_Item._--That the said Guillermo binds himself to build from the base
and to complete all the pillars and keystones of the said Exchange in
Santañi stone, fluted and according to the said design, and to floor it
with the same stone, and to lay the terrace with the mixture of burnt
clay and fresh lime which they call “Trespoll.”
_Item._--That the said Guillermo binds himself to make the pendents of
the said Exchange of Solleric stone.
_Item._--That the said Guillermo binds himself to make on the outside
part of the said Exchange, and above the gable of the doorway which
looks towards the Royal castle of the said city of Mallorca, a solemn
tabernacle with the figure of the modest Virgin our Lady Saint Mary.
_Item._--That the said Guillermo binds himself to make on the other
three fronts of the same Exchange, that is on the outside of each one of
them, a figure of an angel, each one with his tabernacle over him; and
that each of the said angels have on one side the Royal scutcheon, and
on the other that of the said city of Mallorca, in the form and manner
which may be pleasing to the said honourable Council of the Fabric.
_Item._--That the said Guillermo binds himself to make in each one of
the four corners of the said Exchange on the outside a grand statue,
each one in his tabernacle, similar to the angels: that is, in the
corner which looks towards the Pi Gate, that of San Nicolas; in that
which looks towards the church of San Juan, that of St. John the
Baptist; in that which looks towards the Arsenal, that of Sta. Catalina;
and in that which looks towards the said Royal castle, that of Sta.
Clara; in the form and manner which may please the said honourable
Council of the Fabric.
_Item._--That the said Guillermo binds himself to make in one of the
four turrets of the corners of the said Exchange a room where a clock
can be placed.
_Item._--That the said Guillermo binds himself to cover the abutments or
buttresses with sharp-pointed stone weatherings, and in the top of each
of the said weatherings there must be a great knop on which a flower-pot
can stand; and that the balustrade which surrounds all the top of the
Exchange shall be pierced with openings. And all the things which are at
present within the said Exchange shall belong to the said Guillermo; and
it is further declared that the aforenamed will not have to make gates
nor iron screens in the said Exchange.
_Item._--That the said honourable Council of the Fabric are to give and
pay to the said Guillermo, on account of all the things before said and
specified, 22,000 pounds of Mallorcan money, in instalments, in the form
and manner following: To wit, That the said honourable Guardians and
those who succeed them in the office of Guardians of the Merchants’
Affairs shall be obliged to pay each year to the said Guillermo the sum
for which they may have alienated the right of dues on the merchandize
imposed by the said Mercantile College upon all the stuffs and
merchandize entering and sailing from the island of Mallorca, reserving
to the said honourable Guardians in each year 150_l._ of the said money
of Mallorca for the expenses and business of the College; and the said
price of the said dues, the 150_l._ already referred to being deducted,
is to be reserved for the said Guillermo every year in payment and
satisfaction of the said 22,000_l._; and this for such time and until
the abovementioned is wholly and completely paid and satisfied to the
whole extent already mentioned. Declaring however and agreeing in which,
the said Guillermo shall be bound to spend each year out of his own
stock on the said work of the Exchange 500_l._ of the said money beyond
that which he shall receive of the said price of the dues of
merchandize.
&c. &c.
Signed March 11th, 1426, by Guillermo Sagrera, Francesco Anglada, and
Juan Terriola, and by others.[471]
INDEX.
A.
Abbey of Veruela, 384.
Abiell, Guillermo, 311;
his report on plan for completion of Gerona cathedral, 507.
Acuña, Bishop Luis de, 25 and note, 26.
Adam, Juan, bell-founder, 350.
Agata, Sta., church of, at Barcelona, 312.
Ajimez windows, meaning of term, 269;
examples of, at Segovia, 193;
at Valencia, 269, 270;
at Tarragona, 289;
at Barcelona, 316;
at Gerona, 334, 335;
near Manresa, 340;
at Lérida, 361.
Alagon, town of, 391.
Alava, Juan de, architect, 86.
Alcalá de Henares: church of SS. Just y Pastor, 199;
university, 201;
church of San Ildefonso, 201;
bishop’s palace, 201.
Alcantara, bridge of, 210, 211 note, 230.
Alcazar, the, at Segovia, 187;
at Toledo, 211.
Alfonso, son of Juan II., his monument in the chapel of Miraflores, 42.
----, Rodrigo, architect, 251.
Almansa, 259.
Almudévar, castle of, 362 and note.
Altar-frontals at Valencia, brought from St. Paul’s, London, 267;
in the collegiata at Manresa, 344.
Altars, old, 89, 240, 387.
Amiens, cathedral at, date of, 109.
Ana, Sta., collegiate church of, at Barcelona, 295.
Andino, Cristóbal, worker in iron, 60, note.
Antholin, San, cathedral of, at Palencia. 57;
church of, at Medina del Campo, 161;
at Segovia, 192.
Antigoni, Antonio, his report on plan for completion of Gerona cathedral, 509.
Antigua, la, church of, at Valladolid, 69;
at Guadalajara, 202.
Anton, San, church of, at Barcelona, 314.
Aqueduct, Roman, at Segovia, 181;
at Tarragona, 274;
modern, near Tafalla, 402.
Aquitaine and Auvergue, type of church common in, in the twelfth century 415.
Aragon, kingdom of, provinces composing it, 411.
Arandia, Juan de, architect, 71.
Aranjuez, 209, 259.
Architects, Juntas of, at Salamanca, 85, 459;
at Zaragoza, 266 note, 370;
at Gerona, 320, 456;
others, 460.
----, the old Spanish, their main object, 420.
----, Viilanueva’s list of, employed on the cathedral at Gerona, 319, note.
----, Spanish, of the middle ages, 448-464;
Petrus de Deo, his work at San Isidoro, Leon, 448;
Raymundo of Monforte de Lemos, his contract with the Chapter of Lugo, 449;
Mattheus, master of the works at Santiago cathedral, 449;
Raymundo, a “Lambardo,” employed on Urgel cathedral, 450;
Pedro de Cumba, architect of Lérida cathedral, 451;
Pedro de Peñafreyta, his successor, 452;
Maestro Ponce, 452;
Jayme Fabre, his works at Barcelona and Palma, 453;
Pedro Zacoma, employed on San Feliu, Gerona, 453;
Juan Garcia de Laguardia, master-mason of Navarre, 454;
Guillermo Çolivella, 454;
Juan Franck, 455;
Lucas Bernaldo de Quintana, his contract for rebuilding the church at Gijon,
455;
Junta of, at Gerona, 456;
Guillermo Sagrera, his works at Perpiñan and Palma, 457;
Guillermo Vilasolar, his agreement to complete work commenced by
Sagrera, 457;
appointment of architect to Calaborra cathedral, 458:
Juan Norman appointed to Seville cathedral, 458;
succeeded by Maestro Jimon, 459;
Juan de Escobedo at Segovia, 459;
Pedro Compte, his works at Valencia, 459;
Anton Egas and Alfonso Rodriguez, their plan for a new cathedral at
Salamanca, 459;
Junta of at Salamanca, 459;
Rodrigo Gil de Hontañon appointed, 460;
report on the state of the works by three architects, 460;
other Juntas of, 460;
Benedicto Oger and Domingo Urteaga, their contracts for erecting
churches, 461;
Felipe de Borgoña, superintends works at Burgos, 461, note;
Jayme Castayls, statues by, 461, note;
Berengario Portell and Gil de Siloe, works of, 462;
few cases of competition among, 462;
usual practice of, 462;
question between ourselves and them, 463;
clerical architects, 464.
Architects, sculptors, and builders of churches, catalogue of, 471.
Architectural terms supplied by Arabs, 209.
Argenta, Bart., architect, 319.
Arnoldo, Cardinal, 57.
Artesinado work, meaning of, 220, note.
Assas, Manuel de, quoted, 213, notes.
Astorga, walls of, 129;
cathedral, 129.
Avila: situation, 162;
walls and towers, 162;
cathedral, 163;
church of San Vicente, 170;
San Pedro, 176;
church and convent of San Tomás, 178.
Aya, Martin de la, sculptor, 20, note.
----, Rodrigo, 20, note.
B.
Badajoz, Juan de, architect, 85, 126, 128.
Balaguer, Pedro, architect, 265, 350.
Baldachin, at Gerona, 327.
Barbastro, cathedral of, 362.
Barcelona, 291;
convent and church of San Pablo del Campo, 292;
church of San Pedro de las Puellas, 294;
collegiata of Sta. Ana, 295;
cathedral, 296-307;
chapel of Sta. Lucia, 304;
Bishop’s palace, 307;
church of Sta. Maria del Mar, 307;
Sta. Maria del Pino, 309;
SS. Just y Pastor, 309;
San Jayme, 311;
Sta. Agata, 312;
N. S. del Carmen, 313;
San Miguel, 314;
San Anton, 314;
San Gerónimo, 314;
Casa Consistorial, 314;
Casa de la Disputacion, 316;
Lonja, 316;
building intended for a cloth-hall, 317;
the Mole, 317.
Barcelonette, 292.
Bartolomé, Maestro, sculptor, 275, 285 note.
----, San, church of, at Toledo, 229.
Bayonne, cathedral, 7.
Bells, 251, 346, 350.
----, wheel of, at Toledo, 255;
at Barcelona, 306;
at Gerona, 328;
at Manresa, 345.
Benavente: appearance of the town, 102;
church of Sta. Maria del Azogue, 102;
San Juan del Mercador, 103;
ruins of castle, 104.
Benito, San. monastery and church of, at Valladolid, 71, 72.
Bernardo, Archbishop of Toledo, 79.
----, Bishop of Toledo, 233, note.
----, Bishop of Sigüenza, 204.
----, Brother, architect, 275.
----, de Vallfogona, architect, 285, note.
Berruguete, name given to his work, 49, note;
his so-called chef-d’œuvre, 74;
his work at Toledo, 253.
Betanzos, town of, 136.
Biarritz, 7.
Bidart, church at, 8, note.
Bishops, French, in Spain, 79, 92, 204, 235.
----, Junta of, at Leon, 108.
Blas, San, chapel of, in Toledo cathedral, 251.
Blay, Pedro, architect, 316.
Boffiy, Guillermo, architect, 320, 322;
his report on plan for completion of Gerona cathedral, 512.
Boix, Bernardo, mason, 265.
Bonife, Matias, sculptor, 305, note.
Borgoña, Felipe de, architect, 24, 252, 461 note.
----, Juan de, painter, 20, 169 note.
Bricks, employment of, in Spanish buildings, 76, 216, 220, 227, 337,
371, 379, 385, 439;
mostly used by the Moors, 440.
Bridges: at Zamora, 92;
at Toledo, 210, 211 note, 230, 232 and note;
at Tudela, 398 note.
Building materials used in Spain, 438.
Bull-fight at Madrid, 198;
at Nîmes, 199.
Burgos, drive to, 7;
approach to, 10;
cathedral described, 12-34;
churches of San Nicolas, 44;
San Esteban, 46;
San Gil, 50;
San Lesmes, 52;
San Juan, 52;
San Lucas, 52;
San Pablo, 53;
La Merced, 53;
convents of San Juan, 52;
San Pablo, 52;
La Merced, 53;
domestic architecture, 54;
gateway of Sta. Maria, 54;
general character of the cathedral, 426.
Butterfield, Mr., his church of St. Alban, London, 447, note.
C.
Campanas, las, old church near, 402.
Campero, Juan, architect, 86, 184, 186.
Canet, Antonio, his report on plan for completion of Gerona cathedral, 506.
Cantarell, Giralt, architect, 343.
Capilla mayor, meaning of, 17.
Capuchins, church of the, at Lugo, 134.
Carlos, architect, 370.
Carmen, N. S. del, church of, at Barcelona, 313;
at Manresa, 345.
Carpentry, Moorish, 443.
Carpintero, Macías, architect, 71.
Carreño, architect, 160.
Cartagena, Bishop Alfonso de, 26.
Casandro, architect, 163.
Cascante, pilgrimage church at, 376.
Cashel, St. Cormack’s chapel at, an example of an edifice built for
permanence, 421.
Castañeda, Juan de, 24.
Castayls, Maestro Jayme, sculptor, 275, 285 note, 461 note.
Castile, kingdom of, provinces composing it, 411.
Castles, Spanish, 437.
Catalina, Sta., chapel of, in San Isidoro, Leon, 125;
remarkable paintings in, 127.
Catalogue of dated examples of Spanish buildings, 467;
of architects, sculptors, and builders of churches, 471.
Cataluña, its architecture and architects, 291;
large churches of, 429.
Cathedrals:
Burgos, 12;
Palencia, 57;
Valladolid, 66;
Salamanca, old, 78;
new, 85;
Zamora, 92;
Leon, 105;
Astorga, 129;
Lugo, 131;
Santiago de Compostella, 141;
Avila, 163;
Segovia, 181;
Sigüenza, 204;
Toledo, 233;
Valencia, 261;
Tarragona, 274;
Barcelona, 296;
Gerona, 318;
Lérida, 347;
Barbastro, 362;
Huesca, 363;
Jaca, 367;
Zaragoza, 369;
Tarazona, 377;
Tudela, 391;
Pamplona, 402.
Cementarius, meaning of the term, 450, note.
Centellas, Maestro, carver, 58.
Cervera, churches at, 346.
Cervia, Berenguer, artist, 326.
Chapter-houses, 84, 266, 294, 296, 388, 406.
Christians in Spain, their connexion with the Moors, 409;
inferior in regard to civilization, 410;
their warlike character, 410;
dates of recovery of certain towns by, 410;
early buildings of, 412.
Churches, dimensions of some of the largest, 323, note.
----, Spanish, furniture of, 433;
monuments in, 434;
dependent buildings, 434;
roofing of, 435.
Church plate, 23, 343.
Churriguera, architect, 66.
Cid, coffer of the, 32 and note.
Cimborio, meaning of the word, 18;
examples of, 24, 35, 80, 93, 174, 183, 188, 256, 263, 280, 295, 301,
331, 340, 357, 367, 370, 379.
Cistercians, their first house in Spain, 384.
Clairvaux, convent of, compared with the abbey of Veruela, 385.
Clerical architects, belief in a race of, erroneous, 464.
Clermont-Ferrand, church of Notre Dame at, 81, 416.
Climate, adaptation of churches to, 87, 112, 187, 299, 369, 380, 389, 403.
Cloisters, 30, 38, 40, 47, 67, 97, 117, 157, 169, 171, 187, 188, 190, 191,
202, 207, 251, 257, 296, 303, 322, 330, 338, 351, 367, 368, 381, 387,
397, 405, 408.
Çolivella, Guillermo, architect and sculptor, 349, 454.
Colonia, Juan de, architect, 21, 23, 26, 43, 71.
----, Simon de, architect, 23, 43.
Colours used in various seasons at Toledo, 255, note.
Compte, Pedro, architect, 266, 270, 370, 459.
Concepcion, la, church of, at Toledo, 227, 229;
at Tarazona, 383.
Constable, chapel of the, in Burgos cathedral, 21.
Constantinople, Crimean memorial church at, 322, note.
Corbie, Peter de, architect, 424.
Coro, meaning of term, 16.
----, position of, 14, 41, 96, 300, 343, 382, 392.
Coruña, la, situation of, 136;
collegiata of Sta. Maria del Campo, 136;
church of Santiago, 138.
Council at Leon, 108.
Covarrubias, Alonso de, architect, 86, 254 note.
Creus, Sta., church of, near Poblet, 289 and note.
Cristo de la Luz, church of, at Toledo, 215.
Crockery-ware, good character of, at Tarazona, 389.
Crockets, 28, 69, 81, 94.
Crowns, votive, collection of, found near Toledo, 212, note.
Crucero, meaning of, 16.
Cruz, Diego de la, sculptor, 43.
----, Santos, painter, 169.
----, Sta., college of, at Valladolid, 71;
de los Seros, church at, 368;
de Cangas, church of, 412.
Cucufate, San, convent of, near Barcelona, 292 and note.
Cumba, Pedro de, architect, 451.
D.
Deo, Petrus de, architect, 121 note, 448.
Diligences, Spanish, 10.
Domestic architecture, specimens of:
at Burgos, 54;
Zamora, 101;
Santiago, 158;
Segovia, 193;
Alcalá, 201;
Guadalajara, 203;
Toledo, 221;
Valencia, 269;
Barcelona, 315;
Gerona, 334;
Perpiñan, 337;
Lérida, 361;
Zaragoza, 374;
general, of Spain, 436.
Domical vaults, domes, and semi-domes, 81, 88, 93, 174, 229,
276, 294, 362, 365.
Domingo, San, church of, at Lugo, 135.
E.
Ebro, church on the, opposite to Miranda, 9;
valley of the, 391.
Ecclesiologist, the, quoted, 95.
Egas, Anton, architect, 85, 459.
----, Enrique de, architect, 72, 370, 460.
Elne, church at, 337.
Embroidery, carved imitations of, 89, 240.
----, remarkable specimens of, at La Coruña, 138;
Valencia, 267;
Mondoñedo, 267;
Manresa, 344;
Durham, 345, note.
England, commerce of, with the south of Spain, 427, note;
perfection of her village churches, 427, note;
scarcity of large town churches in, 429.
Engracia, Sta., church of, at Zaragoza, 374.
Enrique of Narbonne, architect, 319.
“Era,” the, of Augustus Cæsar, 19, note.
Escobedo, Juan de, architect, 459.
Escorial, the, 179.
Escuder, Andres, architect, 298.
Esia, valley of the, 105.
Esteban, San, churches of, at Burgos, 46;
at Segovia, 187.
Eugenio, San, church of, at Toledo, 229.
Eulalia, Sta., chapel of, in Barcelona cathedral, 299.
Exchange at Palma, contract for, 514.
F.
Fabre, Jayme, architect, 297, 453;
his agreement with the sub-Prior and brethren of San Domingo, at Palma, 500.
Faisans, Ile de, 8.
Farm-labourers, Valencian, their costume, 260.
Favariis, Jacobo de, architect, 319.
Fé, Sta., church of, at Toledo, 229.
Feliu, San, church of, at Gerona, 331.
Ferrandis, Martin, organ-builder, 307.
Figueras, cathedral at, 336.
Florentesi, Micer Domenico Alexandro, sculptor, 179.
Fonda, the, 4.
Font, Juan, architect, 343, 370.
Ford, Mr., on the cathedral of Lérida, 347.
Forment, Damian, sculptor, 364 and note, 373.
Fornelles, 335.
Fountains Abbey, Chapter-house at, 278, note.
Francesco, San, church of, at Palencia, 63.
Franck, Juan, architect, 265, 455.
Freemasons, belief in peripatetic bodies of, probably erroneous, 464.
French churches, list of the more remarkable, having the same general
characteristics as the cathedral at Santiago, 146, note;
copies of, in Spain, 417.
Fuenterrabia, distant view of, 8.
Furniture of Spanish churches, 433.
G.
Gallegan peasantry, wretched state of, 140;
at Santiago, on Sunday, 148.
Gallego, Juan, architect, 185.
Galleries in Spanish churches, 45, 49, 53, 68, 73, 178, 186, 256, 383, 406.
Galtes, Cárlos, de Ruan, architect, 350.
Garcia, Alvar, architect, 163.
Gateways and walls of old towns:
Burgos, 54;
las Huelgas, 38;
Zamora, 101;
Leon, 109, 127;
Astorga, 129;
Lugo, 135;
Avila, 163;
Segovia, 192;
Alcalá, 201;
Sigüenza, 208;
Toledo, 211, 230;
Valencia, 268;
Tarragona, 274;
Gerona, 329;
Hostalrieb, 335;
Veruela, 384;
Olite, 400;
Pamplona, 402.
Gelmirez, Diego, Archbishop of Santiago, 143.
Gerona: cathedral, 318-329;
town walls, 329;
church of San Pedro de los Galligans, 329;
another church, 331;
San Daniel, 331, note;
San Feliu, 331;
domestic remains, 334.
---- cathedral, reports on plan for completion of, 501.
Gerónimo, San, church of, at Barcelona, 314.
Gil, San, church of, at Burgos, 50.
Gomar, Francisco, sculptor, 288.
Gomez, Alvar, architect, 251.
Gonzalez, Bishop, 108.
Granja, la, palace at, 180.
Granollers, church at, 335.
Grao, port of Valencia, 271.
Gregorio, San, college of, at Valladolid, 71, 75.
Guadalajara:
church of Sta. Maria, 202;
San Miguel, 202;
la Antigua, 202;
palace del Infantado, 203.
Guadalupe, Pedro de, architect, 58.
Guadarrama, Sierra de, 5, 180, 195.
----, village, 195.
Gual, Bartolomé, architect, 298;
his report on plan for completion of Gerona cathedral, 506.
Guas, Bonifacio de, builder, 185.
----, Juan de, builder, 185.
Guinguamps, Joannes de, his report on plan for completion of Gerona
cathedral, 510.
Guiniel, Pedro, architect, 199.
H.
Hatton Garden, Italian church in, 45, note.
Heraldry, love of, in Spain, 22, 75, 203, 256, 379.
Herrera, architect, 66, 76, 179.
Honecort, Wilars de, architect, 424.
Houtañon, Juan Gil de, architect, 86, 182, 460.
----, Rodrigo Gil de, architect, 182, 201, 460.
Host, perpetual exposition of the, at Leon, 126;
at Lugo, 133.
Hostalrich, 335.
Huelgas, las:
convent of, 34;
village, 35;
church, 35;
solemnities at, 39;
corpse of Juan II. at, 40.
Huesca:
college and palace, 362;
cathedral, 363;
church of San Pedro, 365;
San Martin, 367;
San Juan, 367.
I.
Ildefonso, San, church of, at Alcalá, 201;
chapel of, in Toledo cathedral, 250.
Infantado, palace del, at Guadalajara, 203.
Inns, Spanish, 3.
Inquisition established at Toledo, 217 note, 219 note.
Iron lectern, 50.
---- pulpit, 51, 96.
---- screens, 60, 73, 241, 253, 305, 404.
Irun, church at, 8.
Isabel, Sta., church of, at Toledo, 229.
Isidoro, San, church of, at Leon, 121;
miracles of, legend concerning, 122.
J.
Jaca, cathedral at, 368.
James, St., cathedral of, at Compostella, 141.
----, festival and tomb of the apostle, 157.
Jayme, San, church of, at Barcelona, 311.
Jews, spoliation of, at Avila, 178, note;
conversions and persecution of, at Toledo, 217 note, 219 note;
numerous bodies of them, 221.
Jimon, Maestro, architect, 459.
Joánes, Juan, painter, 197, 443.
Joseph, S., chapel of, in the cathedral of Santiago, 147.
Juan, Don, son of Ferdinand and Isabella, his tomb, 179.
---- II., funeral of, 40.
---- II. and Isabel, their monument in the chapel of Miraflores, 42.
----, San, church and convent of, at Burgos, 52;
church at Zamora, 100, note;
at Benavente, 103;
at Segovia, 192;
at Toledo, 256;
at Perpiñan, 337;
at Lérida, 347, 360;
at Huesca, 367;
monastery and church near Huesca, 368.
Juni, Juan de, sculptor, 68.
Junquera, la, Parroquia at, 336.
Juntas of architects. _See_ Architects.
Just y Pastor, SS., churches of, at Alcalá, 199;
at Barcelona, 309.
L.
Laguardia, Juan Garcia de, “Master-Mason,” 454.
Lambardo, meaning of the term, 450, note.
Lasteyrie, Ferdinand, on votive crowns at Toledo, 212 note.
Lavinia, Señor, architect, 106.
Lectern, iron, in San Esteban, Burgos, 50;
brass, in Toledo cathedral, 253.
Leocadia, Sta., church of, at Toledo, 227, 228.
Leon, road to, from Benavente, 105;
cathedral described, 105-121;
church of San Isidoro, 121-128;
chapel of Sta. Catalina, 124;
character of the city, 128;
convent of San Marcos, 128.
Leonardo, San, church of, at Zamora, 100.
Lérida: the town, 346;
cathedral, 347-359;
fragment of defensive building, 359;
church of San Lorenzo, 359;
San Juan, 360;
Romanesque house, 361;
inn, 361, note;
date of recovery of, from the Moors, 410.
Lesmes, San, church of, at Burgos, 52.
Levi, Samuel, 219 and note, 221.
Light, admission of, in Spanish churches, 34, 49, 81, 82, 87, 111, 129,
134, 152, 179, 183, 186, 300, 369, 403.
Llobet, Martin, stone-cutter, 265.
Lonja (Exchange), the, at Valencia, 270;
at Barcelona, 316.
Loquer, Miguel, sculptor, 305, note.
Lorenzo, San, church of, at Segovia, 192, note;
at Lérida, 347, 359.
Lucas, San, church of, at Burgos, 52.
Lucia, Sta., chapel of, in Toledo cathedral, 246;
in Barcelona cathedral, 304.
Lugo: wall, 131;
cathedral, 131;
church of the Capuchins, 134;
San Domingo, 135;
walls and fountains, 135.
Luine, San, church of, at Segovia, 191.
Luna, Don Alvaro de, tomb of, and his wife, in Toledo cathedral, 252.
M.
Madrid: entrance to, 195;
palace, 195;
Armeria, 196;
Museo, pictures, 196;
bull-fight, 198.
Magdalena, la, churches of: at Valladolid, 71, 72;
at Zamora, 97;
at Toledo, 226;
at Tarazona, 382;
at Tudela, 397.
Mahomedan buildings in Toledo, list of, 213, note.
Mallorca, influence of an artist of, on mediæval architecture, 429.
Manresa, situation of, 340;
the Collegiata, 340;
altar-frontal in, 344;
church del Carmen, 345.
Manrique, Bishop of Leon, 107.
Manta, the, described, 271.
Mantilla, instance of the national love for the, 272.
Maravedi, value of, in middle ages, 449, note.
Marcos, San, church of, at Salamanca, 90;
convent at Leon, 128.
Maria, Sta., churches of:
at Burgos, 13;
de las Huelgas, 34;
at Valladolid, 67;
at Zamora, 100;
at Benavente, 102;
at la Coruña, 136;
at Guadalajara, 202;
at Toledo, 217;
at Barcelona, 307, 310;
at Cervera, 346;
at Tudela, 391;
at Olite, 398;
de Naranco, near Oviedo, 413.
Martin, San, bridge of, at Toledo, 232;
story concerning, 232, note.
----, churches of:
at Valladolid, 70;
at Salamanca, 91;
at Segovia, 190;
at Huesca, 367.
Martinez, Gregorio, painter, 20, note.
Masons, Spanish, 438.
Matienzo, Garci Fernandez de, architect 43.
Matteo, San, church of, at Salamanca, 91.
Mattheus, architect, 144, 153, 449;
warrant of Ferdinand II. in his favour, 488.
Maurice, Bishop, account of, 18.
Medina del Campo: castle, 160;
church of San Antholin, 161.
---- del Rio Seco, 159.
Merced, la, convent of, at Burgos, 53.
Micalete, the, at Valencia, 264;
documents relating to, 265.
Miguel, Don, priest of Medina del Campo, donation of, 79, 84 note.
----, San, churches of:
at Palencia, 61;
at Zamora, 99;
at Segovia, 192;
at Guadalajara, 202;
at Toledo, 227;
at Barcelona, 314;
at Tarazona, 383.
Millan, San, church of, at Segovia, 187.
Miranda del Ebro, 9.
Miraflores, funeral of Juan II. at, 40;
convent and church of, 40;
chapel of, 41.
Moncada, Guillen Ramon de, architect, 380.
Moncayo, Sierra de, 376.
Monistrol in Cataluña, church near, 340.
---- in France, 417, note.
Monjuic, rock and fortress of, 292.
Monserrat, mountain-range, 339.
Monte Aragon, monastery of, 362.
Monteacadeo, tower at, 376.
Montmajeur, cemetery at, 50, note.
Monuments in Spanish churches, 31, 48, 83, 98, 119, 179, 207, 250,
251, 252, 306, 397, 434.
Monzon, town of, 362.
Moors, their influence in Spain, 194;
their toleration, 213;
their architectural skill, 216;
numerous in Toledo, 221;
duration of their rule, 409;
examples of their architecture in the period comprised in this work, 409;
their superiority to the Christians in regard to civilization, 410;
some of their public works, 412;
their use of bricks in architecture, 440;
their influence on Christian art, 441.
Moorish battlement, 38, 167, 232.
---- houses in Toledo, 221.
---- vaulting, 84, 215.
---- and Moresque work, at Valladolid, 76;
at Segovia, 193;
at Guadalajara, 202;
at Toledo, 213-232, 246;
at Tarragona, 283, 285;
at Lérida, 359;
at Huesca, 365.
Moresque, a variety of Moorish architecture, 440;
examples of, 441.
Mosques in Toledo, 215, 216.
Mota, castle de la, at Medina del Campo, 160.
----, Guillermo de la, his report on plan for completion of Gerona
cathedral, 505.
Mozarabic chapel at Salamanca, 84;
at Toledo, 237, note.
Mugaguren, Juanes de, architect, 182.
Museum, at Valladolid, 76;
at Madrid, 196.
N.
Neale, Dr., quoted, 95, 100, 101, notes.
Nicolas, San, churches of: at Burgos, 44;
at Segovia, 191;
at Gerona, 331, note;
at Pamplona, 407.
Norman, Juan, architect, 459.
O.
Oger, Benedicto, architect, 461.
Olite:
remains of castle, 398, 399;
church of Sta. Maria, 398;
San Pedro, 400.
Olotzaga, Juan de, architect, 363.
Oña, river, 318.
Operarius, office of, 454.
Organs, old, 37, 49, 73, 161, 200, 288, 306, 337, 345.
Orientation of churches, 234.
Orozco, Juan, architect, 86.
Ortiz, Pablo, architect, 252, note.
P.
Pablo, San, church and convent of, at Burgos, 52;
church at Valladolid, 71, 74;
convent and church at Barcelona, 292;
at Zaragoza, 373.
Painters and their works in Spain, 443.
Paintings in churches, 83, 117, 127, 128, 162, 169, 192, 220, 226,
254, 304, 306, 343, 382, 396.
Palencia, journey to, and arrival at, 56;
cathedral, 57;
church of San Miguel, 61;
San Francesco, 63;
other churches, 64;
walls, 64;
plain surrounding the city, 64.
Palma, contract for Exchange at, 514.
Pamplona:
cathedral, 402;
church of San Saturnino, 406;
San Nicolas, 407;
views from walls, 408.
Pancorbo, 10.
Parador, the, 4.
Parcerisa, Don F. J., quoted, 303.
Pasage, harbour of, 8.
Pavements, ancient, 218, 226, 285, 288.
Pedro, San, chapel of, in Toledo cathedral, 241.
----, churches of:
at Zamora, 100, note;
at Avila, 176;
at Toledo, 227;
at Barcelona, 294;
at Gerona, 329;
at Huesca, 365;
at Olite, 400.
Pelayo, D., Bishop of Oviedo, 163.
Peñafreyta, Pedro de, architect, 349, 452.
Permanence the main object of old Spanish architects, 420;
neglected in England now, 421.
Perpiñan, capture of, 336, note;
church of San Juan, 337;
old house, 337.
Picture-gallery at Madrid, 196.
Pisa, Francisco de, quoted, 256 note.
Pituenga, Florin de, architect, 163.
Plans of early churches, whence derived, 414.
Plans, original, of Mediæval architects, 85, 303, 460.
Plastering, at Segovia, 192, 194;
Toledo, 217.
Plateresque work, explanation of, 49, note.
Poblet, monastery and church of, 289 and note.
Polido, Pedro, architect, 185.
Ponce, Maestro, 452.
Ponferrada, 130.
Portell, Berengario, architect, 462.
Posada, the, described, 3.
Prescott, historian, quoted, 213, note.
Prie-dieu, 59.
Puerta del Cuarte, Valencia, 269.
---- del Sol, Toledo, 231.
---- de Serranos, Valencia, 269.
---- de Visagra, Toledo, 231.
Pulgar, Hernando del, quoted, 256 note.
Pulpits, iron:
in San Gil, Burgos, 51;
at Durham, 51, note;
in Zamora cathedral, 96.
Q.
Quintana, Lucas Bernaldo de, architect, 455.
R.
Railways, Spanish, 56.
Raymundo, a “Lambardo,” 450.
----, Maestro, of Monforte de Lemos, architect, 131, 449.
Reims, cathedral at, date of, 109.
Reja, meaning of, 17.
Renaissance school in Spain, works of the, little to be admired, 432.
---- work, specimens of:
in San Esteban, Burgos, 49;
cloister at Santiago, 151;
tomb in San Tomás, Avila, 179;
in Sigüenza cathedral, 205, 207;
in Barcelona cathedral, 305;
in Figueras cathedral, 336;
in collegiata at Manresa, 344;
at Lérida, 361;
at Zaragoza, 374;
at Veruela, 388;
at Pamplona, 403.
“Restoration,” 27, note;
little practised in Spain, 432.
Reus, 273, 289, 461.
Ribero-Rada, Juan de, architect, 88.
Rodrigo, Archbishop, quoted, 233, notes.
----, Maestro, wood-carver, 252.
Rodriguez, Alfonso, architect, 85, 147, 459.
----, D. Ventura, architect, 404.
----, Gaspar, architect, 60, note.
----, Juan, Canon of Segovia, his account of the cathedral, 182, 489.
----, Jusepe, illuminator, 18, note.
Romanesque work, specimens of:
near Miranda, 9;
at Santiago, 153;
at Tarragona, 278;
at Barcelona, 307;
at Elne, 337;
near Tarrasa, 340;
at Manresa, 341;
at Lérida, 361;
at Jaca, 368;
at Sta. Cruz de los Seros, 368;
at Veruela, 387;
at Pamplona, 407.
Roman, San, church of, at Segovia, 191;
at Toledo, 216, 224.
Roofing of Spanish churches, 168, 239 and note, 302, 342, 354, 435.
Roque, Maestro, architect, 298.
Round churches, Salamanca, 90;
Segovia, 184.
Ruesga, Juan de, builder, 57 note, 186.
Ruiz, Martin, architect, 88.
S.
Sagrera, Guillermo, architect, 324, 337, 457;
his report on plan for completion of Gerona cathedral, 509;
his contract for the Exchange at Palma, 514.
Salamanca:
arrival at, 78;
the old cathedral, 79;
new cathedral, 85;
walls and dilapidated buildings, 90;
church of San Marcos, 90;
San Martin, San Matteo, 91;
documents relating to the construction of the new cathedral at, 482.
Salas, church at, 367.
Salórzano, Martin de, 57, note.
Salvador, San, cathedral of, at Avila, 163.
Sanchez, Martin, wood-carver, 40, 41, note.
----, Pedro, 46, note.
Sancii, architect, 332.
Santa Maria, Bishop Pablo de, account of, 52.
Santiago, church of, at la Coruña, 138;
at Toledo, 228;
chapel of, in Toledo cathedral, 252;
chapel of, in Tarazona cathedral, 382.
---- de Compostella, journey to, 140;
situation of the city, 141;
cathedral described, 141-158;
compared with S. Sernin, Toulouse, 145;
festival of S. James, 157;
Mass in the cathedral, 158;
other churches, streets, hospital, 158.
----, warrant of Ferdinand II. concerning cathedral of, 489.
Santiañes de, Pravia, church at, 413.
Santillana, Juan de, painter on glass, 42.
Saravia, Rodrigo de, architect, 86.
Saturnino, San, church of, at Pamplona, 406.
Screens in Toledo cathedral, subjects carved on, 495.
Sculpture in Spain, 436;
in modern buildings, 446.
---- of subjects and figures in churches:
Burgos, 18, 20, 28, 30, 31, 33, 42, 47, 52;
Palencia, 63;
Valladolid, 75;
Zamora, 95;
Benavente, 103;
Leon, 115, 116, 119, 120, 125;
Lugo, 134;
la Coruña, 137;
Santiago, 151, 154;
Avila, 167, 172, 175;
Segovia, 186, 189;
Toledo, 248-252, 257;
Valencia, 262, 263;
Tarragona, 282, 286;
Barcelona, 294, 306, 310, 315, 316;
Lérida, 355;
Huesca, 364, 365, 367;
Tarazona, 383;
Tudela, 395, 396, 397, 398;
Olite, 399, 401;
Pamplona, 404, 405, 407.
Sebastian, San, 8;
church of San Vicente at, 9.
Segre, river, 346.
Segovia:
Roman aqueduct, 181;
cathedral, 181;
church of the Templars (Vera Cruz), 184;
convent of El Parral, 185;
the Alcazar, 187;
walls and gates, 187;
church of San Esteban, 187;
San Millan, 187;
San Martin, 190;
San Roman, 191;
San Facundo, 191;
Sta. Trinidad, 191;
San Nicolas, 191;
San Luine, 191;
San Antholin, 192;
San Juan, 192;
San Miguel, 192;
San Lorenzo, 192, note;
specimens of plaster-work, 192, 193;
Moresque tower, 193.
----, memoir of the Canon Juan Rodriguez on the cathedral of, 490.
Sernin, S., church of, at Toulouse, compared with cathedral of Santiago, 145.
Seu, the, at Zaragoza, 369.
Seville, date of its recovery from the Moors, 410.
Siloe, Diego de, 28.
----, Gil de, architect, 22, 42, 43, 462.
Sigüenza:
cathedral, 204;
gardens, 208.
Smith’s work in Spanish churches, 305.
Spain:
the north of, little explored, 1;
drawbacks to travelling in, exaggerated, 1;
fitting season for travelling in, 2;
inns and food, 2;
scenery, 5;
places visited by author, 5;
increased facilities for travelling in, 6;
characteristic of landscapes in, 92;
duration of Visigothic rule in, 409;
duration of Moorish rule in, 409;
Moors and Christians in, 409, 410;
subdivision of the country, 410;
portions of, not conquered by Moors, 410;
states in, in the fifteenth century, 411;
early Moorish and Christian buildings in, 412;
commerce of, with England, 427, note;
sculpture of, 436;
domestic architecture of the middle ages in, 436;
castles of, 437.
Spanish architects of the middle ages, 448.
---- buildings, catalogue of dated examples of, 467.
Stained glass in church at Miraflores, 42;
in Leon cathedral, 120;
in Avila cathedral, 170;
in Segovia cathedral, 183;
in Toledo cathedral, 248, 254;
in Gerona cathedral, 328;
in Pamplona cathedral, 404.
Steeples, examples of:
Burgos, 26;
las Huelgas, 38;
San Esteban, Burgos, 47;
Palencia, 62, 64;
Valladolid, 68, 70;
Salamanca, 88;
Zamora, 93, 99, 100;
Benavente, 103;
Leon, 114, 127;
Lugo, 134;
la Coruña, 137;
Santiago, 146;
Avila, 167, 172, 174;
Segovia, 183, 187, 191, 192;
Sigüenza, 206;
Toledo, 225, 226, 251;
Valencia, 264;
Tarragona, 281;
Barcelona, 302, 310, 312, 314;
Gerona, 321, 325, 333, 339;
Fornelles, 335;
Granollers, 335;
Figueras, 336;
la Junquera, 336;
Elne, 337;
Tarrasa, 340;
Manresa, 342;
Cervera, 346;
Lérida, 265, 352;
Huesca, 367;
Sta. Cruz de los Seros, 368;
Zaragoza, 373, 374;
Monteacadeo, 376;
Tarazona, 380, 382, 383;
Alagon, 391;
Tudela, 393, 397;
Olite, 400.
Steeples of mixed architectural character in Toledo, 224.
Summary of remarks on Gothic buildings in Spain, necessity for, 409;
Visigothic period, 409;
duration of Moorish rule, 409;
effects of the antipathy of Moors and Christians, 409;
superior civilization of the former, 410;
subdivision of the country, portions never conquered by Moors, 410;
dates of Christian successes, 410;
provinces included in the two kingdoms of Aragon and Castile, 411;
relics of the Goths, 411;
of the Moors, 412;
early Christian buildings extant, 412;
plans of churches of the tenth century, 414;
of the eleventh and twelfth centuries, 415;
influence of French types, 415;
copies of French churches, 417;
Spanish system of internal arrangement--adopted in Westminster Abbey, 418;
plan of abbey church at Veruela, 419;
group of churches illustrating the slow development of art in Spanish
buildings, 419;
permanence the great object of the builders, 420;
cathedrals of Sigüenza and Avila, 421;
of Toledo, Burgos, and Leon, 422-426;
design by Wilars de Honecort, 424;
fourteenth-century art, 426;
fifteenth-century art, 427;
Catalan churches, 429;
Segovia and Salamanca cathedrals, 431;
the later styles, 431;
the Renaissance school, 432;
church furniture, 433;
monuments, 434;
dependent buildings, 434;
church-roofing, 435;
sculpture, 436;
domestic architecture of the middle ages, 436;
ajimez windows, 437;
castles, 437;
building materials, 438;
masons, bodies of, 438;
brickwork, 439;
Moresque art, 440;
influence on each other of Moorish and Christian art, 441;
instances of Moorish influence, 441-443;
Spanish painters and paintings, 443;
sculpture in modern buildings, 446;
object of the study of ancient art, 447.
Synagogues converted into churches, 217, 219.
T.
Tafalla, churches at, 402.
Tagus, inundation of the, 211, note.
Taller del Moro, at Toledo, 223.
Tarazona:
situation and appearance, 376;
cathedral, 377;
chapel of Santiago, 382;
church of la Magdalena, 382;
la Concepcion, 383;
San Miguel, 383;
crockery-ware at, 389.
Tarragona, the old and new cities, 273;
views, 273;
Roman remains, 274;
cathedral, 274-289;
other churches, 289;
date of recovery of, from the Moors, 410.
Tarrasa, churches at, 340;
Romanesque church near, 340.
Tartana, the Valencian, 260.
Templars’ church (la Magdalena) at Zamora, 99;
(Vera Cruz) at Segovia, 184.
Temple church, London, 424, note.
Tenorio, Pedro, Archbishop of Toledo, 251 and note.
Tiles, encaustic, 43, 218, 372, 379, 383, 386.
Toledo:
approach to, 209;
view of the city, 210;
bridge of Alcantara, 211, note;
interest of the buildings, 212;
group of votive crowns, 212, note;
Moorish toleration, 213 and notes;
buildings which illustrate the Mahomedan architecture, 213, note;
fragments possibly Visigothic, 214;
church of Cristo de la Luz, 215;
mosque called De las Tornerias, 216;
church of San Roman, 216, 224;
Sta. Maria la Blanca, 217;
del Transito, 219;
the Juderia, 221;
Moorish houses, 221;
the Taller del Moro, 223;
church of Sta. Magdalena, 226;
steeples of several churches, 227;
Santiago, 228;
Sta. Leocadia, and other churches, 229;
walls, 229;
bridges and gateways, 230;
Puerta de Visagra, 231;
bridge of San Martin, 232 and note;
cathedral, 233-256;
chapel of San Ildefonso, 250;
of San Blas, 251;
of Santiago, 252;
church of San Juan de los Reyes, 256;
great artistic interest of the city, 257;
date of its recovery from the Moors, 410.
----, further notice of the cathedral, 423;
list of subjects carved on screens in, 495.
Tomás, San, church and convent of, at Avila, 178.
Tomé, San, church of, at Toledo, 227.
Tornerias, de las, Moorish mosque, 216.
Tornero, Juan, architect, 86.
Toro, collegiate church at, 101.
Torre, village of, 130.
Torre Nueva, at Zaragoza, 373.
Toulouse, church of S. Sernin at, 416.
Transito, church del, at Toledo, 219.
Trascoro, meaning of, 16.
Travelling in Spain, its drawbacks exaggerated, 1;
season for, 2;
improved facilities for, 6.
Trinidad, Sta., church of, at Segovia, 191.
Tudela:
cathedral, 391;
church of la Magdalena, 397.
Tufa, use of, for vaulting, 111.
Tuy, Don Lucas de, quoted, 107.
U.
University, at Valladolid, 76;
of Ximenes at Alcalá de Henares, 201.
Urbina, Juan de, painter, 20 note.
Ursula, Sta., church of, at Toledo, 229.
Urteaga, Domingo, architect, 461.
V.
Valdivieso, Juan de, painter on glass, 42.
Valdomar, architect, 266.
Valencia:
arrival at, 260;
cathedral, 261;
the Micalate, 264;
embroidered altar frontals, 267;
walls and gates, 268;
domestic remains, 269;
ajimez windows, 269;
features of the city, 271;
date of its recovery from the Moors, 410.
Valent, Bartolomé, builder, 265.
Valladolid:
arrival at, 65;
great Plaza and town-hall, 65;
cathedral, 66;
church of Sta. Maria la Antigua, 67;
San Martin, 70;
San Pablo, 71, 74;
San Benito, 71, 72;
la Magdalena, 72, 75;
college of San Gregorio, 71, 75;
of Sta. Cruz, 71;
Moorish archway, 76;
museum, library, university, 76.
Vallbona, monastery and church of, 289 and note.
Vallejo, Juan de, architect, 24.
Valleras, Arnaldo de, architect, 340;
his report on plan for completion of Gerona cathedral, 508.
Vallfogona, Petrus de, his report on plan for completion of
Gerona cathedral, 504.
Vall-llebrera, Pedro de, architect, 346.
Valmeseda, Juan de, sculptor, 59.
Velasco, Constable, palace of the, at Burgos, 54.
Vergara, 9.
Veruela, ride from Tarazona to, 383;
abbey at, 384.
Vicente, San, churches of: at San Sebastian, 9;
at Zamora, 99; at Avila, 170.
----, his tomb at Avila, 175.
Vilasolar, Guillermo, architect, 457.
Villa-Amil, M., quoted, 95.
Villafranca del Vierzo, 130.
---- de Panades, 273.
Villalba, 180.
Villia Espepa, chancellor of Navarre, monument to him and his
wife in Tudela cathedral, 396.
Viollet le Duc, M., value of his writings, 242 note.
Vique, city of, 339.
Visigoths in Spain, remains of their works in Toledo, 214;
votive crowns of their king Reccesvinthus, 212;
duration of their rule, 409.
Visquio, Gerónimo, Bishop of Salamanca, 79.
Vitoria, 9.
W.
Wages of architects, &c., in the middle ages, 20, 41, 42, 58, 60,
61, 71, 72, 131, 144, 169, 185, 186, 265, 266, 270, 297, 298
and note, 305 note, 319, 332 note, 349, 449-462.
Waring, Mr., his view of the cloister at las Huelgas, 38 note.
Westminster Abbey, example of the internal arrangement of a
Spanish church offered by, 418.
Windows in churches, undue number of, 111, 112.
Wren, Sir Christopher, 67;
anecdote of, 370 note.
X.
Xulbe, Joannes de, architect, 304;
his report on plan for completion of Gerona cathedral, 503.
----, Paschasius de, architect, 324;
his report on plan for completion of Gerona cathedral, 503.
Z.
Zacoma, Pedro, architect, 333, 453.
Zamora:
entrance to, 92;
cathedral, 92;
church of San Isidoro, 97;
la Magdalena, 97;
San Miguel, 99;
San Vicente, 99;
San Leonardo, 100;
Sta. Maria de la Horta, 100;
ruined church, 100;
San Juan, San Pedro, 100 note;
walls, 101;
bridge, 101;
Gothic house, 101.
Zaragoza:
old cathedral, 369;
church of San Pablo, 373;
Torre Nueva, 373;
another church, 374;
Renaissance buildings, 374;
church of Sta. Engracia, 374;
date of its recovery from the Moors, 410.
THE END.
LONDON: PRINTED BY WILLIAM CLOWES AND SONS, STAMFORD STREET, AND CHARING
CROSS.
* * * * *
Typographical errors corrected by the etext transcriber:
Die Christliche Künst in Spanien=> Die Christliche Kunst in Spanien {fn
pgvii}
Simple buttresses divide the bays of the clerestory.=> Simple the
buttresses divide the bays of the clerestory. {pg 126}
They are to be seen on a sunday=> They are to be seen on a Sunday {pg
148}
the onter built in 1109=> the outer built in 1109 {pg 230}
sarista secundas, Joannes de Boscho=> sacrista secundas, Joannes de
Boscho {pg 513}